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Here, long fine rods (or canes) of white glass have been used to create the intricate pattern."},{"value":"Clare Wilson (b. 1985) studied at Edinburgh College of Art and in Australia. Now based in the Lake District, she continues to travel widely to work with other skilled makers. She works primarily with cane and murrine techniques, making functional art objects. She is drawn to cane work by the technical challenge it poses and the infinite design possibilities.  Her muted palette and frenetic patterning makes her vessels seem exceptionally light and delicate, despite their weight."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109891","uid":"adlib-term-109891","uuid":"ad6efeb2-90e2-3107-ada3-8348ed09c40f"},"summary_title":"21st Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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As at that time my whole thoughts were of my artistic equipment for the future, I conceived the idea that Perseus before becoming a hero was a mere mortal, and that he had to look to his equipment. That is a presage of my life and work at that time.' (Hatton 1903, p. 10). By showing Perseus in the act of quietly equipping himself for future trials, Gilbert emphasised Perseus\u2019 mortal rather than heroic character. Gilbert modelled the original plaster of Perseus Arming in Rome in 1880-1, and had the first bronze of it cast in Italy using the lost-wax casting method. 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