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The central quatrefoil is painted with a landscape and two birds, surrounded by a pink trellis design with flowers in the spaces."},{"value":"Soft-paste porcelain, moulded, pierced and decorated with pink (rose) ground colour, painting in blue, green, yellow dark pink, red,, pale purple and brown enamels, and gilding. Square with sloping sides pierced with alternating scrolls and lilies. The base is slightly recessed and has a suspension hole in the footring. The centre quatrefoil reserve is painted with a landscape and two birds, one perched on the a branch of a tree, and the other on the ground. The reserve has a broad quatrefoil rose ground frame edged by gold scrolls. The rest of the flat area is decorated with a trellis in rose ground outlined in gold with rose four-petalled flowers at the intersections, and polychrome flowers and leaves in the spaces of the trellis. The sides have a rose ground on the interior, and the pierced design is outlined in gold on the interior and exterior. Thebase has a rose band and a gold band round its edge."}],"identifier":[{"accession_number":"C.15-1961","primary":true,"type":"accession number","value":"C.15-1961"},{"priref":"93548","type":"priref","value":"93548"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93548","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93548"}],"inscription":[{"description":[{"value":"interlaced L's enclosing F"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"location":"on base","method":"incised","transcription":[{"value":"'6c' and script 'A'"}],"type":"mark"},{"location":"on base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"SEVRES [printed] 1758 [hand-written]"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The first recorded sale of a plateau carre \u2018 a jour\u2019with pierced sides was made to the marchand-mercier, Lazare Duvaux between July 1757 and January 1758. This is the first size, and may have been sold with a cup or a cup and saucer as a dejeuner.  These have rarely survived together.The Reverend William Cole, who was in Paris in 1765, went with Horace Walpole to Poirier's shop where the latter paid '10 Louis or Guineas for a single Coffee Cup, Saucer, & a little square Sort of soucoupe, or under-Saucer, to set them on; they were indeed the highest finished Things of the Kind that can be conceived: perfect Jewels that deserve to be set in gold Frames to be admired & looked at, but never to be used for Fear of breaking them.'  Rose grounds were first recorded in 1758 but appear on pieces with date letters for 1757, and 1756. They were popular until 1762 and then again between 1772-5. The pink trellis pattern on this tray was described by the factory as \u2018rose mosaique\u2019."},{"value":"This tray does not bear a painter's mark but the landscape in the centre is similar in style to one on a rectangular tray with a different rose trellis ground, and date letter for 1757-8, painted by Edm\u00e9 Gom\u00e9ry, now in the British Museum (See Documentation, Sotheby's 10 December, 1936, and Dawson 1994)"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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For the various forms and sizes of plateau carr\u00e9, see Vol. II, pp. 585-7, under C382-3 and  pp. 599-600, cf. a larger differently shaped tray with a comparable rose trellis, no. 390.","page":"585-7","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-4638","uid":"adlib-publication-4638","uuid":"19bcc9f2-121b-3c3c-89fa-cb1e3343244d"},"summary_title":"Catalogue of the Jones Collection, Part II Ceramics, etc"},{"@link":{"notes":"Cf. pp. 101-2, no. 91, a rectangular plateau tiroir \u00e0 jours of 1757 with a rose trellis of a different design, and central reserve painted with a landscape in similar style to the Fitzwilliam's (1948,12-3,39). This has the same  incised mark 6c as the Fitzwilliam's; the second mark differs. The author compares it with the Fitzwilliam's square tray. It was lot 70 in the Madame Dhainaut sale of 10 December 1936.","page":"101-02","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"notes":"Cf. pp. 190-3, no. 66 a cup and saucer (gobelet H\u00e9bert) with almost similar pink trellis, both pieces marked with date letter E, the saucer with L for Denis Lev\u00e9","page":"190-3","type":"reference"},"admin":{"id":"publication-6270","uid":"adlib-publication-6270","uuid":"1ea5ce2b-7dcd-3733-a0d2-cbb6661560ed"},"summary_title":"The Rita and Frits Markus Collection of European Ceramics and Enamels, Museum of Fine Arts, Boston"},{"@link":{"notes":"Cf. pp. 169-71, no. 80 a cup and saucer (gobelet H\u00e9bert), with almost similar pink trellis, and date letter E on cup and I on saucer. 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The flower vasee is in two parts, a stand for water and a plant holder. Both are of an elongated, shaped oval plan. The lower part of the holder is pierced with eight holes and fits into an aperture in the top of the stand. The sides slope upwards and outwards in the shape of a fan. The stand has a moulding round its base, almost vertical sides and shoulders pierced by four lobed panels. There is a suspension hole in the base of the stand.                                                            The bleu c\u00e9leste ground of the flower holder has four narrow closed fan-shaped gilded panels between the reserves, each enclosing a central patera, and at the top and bottom a scrolled motif . There are four oval reserves on the holder and four rectangular reserves on the sides of the stand all painted in polychrome enamels. On the holder, one has a bouquet of mixed flowers, and the other two, flowers and fruit.The reserve on the front has a genre scene, including an old man, a young man and a woman, and a child around a table standing outside a cottage. The stand has four bleu c\u00e9leste areas between the reserves each gilded with a diaper panel above a patera. Three reserves are decorated with floral sprays, and one with a barrel and a table standing in front of a stone wall with a landscape to the left. The openings are outlined by double gold lines."}],"exhibitions":[{"@link":{"catalogue":"no. 850","type":"reference"},"admin":{"id":"exhibition-1767","uid":"adlib-exhibition-1767","uuid":"bc15b744-f3b4-33c4-bfb9-a3217852c56c"},"summary_title":"Art Treasures Exhibition, 1932"}],"identifier":[{"accession_number":"C.21 & A-1961","primary":true,"type":"accession number","value":"C.21 & A-1961"},{"priref":"93560","type":"priref","value":"93560"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93560","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93560"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing H"}],"type":"factory mark"},{"location":"on base of flower holder below factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"rectangular paper label with black line border"}],"location":"on base of stand","method":"hand-written in black ink","transcription":[{"value":"o1Wx13\/\u00a3x6\/2\/2 or \u00a3xbhh"}],"type":"label"},{"description":[{"value":"narrow rectangular paper label"}],"location":"on base of stand","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"printed, SEVRES, handwritten Date\/1760\/Painter Catrice"}],"type":"label"},{"description":[{"value":"circular white paper label. The o of No is raised"}],"location":"on base of stand","method":"printed in black and hand-written in brown","transcription":[{"value":"BRITISH ANTIQUE DEALERS ASSOCIATION encircling ART\/TREASURES\/EXHIBITION\/CHRISTIES 1932\/No........ with handwritten 850 in space"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The reserve on the front of the holder is painted with an adaption of part of  the engraving 'Feste de Village' by Jacques Philippe Le Bas after David Teniers the Younger (1610-90) which was advertised in the Mercure gallant in 1737  (see The Fitzwilliam Museum Print Room, Vol. II of Le Bas prints, no. 254 and 266). In the print there are six other figures round the table and the child is on the right. The same group occurs on one side of a vase hollandois , one of a pair of 1759-60, in the Jones Collection at the Victoria and Albert Museum ( 756\/1,2-1882). Figures and groups from this and the print '4eme F\u00eate Flamande' (1751) dedicated to Madame de Pompadour, were those most frequently used by S\u00e8vres painters. The originals were then in the collection of the duc de Choiseul."},{"value":"The mark is probably that of  Jacques-Fran\u00e7ois Micaud (1732\/5-1811) but might be Philippe Xhrowet (1725-75), both of whom used a cross. See documentation (Savill, 1988, III). As Micaud was primarily a flower painter, it seems likely that the Teniers scene was executed by another painter, possibly by Vieillard, whose mark appears on the vase in the Jones Collection and on a garniture of three vases hollandois of c. 1761 likewise decorated with \u2018Teniers\u2019 scenes in the Art Institute Chicago (1994,373.1-3)."},{"value":"This very popular vase was known first as a 'vase \u00e0 la hollandoise', and later as 'vase hollandoise' or 'hollandois'. It was probably designed by Jean-Claude Duplessis (working 1748-74), and was introduced in three sizes in 1754. a plaster model for the upper part, and a drawing of the profile dated 1754 survive in the factory's archives. This one is of the third size. They were supplied singly, in sets of three, or in mixed sets with other vase forms. The flowering plants or bulbs were grown in the top part, and could be watered through the holes in the top of the stand. A probably pair to this vase was on the market in London in 2008-2009 (see Documentation, Grosvenor House Art & Antiques Fair, 2009)"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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