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Beneath this is a rope border over an engraved border of tongues.  The central strap is formed as a pair of entwined snakes with a lion's mask capital.  The two side straps are formed as hermes.  The shell is supported on a stem modelled as a putto standing on a turtle.  The stepped cover has an engraved border of scrolling flowers and foliage.  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They were individually harvested \u2013 like pearls \u2013 by divers who risked their lives in deep waters, and then sold, by merchants, to specialised shell shops in the Dutch Republic. In this virtuoso example, the polished shell has been skilfully converted into a drinking vessel by mounting it on a stem and foot, curiously formed as a naked boy standing on a turtle. It has a tightly fitting, lift-off cover to prevent poison from being introduced and unwanted matter from falling inside. The protective purpose of the cover is reinforced by the fact that it is crowned by a standing warrior. Its lack of wear suggests that it was primarily kept for display."},{"value":"The mark of three lozenges is most commonly attributed to Ernst van Vianen recorded in Utrecht 1602-40 but is also associated with Albert Verhaer, recorded in Utrecht in 1590 and in Haarlem 1593-1607. 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The front of the bowl is decorated with a large engraved and gilt flower.  The handle is semi-circular in section, with the upper part embossed with spiral fluting.  At the junction of the handle and the gilt finial is a rope border.  The surface of the finial is matted, and each side has an applied flaming torch.  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The base of the fork's handle is hinged and the folding mechanism held in place by a slide in the form of a lion's mask.  The pentagonal handle has a finial in the form of a goat's head, which unscrews to reveal a toothpick.  The back of the bowl of the spoon is engraved with a later coat-of-arms and crest in mantling.  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