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Samuel Malkin\u2019s identity is known from a dish in the British Museum which is decorated with a clock face and the words \u2018Samuel Malkin\/The maker\/in burslam 17\u2019, possibly made in 1712 as the clock\u2019s hands point to twelve. The latest recorded dish bearing his initials is dated 1734, and he probably died in 1741. In 2008 Leeds Archaeological Fieldwork Society found fragments of sunflower tree dishes during a dig at the site of a pottery run by William Gough between 1739 and about 1775 at Crossgates, near Barnbow on the edge of Brown Moor in the parish of Barwick, near Leeds. . He employed potters from North Staffordshire, and archival sources show that Samuel Malkin junior (b. 1711 in Staffordshire), a mould maker had probably worked there as he was recorded at Brown Moor in 1745 and 1753 and at Whitkirk in 1744 and 1748. The pottery site was on the estate of the Gascoigne family of Barnbow Hall, and the pottery's position was confirmed by an estate map of 1772. 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The jug is in the form of a man wearing a dark-brown cocked hat, a long brown and yellow coat, pale brown knee breeches and dak brown shoes, seated on a barrel laid on its side, with a spaniel lying in front of it at his feet. He faces towards the viewer, with his head turned to his left, and holds a bulbous pale brown jug filled with foaming ale in both hands. The green-glazed square base has cut corners, and is slightly concave and unglazed underneath. The handle, also green, rises from the top of the base in the form of a looped branch."}],"identifier":[{"accession_number":"C.50-1930","primary":true,"type":"accession number","value":"C.50-1930"},{"priref":"75319","type":"priref","value":"75319"},{"date":[{"earliest":1930,"latest":1930,"value":"1930"}],"source":"The Fitzwilliam Museum","type":"Glaisher Additions number","value":"Gl.Add.18-1930"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75319","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75319"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-184655","uid":"adlib-agent-184655","uuid":"580ea390-ce66-3f4d-aa6c-d9e6e86325c3"},"summary_title":"Stoner & Evans"}],"date":[{"earliest":1930,"latest":1930,"value":"1930-12-05"}],"method":{"value":"bought"},"note":[{"value":"one of the objects purchased with the fund bequeathed by Dr J.W.L. 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In 1717 he was imprisoned for distributing a controversial political pamphlet, and after regaining his freedom, retired to his home town, Coventry, where he opened a coffee house, selling ale and strong liquors, which was called 'Toby's Coffee House'.  He was known to his relatives and friends as a heavy drinker, and died reputedly from jaundice in 1722. The production of the pottery jugs seems to have been influenced by the popularity of a poem by the Rev Francis Fawkes (1720-77), a scholar of Jesus College, Cambridge. It had been published in the 'Gentleman's Magazine' in 1754, but became well-known when it was included as 'The Brown Jug' in 'Original poems and translations by Francis Fawkes M.A.', published in 1761. It began: 'Dear Tom, this brown jug that now foams with mild ale,\/ (In which I will drink to sweet Nan of the Vale)\/ Was once Toby Fillpott, a thirsty old soul\/As e'er drank a bottle or fathom'd a bowl; In boosing about 'twas his praise to excell,\/And among jolly topers he bore off the bell.' Falkes' poem imitates a 16th century Latin poem by Girolamo Amalteo which featured a stout German drinker called Gubertus.  It seems likely that Fawkes was familiar with the story of the original heavy-drinking Toby, and called him Fillpott as a pun on Philpot, meaning a lover of the beer pot. The poem was set to music and included John O'Keefe's popular play, 'The Poor Soldier', performed at the Theatre Royal, Covent Garden, in 1783. The song became very popular and a sequel to the poem, 'Agnes and Toby' by 'T.B. Esq.; was published in 1789. Two prints showing stout jovial men seated holding jugs full of ale may have contributed to the popularity of the jugs: 'Toby Philpo't, a mezzotint after Robert Dighton, published by Carington Bowles, on 3 April 1786, and 'The Hearty Good Fellow, a mezzotint published by Robert Sayer on 1 September 1786. The original source of the Toby's design is not known, but it is possible that a Staffordshire potter could have gained their inspiration from one of the Delftware figures of a man seated astride a barrel made in the third quarter of the 18th century, such as the Fitzwilliam's C.2771-1928 and C.2773-1928."},{"value":"Typical Toby Jugs are made in the shape of a man wearing a tricorne hat, seated, sometimes on a barrel, holding a jug of ale in one or both hands. Some Tobys also hold a small drinking cup or a pipe, and may be accompanied by a dog. The earliest known reference to 'Toby Jugs' was in 1785 when the sales ledger of the potter, John Wood, of Brownhills, records that he sold nine examples to three different customers between September and November. By the end of 1786 he had sold 124, among them three Tobys 'sitting on a barrel' sold in June 1786.  It therefore seems likely that their production in north Staffordshire began about that time, or a little earlier, and that there was a craze for them in the mid to late 1780s. They were made in several ceramic techniques, and by many potters between then and the 20th century. The earliest recorded dated example, of 1789, was sold at Bonham's Knightsbridge,on 23 June 2021, lot 81. The only known 18th century representation of a recognizable 'Toby' is in a hand-coloured etching 'A Smoking Club' by John Casper Ziegler after G. Woodward, published in 1798, which shows gentlemen smoking and drinking around a table bearing a punch bowl and a Toby Jug."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George 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Estimate \u00a35-7,000; fetched","page":"66","type":"reference"},"admin":{"id":"publication-3464","uid":"adlib-publication-3464","uuid":"b775e5b0-b413-3c02-8815-78a8b53766f0"},"summary_title":"A Collection of English Pottery and Delftware"},{"@link":{"type":"reference"},"admin":{"id":"publication-3727","uid":"adlib-publication-3727","uuid":"ba44a76e-4fd1-3da8-b26a-68f8dd6c5bb7"},"summary_title":"Important English Pottery from a European Private Collection"},{"@link":{"notes":"Cf. p. 78, A.9 (3871-1901). See fig. 23 the equestrian portrait of Charles I by Cornelis van Dalen, fig. 23. Archer attributes the dish to London on the basis of fragments found at Lambeth, Rotherhithe, and elsewhere in London","page":"78","type":"reference"},"admin":{"id":"publication-2299","uid":"adlib-publication-2299","uuid":"aba3869a-d038-351e-ad98-23fe16247f95"},"summary_title":"Delftware. The Tin-glazed Earthenware of the British Isles. A Catalogue of the Collection in the Victoria and Albert Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-3529","uid":"adlib-publication-3529","uuid":"17b0e345-3e0c-3912-a0bb-69a247b79cf4"},"summary_title":"The Bertram K. Little and Nina Fletcher Litlle Collection, Part II"},{"@link":{"notes":"Cf. p. 137, no. 179, an analogous dish, on which the K is written like an R","page":"137","type":"reference"},"admin":{"id":"publication-3438","uid":"adlib-publication-3438","uuid":"3f62f3aa-8543-3e9a-a042-163a184f6a8d"},"summary_title":"British Delft at Williamsburg"},{"@link":{"notes":"Cf. pp. 72-3, lot 670. Estimate 12,00-18,000. 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