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The underside is flat and unglazed and has a small central ventilation hole which has been plugged. The shallow base is almost round and rises up at the back into a tree stump with a projecting root on the viewer's left. Harlequin stands on his left foot with his right foot beside it and his right knee bent, leaning back against the tree stump. His head is turned to his left, and he holds up a pipe in his right hand and in his left holds the remains of a slapstick next to his right thigh. He has black hair, eyebrows, and a patch on his cheek, and red mouth, turned down at the corners. He wears a grey broad-brimmed hat with a green flower and a red feather attached to the turned up brim; a white ruffle round his neck, a partly yellow and partly red, green and black chequered coat, trousers with one blue leg and one purple and white striped leg, and black shoes with yellow bows on top."}],"exhibitions":[{"@link":{"catalogue":"no. 105","type":"reference"},"admin":{"id":"exhibition-1609","uid":"adlib-exhibition-1609","uuid":"6d201037-48f1-3a69-9e4e-72551b7f32d0"},"summary_title":"Treasures from the Fitzwilliam"}],"identifier":[{"accession_number":"C.1-1951","primary":true,"type":"accession number","value":"C.1-1951"},{"priref":"131028","type":"priref","value":"131028"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131028","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/131028"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Cowper Reed Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152953","uid":"adlib-agent-152953","uuid":"fa879f3d-984b-3a3f-a80c-8b789366078c"},"summary_title":"Backer, H.E."}],"date":[{"earliest":1951,"latest":1951,"value":"1951-01-06"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1951-01-06"}]}],"creation":[{"date":[{"earliest":1738,"from":{"earliest":1738,"era":["CE"],"latest":1738,"precision":"circa","value":"1738"},"latest":1746,"range":true,"to":{"earliest":1746,"era":["CE"],"latest":1746,"value":"1746"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-163301","uid":"adlib-agent-163301","uuid":"e48ba156-d9ec-3938-a33c-5360794eb376"},"summary_title":"Meissen Porcelain Factory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-70199","uid":"adlib-agent-70199","uuid":"1a5ab113-688c-3728-9988-60f96aea73bc"},"summary_title":"K\u00e4ndler, Johann Joachim"}],"note":[{"value":"Johann Joachim Kaendler joined the staff of the Meissen porcelain factory in 1731 and was appointed chief modeller in 1733. Initially he produced many lifelike models of animals and birds for the Japanese Palace in Dresden, but from about 1735 turned his attention to small-scale human figures. By the end of the 1730s he had developed these as an independent European genre, which had a functional role as table decoration.  Kaendler was an acute observer of character and as a result the postures and expressions of his human figures are extremely convincing. They mirror the gamut of mid-18th century society from beggars to kings, but not unnaturally the subjects chosen reflect chiefly the interests, activities and amusements of the Court at Dresden. Among the last, the exploits of Harlequin and his companions in the Commedia dell'Arte provided a fertile source of inspiration for the depiction of human emotions and predicaments. Kaendler portrayed several of the well-known characters, singly and in groups. This model does not appear in Kaendler's work records, as some large Harlequins do, but  is considered to have been modelled between about 1738 and 1740 or up to 1746. Harlequin was usually modelled in a mischievous, playful or even pensive mood. Here by contrast he is shown glowering angrily. 'he 'scowling or angry Harlequin'  is not one of Kaendler's most amiable figures, but its strong pose and bold colouring make it one of his most striking."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-140718","uid":"adlib-term-140718","uuid":"95eebad5-9721-31ce-a3e3-badd7cd29cd1"},"summary_title":"Frederick Augustus II (1696-1763)"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110409","uid":"adlib-term-110409","uuid":"2040047c-eefc-3538-8b3d-60185614825b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Germany"}],"summary_title":"Germany","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Saxony"}],"summary_title":"Saxony","type":"region"}]],"summary_title":"Meissen"}]}]},"materials":[{"note":[{"value":"clear"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37627","uid":"adlib-term-37627","uuid":"254febfe-0021-3e45-89a7-d57ba40044c7"},"summary_title":"hard-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"18.7"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Purchased from H. 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The unglazed underside has a small circular ventilation hole near the back. The square low mound base has a low tree stump, and is decorated with applied leaves, with a blue, a yellow and a mauve flower. The tinker faces front, standing on his right leg with his left advanced so that the toe extends over the edge of the base. A buff three-legged cauldron is slung over his right shoulder and he holds the cover in his right hand which he holds level with his diaphragm. In his left hand he carried a brown flat iron. He has shoulder-length black hair, partly covered by a black tricorne hat. He wears a white shirt, a red coat with scattered incised scrolling foliage motifs, and gold buttons, a pale brown apron, white leggings, and black shoes with a gold buckle on the left."}],"identifier":[{"accession_number":"C.30-1954","primary":true,"type":"accession number","value":"C.30-1954"},{"priref":"140203","type":"priref","value":"140203"},{"source":"Meissen Porcelain Manufactory","type":"model number","value":"1025"},{"source":"Lord Fisher's catalogue number","type":"old catalogue number","value":"385"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140203","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/140203"}],"inscription":[{"location":"on lower edge of the base at the back","method":"painted underglaze in blue","transcription":[{"value":"small crossed swords"}],"type":"mark"},{"location":"on base","method":"hand-written in black ink","transcription":[{"value":"F"}],"type":"inscription"},{"description":[{"value":"circular white paper label with scalloped edge"}],"location":"on base","method":"printed in red and hand-written in black ink (faded)","transcription":[{"value":"printed in red with the Fisher crest, with below 'No.' (o raised), followed by '385' hand-written in black ink"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Lord and Lady Fisher through the National Art Collections Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-171103","uid":"adlib-agent-171103","uuid":"80fad945-ac43-3823-9bca-eefd85fd5004"},"summary_title":"Fisher, Lord and Lady"}],"date":[{"earliest":1954,"latest":1954,"value":"1954-01-14"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1750,"latest":1750,"precision":"circa","value":"1750"}],"maker":[{"@link":{"type":"reference"},"admin":{"id":"agent-163301","uid":"adlib-agent-163301","uuid":"e48ba156-d9ec-3938-a33c-5360794eb376"},"summary_title":"Meissen Porcelain Factory"},{"@link":{"role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-70199","uid":"adlib-agent-70199","uuid":"1a5ab113-688c-3728-9988-60f96aea73bc"},"summary_title":"K\u00e4ndler, Johann Joachim"}],"note":[{"value":"This figure was one of the first series of Meissen models of the 'Cries of Paris'. It was modelled probably by J.J. Kaendler after the 'Chaudronier Auvergnat la travelling metalworker or tinker from the Auvergne)', plate 3 of the first set of 'Etudes prises dans le bas Peuple ou les Cris de Paris', engraved by the comte de Caylus (1692-1765) after drawings by Edm\u00e9 Bouchardon (1689-1762), published in 1737. 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