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The hole is covered by a wooden disk."}],"exhibitions":[{"@link":{"catalogue":"1220","type":"reference"},"admin":{"id":"exhibition-1754","uid":"adlib-exhibition-1754","uuid":"d50e860c-2dca-313a-9970-1b01cecbbb85"},"summary_title":"Catalogue of the Special Exhibition of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum, June 1862"},{"@link":{"catalogue":"13","type":"reference"},"admin":{"id":"exhibition-1755","uid":"adlib-exhibition-1755","uuid":"2f8760e8-4186-36da-b320-6629c3e9a94a"},"summary_title":"Une Orf\u00e8vrerie de Terre, Bernard Palissy et la c\u00e9ramique de Saint-Porchaire"}],"identifier":[{"accession_number":"EC.2-1940","primary":true,"type":"accession number","value":"EC.2-1940"},{"priref":"76904","type":"priref","value":"76904"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76904","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76904"}],"inscription":[{"description":[{"value":"oval paper label"}],"location":"on wooden disk inside","method":"printed in black","transcription":[{"value":"GEORGE EUMORFOPOULOS"}],"type":"label"},{"location":"inside near the rim","transcription":[{"value":"2077"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1940,"latest":1940,"value":"1940-06-16"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1940"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1560,"range":true,"to":{"earliest":1560,"era":["CE"],"latest":1560,"value":"1560"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-191848","uid":"adlib-agent-191848","uuid":"60b53527-fe7f-39a1-97d2-2a8de40d66bc"},"summary_title":"Unidentified French potter"}],"note":[{"value":"The place of manufacture of 'Saint-Porchaire' ware is uncertain. It was thought to have been made at Saint-Porchaire, near Bressuire (Deux-S\u00e8vres). More recently Paris, and Fontainebleau have been considered. See Documentation"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15530","uid":"adlib-term-15530","uuid":"6c4510d9-2cfc-3f86-ba31-03011d4fc596"},"summary_title":"Henri II"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-129470","uid":"adlib-term-129470","uuid":"8353db27-fba9-33c1-94a1-f268fd2a2d21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"Paris"}]}]},"materials":[{"note":[{"value":"see Documentation"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-48844","uid":"adlib-media-48844","uuid":"85a19daa-e020-36d7-9644-55da8339e6c1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa11\/EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616264244715,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa11\/mid_EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1616264244715,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa11\/EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616264244715,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa11\/preview_EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1616264244715,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-48845","uid":"adlib-media-48845","uuid":"5f673da6-e0ca-30f2-8d14-a5538fcc79aa"},"processed":{"large":{"format":"jpeg","location":"aa\/aa20\/EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":639}]},"modified":1616256773635,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa20\/mid_EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":595},{"dimension":"width","units":"pixels","value":500}]},"modified":1616256773635,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa20\/EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":639}]},"modified":1616256773635,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa20\/preview_EC_2_1940.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":297},{"dimension":"width","units":"pixels","value":250}]},"modified":1616256773635,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113817","uid":"adlib-term-113817","uuid":"c40458c4-612c-3292-885e-d83ab3edf4f4"},"summary_title":"lower part of a ewer"}}],"note":[{"type":"history note","value":"Debruge-Dum\u00e9nil Collection; sold Paris, H\u00f4tel Drouot, Bonnefons de Lavialle commissaire-priseur, 23 January - 12 March 1850, Catalogue des objets d'art qui composent la collection Debruge Dum\u00e9nil dont la vente aux ench\u00e8res aura lieu \u00e0 Paris . . ., lot 1150; Henry T. Hope; George Eumorfopoulos; sold Sotheby's, 6 June 1940, The Eumorfopoulos Collections, Catalogue of the collection of Persian Ceramics and Islamic Glass, Egyptian, Greek and Roman Antiquities, Choice Medieval and Renaissance works of Art etc. formed by the late George Eumorfopoulos Esq., p. 71, lot 229; purchased with the Glaisher Fund"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75074","uid":"adlib-object-75074","uuid":"0ab6e574-5d63-3b95-9483-a1466ae80dac"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"}},"summary_title":"ewer"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 685, no. 1170: 'Coupe de forme semi ovoide. - Quattre masques finement model\u00e9s en relief sont \u00e9galement espac\u00e9s sur le bord du vase; ils servent de points d'attache \u00e0 des guirlandes de fruits qui retombenet en festons sur la panse; le fond est d\u00e9cor\u00e9 d'un lacis d'ornements jaun\u00e2tre bord\u00e9s de noire, incrust\u00e9s dans la p\u00e2te. Cette pi\u00e8ce est un beau fragment d'une vase de la plus belle \u00e9poque de cette fabrication.' There is no mention of the silver-plated stand which was presumably added later.","page":"685","type":"reference"},"admin":{"id":"publication-3717","uid":"adlib-publication-3717","uuid":"dfa7ef48-346e-3ef5-93a4-ab4e8d7fcb95"},"summary_title":"Description des objets d'art qui composent la collection Debruge Dum\u00e9nil pr\u00e9c\u00e9d\u00e9e d'une introduction historique"},{"@link":{"notes":"Publ. p. 108, no. 1220, lent by Henry T. Hope","page":"108","type":"reference"},"admin":{"id":"publication-3723","uid":"adlib-publication-3723","uuid":"1c3867f1-219e-387c-82a4-3cce59de08e2"},"summary_title":"Catalogue of the Special Exhibtion of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum, June 1862"},{"@link":{"notes":"Publ. p. 191, fig. viii","page":"191","type":"reference"},"admin":{"id":"publication-200001262","uid":"adlib-publication-200001262","uuid":"19d2a532-e7b6-363a-b69f-94f221305ed3"},"summary_title":"The Eumorphopoulos Collection: Western Objects I"},{"@link":{"notes":"Publ. p. 71, lot 229, illustrated","page":"71","type":"reference"},"admin":{"id":"publication-3716","uid":"adlib-publication-3716","uuid":"c8f11d10-cbb7-37ab-8086-2342fab90c47"},"summary_title":"The Eumorfopoulos Collections, Catalogue of the Collection of Persian Ceramics and Islamic Glass, Egyptian, Greek and Roman Antiquities, Choice Medieval and Renaissance Works of Art etc. formed by the late George Eumorfopoulos Esq."},{"@link":{"notes":"Publ. p. 158, fig. 41. This thesis, presented in 1987, discusses the origins, shapes, influences on the ornament, and technique of manufacture of Saint-Porchaire ware.","page":"158","type":"reference"},"admin":{"id":"publication-3719","uid":"adlib-publication-3719","uuid":"82177748-31e7-3ddf-95cf-42bc87e91ba0"},"summary_title":"The 16th Century French Ceramic Ware called Saint-Porchaire"},{"@link":{"notes":"Publ. p. 132, no. 2, illustrated, and on p. 130, the illustration from Delange, Carle, Recueil . . ., 1861.  Ref. For information about the production of 'Saint-Porchaire' ware, and suggestions on its origins, and place of manufacture","page":"130, 132","type":"reference"},"admin":{"id":"publication-3722","uid":"adlib-publication-3722","uuid":"2a130b95-5570-3cd1-b215-c93e1e837180"},"summary_title":"Saint-Porchaire Ceramics, Studies in the History of Art, 52, Monograph Series II"},{"@link":{"notes":"Publ. p. 87, no. 13.","page":"87","type":"reference"},"admin":{"id":"publication-3724","uid":"adlib-publication-3724","uuid":"7e0c930b-fdb8-3a8b-b032-fd422dfaccad"},"summary_title":"Une Orf\u00e8vrerie de Terre, Bernard Palissy et la c\u00e9ramique de Saint-Porchaire"},{"@link":{"notes":"Ref.","page":"58-64","type":"reference"},"admin":{"id":"publication-200001263","uid":"adlib-publication-200001263","uuid":"16d6276d-645e-3cc2-97a9-0c0b8b3f43a7"},"summary_title":"Some notes on the technology and origin of the ornamentation of Saint-Porchaire wares"},{"@link":{"type":"reference"},"admin":{"id":"publication-200001264","uid":"adlib-publication-200001264","uuid":"2677e429-93b1-3626-a8bc-de8a55978623"},"summary_title":"New directions for the study of Saint-Porchaire"},{"@link":{"notes":"Ref. For the most comprehensive survey of technical aspects of Saint-Porchaire ware, including analyses of bodies and glazes,","page":"264-80","type":"reference"},"admin":{"id":"publication-200001265","uid":"adlib-publication-200001265","uuid":"35f54dd3-0398-32d0-acf2-0147a78e7025"},"summary_title":"Technical appendix II: The \"Saint-Porchaire\" Ceramics"},{"@link":{"notes":"Ref. pp. 242-50, and three entries, pp. 250-63, a salt (1942.9.353), a cup (1942.9.351), and a candlestick (1942.9.352), whose technical aspects are discussed in Appendix II","page":"242-63","type":"reference"},"admin":{"id":"publication-200001266","uid":"adlib-publication-200001266","uuid":"67cc001e-012e-3fb4-9979-e47845ce55db"},"summary_title":"Saint-Porchaire"},{"@link":{"type":"reference"},"admin":{"id":"publication-200003218","uid":"adlib-publication-200003218","uuid":"7bcc56b2-43a0-3694-a0bb-12c7df4b5a75"},"summary_title":"La c\u00e9ramique de Saint-Porchaire"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10604","uid":"adlib-term-10604","uuid":"1e7fbf60-43c9-3c5a-852a-c014514e9f77"},"summary_title":"Mannerist"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113817","uid":"adlib-term-113817","uuid":"c40458c4-612c-3292-885e-d83ab3edf4f4"},"summary_title":"lower part of a ewer"}},"summary_title":"lower part of a ewer","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Henri II Ware Ewer"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82401","_score":18.061056,"_source":{"admin":{"added":1592999705000,"created":1312637261000,"flag":"Standard Record","id":"object-82401","indexed":1756490529726,"modified":1756461737000,"processed":1756490522161,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82401","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82401","uuid":"eff5499a-48cd-3b79-9d31-3af174fbd28b","version":24},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149947","uid":"adlib-agent-149947","uuid":"a5d1d810-2e06-3d3b-99b4-4bfc670830d6"},"summary_title":"Riches, Thomas Henry"},{"@link":{"type":"reference"},"admin":{"id":"agent-161228","uid":"adlib-agent-161228","uuid":"2ce6f244-2d3b-3ce8-ba58-cfa32a3faa67"},"summary_title":"Yates Thompson, Henry"},{"@link":{"type":"reference"},"admin":{"id":"agent-184635","uid":"adlib-agent-184635","uuid":"439f68d1-e560-3280-a9ed-d62cbb46987f"},"summary_title":"Quaritch, Bernard"},{"@link":{"type":"reference"},"admin":{"id":"agent-135143","uid":"adlib-agent-135143","uuid":"6eb6e76c-cb15-3537-8fc5-3959ca32a9f8"},"summary_title":"Tite, William, Sir"},{"@link":{"type":"reference"},"admin":{"id":"agent-161324","uid":"adlib-agent-161324","uuid":"bf295cd2-ab15-336b-bd8c-3dcc41b7e955"},"summary_title":"Loscombe, C. 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162r-208r Hymns for week days, Epiphany, the Nativity of the Virgin, the feasts of Saints Agatha and Benedict, from Lent to Ascension, the feasts of Saints Peter, Paul and Martin, Confessors, Advent, Christmas, Epiphany, from Lent to Corpus Christi, Conversion of St Paul, Chair of St Peter, Saints John the Baptist, Peter and Paul, Mary Magdalene, Peter \u2018in chains\u2019, Assumption of the Virgin, St Michael, All Saints, Common of Saints, dedication of a church, and St Mary Magdalene.\n\nDECORATION: Half-page framed miniature: fol. 2r Psalm 1, Penitent David playing psaltery in a landscape and looking up to a vision of the Trinity (Throne of Mercy), with full all\u2019 antica style border with gems, pearls, cornucopiae, flaming lopped branches (bronconi), shields with the Medici arms supported by putti, three vignettes showing the Annunciation (upper border), the Adoration of the Child (outer border), and the Last Judgement with Christ enthroned among the saints and St Michael 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(1615-1680) (arms on spine), whose collection was sold in Paris in 1668; Philip Carteret Webb (1702-1770), Barrister, FSA, FRS; his sale, London, Baker & Leigh, 25 Feb. \u2013 14 March 1771, probably lot 2796; Michael Wodhull (1740-1816), who acquired it on 28 Jan. 1797 (ownership inscription, fol. 209r); C.W. Loscombe of Clifton; his sale, London, Sotheby\u2019s, 19 June 1854, lot 1173; purchased by Sir William Tite (1798-1873), a dealer\u2019s price code and ownership inscription, \u2018From the Library of C.W. Loscombe, July 1854, W. Tite\u2019, on verso of paper flyleaf at front; his sale, London, Sotheby\u2019s, 30 May 1874, lot 2416; Bernard Quaritch, Catalogues 1880, no. 84 and 1886, no. 35764; purchased from him by Henry Yates Thompson (1838\u20131928) on 6 Jan. 1894 (his bookplate inside upper cover, Sydney Cockerell\u2019s note \u2018Comp. Eg 1148 of BM\u2019 on recto of parchment flyleaf at front); his sale, London, Sotheby\u2019s, 23 March 1920, lot 62; purchased by Thomas H. Riches (1856 \u2013 1935); his bequest, 1935 (received in 1950)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Cambridge Illuminated"}],"summary_title":"Cambridge Illuminated"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-3723","uid":"adlib-publication-3723","uuid":"1c3867f1-219e-387c-82a4-3cce59de08e2"},"summary_title":"Catalogue of the Special Exhibtion of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum, June 1862"},{"@link":{"type":"reference"},"admin":{"id":"publication-3684","uid":"adlib-publication-3684","uuid":"607d44f2-ed43-3010-a96d-27cec3d6579b"},"summary_title":"Illuminated Manuscripts"},{"@link":{"type":"reference"},"admin":{"id":"publication-3632","uid":"adlib-publication-3632","uuid":"071f7626-a1be-3093-a56f-4856f494f78a"},"summary_title":"A descriptive catalogue of fifty manuscripts from the collection of Henry Yates Thompson"},{"@link":{"type":"reference"},"admin":{"id":"publication-3633","uid":"adlib-publication-3633","uuid":"6e2b09b3-7ca4-340e-a718-7f9e7f2b34f2"},"summary_title":"Illustrations of 100 manuscripts in the library of H.Y. 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slightly slightly convex copper plaques with a white preparation, enamelled in blue, turquoise, green, flesh pink, mulberry, tan, brown, grey, black, and white, and gilded. The reverses have clear counter-enamel."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28779","uid":"adlib-term-28779","uuid":"9ded0180-afed-3209-bd56-ea3a2c252893"},"summary_title":"hammering"}}]},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20.2"},{"dimension":"Width","units":"cm","value":"17.2"}]},"name":"Centre Panel"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20.2"},{"dimension":"Width","units":"cm","value":"7.8"}]},"name":"Side Panels"}],"department":{"value":"Applied Arts"},"description":[{"value":"Copper, polychrome enamels, and gilding. Triptych comprising plaques of the Lamentation over the Dead Christ flanked by the Prophet Daniel and St Peter"},{"value":"Three slightly convex copper plaques with a white preparation, enamelled in blue, turquoise, green, flesh pink, mulberry, tan, brown, grey, black, and white, and gilded. The reverse has clear counter-enamel.\nThe central plaque shows the three Marys and the Virgin grieving over the dead Christ with St John standing on the right beside a tree, accompanied by an elderly bearded man, and a partly visible clean-shaven man, probably Joseph of Arimathea and Nicodemus;  on the left, behind the Marys, is a partly visible bald-headed man. In the landscape background there are rocks and a tree on the left, and on the right, on Golgotha, a man, three crosses and a ladder propped against the one vacated by Christ. The sky is scattered with stars.\nThe Virgin wears a white wimple, a blue dress and blue cloak. The Mary to the left of her is dressed in a turquoise dress and pale brown cloak. The one nearest to her on the right wears a turquoise hat and dress, and the Mary further to the right, a green swathed cap and a tan dress. St John has a blue cloak over a mulberry gown. Joseph of Arimathea has a turquoise turban, and blue gown, and Nicodemus a blue hat and a turquoise jacket with a collar. The man on the left is dressed in a blue coat with a collar. In the foreground there are three turquoise plants on the green ground. Gold is used for the hair of Christ, two Marys and St John, to outline the edges of some of the garments, and ADD   \nOn the left wing, the prophet Daniel stands on a hexagonal platform in a niche below an ornate canopy. He faces front, with his head in profile to the right, and holds a scroll inscribed in black,\"O VOS.O(M)NES I.TRANSITIS.PERVIAM. ATENDITE.ET VIDETE. SI. EST. DOLOR.SIMI\" (sic, the ending should be SICUT DOLOR MEUS) (O all of you who travel by the road, wait and see if there is such sorrow). He is bearded, and wears a greyish-turquoise turban, a gown of the same colour, and a blue cloak. The platform, niche, and canopy are tan with gilded details. The sides of the platform have two panels carved with nude figures, flanking one carved with two foliated scrolls terminating in monster heads. The canopy has a winged putto's head in the gable, and on the sides, three panels of nude figures. Above the gable there are pairs of foliated scrolls and at the top, divided by the apex of the gable,\"15 P\"and \"R 38\"  inscribed in gold. The wall of the niche are scattered with fleur-de-lys, and level with the figure head have a cornice inscribed \"DANIEL PROFETE\"\nOn the right wing, an apostle, probably St Peter, stands in an analogous niche. He is shown in profile stepping towards the left holding a scroll inscribed \"CHRISTVS. PASSVS. EST  PRO. NOBIS.VOBIS RELINQVENS EXEMPLUN\" (sic the last letter should be M)(Christ suffered for us, leaving for you an example). He is bald-headed and bearded, and wears a a long blue gown with a turquose shawl round his shoulders. The front of the platform is decorated with two panels carved with nude figures flanking one carved with a pair of foliated cornucopia. The gable of the canopy has a reclining putto, and on the sides below are two panels carved with reclining figures flanking one with two putti supporting a shield inscribed \"Ihs\". Above there are pairs of foliated scrolls and in the top corners \"P\" and \"R\" in gold. The niche are scatteed with groups of four dots on the right, and ? cross-hatched on the left, and at the top have a cornice decorated with a row of circles instead of an inscription."}],"exhibitions":[{"@link":{"catalogue":"1750","type":"reference"},"admin":{"id":"exhibition-1265","uid":"adlib-exhibition-1265","uuid":"723e9b4e-5a35-3d5f-933e-29f6c9da35fe"},"summary_title":"Special Exhibition of Works of Art of the Mediaeval, Renaissance and More Recent Periods"},{"@link":{"catalogue":"148","type":"reference"},"admin":{"id":"exhibition-2003","uid":"adlib-exhibition-2003","uuid":"96abc825-e9c0-3b63-b36c-44f6245b9959"},"summary_title":"Catalogue of a Collection of European Enamels from the Earliest Date to the End of the XVII Century"},{"@link":{"catalogue":"45","type":"reference"},"admin":{"id":"exhibition-1609","uid":"adlib-exhibition-1609","uuid":"6d201037-48f1-3a69-9e4e-72551b7f32d0"},"summary_title":"Treasures from the Fitzwilliam"},{"@link":{"catalogue":"97","type":"reference"},"admin":{"id":"exhibition-1933","uid":"adlib-exhibition-1933","uuid":"d334c181-c6c3-3d54-a77d-d572588c9a30"},"summary_title":"William Beckford, 1760-1844: An Eye for the Magnificent"}],"identifier":[{"accession_number":"M.1-1926","primary":true,"type":"accession number","value":"M.1-1926"},{"priref":"131080","type":"priref","value":"131080"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131080","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131080"}],"inscription":[{"location":"top of left panel","method":"painted in gold","transcription":[{"value":"15  P R 38"}],"type":"initials"},{"location":"top of right panel","method":"painted in gold","transcription":[{"value":"PR"}],"type":"initials"},{"location":"on centre panel below Christ","method":"painted in gold","transcription":[{"value":"PR"}],"type":"initials"},{"location":"on left wing","method":"painted","transcription":[{"value":"DANIEL PROFETE"}],"type":"inscription"},{"location":"on left wing on scroll held by Prophet","method":"painted","transcription":[{"value":"O VOS.O(M)NES I.TRANSITIS.PERVIAM. ATENDITE.ET VIDETE. SI. EST. DOLOR.SIMI"}],"type":"inscription"},{"description":[{"value":"the last letter should be an M"}],"location":"on right wing on scroll held by Saint","method":"painted in","transcription":[{"value":"CHRISTVS. PASSVS. EST  PRO. NOBIS.VOBIS RELINQVENS EXEMPLUN"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by F. Leverton Harris"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1926,"latest":1926,"value":"1926-11-14"}],"method":{"value":"bequeathed"},"note":[{"value":"the testator died on 14 November 1926 and this was the date entered in the accession register, although presumably the objects in his bequest did not arrive until several weeks later. The next entry was dated 1 March 1927."}]}],"creation":[{"date":[{"earliest":1538,"era":["CE"],"latest":1538,"precision":"dated","value":"1538"}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-114217","uid":"adlib-agent-114217","uuid":"d84e37de-af7e-3317-8a55-c97eb4e99bcc"},"summary_title":"Reymond, Pierre"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"Triptychs were used as a focus for private devotions by religious and lay persons. When not in use the hinged wings could be folded over the central plaque to protect it. The exquisite execution, Raphaelesque style, and colouring of this example are characteristic of Pierre Reymond's early polychrome religious works dated in the late 1530s. The figures and architectural canopies on the wings are similar to those on a triptych with a central plaque of the Virgin and Child with Saints which he made for Louis de Bourbon (1495-1575), Abbess of Fontevrault in the same year, 1538, and is now in the Minneapolis Museum of Art (inv. 88.53). \n\nThe Lamentation was not described in the Gospels but was assumed to have taken place after Christ's body had been removed from the Cross, and before it was taken away for burial. The composition of the centre panel closely follows the engraving by Marcantonio Raimondi after Raphael of the 'Three Marys Lamenting the Dead Christ', although the enameller made some alterations to the heads of the man on the extreme left and the two Marys on either side of the Virgin. The inscription held by the Prophet Daniel is taken from the Lamentations of Jeremiah 1, 12, which if complete would read 'O all uou who travel by the road, wait and see if there is any sorrow like my sorrow'. This was an appropriate quotation for a wing flanking a scene from the Passion of Christ, because lessons from Lamentations were included in the tenebrae services which took place on the three days preceding Easter Sunday. The inscription on the scroll held by the other figure is from1 Peter 2,21, 'Christ suffered for us, leaving for you an example', which was equally  appropriate. It also indicates that the figure is St Peter, although he does not hold a key, his usual attribute. \n\nThe triptych was acquired by the English collector, William Beckford (1760-1844) at an unknown date before 1822, possibly on one of his visits to France. The triptych's superb quality and Raphaelesque style would have appealed to Beckford's taste for High Renaissance art, as would its deeply moving religious subject. His small but splendid collection of Limoges painted enamels included an earlier triptych attributed to Nardon P\u00e9nicaud, now in the British Museum. On Beckford's death the Fitzwilliam's triptych was inherited by his daughter, Susan Euphemia (1786-1859), who had married Alexander, 10th Duke of Hamilton (1867-1852), who, like her father, was an ardent francophile, and art collector."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120009","uid":"adlib-term-120009","uuid":"690a6332-cfc1-3411-a716-4dd4ec7d9a65"},"summary_title":"16th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-15528","uid":"adlib-term-15528","uuid":"e0418d83-969d-363c-8fb5-34f0fc63d26a"},"summary_title":"Fran\u00e7ois I"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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(back)"}]},"type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1257884603","source":"portfolio","uid":"portfolio-media-1257884603","uuid":"1b09ab4a-f9a4-39e6-8c58-65884cae82cf"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/852\/large_M_1_1926_1_200801_mfj22_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":619},{"dimension":"width","units":"pixels","value":1023}]},"modified":1550048741000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/852\/mid_M_1_1926_1_200801_mfj22_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":302},{"dimension":"width","units":"pixels","value":499}]},"modified":1550048741000,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/852\/M_1_1926_1_200801_mfj22_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":2561},{"dimension":"width","units":"pixels","value":4234}]},"modified":1550048741000,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/852\/preview_M_1_1926_1_200801_mfj22_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":151},{"dimension":"width","units":"pixels","value":250}]},"modified":1550048741000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid 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Duchess of Hamilton, n\u00e9e Beckford  (1786\u20131859), and her husband, Alexander, 10th Duke of Hamilton (1767\u20131852); by descent to the 12th Duke of Hamilton (1845\u201395); sold Christie\u2019s, 17 June - 20 July 1882, Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects the Property of His Grace the Duke of Hamilton, K.T., lot 971 (\u00a31,218); W. Wareham; John Edward Taylor (1830\u20131905); his widow, Martha (d. 1912); Christie\u2019s, 1-4 and 9-10 July 1912, Catalogue of the Renowned Collection of Works of Art . . . formed by the late John Edward Taylor, day 1, lot 142; Durlacher Bros, London; Frederick Leverton Harris (1864-1926), London."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. pp. 165-6, no. 1750. Cf.  p.166, no. 1,751, a triptych of 1538 by Reymond which was made for Louise de Bourbon, Abbess of Fontevrault, lent by Baron Gustave de Rothschild.  The treatment of the figures and architectural canopies on the wings is comparable.","page":"165-6","type":"reference"},"admin":{"id":"publication-3723","uid":"adlib-publication-3723","uuid":"1c3867f1-219e-387c-82a4-3cce59de08e2"},"summary_title":"Catalogue of the Special Exhibtion of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum, June 1862"},{"@link":{"notes":"Publ. p. 10, where the centre panel is described as the Deposition, illustrated pl. XVIII","page":"10","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. p. 43, no. 45","page":"43","type":"reference"},"admin":{"id":"publication-4595","uid":"adlib-publication-4595","uuid":"98c68e8e-e4f4-3e0e-9dac-ad92f0666445"},"summary_title":"Treasures from the Fitzwilliam Museum"},{"@link":{"notes":"Publ. p. 369, no. 97.","page":"369","type":"reference"},"admin":{"id":"publication-6148","uid":"adlib-publication-6148","uuid":"d39ffc66-38ed-3459-936e-6cb0d207302d"},"summary_title":"William Beckford, 1760-1844: An Eye for the Magnificent"},{"@link":{"notes":"Ref. p. xxiii-iv, for biography of Pierre Reymond","page":"p. xxiii-iv","type":"reference"},"admin":{"id":"publication-6021","uid":"adlib-publication-6021","uuid":"6dafbb49-bc39-3d0c-b5ad-634dbead2cf0"},"summary_title":"The Walters Art Gallery, Catalogue of the Painted Enamels of 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Illustrated Bartsch 26 Formerly Volume l4 (Part 1) The works of Marc-antonio Raimondi and of his School"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-102735","uid":"adlib-term-102735","uuid":"9ffebc71-0d53-3435-b13f-9ab850955082"},"summary_title":"prayer"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-108538","uid":"adlib-term-108538","uuid":"795ce314-a9bb-3fcc-9c39-4b671ec72fc3"},"summary_title":"cross"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-121325","uid":"adlib-term-121325","uuid":"c27092ac-5eb5-3c57-bfbd-ad65972a83f5"},"summary_title":"The Lamentation"},{"@link":{"type":"literal"},"name":[{"value":"cross"}],"summary_title":"cross"},{"@link":{"type":"literal"},"name":[{"value":"The Lamentation"}],"summary_title":"The 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painted enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-120007","uid":"adlib-term-120007","uuid":"00af7c97-d937-3d5c-a1af-d2a83fe2785b"},"summary_title":"Frank McClean"}],"component":[{"materials":[{"note":[{"value":"white, turquoise-green, pale mauve, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"copper, enamelled in grisaille on a manganese-black ground, and gilded; the top also enamelled in turquoise-green, and the base in turquoise, and pale mauve."}],"note":[{"value":"white, turquoise-green, pale mauve, and manganese-black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"name":"Plaque"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10.9"}]},"name":"Across Points"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10"}]},"name":"Across Flat Sides"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-102639","uid":"adlib-term-102639","uuid":"2c240716-c1bb-36c4-9594-b0a98f1208c2"},"summary_title":"allegory"}]},"department":{"value":"Applied Arts"},"description":[{"value":"copper enamelled in grisaille and in turquoise-green, turquoise and mauve on a black ground and gilded"},{"value":"Hexagonal with straight sides, projecting upper and lower edges, and a concave central depression in the top and base. Copper, enamelled en grisaille on a black ground, and gilded; the top also enamelled in turquoise-green, and the base in turquoise, and pale mauve.  The salt pan is decorated with a bust of a man in profile to right wearing a hat with a feather in it, and is inscribed \"IE SVIS  PARIS\" (I am Paris) in gold surrounded by two gold circles. On the flat surround there are three pairs of cornucopia with foliated terminals, containing turquoise fruits. Round the outer edge is a gold line broken at regular intervals by five oblique strokes. In the depression in the base is a head of a woman in profile to left, wearing a turquoise frontlet, a snood, and a turquoise oval cabochon over her ear. The black ground is dotted with gold, and inscribed \"LABELLE ELLENE\" (Beautiful Helen) in gold within a gold circle. On the flat area there are three white roses and three pale mauve roses linked by stems bearing either two pairs of turquoise or two pairs of green leaves, and pairs of gold tendrils. Round the outer edge is a gold line broken at regular intervals by five oblique strokes. The sides are decorated with six figures flanked by rocks and small gold plants, each with a gold inscription above. From right to left:\nFortune stepping to the right, holding the staff of a billowing pennant in her right hand, and its tail in her left; inscribed \"TOVT. FORTVNE\/LE VA\"  with an orb between the LE and VA.\nA jester steps to the left raising his right hand, and holding a jester's staff over his shoulder in his left; inscribed \"IL SEMBLE AVVILART.ABVZ.QVE.LES.  IEVLX\/DAY MER SOYENT PERDVZ\" (It seems to the old mistakenly that the games of love may be over, i.e. lost for ever or It seems to the old that enjoyment of the games of love may be lost through over indulgence).\nAn old woman in sixteenth century costume holding a walking stick in her left hand and placing her right held to her bosom; inscribed, \"QVA(N)T.DVIEV.DAYMER.  ME\/SOVVIE(N)T.LA.LARME.AVXI.EVLVLX.ME VIEN.A 70 ANS\" (When I remember the game of love a tear comes to my eyes at 70 years).\nAn old man in sixteenth century costume walking to the left, holding up his right hand and holding a walking stick in his left; inscribed \"HELAS.IESVS.VR(A)I\/DIEV:DE GRACE.E.IEV.D.YMER.FAICT.N.ENCORES A.80 .ANS (Alas, Jesus true God of Grace, I still like to do it  at 80 years).\nA middle aged woman, perhaps a nun, wearing sixteenth century costume, walking to the left, holding a gold rosary in her right hand and holding up her skirt in her left hand; inscribed \"QVANT.ON.LE ME.PRE SANTE. IELE. PRENS.EN\/ PACIANCE A. 40.ANS\" . (When someone offers I take it patiently at 40 years).\nAn middle aged man in sixteenth century costume with a turquoise jewel on each sleeve opening, walking to the left leaning on a walking stick held in his right hand, and holding his left with its thumb tucked into his belt; inscribed \"ET.MOY.TEL.QVE.IE.SVYs IL LE .FAIZ QVANT.IE.PV.A.50 ANS\"  (And me, such as I am, I do it when I can at 50 years).\nOn each of the angles there is a foliated spindle (?), and on the top of the projecting base a border of overlapping wavy lines forming a cable."}],"exhibitions":[{"@link":{"catalogue":"1725","type":"reference"},"admin":{"id":"exhibition-1754","uid":"adlib-exhibition-1754","uuid":"d50e860c-2dca-313a-9970-1b01cecbbb85"},"summary_title":"Catalogue of the Special Exhibition of Works of Art of the Medieval, Renaissance, and more Recent Periods, on loan at the South Kensington Museum, June 1862"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1077","uid":"adlib-exhibition-1077","uuid":"a9790b74-5102-3534-9d71-e4f0dc4f89f3"},"summary_title":"Tempus, The Art of Time"},{"@link":{"catalogue":"188","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"M.50-1904","primary":true,"type":"accession number","value":"M.50-1904"},{"priref":"139843","type":"priref","value":"139843"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139843","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139843"}],"inscription":[{"location":"on salt pan","method":"painted in","transcription":[{"value":"IE SVIS  PARIS"}],"type":"inscription"},{"location":"on base","method":"painted in","transcription":[{"value":"LABELLE ELLENE"}],"type":"inscription"},{"description":[{"value":"an orb between the LE and VA"}],"location":"on side decorated with Fortune","method":"painted in","transcription":[{"value":"TOVT\u2022PAR\u2022FORTVNE\/LE VA"}],"type":"inscription"},{"location":"on side decorated with jester","method":"painted in","transcription":[{"value":"IL SEMBLE AVVILANT\/ PAR\u2022ABVZ\u2022QVE\u2022LES\u2022 IEVLX\/DAY MER SOYENT PERDVZ"}],"type":"inscription"},{"location":"on side with old woman with walking stick","method":"painted in","transcription":[{"value":"\u2018QVA(N)T\u2022DVIEV\u2022DAYMER\u2022 ME\/SOVVIE(N)T\u2022LA\u2022LARME\u2022AVXI\/\u2022EVLVLX\u2022ME VIEN\/\u2022A 70 ANS"}],"type":"inscription"},{"location":"on side with old man with walking stick","method":"painted in","transcription":[{"value":"HELAS\u2022IESVS\u2022VR(A)I\/DIEV:DE GRACE\u2022LE\u2022 IEV\u2022D\/AYMER\u2022FAICT\u2022ON\u2022ENCORES\/A\u202280\u2022ANS"}],"type":"inscription"},{"location":"on side with middle aged woman holding rosary","method":"painted in","transcription":[{"value":"QVANT\u2022ON\u2022LE ME\u2022PRE\/ SANTE\u2022IELE\u2022PRENS\u2022EN\/PACIANCE A\u202240\u2022ANS"}],"type":"inscription"},{"location":"on side with middle aged man","method":"painted in","transcription":[{"value":"ET\u2022MOY\u2022TEL\u2022QVE\u2022 IE\u2022SVYs\/IL LE\u2022FAIZ QVANT\u2022IE\u2022PV\/\u2022A\u202250 ANS\u2019"}],"type":"inscription"},{"description":[{"value":"part of a circular paper label with a black border"}],"location":"on rim below the depression containing Helen","method":"hand-written in pencil","transcription":[{"value":"390\u2019"}],"type":"label"},{"description":[{"value":"a very small rectangular paper label"}],"location":"stuck on top of the circular label","method":"printed in black","transcription":[{"value":"512"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1545,"note":[{"value":"The dating is suggested by a salt dated 1542 in the Wallace Collection"}],"range":true,"to":{"earliest":1545,"era":["CE"],"latest":1545,"value":"1545"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"}],"note":[{"value":"The amorous message of this salt is related to the theme of the Ages of Man, which during the Middle Ages and Renaissance might be identified as three, four, seven, or twelve stages. The Ages of Man in decades was a late medieval development and was more common in the Low Countries and Germany.  Normally the ages of life after forty would be shown as a gradual decline towards death, but the decoration here presents a more optimistic view because the middle aged and old people express views which indicate that their interest in love-making continues. The goddess Fortuna\u2019s ability to make or marr lovers\u2019 happiness by her fickle behaviour is mentioned frequently in French literature from the late 12th century onwards, and a jester or fool was often used in 15th and 16th century art as an indication of lust or folly. The jester's statement on the salt is ambiguous, according to the interpretation of the word 'abus'. It could be read as meaning that the old are mistaken in thinking that their ability to enjoy love-making is lost, or that the ability to love is lost through excessive indulgence in love-making, a view expressed in a well known late 12th century treatise 'De Amore' by Andreas Cappellanus. Possibly the head of Helen, the beautiful wife of Menelaus, King of Sparta, and that of Paris, who precipitated the Trojan War by abducting her, represent the prime of life, but their presence could also be a reminder that unbridled passion may  lead to disaster.\n\nThere is an analogous polychrome salt in the Wallace Collection, which has similar figures and inscriptions with variant spellings but without the ages on the sides, and, on the top and bottom depressions respectively, profile busts of Pallas surrounded by cornupias, and Jupiter surrounded by stylized roses (III M 260). (1) It is inscribed, with the letter \u2018N\u2019 in gold suspended from a swag on the side of the old woman. A companion salt in the Wallace (III M.261), dated 1542, is decorated in a similar manner, but with different heads and figures. The top and base are decorated respectively with Paris and Athena with cornucopia borders. One side is decorated with Cupid blindfold, one with Venus in her chariot, and the other four with a young lady or a gentleman accompanied by an inscription. (See Documentation, Higgott, 2011) These salts suggest that the Fitzwilliam's may originally have had a pair which represented the earlier Ages of Man or Love. The figures of the middle-aged man and woman are reminiscent of two lovers on a small plaque attributed to Colin Nouailher in the Mus\u00e9e des Arts D\u00e9coratifs in Paris, (See Documentation Biron, 2011).\n\nThe Fitzwilliam\u2019s salt was attributed tentatively to Colin Nouailher by Dalton, 1912, a reasonable suggestion in view of the inscriptions, a feature of Colin Nouailher\u2019s work, and the expressions of the figures, which are similar in character to those on his few initialled works. This attribution is supported by the letter 'N' on one of the salts in the Wallace Collection. The rose border on one end of this salt was also used in Pierre Reymond's workshop and there are several hexagonal salts of this form initialled PR, but they are enamelled in a very different style. See Fitzwilliam M.4-1966, where these are mentioned. \n\nThe salts were constructed in an interesting way. X-radiography of a hexagonal salt in the  British Museum revealed that it was made in three parts. The sides were made of one piece of copper which was bent into shape and had a flap folded over on one angle. 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(according to the Wallace Collection\u2019s annotated catalogue). . . . Hollingworth Magniac (1786\u20131867, Colworth, Bedfordshire; his son, Charles Magniac(1827\u201391); \n sold Christie\u2019s, 2, 4-8 and 11-15 July 1892, Catalogue of the renowned collection of works of art chiefly formed by the late Hollingworth Magniac Esq. 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XXII","page":"110-111","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Publ. p. 216, 64.21 under no. 64, pp. 210-19, two salts of the same form, with polychrome figures, of which no. 64b has analogous figures and inscriptions on the sides, but different heads on the top and base, see p. 215, pls. 64.12 to 64.19.","page":"216","type":"reference"},"admin":{"id":"publication-7299","uid":"adlib-publication-7299","uuid":"6f4a68e9-f500-30d4-b9dd-88b93e40816a"},"summary_title":"The Wallace Collection, Catalogue of Glass and Limoges Painted Enamels"},{"@link":{"notes":"Publ. p. 197, Fig. 216, and p. 270, Cat. 188","page":"197, 270","type":"reference"},"admin":{"id":"publication-7751","uid":"adlib-publication-7751","uuid":"cfa79c6e-ae29-31e3-85fa-3a838db1be3c"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"notes":"Cf. p. 51, no. 260 with different figures","page":"51","type":"reference"},"admin":{"id":"publication-6083","uid":"adlib-publication-6083","uuid":"09810329-53bf-3713-bc5b-e194f6467063"},"summary_title":"Wallace Collection, Catalogue, Objects of Art, Illustrations"},{"@link":{"notes":"Cf. p. 15, for x-radiography of a hexagonal salt in the British Museum, 1888.0705.1, showing method of joining the three parts","page":"13-22","type":"reference"},"admin":{"id":"publication-200002564","uid":"adlib-publication-200002564","uuid":"292257b1-8817-3726-8f37-6bdaa3f7d9e1"},"summary_title":"Limoges Painted Enamels: evidence for specialist copper-smithing workshops"},{"@link":{"notes":"Cf. pp. 142-3, no. 30, a plaque from a coffer showing a man and woman in contemporary costume offering each other a rose and a heart respectively, painted in grisaille with green, turquoise, pink and gold,  dated to c. 1540-50. The salts in the Fitzwilliam Museum and the Wallace Collection are mentioned.","page":"142-3","type":"reference"},"admin":{"id":"publication-7297","uid":"adlib-publication-7297","uuid":"63470d8f-cfbe-3825-9919-c40c11c83e45"},"summary_title":"\u00c9maux peints de Limoges XVe-XVIIIe si\u00e8cles, la collection du Mus\u00e9e des Arts D\u00e9coratifs"},{"@link":{"notes":"Cf.  p. 136, fig. 12,  a mid16th century German broadside \u2018Wer Weis obs wahr ist? (Who knows whether it is true? with a jester watching amorous figures and other figures of men and women, with humorous inscriptions expressing views comparable to those on the salt","page":"125-48","type":"reference"},"admin":{"id":"publication-200002823","uid":"adlib-publication-200002823","uuid":"4d53f166-327c-3e3d-bf26-be13ff999fe3"},"summary_title":"Master E.S. and the Folly of Love"},{"@link":{"notes":"Ref. p. 41 for the author's view that 'Nimia voluptatis abundantia impedit amorem . . . .\u2019, (Excessive indulgence in pleasure hinders love)","page":"41","type":"reference"},"admin":{"id":"publication-7302","uid":"adlib-publication-7302","uuid":"a31822a4-e695-346f-a96c-92fbd79ab6b6"},"summary_title":"Andreas Capellanus on Love, edited with an English translation by P.G. Walsh"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91292","uid":"adlib-term-91292","uuid":"d8901c0c-4f46-3a5a-b7db-d7013fed9c66"},"summary_title":"salt"}},"summary_title":"salt","title":[{"value":"Hexagonal Salt"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":4,"total":4}]