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The jug stands on a low, circular foot. The ovoid body contracts at the neck and then rises and flares out slightly to form a wavy-edged lip at the front. The handle springs from the rim and rises up slightly before curving outwards and downwards to meet the body at a point just above its junction with the foot. There is a band of white beading at the junction of the foot and body; stiff leaves in relief forming a calyx round the lower part of the body; and two husks and a cord in relief down the back of the handle. The ground is bleu c\u00e9leste, interrupted above and below the widest point by two reserved white bands between narrow gilt lines, painted with sprays of polychrome flowers separated by two gold husks. The wide bleu c\u00e9leste zone between them is decorated with gold rinceaux between which are two small and one large oval medallions, each painted en grisaille on a reddish-brown ground to resemble brown and white sardonyx cameos. The small medallions each contain a profile head: a Roman soldier and a young woman. The larger medallion has a scene with two Roman soldiers, the one on the right seated, probably Cincinnatus, and the one on the left standing. On the underside of the spout there is a circular reserve painted in polychrome with a wreath made up of two branches of different trees (? laurel and olive) tied with a bow at the bottom. At the top the branches meet on either side of a gold Imperial crown. Within the wreath is an E made up of flowers in monogram with II in gold, for Ekaterina II. The ground on either side is decorated with gold rinceaux. There is a gold band round the foot and a dentilated band and close-set strokes of different lengths round the lip. The leaves and husks in relief are gold and there are gold lines down the sides of the handles."}],"identifier":[{"accession_number":"C.47-1961","primary":true,"type":"accession number","value":"C.47-1961"},{"priref":"93592","type":"priref","value":"93592"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93592","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93592"}],"inscription":[{"description":[{"value":"interlaced L's"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base","method":"painted in greyish-violet enamel","transcription":[{"value":"LG"}],"type":"gilder's mark"},{"location":"on base","method":"incised","transcription":[{"value":"16"}],"type":"incised mark"},{"location":"on base below the 16","method":"incised","transcription":[{"value":"B2 or BZ"}],"type":"incised mark"},{"description":[{"value":"E made up of flowers with II in gold"}],"location":"on the side","method":"inscribed","transcription":[{"value":"E II"}],"type":"monogram"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The other part comprised the pieces for dining. The service was remarkable for its immense size, 797 pieces including the biscuit figures for table decoration, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them .For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III) Four of the jugs are in the Hermitage in St Petersburg (see  Birioukova and Kazakevitch, (2005)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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Circular with a wide rim, and deep well, standing on a fooring with a suspension hole.  The dish is heavy for its size. The well has a turquoise (bleu c\u00e9leste) ground with a central circular reserve framed by a chased gold band. Within it is a wreath made up of branches of laurel and myrtle,  tied with a gold bow at the bottom.  At the top the branches meet on either side of a gold Imperial crown. Within the wreath is a large script E made up of pink and blue flowers in monogram with 'II' in gold, for Ekaterina II. The rim has white inner and outer borders decorated with small floral sprays separated by husks. Beween them is a broad turquoise band decorated with finely tooled gold foliated scrolls, interupted by three small oval reserves and three larger horizontal oval reserves, each painted en grisaille on a reddish-brown ground to imitate cameos. The small reserves enclose profile heads, respectively of a young woman, a young man, and Pan. The larger reserves enclose mythological scenes from Ovid's Metamorphoses: Apollo and Daphne from Book 1; The competition between Apollo and Marsyas, and the Flaying of Marsyas from Book 6. There is a gold band round the edge, dentilated on the reverse, and a wide gold band round the outer edge of the footring."}],"identifier":[{"accession_number":"C.51-1961","primary":true,"type":"accession number","value":"C.51-1961"},{"priref":"93541","type":"priref","value":"93541"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93541"}],"inscription":[{"location":"on base","method":"incised","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"painted in bluish-violet enamel","transcription":[{"value":"interlaced Ls enclosing aa"}],"type":"mark"},{"location":"on base above the factory mark","method":"painted in violet enamel","transcription":[{"value":"K"}],"type":"painter's mark"},{"location":"on base below factory mark","method":"painted in violet enamel","transcription":[{"value":"nq"}],"type":"painter's mark"},{"description":[{"value":"with a curved upright stroke"}],"location":"on base below the other marks","method":"painted in brighter blue","transcription":[{"value":"script B"}],"type":"gilder's mark"},{"location":"on base","method":"painted in red enamel which has partly worn away","transcription":[{"value":"H P"}],"type":"mark"},{"location":"on base","method":"hand-written probably in black ink","transcription":[{"value":"illegible"}],"type":"inscription"},{"description":[{"value":"narrow rectangular label"}],"location":"on base","method":"printed in black","transcription":[{"value":"'From Lord Dudley's Collection'"}],"type":"label"},{"description":[{"value":"circular label printed round the edge with a narrow blue band and a wider blue band"}],"location":"on base","method":"hand-written in black crayon","transcription":[{"value":"55 underlined"}],"type":"label"},{"description":[{"value":"rectangular with the left end torn off"}],"location":"on the base","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"(S) EVRES printed 'Niquet & Dodin\/Date\/1778' hand-written"}],"type":"label"},{"description":[{"value":"rectangular with part of the right side torn off"}],"location":"on the base","method":"hand-written in black ink","transcription":[{"value":"Part of the service\/made for the\/Empress Cath.....\/of Russia"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was remarkable for its immense size, and the speed with which it was made. It was the first wholly neoclassical service to be made at S\u00e8vres, and the forms were specially designed for it, the plates for example having smooth instead of lobed rims. The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them. The outlines of those on the plates were transfer-printed before painting, a technique not normally employed on S\u00e8vres porcelain. For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III). 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Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. 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The jug stands on three rustic feet. The bulbous body contracts at the neck and then flares upwards and outwards towards the notched rim, which is elongated at the front to form a lip. The rim is notched. The rustic handle rises up from the rim and curves upwards and then outwards in a single loop until it meets the most bulbous part of the body. Sprays of flowers and foliage in relief sprout from the junctions of the legs and handle with the body.                              The ground is white with under the spout a gilt, squat, shield-shaped outline enclosing a floral spray comprising a yellow rose, two blue flowers and three pink, with foliage. On each side of it there is an inverted outline of the same shape, filled with a mosa\u00efque design comprising a triangular mesh of gilt lines, every alternate triangle painted in blue. The flowers in relief are painted in pink, mauve, yellow and blue. There is a dentilated gilt band round the rim and touches of gilding on the handle, feet and relief foliage."}],"identifier":[{"accession_number":"C.43-1961","primary":true,"type":"accession number","value":"C.43-1961"},{"priref":"75072","type":"priref","value":"75072"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75072","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75072"}],"inscription":[{"description":[{"value":"interlaced L's with a dot above"}],"location":"on the underside of the body","method":"painted in blue enamel","type":"factory mark"},{"location":"to right of the crossed Ls","method":"painted indistinctly in blue enamel","transcription":[{"value":"possibly D"}],"type":"mark"},{"description":[{"value":"unidentifiable but does not look like a smudge"}],"location":"on one foot","method":"painted in maroon","type":"mark"},{"description":[{"value":"unidentifiable but different from the other maroon mark, and does not look like a smudge"}],"location":"on same foot as the other maroon mark","method":"painted in marroon","type":"mark"},{"description":[{"value":"a vertical line with a circle over the top of the line"}],"location":"on the foot, below the handle","method":"incised","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961-04-27"}]}],"creation":[{"date":[{"earliest":1756,"from":{"earliest":1756,"era":["CE"],"latest":1756,"precision":"circa","value":"1756"},"latest":1760,"note":[{"value":"The mark to right of the factory mark might be a D but is extremely faint."}],"range":true,"to":{"earliest":1760,"era":["CE"],"latest":1760,"value":"1760"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"The pot a lait \u00e0 trois pieds was introduced in 1752, a second size by March 1753, and the third size in 1756. 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It appears similarly with one line on a pair of vases \u00e0 contours ondul\u00e9es of 1758-9 at Schloss Fasanerie, but these have little gold motifs inside the triangular cells ( see Dobert and Miller, 1999)"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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