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Large, circular bowl with deep curved sides. The underside is flat and glazed, surrounded by a low foot-ring which is moulded to suggest two rings on the outside. In the middle, an oval view of Piccadilly Circus on Boat Race Night covers the base. The area is full of people, some swarming up the stairs of a bus, others on the roof of a car and atop a building. Signs advertise Guinness; Bovril; Schweppes; Bass; Dunlop and The Palladium theatre; a clock shows 11.30. The sky is dark; yellow light shines from the buildings; pale blue highlights the thronging crowd. There are four further oval vignettes on the outside of the bowl. One shows the race in progress: the light blue boat pulling ahead of the dark blue, boats on the riverbank, cheering spectators highlighted in pink. Two show spectators in a flag-bedecked boat beside a bridge, and in a steamship, with swans and reeds on the bank. The fourth is a smaller graphic emblem of a mermaid in a boat, under the yellow-rayed sun in a blue sky, surrounded by four sets of oars. The colours are used sparingly to highlight features of the images."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1736","uid":"adlib-exhibition-1736","uuid":"03278636-f39c-388e-857d-8348a0fc881c"},"summary_title":"Eric Ravilious in Context"}],"identifier":[{"accession_number":"C.23-2002","primary":true,"type":"accession number","value":"C.23-2002"},{"priref":"82308","type":"priref","value":"82308"},{"date":[{"earliest":2002,"latest":2002,"value":"2002"}],"source":"The Fitzwilliam Museum","type":"Entry form","value":"179"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82308","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82308"}],"inscription":[{"location":"underside of base","method":"printed in black","transcription":[{"value":"'Designed\/by Eric\/Ravilious'"}],"type":"mark"},{"location":"underside of base","method":"printed in black","transcription":[{"value":"'WEDGWOOD\/MADE IN ENGLAND.'"}],"type":"mark"},{"location":"underside of base","method":"printed in black","transcription":[{"value":"'6'"}],"type":"mark"},{"location":"on the base","method":"printed in green","transcription":[{"value":"B"}],"type":"mark"},{"location":"on the base","method":"painted in red enamel","transcription":[{"value":"CL 6263 \/ MW"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":2002,"latest":2002,"value":"2002"}],"method":{"value":"given"},"note":[{"value":"Entry date: 2002-11-25"}]}],"creation":[{"date":[{"earliest":1938,"from":{"earliest":1938,"era":["CE"],"latest":1938,"precision":"circa","value":"1938"},"latest":1940,"note":[{"value":"Design 1938. 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From around 1936, he became one of Wedgwood\u2019s most prolific freelance designers, although many of his designs were not produced in quantity until after World War II, during which he was killed while serving as a war artist with the Royal Marines.  Wedgwood had revived the use of engraved designs in the mid 1930s \u2013 a mode of decoration which allowed the artist\u2019s own work and \u2018hand-writing\u2019 to be reproduced in a factory setting, and well suited to Ravilious\u2019 style."},{"value":"The Fitzwilliam Museum also holds a war-time watercolour by Ravilious, two books with his engravings  and a number of his prints, and a book of Tirzah Ravilious\u2019 engravings."},{"value":"\u2018Boat Race Day\u2019 was designed in 1938, and appeared on a bowl, cup and stand until around 1940. Earlier designs were engraved at the factory from Ravilious\u2019 drawings, but the \u2018Boat Race\u2019 images were lithographs drawn by Ravilious himself for direct application to the ware. The design was not among Ravilious designs produced again in the early 1950s, but a limited edition of 200 \u2018Boat Race Day\u2019 bowls was re-issued in 1975, with a special backstamp. Other Wedgwood commemorative ware by Ravilious includes an Edward VIII Coronation mug, later adapted for both George VI and Elizabeth II, and a mug celebrating the company\u2019s relocation to Barlaston  in1939.  He also designed at least seven Wedgwood tableware services, each with a number of vignettes on a single everyday theme.  His \u2018Travel\u2019 dinner service for six, produced in the 1950s and depicting travel through snow  and by balloon, bus, train, aeroplane, steamboat and sail, cost \u00a317 3s 6d."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-120066","uid":"adlib-term-120066","uuid":"7d68b404-6003-3715-bdce-af5ba4e8f5a3"},"summary_title":"20th Century, second quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-107700","uid":"adlib-term-107700","uuid":"8f5360fb-b262-3ae9-8942-b81cc0e3e848"},"summary_title":"Elizabeth 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Plate.445: illustration of similar bowl and cup using some of the same vignettes; notes a stand with similar design has also been recorded.  Also vignettes used for \u2018Travel\u2019 series, on various tableware shapes and original drawings for \u2018Garden\u2019 series and other Ravilious designs. Background information includes a 1940 letter from Ravilious to Tom Wedgwood concerning colours","page":"171-2, 182-183","type":"reference"},"admin":{"id":"publication-1035","uid":"adlib-publication-1035","uuid":"15c007c0-86a5-3d45-beb8-29e69b3fbc75"},"summary_title":"Wedgwood Ceramics 1846-1959"},{"@link":{"type":"reference"},"admin":{"id":"publication-1047","uid":"adlib-publication-1047","uuid":"112a24b6-3168-3940-8a1d-79f4f835e30d"},"summary_title":"Eric Ravilious Memoir of an Artist"},{"@link":{"notes":"Cf. A colour image of a goblet with \u2018Boat Race\u2019 design (C30), a photograph showing four commemorative mugs, including that produced for the Coronation of Elizabeth II (p.222),  illustrations of Ravilious\u2019 dinner service work, including \u2018Garden\u2019 and \u2018Travel\u2019 designs and information about Ravilious' work for Wedgwood. See pp. 651- 656 for pattern number and other marks.","page":"Vol. II, 218-24, 246","type":"reference"},"admin":{"id":"publication-998","uid":"adlib-publication-998","uuid":"b78305dd-313b-343d-b005-05a294d9dc50"},"summary_title":"Wedgwood"},{"@link":{"notes":"Cf. various items designed by Ravilious, including \u2018Garden\u2019 and \u2018Boat Race\u2019, exhibited at Wedgwood House, Wigmore St, LondonMay-August 1984.","page":"60, viii","type":"reference"},"admin":{"id":"publication-988","uid":"adlib-publication-988","uuid":"4906b591-b7ec-3791-bc5f-13d64bed4581"},"summary_title":"Wedgwood in London, 225th Anniversary Exhibition 1759-1984"},{"@link":{"notes":"Cf. descriptions of various items designed by Ravilious, and their marks, including a plate from the \u2018Travel\u2019 series with sailing design.","page":"124-5","type":"reference"},"admin":{"id":"publication-1008","uid":"adlib-publication-1008","uuid":"3bf225e8-9d69-3810-848d-b9aa1e259d91"},"summary_title":"Wedgwood of Etruria and Barlaston"},{"@link":{"notes":"Publ. Illustrated on back page under 'Friends' Gifts 2001-3'","page":"back","type":"reference"},"admin":{"id":"publication-4630","uid":"adlib-publication-4630","uuid":"33736a88-3538-368c-a05f-4a8a0bacd5c8"},"summary_title":"Fitzwilliam Museum News, Number 21"},{"@link":{"notes":"Cf. p. 17, lot 25, another example, d. 30.8 cm. Dated to c. 1938. . Estimate $1000-1500. The entry notes that the bowls were not produced during the Second World War but were produced after it as late as the 1980s.","page":"17","type":"reference"},"admin":{"id":"publication-4694","uid":"adlib-publication-4694","uuid":"f929abe4-1a0c-3fe1-a740-903c99d10e52"},"summary_title":"English Furniture,Ceramics and Decorations including property from the Collections of the Dowager Duchess of Bedford and Mrs Douglas Auchincloss"},{"@link":{"notes":"Cf. a 12in (30cm) diameter, 1938, Wedgwood Queen\u2019s Ware \u2018Boat Race\u2019 bowl, sold to a private buyer at Robertson\u2019s of Kinbuck, near Dunblane, for \u00a32500. Image shows bowl has a plain footring.","page":"12  03 2013","type":"reference"},"admin":{"id":"publication-400000737","uid":"adlib-publication-400000737","uuid":"1758ef1e-a977-3512-a099-391a64ad4963"},"summary_title":"Antiques Trade Gazette"},{"@link":{"type":"reference"},"admin":{"id":"publication-7591","uid":"adlib-publication-7591","uuid":"cb07bca6-8c95-33a7-9853-a97a020a5cbc"},"summary_title":"British Pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-7592","uid":"adlib-publication-7592","uuid":"7e06ada3-4feb-3b90-b10d-cce8ed2e1b2d"},"summary_title":"Spring Country House Sale inc Items from Saling Hall"},{"@link":{"notes":"Cf. illustrations 94a (\u2018Boat Race\u2019 bowl) and 95 (Jug showing nine garden designs), and information on Ravilious\u2019 work for Wedgwood.\n\nSpurling, Frances et al., Ravilious at the Fry: A guide to his works in The Fry Art Gallery, 2012. Ref: Includes 70 reproductions of wood engravings and paintings.\nExhibited:  Eric Ravilious in Context, Fine Art Society, October-November 2002","page":"25","type":"reference"},"admin":{"id":"publication-1046","uid":"adlib-publication-1046","uuid":"284e0df1-f28d-323f-bb60-68da8644fadc"},"summary_title":"Wedgwood Ware"},{"@link":{"type":"reference"},"admin":{"id":"publication-7584","uid":"adlib-publication-7584","uuid":"0ddd2cb3-1ed7-324e-ac9e-92d87895838b"},"summary_title":"Ravilious and Wedgwood: The Complete Wedgwood Designs of Eric Ravilious"},{"@link":{"type":"reference"},"admin":{"id":"publication-7586","uid":"adlib-publication-7586","uuid":"5024fbcd-4475-3546-bd1d-de3e1c1be57e"},"summary_title":"Ravilious and Wedgwood"},{"@link":{"type":"reference"},"admin":{"id":"publication-7585","uid":"adlib-publication-7585","uuid":"29dd3c88-be61-3a28-80eb-dd33ae955fd1"},"summary_title":"Ravilious at the Fry: A guide to his works in The Fry Art 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The figure was imitated at Longton Hall, se Vol. I, p. 384, no. 3035, Vol. II, pl. 245A","page":"p. 384","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. Bradshaw, suggested, plausibly, that the figure could have been derived from the beggar on the right of Callot's etching of a Blind Beggar and Companion, but the coat worn by Winter is of an entirely different cut to that of the beggar.\nCf. Another, pl. 33b and c, and text, p. 26","page":"pp. 26-8","type":"reference"},"admin":{"id":"publication-200000896","uid":"adlib-publication-200000896","uuid":"899bf326-f3d9-32bc-b626-7c97ccfae9fc"},"summary_title":"A Snuff-taker and a Lady"},{"@link":{"type":"reference"},"admin":{"id":"publication-2714","uid":"adlib-publication-2714","uuid":"17f1e6d7-5774-3881-a2ae-c2350391ddbb"},"summary_title":"English Porcelain Figures of the Eighteenth Century"},{"@link":{"notes":"Cf. Another, pp. 130-1","page":"pp. 130-1","type":"reference"},"admin":{"id":"publication-2848","uid":"adlib-publication-2848","uuid":"a942bdbc-f783-3c09-af7f-0ddd821c2525"},"summary_title":"Chelsea Porcelain at Williamsburg"},{"@link":{"notes":"Ref. 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