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The underside is flat and glazed, with a raised foot-rim."}],"identifier":[{"accession_number":"C.3-1908","primary":true,"type":"accession number","value":"C.3-1908"},{"priref":"74459","type":"priref","value":"74459"},{"source":"Fitzwilliam Museum","type":"old object number","value":"G.9-1908"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74459","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74459"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"circular paper label, handwritten","transcription":[{"value":"'G9' (in red); '142' (in black)"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166119","uid":"adlib-agent-166119","uuid":"dfd47f30-435b-3ac4-bd3b-80d467a8b641"},"summary_title":"Gurney, Mrs"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1908-12"}]}],"creation":[{"date":[{"earliest":1810,"from":{"earliest":1810,"era":["CE"],"latest":1810,"precision":"circa","value":"1810"},"latest":1820,"range":true,"to":{"earliest":1820,"era":["CE"],"latest":1820,"precision":"circa","value":"1820"}}],"maker":[{"@link":{"qualifier":"possibly","type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"Resist lustreware was typically produced by drawing, transfer printing or stencilling the design over-glaze then applying a wax or oily coating to the design with a fine brush. The jug was then coated in lustre, which only adhered to the unpainted parts. Pink lustre is produced by depositing minute amounts of gold onto the white earthenware surface. Silver lustre, which uses platinum, was however more popular for resist lustre jugs, which generally date from the early part of the nineteenth century.  Leeds and Staffordshire were the main centres of production."},{"value":"This type of jug was made for everyday use. 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Plate 117, a silver resist-lustred jug of similar shape, possibly Yorkshire; Colour Plate 12, a pink resist-lustre jug with a similar freehand design in the background, probably Staffordshire, 1820s. See also resist-lustre process.","page":"27, 29, 146-7","type":"reference"},"admin":{"id":"publication-3570","uid":"adlib-publication-3570","uuid":"80862fb5-f40b-3068-9bf9-8104e1a21a32"},"summary_title":"19th Century Lustreware"},{"@link":{"notes":"Cf. 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Wide, straight-sided cylinder with a 'rope' edging round the rim and base, and an applied angular handle. Decorated with three transfer images, each with text, on the outside; two floral sprays on the inside; and a stylized floral pattern on the outside of the handle. Around the transfer decoration is a thin wash of pale pink lustre, covering the outside and on the upper part of the inside. Round the rim and base is a thicker band of pink lustre. There are three spur marks on the interior of the base. The underside is flat and glazed, and slightly recessed to form a foot-rim."},{"value":"The images and text are as follows:\n(i)\tto the left of the handle:  a bust of William IV (signed 'Kennedy'), flanked by a spray of shamrock and a spray of thistles, each with a rose, and inscribed below 'KING WILLIAM the IV.th\/Crowned 8.th Sep.r 1831'. \n(ii)\tto the right of the handle: a three-quarters, frontal image of Queen Adelaide (signed 'Kennedy'), flanked by similar floral sprays, and inscribed below 'QUEEN ADELAIDE.\/Crowned 8.th Sep.r 1831.'.\n(iii)\ton the front: a Royal crown imposed on a sunburst and inscribed, below, 'LONG LIVE THE\/KING', and above, 'REFORM'."}],"identifier":[{"accession_number":"C.55-1997","primary":true,"type":"accession number","value":"C.55-1997"},{"priref":"75504","type":"priref","value":"75504"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75504","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75504"}],"inscription":[{"description":[{"value":"C & R, in flamboyant script, in octofoil"}],"location":"underside of base","method":"printed","transcription":[{"value":"C & R"}],"type":"mark"},{"location":"under the images of King and Queen, bottom right,","method":"printed as part of the engraving","transcription":[{"value":"Kennedy"}],"type":"mark"},{"description":[{"value":"both 'th', and 'r' of 'Sep.r' are raised above the '.'"}],"location":"on one side","method":"printed","transcription":[{"value":"KING WILLIAM the IV.th\/Crowned 8.th Sep.r 1831"}],"type":"inscription"},{"description":[{"value":"both 'th', and 'r' of 'Sep.r' are raised above the '.'"}],"location":"on one side","method":"printed","transcription":[{"value":"QUEEN ADELAIDE.\/Crowned 8.th Sep.r 1831"}],"type":"inscription"},{"location":"on the front","method":"printed","transcription":[{"value":"REFORM\nLONG LIVE THE\/KING"}],"type":"inscription"},{"location":"underside of base","method":"Square paper label handwritten in black ink","transcription":[{"value":"\u20184950\u2019 above \u2018M\/A\/-'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by G.H.W. Rylands in memory of his mother, Betha Wolferstan Rylands."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151478","uid":"adlib-agent-151478","uuid":"2074e5a7-51c1-3bd3-aa50-9f830f8160ec"},"summary_title":"Rylands, G.H.W."}],"date":[{"earliest":1997,"latest":1997,"value":"1997-07-14"}],"method":{"value":"given"},"note":[{"value":"Donor wished labels to read as credit line"}]}],"creation":[{"date":[{"earliest":1831,"from":{"earliest":1831,"era":["CE"],"latest":1831,"precision":"circa","value":"1831"},"latest":1832,"range":true,"to":{"earliest":1832,"era":["CE"],"latest":1832,"value":"1832"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161125","uid":"adlib-agent-161125","uuid":"499448b3-93d7-34ce-8e22-0e37c51e902e"},"summary_title":"Chetham & Robinson"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161126","uid":"adlib-agent-161126","uuid":"65b6ba89-d62a-3b12-863a-5ad227bff215"},"summary_title":"Chesworth & Robinson"},{"@link":{"qualifier":"probably","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-161150","uid":"adlib-agent-161150","uuid":"214ce8ee-3a7a-3074-b09e-c86b98ce4433"},"summary_title":"Kennedy, James"}],"note":[{"value":"Small salt-glazed stoneware  flasks made in the shape of leading Reform Act figures, known as 'Reform bottles', were also produced at this time. Doulton & Watts at Lambeth produced thousands between 1820 to c.1856."},{"value":"The 1832 Representation of the People Act, commonly known as the 1832 Reform Act, was passed just a few months after the Coronation of King William IV. The Act extended voting rights to some two million of the urban middle classes and abolished rotten boroughs. It was proposed for the Whigs by the Prime Minister, Charles Grey (2nd Earl Grey, 1764-1845). Henry Brougham (Baron Brougham and Vaux, 1778-1868), as Lord Chancellor, led in the House of Lords. Images of all three are found on \u2018Reform\u2019 commemorative ware."},{"value":"This is one of three similar pink lustre mugs in the Fitzwilliam Collection. They have the same shape, similar decoration including the inscription \u2018REFORM\u2019, and the same mark, which is probably that of  Chetham & Robinson, although a \u2018C&R\u2019mark was also used by a neighbouring pottery, Chesworth & Robinson. Staffordshire potters were the first, and remained the largest , producers of lustreware, though it was also made in other regions, and is often associated with Sunderland. The engraved images on all three mugs are by \u2018Kennedy\u2019, probably James Kennedy of Burslem who made engravings and copper plates for factories as far afield as the Herculaneum Pottery in Liverpool. An  engraved print held by the Stoke-on-Trent Museum indicates that the image may be based on a bust of King William IV sculpted by J. 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Three text and image transfer-prints, over-painted with enamels, under the lip and on each side of the body. A thin band of silver lustre runs around the rim of the jug, another where the neck meets the body and a thinner band around the middle of the neck. The glaze has a slightly bluish \u2018pearlware\u2019 tinge. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\ton one side: \u2018JOHN BULL and his COMPANION Challenging BONAPARTE and his relation\u2019 below and image of the Devil behind Napoleon facing John Bull, who stands beside a lion, a ship in the background. Long inscriptions issue from their mouths. \nJohn Bull: \u2018\u2018Come on you Murdering Corsican [Tyrant]. This sprig of Oak will soon be your business and my Companion shall fight your Father there behind you\u2019.\nNapoleon:: \u2018O vat a Terible Jean Bull me be half afraid. Much rather \/ make Peace now I have obtained the\u2026 To Reign is worth Ambition the in Hell\u2019.\nThe Devil: \u2018Fight him Dam him, Fight him Bony you\u2019ll soon come home and you Know how impatiently we all wait for you\u2019\n(ii)\tOn the other side: \u2018One of the 71st taking a French officer prisoner in Portugal\u2019, above an image of a French officer wearing a cocked hat giving up his purse and watch to a Scottish soldier, who wears a kilt and carries a rifle with fixed bayonet.\n(iii)\tUnder the lip: Four figures supping ale and smoking pipes whiles a fifth plays a recorder, outside an inn inscribed \u2018JOLY BOAT MAN\u2019. In the smoke of one of the pipes is written: \u2018Success to trade\u2019."}],"identifier":[{"accession_number":"C.773-1928","primary":true,"type":"accession number","value":"C.773-1928"},{"priref":"200072","type":"priref","value":"200072"},{"source":"Glaisher MS catalogue, volume 3","type":"old catalogue number","value":"2651"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/200072","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/200072"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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The shape of this jug and its images suggest it was made c. 1812-14, at the time of the Peninsular War when Arthur Wellesley, first Duke of Wellington, commanded the British troops against Napoleon and the French. The 71st Highland Light Infantry fought throughout the war, which took place in Spain and Portugal from 1809 until 1814. The image of John Bull and  Napoleon driven by the Devil, however, is earlier and draws on caricatures published by S W Fores in September 1803, as England faced the threat of war. The \u2018One of the 71st\u2019 image is found paired with the \u2018John Bull\u2019 image (but on a differently shaped jug) from c.1809-10, and on a jug of this shape, but with an image commemorating Wellington c.1812-13."},{"value":"The lustre decoration and shape of the jug is similar to another transfer-printed jug of this period, in the collection (C.774-1928), which was made in Staffordshire. 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Staffordshire potters were the first and largest producers, though similar wares were also made in other regions and pink lustreware is often particularly associated with Sunderland. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Silver lustre was produced by dissolving platinum in aqua regia  (nitric and hydrochloric acids) suspended in a resinous medium such as spirits of tar. Pots were dipped in the lustre solution to produce an even all-over coating and then fired at a low temperature, which burned the medium away to leave a \u2018silver\u2019 surface. 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Below all these, the inscription \u2018ANNUAL PARLIAMENTS and VOTE by BALLOT\u2019."}],"identifier":[{"accession_number":"C.1182-1928","primary":true,"type":"accession number","value":"C.1182-1928"},{"priref":"71469","type":"priref","value":"71469"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71469","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71469"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"rectangular paper label, handwritten in black ink","transcription":[{"value":"No 2252. Copper lustre & blue jug relating to Henry Hunt. b. in Cambridge (from Mr Freeman) March 1905."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. 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Hunt became known for his rousing speeches, notably at Spa Fields in London in 1816-17 and at the rally which turned into the Peterloo Massacre at Manchester in April 1819 (and which led to his imprisonment). During a brief time as an MP, 1830-1833, he continued to fight for universal suffrage and introduced the first petition for votes for women. The Corn Laws, however, which imposed import controls and tariffs to protect domestic grain producers and caused significant rises in the price of bread and other everyday staples, remained  in force 1815-46. \n\nThe \u2018No Corn Bill\u2019 transfer on this jug has also been found on other, differently shaped, examples, sometimes with the inscription \u2018Hunt for Ever\u2019 in the pennant and sometimes paired with a transfer relating to Peterloo. 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Decorated on the body with three large and roughly round areas of text and image, each on a clear glaze ground. Otherwise the exterior of the jug and handle, and the interior of the neck is covered with purple lustre which has been smeared in a random pattern or, in two places, mottled. The underside is flat and glazed, with a raised foot-rim."},{"value":"The text and images are as follows:\n(i)\tunder the lip:  `W. 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The underside is flat and lustred with a narrow foot-ring."}],"identifier":[{"accession_number":"C.1181-1928","primary":true,"type":"accession number","value":"C.1181-1928"},{"priref":"71465","type":"priref","value":"71465"},{"date":[{"earliest":1905,"latest":1905,"value":"1905"}],"source":"Glaisher M?S Catalogue, Vol.2","type":"old object number","value":"2253"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71465","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71465"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No.2253. 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A red earthenware or other dark clay was used for the body which, after biscuit firing, was dipped in or painted with pink-gold lustre. This was often combined with other decorating techniques; here a wide band of white slip around the body produces a pink lustre ground, which has been decorated with bright enamels and sgraffito.  This type of decoration on a similarly shaped jug, inscribed 1813, has been linked to a South Wales pottery (Gibson p.143)."},{"value":"English lustreware was commercially produced from c.1805 and popular throughout the first half of the 19th Century. Staffordshire potters were the first and largest producers, though similar wares were also made in other regions. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Most lustreware was made for everyday use, and factory markings are rare."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120816","uid":"adlib-term-120816","uuid":"b8c35cb6-f02f-34c9-9dda-b3120e12c749"},"summary_title":"19th Century, second quarter"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106611","uid":"adlib-term-106611","uuid":"8e096e17-f5cc-3e57-a054-7564ecaeeaa8"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Wales"}],"summary_title":"Wales","type":"country"}]],"summary_title":"Wales"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-121303","uid":"adlib-term-121303","uuid":"ec91b069-9e11-397d-92ad-6ab224992074"},"summary_title":"red 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Decorated on the body with two transfer-prints over-painted with enamels, each surrounded by a wreath of brown, stylised leaves and with a thinly painted stroke of pink lustre above and below.  A line of lustre runs round the rim and foot and down the handle; the neck is decorated with stylised leaves in green and brown. Under the spout is a large anchor, in brown. The underside is flat and glazed, with a raised foot-rim."},{"value":"The images and text are as follows:\n(i)\tOn one side, two sailors drinking, with a Union Jack, a red ensign and verse:\n\u2018Thus smiling at peril at sea or on shore \/ We box the old compass right cheerly \/ Toss the grog, boys - & a song or two \/ Then we\u2019ll drink to the girls we more love dearly.\u2019\n(ii)\ton the other, a fully rigged four-masted sailing ship in full sail, between sprays of red and blue flowers and green leaves, inscribed \u2018COLUMBUS the Largest Ship ever Built. Burthen 6,000 tons. Length, 301 feet. Breadth, 50 feet, 7 Inh. Depth 29 Feet 6 Inh.\u2019."}],"identifier":[{"accession_number":"C.1091-1928","primary":true,"type":"accession number","value":"C.1091-1928"},{"priref":"71297","type":"priref","value":"71297"},{"source":"Glaisher MS Catalogue, vol. 11","type":"old object number","value":"3193"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71297","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71297"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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[Prince Charles] and down with the rump\u2019 (see Rackham and Read).  This suggests the jug was made in Shropshire, where there was strong support for the Jacobite cause, which sought to restore the heirs of the Roman Catholic Stuart King James II to the throne."},{"value":"The lustrous black lead glaze identifies this as Jackfield ware. Named for Richard Thursfield and his son Maurice who produced such wares at their pottery in Jackfield, Shropshire, c.1713-1772, Jackfield was also produced by other potters in Shropshire and Staffordshire. Thomas Whieldon, of Fenton, Stoke-on-Trent is credited producing an exceptionally shiny black glaze.  Jackfield is also sometimes also known as jet ware, blackware or japanned ware (after Japanese black lacquer ware). 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R. W. Sibthorp of East Circus St., Nottingham until 1879. Then  John Eliot Hodgkin, author of Examples of Early English Pottery,  and afterwards Col. and Mrs Pryser until sold at Sotheby\u2019s on 5 November 1919, lot 30. Bought at Sotheby\u2019s  for \u00a39 5s (nine pounds five shillings) by Stanley Woolston, for Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71324","uid":"adlib-object-71324","uuid":"cb65fc2f-447c-3d65-822b-9e2527452c86"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}},"summary_title":"mug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71327","uid":"adlib-object-71327","uuid":"8bde0e46-3805-3ddd-b5f9-2cc00bea3bf3"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71335","uid":"adlib-object-71335","uuid":"d8367e42-d889-3ef0-a31a-324f2e118de3"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71325","uid":"adlib-object-71325","uuid":"6e6dde8d-2a95-3aec-aa7b-3e4050885da1"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}},"summary_title":"mug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71326","uid":"adlib-object-71326","uuid":"baa83ef0-1d65-3f2d-9df0-b29fc5eea31b"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91188","uid":"adlib-term-91188","uuid":"40f320f4-04b6-3303-8129-f9e81e2b4671"},"summary_title":"mug"}},"summary_title":"mug"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71330","uid":"adlib-object-71330","uuid":"b793dc59-4cde-338e-a75d-b9149788ffdf"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Information about Whieldon\u2019s brilliant black glaze and about wares made in Shropshire.","page":"96","type":"reference"},"admin":{"id":"publication-3444","uid":"adlib-publication-3444","uuid":"00efe2cd-f7fc-36a2-acb9-49a338457c48"},"summary_title":"English Pottery, Its Development from Early Times to the End of the Eighteenth Century"},{"@link":{"notes":"Cf. no 677, this piece described.","page":"182","type":"reference"},"admin":{"id":"publication-3876","uid":"adlib-publication-3876","uuid":"97edafd2-67c9-33d8-82c8-96acb6b531af"},"summary_title":"Examples of Early English Pottery, named, dated and inscribed"},{"@link":{"notes":"Cf. Plates 14-16, examples of Jackfield-type jugs; information about Jackfield wares.","page":"13-17,88","type":"reference"},"admin":{"id":"publication-7733","uid":"adlib-publication-7733","uuid":"081a9ae5-2994-3649-bb78-c748f5c8a2c9"},"summary_title":"Illustrated Guide to British Jugs : from mediaeval times to the twentieth century"},{"@link":{"notes":"Ref. re iron-manganese glazed blackware made in Staffordshire and Shropshire c.1750-80s.","page":"70,210","type":"reference"},"admin":{"id":"publication-5541","uid":"adlib-publication-5541","uuid":"5f1c299b-a6dd-3621-9e7b-128c00e539b3"},"summary_title":"English Pottery 1620-1840"},{"@link":{"type":"reference"},"admin":{"id":"publication-400001969","uid":"adlib-publication-400001969","uuid":"19c55534-da06-32e2-808b-5dba40b2787d"},"summary_title":"Manufacturing Processes of Tableware during the Eighteenth and Nineteenth Centuries"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-134361","uid":"adlib-term-134361","uuid":"3ac47f77-e887-383f-84c2-e1ae579ee4d7"},"summary_title":"Jacobite movement"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug","techniques":[{"description":[{"value":"Thrown earthenware jug with manganese iron glaze."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Jackfield ware inscribed jug"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":3,"last_page_url":"?page=3","links":[{"url":null,"label":"&laquo; Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":"?page=2","label":"2","active":false},{"url":"?page=3","label":"3","active":false},{"url":"?page=2","label":"Next &raquo;","active":false}],"next_page_url":"?page=2","path":"","per_page":24,"prev_page_url":null,"to":24,"total":51}]