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The sides are decorated with diagonally placed sprays of alternately yellow and blue flowers, with above a dark crimson band entwined with curved gold lines. The rim is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.194 & A-1918","primary":true,"type":"accession number","value":"C.194 & A-1918"},{"priref":"86623","type":"priref","value":"86623"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing KK"}],"type":"factory mark"},{"location":"on base of kup and saucer","method":"painted in blue enamel","transcription":[{"value":"V."}],"type":"painter's mark"},{"description":[{"value":"41 with the 1 slanting to the right"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"41"}],"type":"incised mark"},{"description":[{"value":"3 a dash, longer than shown above, 1 slanting, possibly 31 or 37"}],"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"3-1 or 37"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"Both pieces bear the date letter for 1787"}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175457","uid":"adlib-agent-175457","uuid":"6e9d1bf1-1dae-33ad-bff1-1da53a119152"},"summary_title":"Noualher, Antoinette-Marie"}],"note":[{"value":"Cups decorated with initials were a new venture initiated by the comte d\u2019Angiviller in the summer of 1784, after he had seen Clignancourt cups decorated in this way. Between then and 1789 over 1000 were produced. Sir Geoffrey de Bellaigue cites over 80 in 1784, over 400 in 1785,nearly 500 in 1786, about 160 in 1787 and fewer than 20 in 1788. (See Documentation, Bellaigue, 1980)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009)  This is a gobelet litron of the second size with Savill's handle B."},{"value":"The incised mark on the cup, 41, is recorded on cups and saucers in the 1780s and 1790s, and on two vases of 1779 and 1780 respectively. It also occurs on C.56-1961, a cup of 1784, also on a saucer of 1780 in the Royal Collection"},{"value":"The painter's mark does not occur in MS Vj\u20192 but has been deduced from payments in the Artistis Lists of payments as that of Mme Antoinette-Marie Noualher (n\u00e9e Huet) , working from c. 1762-98. An almost similar mark was used by her daughter from c. 1790-98, and possibly earlier in the late 1780s, who about 1796 became Mme Weydinger."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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Cylindrical cup with an arched and incurved loop handle. The upper part of the cup is decorated with alternately facing and backing green foliated scrolls, linked by swags of red and turquoise blue 'jewels' and separated by stylised flowers and leaves. The lower part is decorated by a border of paired berries with stylised buds between them. There is a band of gilding round the lower edge, a dentilated band round the rim, gold lines down the sides of the handle which has a large leaf and two small trilobate leaves separated by dots of graduated size down its back."}],"identifier":[{"accession_number":"C.56-1961","primary":true,"type":"accession number","value":"C.56-1961"},{"priref":"86622","type":"priref","value":"86622"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86622"}],"inscription":[{"location":"on base","method":"painted in faded gold","transcription":[{"value":"interlaced L's enclosing 99"}],"type":"factory mark"},{"description":[{"value":"IP joined together by the arc of the P, or HP with second stroke of H and P having same stroke"}],"location":"on base","method":"painted in gold","transcription":[{"value":"IP or HP monogram"}],"type":"gilder's mark"},{"location":"on base","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1784,"era":["CE"],"latest":1784,"value":"1784"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"gilder"}],"type":"reference"},"admin":{"id":"agent-110671","uid":"adlib-agent-110671","uuid":"3eca4388-f66f-3727-af9c-e8bcb76157f2"},"summary_title":"Pr\u00e9vost, Jean Louis"}],"note":[{"value":"Eighteenth-century jewelling on S\u00e8vres porelain was often executed with blue ground colour or other darkish colours, but there are examples with a white ground. For example, two juice pots, one with cover, jewelled in green, red, and turquoise on a white ground gilded by Vincent (2000), and dated to c. 1780 and are in the Hermitage. (See Documentation Birioukova and Kasakevitch, 2005),  A milk jug in the British Museum, also with 2000 gilder\u2019s mark, is described as 18th century, with decoration later, probably late 19th century. (see Documentation, Dawson, 1994).  It is possible that this cup was decorated in the 19th century. A miniature gobelet litron with decoration very close to that on the Fitzwilliam's cup is at Haughton, Norfolk."},{"value":"Jewelled enamelling is recorded as being introduced by Philippe Parpette, a flower painter at the factory, and Joseph Cotteau, an Parisian enameller in 1778. Parpette worked mainly on this type of decoration between 1780-5. The latter left the factory in 1784, and after 1786 this type of decoration was rarely executed. The jewelled decoration was created by placing drops of translucent or opaque enamel over gold foils of different shapes formed by steel dies, and firing them so that they fused. The motif was then attached to the porcelain by an enamel and fired again at a lower temperature. This technique had been used much earlier on silver foil on early 16th century Limoges enamels on copper, and was also used, somewhat differently to create jewel effects on gold snuffboxes. The designs were usually by J.-B.-E. Genest, head of the artists\u2019 studio, and the steel dies were made by the Parisian engraver Jean-Pascal Le Guay (see Documentation, Bellaigue, 1979)"},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009,)\n\nThis is a gobelet litron of the third size with Savill's handle shape B."},{"value":"When inventoried by Sotheby\u2019s in October 1948, the gilding  was attributed to Henry-Martin Pr\u00e9vost, but the joined form of the HP or IP is not similar to his mark."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120998","uid":"adlib-term-120998","uuid":"f836095f-43c8-3016-826a-de974dd72678"},"summary_title":"18th Century, Late-19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-59082","uid":"adlib-media-59082","uuid":"bab6b3ec-c65b-308c-a13c-7fb663271ef1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":592},{"dimension":"width","units":"pixels","value":500}]},"modified":1616274703421,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":642}]},"modified":1616274703421,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_56_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":296},{"dimension":"width","units":"pixels","value":250}]},"modified":1616274703421,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-1504262525","source":"portfolio","uid":"portfolio-media-1504262525","uuid":"2af0b94c-24e7-3b40-b0d9-1736fc6bc66e"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/large_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1279},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529203013000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/mid_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":624},{"dimension":"width","units":"pixels","value":500}]},"modified":1529203013000,"resizable":true,"type":"image"},"original":{"location":"C.56-1961_200904_mfj22_mas.tif","modified":1529203013000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/preview_C_56_1961_200904_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":312},{"dimension":"width","units":"pixels","value":250}]},"modified":1529203013000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/437\/134\/C_56_1961_200904_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":4262},{"dimension":"width","units":"pixels","value":3413}]},"modified":1529203013000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Cup, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},{"type":"factory name","value":"gobelet litron"},{"type":"category","value":"teaware"}],"note":[{"type":"history note","value":"Louis C.G. 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(See Documentation, Savill, 1988, Pr\u00e9sux and d'Albis, 1991, Bellaigue 2009) This is a gobelet litron and soucoupe of the third size with Savill's handle shape B."},{"value":"Yellow grounds were not really popular until about 1775 and then continued to be so through the 1780s, particularly after 1787. 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Clarke"}],"component":[{"materials":[{"note":[{"value":"blue and maroon"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"pale yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue and maroon"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"note":[{"value":"pale yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"14.7"},{"dimension":"Height","units":"cm","value":"3.5"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"7.4"}]},"name":"Rim Of Cup"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"7.5"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"10"}]},"name":"Cup Including Handle"},{"name":"Handle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup and saucer with a pale yellow ground, painted in blue and maroon enamels with a continuous landscape on the cup, and a horticultural vignette and landscape on the saucer, and gilded."},{"value":"Soft-paste porcelain decorated overglaze with a pale yellow ground, painting in blue and maroon enamels, and gilding. The glaze on the lower part of the cup handle is speckly, and base of the saucer is very speckly particularly in the middle. Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a pale yellow ground. The cup is painted in blue with continuous landscape including buildings and figures, with above and below a maroon band with dark blue dots below. Round the upper part of the cup there is a border composed of a series of blue Ss linked by wavy sprays of blue leaves with a maroon band above. There are bands of gilding round the foot and rim, lines of gilding down the sides of the handle, and down its back, a large leaf, a spot, a bell flower, three spots a smaller bell flower and eight spots.                                            The centre of the saucer is painted in blue with a horticultural vignette, encircled by a maroon band with dark blue dots outside it. A similar band encircles the outer edge of the base. The sides are painted in blue with a continuous landscape with buildings. The border is en suite with that on the cup."}],"identifier":[{"accession_number":"C.8 & A-1956","primary":true,"type":"accession number","value":"C.8 & A-1956"},{"priref":"93543","type":"priref","value":"93543"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93543"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's with KK beneath"}],"type":"factory mark"},{"description":[{"value":"four dots unevenly arranged in a horizontal row"}],"location":"on base of cup between factory mark and date letters","method":"painted in blue enamel","transcription":[{"value":"...."}],"type":"painter's mark"},{"description":[{"value":"an horizontal line with three dots evenly dispersed above"}],"location":"on base saucer between factory mark and date letters","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"a 4 with a sideways v possibly a 7"}],"location":"on base of cup by footring","method":"incised","transcription":[{"value":"4 7"}],"type":"incised mark"},{"location":"on base of saucer by footring","method":"incised","transcription":[{"value":"3 6"}],"type":"incised mark"},{"description":[{"value":"square white paper label, now buff"}],"location":"on base of cup","method":"hand-written in greyish-blue ink","transcription":[{"value":"'SEVRES\/Date 1788\/Painter\/Veiiellard'"}],"type":"label"},{"description":[{"value":"rectanuglar white lined paper labelw tih cut corners"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Lent by Louis C.G. Clarke\/X.Dec.1947."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by L.C.G. Clarke, MA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1956,"latest":1956,"value":"1956-07-19"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1956"}]}],"creation":[{"date":[{"earliest":1787,"from":{"earliest":1787,"era":["CE"],"latest":1787,"precision":"circa","value":"1787"},"latest":1788,"note":[{"value":"Both pieces bear the date letter for 1788, but may have been made a year earlier."}],"range":true,"to":{"earliest":1788,"era":["CE"],"latest":1788,"precision":"crica","value":"1788"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Andr\u00e9-Vincent Vieillard (1717-90) joined the factory at Vincennes in 1752. He was a versatile artist but not so talented at figure painting as Dodin and Morin. Fom the mid 1760s he concentrated on landscapes with small figures, and in the 1780s also executed continuous landscapes on a coloured grounds, as on this cup and saucer, and C.62 & A-1961."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue 2009). This is a gobelet litron of the third size."},{"value":"Yellow grounds were not really popular until about 1775 and then continued to be so through the 1780s, particularly after 1787. 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Cylindrical cup with angular handle. Circular saucer with deep sloping sides and flat central area. The cup has a wide dark blue band round the top decorated with a gilt trellis pattern, in hich are reserved an approximately rectangular reserve painted with black long-tailed bird perching on a branch in a landscape, and two smaller circular reserves, one painted with a butterfly, and the other with a beetle. There are bands of gilding round the reserves, the base, above and below the dark blue ground, and down the sides of the handle. The base is painted in black,  'carouge de l'isle St\/thomas.' (the t of St raised). The centre of the saucer is painted with a large black bird with a yellow beak standing on the ground amidst plants and a small tree. The sides are decorated en suite with  the cup, with three wide oval  reserves in which are a butterfly, a ladybird, and another insect. There are bands of gilding round the reserves, and the rim. The back is painted in black, 'merle de france m\u00e2le'"}],"identifier":[{"accession_number":"C.15 & A-1948","primary":true,"type":"accession number","value":"C.15 & A-1948"},{"priref":"118388","type":"priref","value":"118388"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/118388","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/118388"}],"inscription":[{"description":[{"value":"the t of St is raised"}],"location":"on base of cup","method":"painted","transcription":[{"value":"carouge de l'isle St\/thomas"}],"type":"inscription"},{"location":"on base of saucer","method":"painted","transcription":[{"value":"merle de france M\u00e2le"}],"type":"inscription"},{"description":[{"value":"possibly a y"}],"location":"on the base of cup","method":"incised","transcription":[{"value":"y"}],"type":"mark"},{"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Louis C.G. 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The service was dispersed after the death of Philippe-Egalit\u00e9, and about 600 pieces were purchased by the London dealer, Fogg. These were acquired by George, Prince of Wales and are now at Windsor Castle. Eighty pieces are in the Mus\u00e9es royaux d\u2019Art et d\u2019Historie, Brussels. There are also pieces in the Mus\u00e9e des Beaux-Arts, Arras; the Mus\u00e9e royal de Mariemont,  the Mus\u00e9e des Arts D\u00e9coratifs, Paris, the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres, and various private collections.\nHowever most of the cups and saucers have gold rinceaux beween the reserves rather than diaper or trellis patterns, and this cup and saucer may not be from that service.. The birds were derived from the comte de Buffon,' L'Histoire naturelle g\u00e9n\u00e9nerale et particuli\u00e8re, Les oiseaux', Paris, 1785."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15277","uid":"adlib-term-15277","uuid":"438819e9-2604-383c-a162-209699b7abc1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Belgium"}],"summary_title":"Belgium","type":"country"}]],"note":[{"value":"now Belgium"}],"summary_title":"Tournai"}]}]},"materials":[{"note":[{"value":"clear; presumed lead-glaze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91594","uid":"adlib-term-91594","uuid":"d3814795-e106-33f3-98a0-da73b4855bb6"},"summary_title":"saucer"}}],"note":[{"type":"history note","value":"unknown before donor"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. p. 8, lot 35 and pl. 3, a ewer and basin from the Duc  d'Orl\u00e9ans service, the basin illustrated","page":"8","type":"reference"},"admin":{"id":"publication-5689","uid":"adlib-publication-5689","uuid":"476f4db9-24a7-394e-993e-eb00ddb172f7"},"summary_title":"Highly Important French and English Furniture . . . and A Collection of Fine Continental Porcelain the Property of David Stalder, Esq."},{"@link":{"notes":"Cf.p. 43, a teapot from the Duc d'Orl\u00e9ans Service, illustrated pl. 83B","page":"43","type":"reference"},"admin":{"id":"publication-2725","uid":"adlib-publication-2725","uuid":"787cef8c-a436-3836-be2b-5ad639353ab9"},"summary_title":"French Porcelain of the 18th Century"},{"@link":{"notes":"Cf. pp. 173-5, nos. 880-93,  pieces from the Orl\u00e9ans service","page":"173-5","type":"reference"},"admin":{"id":"publication-4907","uid":"adlib-publication-4907","uuid":"28989a51-b920-37db-b0d3-a202316dff17"},"summary_title":"Les porcelaines de Tournai du Mus\u00e9e de Mariemont"},{"@link":{"notes":"Cf. pp. 25-6, no. 4, part of the Orl\u00e9ans service, of which  a plate, is illustrated on p. 26. The Carlton House inventory of porcelain of around 1826 listed 218 pieces from the service, which the author notes  was considered to be S\u00e8vres when purchased by George IV from the dealer Robert Fogg in 1803 and 1806.","page":"25-26","type":"reference"},"admin":{"id":"publication-3879","uid":"adlib-publication-3879","uuid":"79ac4b01-50d0-3dad-9e3e-37c9e3dcfedf"},"summary_title":"S\u00e8vres Porcelain from the Royal Collection"},{"@link":{"notes":"Cf. p. 14, lot 14, a milk jug from the Duc d'Orl\u00e9ans service. 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Mayer. 6C incised on base of saucer, and 1 incised on base of cup. Estimate E 5,000-8,000. 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.   Both pieces have an opaque, bright yellow ground strewn with small five-petalled flowers and bordered by brown bands, zig-zags and dots. The borders at the top of the cup and round the inside edge of the saucer have a reserved white ground decorated with circular blue medallions, each painted with a spray of white flowers and encircled by a gold band (four on the cup and eight on the saucer). Between each of the medallions there is spray of blue flowers and foliage enclosed in an oval of gold dots, linked to the blue medallions by garlands of red flowers and foliage. There are gold bands on both sides of the borders, dentilated on the interior of the cup and exterior of the saucer. The handle has gold lines down its sides, and a stylised leaf, husks and dots down its back."}],"identifier":[{"accession_number":"C.59 & A-1961","primary":true,"type":"accession number","value":"C.59 & A-1961"},{"priref":"75591","type":"priref","value":"75591"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing ii"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base of cup and saucer below factory mark","method":"painted in blue enamel","transcription":[{"value":"mb"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"47"}],"type":"incised mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"44"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"49"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1786,"era":["CE"],"latest":1786,"value":"1786"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20074","uid":"adlib-agent-20074","uuid":"271ed45c-46f4-3b82-a3ae-0d8cf0050f91"},"summary_title":"Bunel, Marie-Barbe"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988,  Bellaigue 2009)\n\nThis is a gobelet litron and soucoupe of the third size with Savill's handle shape B. Yellow grounds were not very common prior to 1775 after which they became increasingly fashionable, especially after 1787."},{"value":"The painter's mark is not precisely like any listed by Brunet, 1953 (see documentation), but it is fairly close to alternative fig. 18 in Desir\u00e9 Riocreux's chart, see Jacquemart and Blant, 1862 (in documentation), attributed to Mme Bunel, n\u00e9e Buteux, painter of 'bouquets detach\u00e9s', who was working at the factory 1778-1816 according to Mlle Brunet, who gave the other mark illustrated by Riocreux MB. Peters, 1997,  attributes several mb marks to  Mme Bunel."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"opaque, bright yellow"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground 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A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Bellaigue 2009, Savill, 1988)\nThis is a gobelet litron of the second size with Savill's handle B. This size was usually supplied separately rather than in a tea set."},{"value":"The painting was formerly attributed to Jean-Pierre Fumez, but his mark was fz. The mark fx was used by Mme Fran\u00e7oise-Philippine (n\u00e9e Le Grand), a flower painter working at S\u00e8vres, ? 1780-99 ? 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and sloping sides.There is a suspension hole in the footring of the saucer. Both pieces have a rose marbr\u00e9 ground painted with jagged-edged shapes in blue, the spaces between dotted with gilding. The cup has an oval reserve painted in polychrome with flowers and fruit. The saucer has two kidney-shaped reserves painted in polychrome with sprays of flowers and foliage. The reserves are framed by chased gilding. There is a band of gilding round the foot of the cup, dentilated bands round the rims of the cup and saucer and lines of gilding down the sides of the cup handle, which has touches of gilding down the back also."}],"identifier":[{"accession_number":"C.32 & A-1961","primary":true,"type":"accession number","value":"C.32 & A-1961"},{"priref":"74499","type":"priref","value":"74499"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74499","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74499"}],"inscription":[{"description":[{"value":"interlaced L's enclosing o"}],"location":"on base of both pieces","method":"painted in blue enamel","type":"factory mark"},{"location":"on base of both pieces, below factory mark","method":"painted in blue enamel","transcription":[{"value":"four dots"}],"type":"painter's mark"},{"location":"on the base of the cup near rim","method":"incised","transcription":[{"value":"51"}],"type":"incised mark"},{"location":"on the base of the saucer","method":"incised","transcription":[{"value":"Ju"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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They were fashionable c. 1760-63. They were produced by first laying the rose ground colour and after firing it, applying a blue coating which was allowed to dry and then scraped away to produce a marbled or other variegated pattern. Carmine enamel was then applied, and after that had been fired, the gilding was applied. The technique on this cup and saucer is superficially similar to that used for various variants of rose marbr\u00e9 grounds (see documentaition Eriksen, 1974, and Savill, 1988) but the design is more like irregularly-shaped stars than marbling, and appears to have been painted on rather than executed by the scraping away of the blue technique described as 'gratt\u00e9 dans le fond'. This suggests that the set may be later than is indicated by the date letter, which  is unusually late for this technique."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Bellaigue 2009, Savill, 1988) This is a gobelet litron of the third size with Savill's handle shape B."},{"value":"The mark of four dots, previously identified simply as that of Th\u00e9odore (MNS Vj\u20192) is now recognized as Pierre-Th\u00e9odore Buteux, who was working at S\u00e8vres from 1765 to 80."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th 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Cylindrical cup with arched and incurved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.                                                                                                                            Both pieces are white. The cup has an oval medallion on the front painted in polychrome with a fishing scene and framed by gold, red and blue bands with S-shaped sprays of gold leaves over them. On either side of it there is a smaller circular medallion, one painted with a seated girl holding a fishing rod, and the other with a boy fishing both framed by a gold band and a red band dotted with gold. The medallions are linked by swags of gold leaves. Between the upper edges of the medallions there is a zone with a pink ground which is straight along the top and on its lower edge, between the medallions has pairs of blue and gold C-scrolls with a pendant between them. Below each pair of scrolls there is a crimson rose and a crimson rose bud. Round the top and bottom of the cup there is a border composed of red and blue bands with S-shaped sprays of leaves over them. There is a gold band round the foot and rim; gold lines down the sides of the handle and a leaf and four inverted tear-drop shaped strokes down its back. The saucer has a circular medallion in the centre painted in polychrome with a lady and gentleman and a house beside a river. The sides have four smaller circular medallions, each painted with a different scene: a woman riding a horse; a small ship; a man playing a trumpet; and a woman holding a distaff. The remainder of the decoration is en suite with the cup."}],"identifier":[{"accession_number":"C.49 & A-1961","primary":true,"type":"accession number","value":"C.49 & A-1961"},{"priref":"75270","type":"priref","value":"75270"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75270","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75270"}],"inscription":[{"description":[{"value":"interlaced L's"}],"location":"on base of cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"horizontal line with three evenly spaced dots above"}],"location":"on base of cup and saucer, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"date mark for the year 1778"}],"location":"on base of cup and saucer, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"AA"}],"type":"date"},{"location":"on base of cup by edge","method":"incised","transcription":[{"value":"36"}],"type":"incised mark"},{"location":"on base of cup by edge to right of 36","method":"incised faintly","transcription":[{"value":"2 \\ (or 7)"}],"type":"incised mark"},{"location":"on base of saucer by footring","method":"incised","transcription":[{"value":"45"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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See letter dated 15December, 1944 from Backer to Clarke and attached photograph in object's file."}]}],"creation":[{"date":[{"earliest":1778,"era":["CE"],"latest":1778,"note":[{"value":"date letter AA for 1778"}],"value":"1778"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Andr\u00e9 Vincent Vielliard, p\u00e8re (1717-90), worked at the factory from 1752-90. Small landscapes with figures were characteristic of his work in the 1770s."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue 2009) This is a gobelet litron of the third size, with Savill's handle shape B (see Documentation). When offered for sale in December 1944 it was accompanied by another cup and saucer and a teapot Calabre with matching borders and different scenes in the medallions."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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Circular saucer with flat central area and deep sloping sides. There is a suspension  hole in the footring of the saucer. Both pieces have a mauve ground decorated with blue and gold oeil-de-perdrix. The cup has two large oval reserves framed by a plain gold band, each painted in blue, mauve and green with a cornflower spray, surrounded by an oval garland of pink roses, small blue flowers and green leaves. Between them there are two smaller oval reserves, each painted in blue, mauve, and green with a cornflower spray, and framed by two gilt bands. There are gold bands round the foot and rim and lines of gilding down the sides of the handle, which also has a stylised leaf, two husks and dots down its back.                      The saucer has a small circular reserve in the centre framed by a narrow and a wider gilt band. Its ground matches the cup, but the oiel-de-perdrix are of graduated size radiating from the centre.The sides are decorated with three large and three small oval reserves painted en suite with those on the cup. There is a band of gilding round the rim and another round the exterior of the foot."}],"identifier":[{"accession_number":"C.50 & A-1961","primary":true,"type":"accession number","value":"C.50 & A-1961"},{"priref":"75312","type":"priref","value":"75312"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75312","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75312"}],"inscription":[{"description":[{"value":"interlaced L's enclosing BB"}],"location":"on base of cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"horizontal line, and line above it with an arc in the middle"}],"location":"on base of cup and saucer","method":"painted in blue enamel","type":"painter's mark"},{"location":"on the base of the cup","method":"incised","transcription":[{"value":"3 and 36a"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"36"}],"type":"incised mark"},{"description":[{"value":"rectangular white paper label"}],"location":"on base of sucer","method":"hand-written in black ink","transcription":[{"value":"Collection\/Alfred de Rothschild"}],"type":"label"},{"description":[{"value":"rectangular white paper label"}],"location":"on base of saucer","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"'SEVRES', printed and 'Painter Noel\/Date\/1779' hand-written"}],"type":"label"},{"description":[{"value":"square paper label with the top line of the inscription torn away"}],"location":"on base of saucer","method":"hand-written in black ink","transcription":[{"value":"\u2018\u2026\/C 5016\/3900\/c and s\u2019."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Savill, 1988, Bellaigue 2009)"},{"value":"This is a gobelet litron of the third size with Savill's handle shape B (see Documentation). 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There is a band of gilding round the rim."}],"identifier":[{"accession_number":"C.30 & A-1961","primary":true,"type":"accession number","value":"C.30 & A-1961"},{"priref":"74298","type":"priref","value":"74298"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74298","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74298"}],"inscription":[{"description":[{"value":"almost illegible on cup"}],"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's"}],"type":"factory mark"},{"location":"on base of cup to right of suspension hole","method":"incised","transcription":[{"value":"11"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier (records are lacking) The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms. A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis) They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner."},{"value":"This is a gobelet litron of the 3rd size with Savill\u2019s handle C. This type of decoration was executed in both pink and blue, with different motifs in the reserves (see documentation, Dauterman, 1970)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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The bowl is circular with two double entwined branch handles and a domed cover with a handle in the form of a laurel branch with leaves and berries. The oval stand has an almost straight edge at the sides, upward curving ends, and a circular depression in the centre for the foot of the bowl. The bowl and stand have two suspension holes in the footring, and the stand has a third filled in with glaze. The cover has one hole.                                                                                                                     The bleu nouveau ground is decorated round the edges between the reserves with elaborate gilding of circular garlands flanked by pointill\u00e9 pedestals, scrolling foliage, and floral sprays, and in the central depresseion with  a wreath of laurel. There are two oval reserves on the bowl; two kidney-shaped reserves on the cover, and two larger kidney-shaped reserves on the stand, all framed by broad bands of tooled gilding. The two reserves on the bowl are of garden scenes: 1. A bird perching on a curved wall beside a pedestal on which is an ovoid vase of flowers, and on the ground to left, an arrangement of fruit. 2. On the right, a grey watering can beside some large fruit, a rake leaning against a bank with two flower pots beside it, and a bird flying overhead. On the cover: 1.  A blue vase of flowers on a pedestal with a group of grapes and peaches on the right, and a bird to left, all resting on a marble slab. 2. A blue ovoid vase of flowers, with a basket of roses to left on a marble slab. On the stand: 1. A blue vase of flowers, with a group of fruit to right, and a bird and a plant to left on a marble slab. 2. A yellow ewer with a bird and a basket of flowers and two bunches of grapes to left, a draped curtain to right, and two tassels on cords above. The handles are white with touches of gilding and there are bands of gilding round the foot and rim of the bowl and round the edges of the cover and stand."}],"identifier":[{"accession_number":"C.52 & A & B-1961","primary":true,"type":"accession number","value":"C.52 & A & B-1961"},{"priref":"93690","type":"priref","value":"93690"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93690","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93690"}],"inscription":[{"description":[{"value":"interlaced L's enclosing cc"}],"location":"on base of bowl and stand","method":"painted in blue enamel","transcription":[{"value":"cc"}],"type":"factory mark"},{"description":[{"value":"script L followed by a dot"}],"location":"on base of bowl and stand, below factory mark","method":"painted in blue enamel","transcription":[{"value":"L."}],"type":"painter's mark"},{"description":[{"value":"an X made up of double lines"}],"location":"on base of bowl and stand, below painter's mark","method":"painted in gold","type":"gilder's mark"},{"description":[{"value":"the 4 is of open type"}],"location":"on bowl","method":"incised","transcription":[{"value":"43"}],"type":"incised mark"},{"description":[{"value":"a question mark with long tail"}],"location":"on bowl","method":"incised","transcription":[{"value":"?"}],"type":"incised mark"},{"location":"on stand at one end in front of suspension hole","method":"incised","transcription":[{"value":"LV"}],"type":"incised mark"},{"location":"on base of stand","method":"printed in black and hand-written in black ink","transcription":[{"value":"printed in black SEVRES, hand-written in black ink Painter Leve p\u00e8re (crossed out)\/1780\/Gilder Chauvaux Senior"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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