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Patterned grounds with tiny white circular reserves and gold oeil-de-perdrix decoration introduced about 1765 were associated with the painter Taillandier, and when they had a green ground were referred to as 'fond Taillandier vert' or 'fond pointill\u00e9 vert'."},{"value":"The decoration in the centre of the dish suggests strongly that it was painted  much later than 1769 which its date letter indicates. 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Oval with notched and curved edges and concave curving slightly lobed sides. There is a suspension hole in the footring.  The stand has a bleu lapis ground with a shaped reserve at each end, surrounded by an elaborate rococo frame composed of gilt scrolls, flowers and foliage. The reserve is painted with an exotic bird standing on the ground in a landscape with a low tree on the right. There is a dentilated gilt band round the rim.\nA pair with C.19B-1961."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1766","uid":"adlib-exhibition-1766","uuid":"50dc1734-4ec9-32ea-b76e-4e9ef08bfc00"},"summary_title":"Image and Text"}],"identifier":[{"accession_number":"C.19A-1961","primary":true,"type":"accession number","value":"C.19A-1961"},{"priref":"72954","type":"priref","value":"72954"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72954","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72954"}],"inscription":[{"description":[{"value":"interlaced L's enclosing G"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"an arrow, pointing downwards, with split tail, and a circle in the middle of the shaft, with a horizontal line through it"}],"location":"on base, above factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base in front of suspension hole","method":"incised","transcription":[{"value":"gp"}],"type":"incised mark"},{"description":[{"value":"elongated rectangular gold paper label with cut corners inscribed in black ink with 'Strawberry Hill'"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"Strawberry Hill"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"This stand and its pair do not appear in the Strawberry Hill sale catalogue, Mr George Robins, 25 April, 1842,The Valuable Contents of Strawberry Hill, nor are they described in Horace Walpole, A Description of the Villa of Mr. Horace Walpole . . . Strawberry Hill . . ., 1784."}]}],"creation":[{"date":[{"earliest":1760,"era":["CE"],"latest":1760,"note":[{"value":"Accessioned as 1759 but as a result of the revision of the dates for the date letters, A now standing for 1754, it has been changed to 1760."}],"precision":"circa","value":"1760"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"perhaps","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162406","uid":"adlib-agent-162406","uuid":"ae08b23b-043d-3334-a062-764b683be1e1"},"summary_title":"Gr\u00e9mont, Claude-Jean-Baptiste"},{"@link":{"qualifier":"perhaps","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-175222","uid":"adlib-agent-175222","uuid":"26cc5a91-e0d9-3fdf-bfda-38d39acea11e"},"summary_title":"Poulain, Gratien"}],"note":[{"value":"Both Gr\u00e9mont and Poulain were working at the factory when this stand was made, and have been suggested as the user of the incised mark gp, but given the initials the latter seems more likely."},{"value":"The painter's mark on this piece appears on objects decorated with birds made c. 1759, and is somewhat like another arrow mark which since the 19th century has been attributed to Pierre-Fran\u00e7ois Yvernel, who worked at the factory from 1750-59. But no evidence has been found for this attribution. On accession this dish was attributed to Yvernel, but if Peters' proposed revision of the years allocated to date letters is accepted, this dish would have been decorated in 1760 after he had left the factory (see Documentation, Peters, 2014)."},{"value":"This is one of two different stand forms which accompanied barrel-shaped mustard pots (moutardiers ordinaires), the other has a cusped rather than indented outline, and a central depression to take the pot. This stand and its pair may have been intended to accompany a pair of similarly decorated mustard pots decorated by the same two decorators and said to have come from Strawberry Hill formerly in the Charles-Otto Zieseniss Collection (see Documentation)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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Probably W.J. Goode; sold Christie\u2019s, 17 July 1895, lot 250. Acquired by Louis Colville Gray Clarke, Cambridge before October 1948"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93554","uid":"adlib-object-93554","uuid":"8657e874-6b27-3b11-843c-1ed51d417677"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107559","uid":"adlib-term-107559","uuid":"7f8f2ef8-86fb-318c-b509-1a70260fce87"},"summary_title":"stand"}},"summary_title":"stand"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93567","uid":"adlib-object-93567","uuid":"7fe7cd93-b01c-3b64-bb0c-18e71be0d48d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. p. 60, no. 107, with bleu lapis ground, and flying birds in the reserves.","page":"59-60","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. For the mark attributed to Yvernel, a landscape painter, working at Vincennes and S\u00e8vres between 1750 and 1759, but this is not identical to the mark on this piece.","page":"35","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref. Vol. I, Part II, Unattributed marks (Devices), p. 97, the arrow mark attributed in the 19th century to Pierre-Fran\u00e7ois Yvernel, and below it the mark on this piece, with a note that it is found on bird-decorated items of 1758-59. Peters suggests two possibel painters, Auclos or Kn\u00fcpfer who worked in those years.","page":"97","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. For the incised mark gp recorded on a tray (plateau) of 1759 in the Wrightsman Collection, which the author suggests may be for Gratien Poulain working between 1758 and 77 as a r\u00e9pareur of soft-paste","page":"199","type":"reference"},"admin":{"id":"publication-5544","uid":"adlib-publication-5544","uuid":"28882f1d-7a13-30af-86be-c19a99274fc9"},"summary_title":"S\u00e8vres Porcelain, Makers and Marks of the Eighteenth Century"},{"@link":{"notes":"Rev. Vol. III, p. 1106, for the incised mark gp. The author cites its occurrence on pieces in the Wallace collection and elsewhere. She mentions the possibility that this is the mark of Gratien Poulain, working 1758-77,a soft-paste r\u00e9pareur.","page":"1104","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. 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The author considered this might be the mark of Gr\u00e9mont p\u00e8re, see p. vi.","page":"219","type":"reference"},"admin":{"id":"publication-3644","uid":"adlib-publication-3644","uuid":"98152442-d20d-3780-aea4-f7a43bb51263"},"summary_title":"The Wrightsman Collection IV: Porcelain"},{"@link":{"notes":"Cf. p. 147, lot 198 a pair of mustard pots with covers, bleu lapis grounds, and birds in landscapes in the reserves, dated for 1759-60, one bearing the mark on this example, and the other that of J.-L. Morin, and said to come from Strawberry Hill, which suggests that they might have been the mustards which went with this dish and its pair. 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Ovoid body with gently curving spout and ear-shaped handle, the slightly domed cover surmounted by a knob in the shape of a flower on a stem with leaves. The pot and cover are decorated with bleu lapis scalloped ribbons edged in gold, which fall diagonally from the knob of the lid to the base of the body. The ribbons are decorated in gold with elongated scrolls, rocaille 'frills' and tendrils. The white zones between them, and the spout are decorated with sprays of polychrome flowers. The floral knob is pink with gold leaves. 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Inside the pot is stuck an entry from a sale catalogue '64 A small teapot, sucrier and cover; with gros-bleu and g  s  and flowers in colours' and in ink '1886 Christie's\/Merault Sen-'. This might refer to the Countess of Chesterfield - check Lord Dudley."}]}],"creation":[{"date":[{"earliest":1757,"era":["CE"],"latest":1757,"note":[{"value":"The teapot bears the date letter for 1757"}],"value":"1757"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-90790","uid":"adlib-agent-90790","uuid":"4e4302f1-6773-3de6-80c0-2b4863b1363f"},"summary_title":"M\u00e9reaud, Pierre-Antoine"}],"note":[{"value":"The th\u00e9i\u00e8re calabre was the most common teapot form made at S\u00e8vres. 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Oval with curved, slightly lobed sides, and undulating rim with four notches at the cardinal points and four less prominent notches between them. There is a suspension hole in the footring. The stand has a bleu lapis ground with a shaped reserve each end, surrounded by an elaborate rococo frame composed of gilt scrolls, flowers and foliage. The reserves are each painted with two birds in a landscape, one bird standing and the other flying or perched in a tree. There is a dentilated gilt band round the rim. A pair with C.19A-1961."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1766","uid":"adlib-exhibition-1766","uuid":"50dc1734-4ec9-32ea-b76e-4e9ef08bfc00"},"summary_title":"Image and Text"}],"identifier":[{"accession_number":"C.19B-1961","primary":true,"type":"accession number","value":"C.19B-1961"},{"priref":"93554","type":"priref","value":"93554"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93554","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93554"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing G."}],"type":"factory mark"},{"description":[{"value":"M followed by a dot about half way up the right stroke of the letter"}],"location":"on base, below factory mark","method":"painted in blue enamel","transcription":[{"value":"M."}],"type":"painter's mark"},{"location":"on base close to footring","method":"incised","transcription":[{"value":"gp"}],"type":"incised mark"},{"description":[{"value":"gold paper elongated rectangle with cut corners inscribed in black ink with 'Strawberry Hill.'"}],"location":"on base","method":"inscribed in black ink","transcription":[{"value":"Strawberry Hill"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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Circular with a wide rim, and deep well, standing on a fooring with a suspension hole.  The dish is heavy for its size. The well has a turquoise (bleu c\u00e9leste) ground with a central circular reserve framed by a chased gold band. Within it is a wreath made up of branches of laurel and myrtle,  tied with a gold bow at the bottom.  At the top the branches meet on either side of a gold Imperial crown. Within the wreath is a large script E made up of pink and blue flowers in monogram with 'II' in gold, for Ekaterina II. The rim has white inner and outer borders decorated with small floral sprays separated by husks. Beween them is a broad turquoise band decorated with finely tooled gold foliated scrolls, interupted by three small oval reserves and three larger horizontal oval reserves, each painted en grisaille on a reddish-brown ground to imitate cameos. The small reserves enclose profile heads, respectively of a young woman, a young man, and Pan. The larger reserves enclose mythological scenes from Ovid's Metamorphoses: Apollo and Daphne from Book 1; The competition between Apollo and Marsyas, and the Flaying of Marsyas from Book 6. There is a gold band round the edge, dentilated on the reverse, and a wide gold band round the outer edge of the footring."}],"identifier":[{"accession_number":"C.51-1961","primary":true,"type":"accession number","value":"C.51-1961"},{"priref":"93541","type":"priref","value":"93541"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"painted in bluish-violet enamel","transcription":[{"value":"interlaced Ls enclosing aa"}],"type":"mark"},{"location":"on base above the factory mark","method":"painted in violet enamel","transcription":[{"value":"K"}],"type":"painter's mark"},{"location":"on base below factory mark","method":"painted in violet enamel","transcription":[{"value":"nq"}],"type":"painter's mark"},{"description":[{"value":"with a curved upright stroke"}],"location":"on base below the other marks","method":"painted in brighter blue","transcription":[{"value":"script B"}],"type":"gilder's mark"},{"location":"on base","method":"painted in red enamel which has partly worn away","transcription":[{"value":"H P"}],"type":"mark"},{"location":"on base","method":"hand-written probably in black ink","transcription":[{"value":"illegible"}],"type":"inscription"},{"description":[{"value":"narrow rectangular label"}],"location":"on base","method":"printed in black","transcription":[{"value":"'From Lord Dudley's Collection'"}],"type":"label"},{"description":[{"value":"circular label printed round the edge with a narrow blue band and a wider blue band"}],"location":"on base","method":"hand-written in black crayon","transcription":[{"value":"55 underlined"}],"type":"label"},{"description":[{"value":"rectangular with the left end torn off"}],"location":"on the base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"(S) EVRES printed 'Niquet & Dodin\/Date\/1778' hand-written"}],"type":"label"},{"description":[{"value":"rectangular with part of the right side torn off"}],"location":"on the base","method":"hand-written in black ink","transcription":[{"value":"Part of the service\/made for the\/Empress Cath.....\/of Russia"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was remarkable for its immense size, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them. The outlines of those on the plates were transfer-printed before painting, a technique not normally employed on S\u00e8vres porcelain. For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III). The Fitzwilliam Museum also owns a jug from the service, C.47-1961."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste 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which have been dispersed during the last fifty years which (by order of the Executors), lot 95, 108 guineas. D.M. Currie; Mrs Alistair Currie, sold Christie's, 13 June 1946,  Catalogue of Old French Furniture and S\u00e8vres Porcelain . .. p. 7,, lot 55 sold for 78 guineas to  F. Partridge for L.C.G. Clarke, MA, Leckhampton, Cambridge (1881-1960)."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same service"}],"type":"reference"},"admin":{"id":"object-93592","uid":"adlib-object-93592","uuid":"38f70bab-d288-34f4-8dd0-c0fbf534c2d1"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-6030","uid":"adlib-publication-6030","uuid":"493da1ea-dbf5-35b7-b1c3-1b4dac45a4cd"},"summary_title":"Catalogue of\/the Splendid Collection formed by the Right Honourable the late Earl of Dudley from the most celebrated cabinets which have been dispersed during the last fifty years which (by order of the Executors),Will be sold by Auction by Messrs. Christie, Manson & Woods at their Great Rooms 8 King Street, St James\u2019s Square"},{"@link":{"notes":"Publ. Illustrated, pp. 377-83, on p. 381, fig. 13","page":"p. 381","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 29, short text with colour illustration","page":"29","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"notes":"Publ. p. 162, illustrated with short text","page":"162","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Ref. p. 36, no. 11 where the whole service is listed","page":"36","type":"reference"},"admin":{"id":"publication-4634","uid":"adlib-publication-4634","uuid":"d0262d0c-496d-3bf6-a95b-8c6d7ada2ceb"},"summary_title":"Les Grands Services de S\u00e8vres"},{"@link":{"notes":"Cf. pp. 322-7, M. Kasakevitch, 'Le Service de Porcelain de Catherine II de Russie',  where the entire service is listed n p. 325, and catalogue nos. 232-55.","page":"322-7","type":"reference"},"admin":{"id":"publication-5983","uid":"adlib-publication-5983","uuid":"a8deeedb-4869-3a50-a871-c3d2d0f2fbc7"},"summary_title":"Versailles et les Tables Royales en Europe XVII\u00e8me - XIX\u00e8me si\u00e8cles"},{"@link":{"notes":"Ref. and mention, vol. III, pp. 601-06, service  79-13, for the Empress Catherine of Russia:  the commission, components, date of manufacture and delivery,  painters and gilders employed on it, current locations and sales of pieces from the service. The Fitzwilliam's dish is mentioned on p. 604, with an incorrect accession number C.19-1961.","page":"601-06","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. pp. 130-52, nos. 129-811 for the pieces which remain in the Hermitage. Cf. Plates nos. 472-811,  one illustrated on p. 149.","page":"130-52","type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3880","uid":"adlib-publication-3880","uuid":"2a919a18-5edb-3d2e-9336-3d08e969cd38"},"summary_title":"The Soft Porcelain of S\u00e8vres"},{"@link":{"notes":"Ref. pp. 88-9, for the Empress Catherine Service, and pl. on p. 91","page":"88-9, 91","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-3655","uid":"adlib-publication-3655","uuid":"b008e74d-7bac-33c4-ad80-37f31f9fe1ce"},"summary_title":"European Ceramic Art"},{"@link":{"notes":"Ref. Frontispiece to the plates, a plate similar to the Fitzwilliams, and pl. 82, two ice cups and a sucrier, cover, and stand, and pp. 217-18, text for all which were in a private collection.","page":"217-18","type":"reference"},"admin":{"id":"publication-3688","uid":"adlib-publication-3688","uuid":"6e82b986-e237-3d96-8b61-f057ec352107"},"summary_title":"S\u00e8vres, Le XVIIIe Si\u00e8cle"},{"@link":{"notes":"Ref. For the mark of Niquet","page":"33","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref.pp. 317-18 for Boulanger, p\u00e8re, pp. 323-4, for Charles-Nicolas Dodin","page":"323-4, 317-1","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. pp. 18-19, and fig. 5, an oval dish in the Forsyth Wickes Collection at the Museum of Fine Arts, Boston","page":"18-19","type":"reference"},"admin":{"id":"publication-5244","uid":"adlib-publication-5244","uuid":"aabb51b8-9c78-33ab-90e3-873bfea9593d"},"summary_title":"S\u00e8vres"},{"@link":{"notes":"Cf. p. 295, no. 18.9.34, a plate from a different service with the incised mark '33'.","page":"295","type":"reference"},"admin":{"id":"publication-200001937","uid":"adlib-publication-200001937","uuid":"f7f00645-7544-35c8-ac44-54048c5c3b48"},"summary_title":"French Pottery and Porcelains"},{"@link":{"notes":"Cf. p. 198 and 199, nos. 223 and 224.","page":"198-9","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Ref. Information on painters of the services and the sources of their designs","page":"667","type":"reference"},"admin":{"id":"publication-200001276","uid":"adlib-publication-200001276","uuid":"f85e7326-af51-3e34-a9bb-dce3271e7358"},"summary_title":"S\u00e8vres Artists and their Sources I: Paintings and Drawings"},{"@link":{"notes":"Cf. p. 6, lot 6, with colour illustration, a plate, 1782","page":"6","type":"reference"},"admin":{"id":"publication-4651","uid":"adlib-publication-4651","uuid":"9ed2d142-68df-3f5b-8081-f5f150d9cc57"},"summary_title":"Continental Porcelain"},{"@link":{"notes":"Cf. p. 8, lot 8, illustrated, a compotier, marked with interlaced Ls, AA, painter's mark for Foure in blue enamel, 2000 in gold for Henry-Fran\u00e7ois Vincent jeune, 20 incised. Estimate \u00a3600-800","page":"8","type":"reference"},"admin":{"id":"publication-4652","uid":"adlib-publication-4652","uuid":"020af38a-73b1-3989-a119-c13fe9b7ea18"},"summary_title":"Important Italian Maiolica and Continental Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 128, no. 101, a cup and saucer of 1778 from the service.","page":"128","type":"reference"},"admin":{"id":"publication-5985","uid":"adlib-publication-5985","uuid":"0003a292-18c8-307d-a8db-1cb02302b5be"},"summary_title":"La  porcelaine fran\u00e7aise du XVIIIe si\u00e8cle dans les mus\u00e9es Nord-Pas-de-Calais"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Cf. Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. A similar plate, with text on the commissioning, design, and history of the service, with particular reference to the plates.","page":"141-4","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002992","uid":"adlib-publication-200002992","uuid":"4f8caf6e-00d1-3283-8a36-0392e6257e5d"},"summary_title":"Catherine the Great & Classical Imagery: An Analysis of her S\u00e8vres Porcelain Service of 1779"},{"@link":{"notes":"Cf. pp. 24-5, lot 25. a plate, estimate FF 75,000-120,000 . Provenance, Robert Napier of Shandon, Christie's, London, 11 April 1877, lot 160 or 161; L. Thomson, probably for the Earl of Dudley; Earl of Dudley, sold Christie's, London, 21 May 1886, lot 96 or 97; sold to Grindely.","page":"24-5","type":"reference"},"admin":{"id":"publication-4838","uid":"adlib-publication-4838","uuid":"a6f6fa46-1bdb-30fe-b7f7-d3226b96004a"},"summary_title":"Porcelain et Fa\u00efence Fran\u00e7aises, Mobilier et Objets d'Art, 8 December 1990"},{"@link":{"notes":"Cf. p. 87, lot 289, a plate from the collection of the late Robert Clarke, dated AA for 1778 with painter's mark of Dodin and FB for Fran\u00e7ois-Marie Barrat. D. 16.5 cm. Estimate \u00a310,000-15,000; fetched \u00a3","page":"87","type":"reference"},"admin":{"id":"publication-4653","uid":"adlib-publication-4653","uuid":"25e7f7aa-fbc2-385e-9976-1240f2a3c855"},"summary_title":"Continental and British Ceramics: including Meissen porcelain from Korthaus Collection: properties of the St. Germans 1962 Settlement, the late Robert Clarke"},{"@link":{"notes":"Ref.","page":"48-54","type":"reference"},"admin":{"id":"publication-200001798","uid":"adlib-publication-200001798","uuid":"ae666f1f-7c30-31c2-a3ca-921a644de069"},"summary_title":"The S\u00e8vres Porcelain Service of Catherine II of Russia: The Truth Concerning Payment"},{"@link":{"notes":"Cf. p. 66, no. 18, illustrated in colour on p. 67, a bronze-mounted ice cup. No year mark. Painter's mark HP for Henri Martin Pr\u00e9vost (active 1757-97). Inv. no. FAS PE 188.","page":"66","type":"reference"},"admin":{"id":"publication-4655","uid":"adlib-publication-4655","uuid":"4c795466-ef5c-3139-af87-252991660c24"},"summary_title":"K\u00f6nigliches Porzellan aus Frankreich, Sammlerst\u00fccke und Service der Manufaktur Vincennes\/S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-7524","uid":"adlib-publication-7524","uuid":"9aae2908-1105-3fa5-8365-0c981a52dccf"},"summary_title":"Treasures of France from the Sun King to the Belle Epoque"},{"@link":{"notes":"Cf. pp. 281-3, no. 144, a S\u00e8vres factory replica with date letter for 1785 (1917.1095), which differs in having a shaped rim and being slightly smaller, 23.8 cm instead of about 26.5 cm.","page":"281-3","type":"reference"},"admin":{"id":"publication-2724","uid":"adlib-publication-2724","uuid":"e1cfd19f-1a09-348b-8813-f71b68d85f84"},"summary_title":"French Eighteenth-Century Porcelain at the Wadsworth Atheneum, The J. Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 182-3, lot 265, a plate described as 'une replique' of the 18th century, 23.5 diameter with date letters ee for 1783,  painter's mark of Tandart, and gilder's mark of Chauvaux. Estimate E 15,245-18,295; fetched E","page":"182-3","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. Lot 99, a reproduction plate probably made by the Imperial Porcelain Manufactory in the late 19th century. D. 26 cm. Estimate \u00a32-3,000.","page":"73","type":"reference"},"admin":{"id":"publication-4699","uid":"adlib-publication-4699","uuid":"6cacf516-5595-300d-b383-656e14e2a766"},"summary_title":"Russian Works of Art, Faberg\u00e9 and Icons"},{"@link":{"notes":"Cf. p. 24, lot 38, a plate from the Empress Catherine Service with the date letter for 1778 and painter's mark for Dodin. Estimate \u00a323-31,000; E25-35,000. Cf also p. 23, lot 37 a tassa \u00e0 glaze from the service with marks of the painter Buteux cadet and gilder Pr\u00e9vost. Estimate \u00a327-45,000; E 30-50,000","page":"23-4","type":"reference"},"admin":{"id":"publication-8611","uid":"adlib-publication-8611","uuid":"19cabd61-c687-331c-99fc-fedcd318d801"},"summary_title":"500 Ans, Arts D\u00e9coratifs Europ\u00e9ans"},{"@link":{"notes":"Ref. for the career and work of Dodin. Cf. pp. 151-3, no. 63, twelve pieces from the Empress Catherine Service, from the Hermitage Museum. An assiette plat unie is shown on p. 152 and an assiette \u00e0 potage on p. 153","page":"151-3","type":"reference"},"admin":{"id":"publication-8896","uid":"adlib-publication-8896","uuid":"dab82d54-022d-3cc0-b9d7-b6d3139c29d4"},"summary_title":"Splendeur de la peinture sur porcelaine au XVIIIe si\u00e8cle, Charles Nicolas Dodin et la Manufacture de Vincennes-S\u00e8vres"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-109779","uid":"adlib-term-109779","uuid":"97366b6e-3308-3da7-bfe7-195c4dc9e54b"},"summary_title":"wreath"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-110367","uid":"adlib-term-110367","uuid":"09dcd231-d9d1-3ef5-9ba1-2fe42701eadb"},"summary_title":"olive"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107523","uid":"adlib-term-107523","uuid":"083efb08-b78e-3ba4-b2b7-98b7667f2e9d"},"summary_title":"laurel"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125932","uid":"adlib-term-125932","uuid":"5d6f0ca0-2f7b-3b86-b7ed-582d8d950779"},"summary_title":"flaying"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125931","uid":"adlib-term-125931","uuid":"ac6db4e6-507a-3394-ab87-bf6239ce1188"},"summary_title":"fleeing"},{"@link":{"type":"literal"},"name":[{"value":"wreath"}],"summary_title":"wreath"},{"@link":{"type":"literal"},"name":[{"value":"olive"}],"summary_title":"olive"},{"@link":{"type":"literal"},"name":[{"value":"laurel"}],"summary_title":"laurel"},{"@link":{"type":"literal"},"name":[{"value":"flaying"}],"summary_title":"flaying"},{"@link":{"type":"literal"},"name":[{"value":"fleeing"}],"summary_title":"fleeing"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"soft-paste porcelain decorated with a turquoise (bleu c\u00e9leste) ground, painted in blue, green, pink, red, and reddish-brown enamels, transfer-printed cameo heads painted in reddish-brown enamel, and chased gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plate from the Empress Catherine Service"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93542","_score":17.502527,"_source":{"admin":{"added":1592964809000,"created":1312637261000,"flag":"Standard Record","id":"object-93542","indexed":1755194544243,"modified":1711374457000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93542","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93542","uuid":"47857411-5600-3469-8d14-f36246813d8b","version":8},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, pink, red, and mauve"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, pink, red, and mauve enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"13.9"},{"dimension":"Height","units":"cm","value":"3.2"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"7"}]},"name":"Cup"},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"9.4"}]},"name":"Cup Including Handle"}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup and saucer, painted in enamels with mauve and white stripes, and with wreaths, bows, and posies in reserves, and gilded"},{"value":"Soft-paste porcelain painted in blue, green, yellow, pink, red, and mauve enamels, and gilded. Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a hole for suspension in the footring of each piece.The cup has a ground of mauve stripes, each flanked by a gold line, a blue line and a line of gold dots, alternating with reserved white stripes decorated with small gold floral sprays. Encircling the cup there are two large and two small shaped reserves linked to each other. The two large ones contain wreaths of laurel leaves and red berries tied at the top with a bow of mauve ribbon from which is suspended a posy of three pink roses and leaves. The wreaths are linked by swags passing through the two small reserves, each composed of three posies of three pink roses linked by sprays of leaves. There are bands of gilding round the base and rim, lines down the sides of the handle and a stylised leaf. and two bell flowers separated by spots down its back.  In the centre of the saucer there are two concentric gold circles from which radiate mauve stripes like those on the cup. They end at varying distances from the centre, so that they form a cross-shape with incurved sides and ends. The sides are decorated en suite with the cup with four large reserved linked by four small, each containing a posy of three roses and leaves. There is a band of gilding round the rim."}],"identifier":[{"accession_number":"C.7 & A-1956","primary":true,"type":"accession number","value":"C.7 & A-1956"},{"priref":"93542","type":"priref","value":"93542"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93542","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93542"}],"inscription":[{"location":"on base of cup and saucer, over a large chip on the latter","method":"painted in pink enamel","transcription":[{"value":"interlaced L's enclosing Z"}],"type":"factory mark"},{"description":[{"value":"horizontal line, with above, a line parallel to it with a hump in the middle"}],"location":"on base of cup and saucer above the factory mark","method":"in pink enamel","type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"3 c\/"}],"type":"incised mark"},{"description":[{"value":"rectangular white paper label now buff"}],"location":"on base of cup","method":"printed in black and hand-written in faed black ink","transcription":[{"value":"SEVRES printed and Ptr Noel\/date 1777 L.C.G.C. handwritten"}],"type":"label"},{"description":[{"value":"rectangular lined white paper label with cut corners now discoloured"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Lent by Louis C.G. Clarke\/Dec.1947."}],"type":"label"},{"description":[{"value":"rectangular white paper label with printed rectangular frame comprising a wide and a narrow blue line"}],"location":"on base of cup and saucer","method":"hand-written in faded black ink","transcription":[{"value":"Louis\/Clarke"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Louis C.G. Clarke, MA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1956,"latest":1956,"value":"1956-07-19"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1956-07-19"}]}],"creation":[{"date":[{"earliest":1777,"era":["CE"],"latest":1777,"note":[{"value":"The cup and saucer bear the date letter for 1777"}],"value":"1777"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-99527","uid":"adlib-agent-99527","uuid":"c8efad2a-7c12-37ec-b057-8ee5f3383a29"},"summary_title":"No\u00ebl, Guillaume"}],"note":[{"value":"Shades of mauve, lilac, violet and purple were fashionable from 1773 and throughout the reign of Louis XVI (see Documentation, Verlet, 1953)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. 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