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The movement is of a month duration and has an early form of anchor escapement. It was altered to incorporate an astrolobe shortly after being made."},{"value":"Dial: gilt dial plate, 10 1\/4 inches (26.0 cm) square and silver cherub spandrels.  Narrow chapter ring with silver overlay, engraved I - XII twice, with the five minute numbers within the minute divisions and simple half hour markings.  The day of the month is shown in a square aperture above the chapter ring.  Signed at the base of the dial \u2018Thomas Tompion, Londini Fecit'.  The whole of the space inside the chapter ring occupied by an astrolabe disc or rete of gilt brass with two applied silver rings.  The space behind the rete has lines of equal altitude above a curved horizon line, the empty space between painted in blue, and below it a partially obliterated cartouche and the word \u2018crepusculum'.  This lower area had at some time been painted blue; this has now been removed.  The minute hand of blued steel rotates once per hour and the hour hand, also of blued steel and with a gilt effigy of the sun, rotates once in 24 hours.  The third hand, which bears an effigy of the moon, indicates lunar time.  The astrolabe disc rotates once per sidereal day and has at its centre a dial which shows age and phase of the moon and high tide at London Bridge.  The astronomical indications are discussed in some detail by Symonds.\n\nMovement: Month duration movement with four wheel trains necessitating an indirect drive to the minute hand as with many 30 hour longcase clocks (usually known as \"shake minutes\").  It is evident that the move\u00acment was made for a conventional clock and was modified to accommodate the astrolabe dial; this is shown by the extensions to the plates, provided to carry the indirect winding, necessary to avoid the winding squares fouling the rete, and by spare dial feet holes behind the winding wheels.  A very early movement, probably c. 1675-80, not of Tompion's usual quality and with the first form of anchor escapement with undercut front faces to the escape wheel teeth.  Bolt type maintaining power is provided but without shutters to the winding holes, these were probably removed when the movement was modified.  It has the long crutch and oval section brass pendulum rod typical of Tompion's work.  The movement is not numbered.\n\nCase: Oak carcase veneered with olive wood and with olive wood mouldings, with small panels of simple marquetry probably c.1680.  According to Dawson who restored the case some years ago, the centre panel in the trunk door is laid over signs of previous chopped-in inlay decoration.  Trunk door full width between sides, with battens tongued and grooved, and reproduction hinges.  Hood probably reconverted to slide up and with reproduction carved cresting said by Symonds to have probably been copied from the 30 hour Tompion case in Guildhall Museum.  Replaced bun feet.  Gilt metal Corinthian capitals and bases to plain hood columns and a gilt metal swag above dial opening."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1077","uid":"adlib-exhibition-1077","uuid":"a9790b74-5102-3534-9d71-e4f0dc4f89f3"},"summary_title":"Tempus, The Art of Time"}],"identifier":[{"accession_number":"M.21-1947","primary":true,"type":"accession number","value":"M.21-1947"},{"priref":"98110","type":"priref","value":"98110"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/98110","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/98110"}],"inscription":[{"location":"base of dial","method":"engraved","transcription":[{"value":"Thomas Tompion, Londini Fecit"}],"type":"name"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by S. E. 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Rectangular with one long drawer at the top and two pairs of short drawers below. The top is veneered with a marquetry panel of a landscape with ruins and figures set within a border of rosewood. The sides have panels veneered with rosewood and marqutry floral sprays. The commode is richly decorated with ormolu mounts, the top with a gadrooned border and the long drawer with three boldly cast and chased ram's heads linked by beribboned festoons of husks, with four foliate rosettes above, continuing round the sides. A reeded and banded ormolu moulding runs below the long drawer, and another at the base at the front and sides. The four lower drawers have reeded loop handles with foliate rosette backplates. Square ormolu foliate motifs at each corner of the four lower drawers, and at each corner of the side panels are linked by applied carved and gilt Greek key borders. It stands on tapering fluted and gadrooned ormolu legs. The name 'Daniel Langlois' is hand-written in red chalk on the carcase under the top drawer."}],"exhibitions":[{"@link":{"catalogue":"316","type":"reference"},"admin":{"id":"exhibition-18","uid":"adlib-exhibition-18","uuid":"d710f826-fb52-350a-bae1-4630a842e7cb"},"summary_title":"Treasures of Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1886","uid":"adlib-exhibition-1886","uuid":"01e152ce-de39-364b-ac3f-d6c8c5189d5b"},"summary_title":"The Age of Neo-classicism"},{"@link":{"catalogue":"116","type":"reference"},"admin":{"id":"exhibition-1609","uid":"adlib-exhibition-1609","uuid":"6d201037-48f1-3a69-9e4e-72551b7f32d0"},"summary_title":"Treasures from the Fitzwilliam"}],"identifier":[{"accession_number":"M\/F.11-1938","primary":true,"type":"accession number","value":"M\/F.11-1938"},{"priref":"95852","type":"priref","value":"95852"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/95852","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/95852"}],"inscription":[{"location":"on carcase under top drawer","method":"handwritten in red chalk","transcription":[{"value":"Daniel Langlois"}],"type":"name"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L. D. Cunliffe Bequest, 1937"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149807","uid":"adlib-agent-149807","uuid":"e699d770-0f16-32bf-b0b1-da62f9118c29"},"summary_title":"Cunliffe, Leonard Daneham"}],"date":[{"earliest":1937,"latest":1937,"value":"1937"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1938"}]}],"creation":[{"date":[{"earliest":1766,"from":{"earliest":1766,"era":["CE"],"latest":1766,"precision":"circa","value":"1766"},"latest":1767,"note":[{"value":"Dated on the basis of the commode's similarity to two others with scagliola tops commissioned from Pierre Langlois by the Marquis of Tavistock, and now at Woburn Abbey. The Marquis died in 1767, and a list of payments made to his creditors included one to 'Veuve Langlois' for two commodes, Pierre Langlois having died in February 1767. Tracey Langlois continued her husband's business until 1773. In 1774 Peter Langlois (Peter Daniel Langlois) her son,  was listed as ratepayer for the workshop, and continued until his death in 1781. Peter Daniel Langlois whose second name is written on the carcase of the commode below the top drawer, was 66 when he died in 1816 and was therefore born about 1749-50. He  was therefore old enough to be learning the cabinet-making trade at the time the commode was made. In 1771 he was apprenticed to the bronze-founder, Dominique Jean (c. 1736-1812), his brother-in-law, who took over the workshop in 1781."}],"range":true,"to":{"earliest":1767,"era":["CE"],"latest":1767,"precision":"circa","value":"1767"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-164355","uid":"adlib-agent-164355","uuid":"39caec02-12ce-3612-b882-775d54ae7bde"},"summary_title":"Langlois, Pierre"},{"@link":{"qualifier":"probably","role":[{"value":"mount maker"}],"type":"reference"},"admin":{"id":"agent-164424","uid":"adlib-agent-164424","uuid":"bd904e39-2f43-32ed-9645-47e8018d26b0"},"summary_title":"Jean, Dominique"}],"note":[{"value":"It has been suggested that this commode could have been designed by Sir William Chambers. The marquetry panel has similarities with the type of marquetry introduced by Abraham Roentgen at Neuwied-am-Rhein in the mid 1760s. A possible craftsman was his apprentice Johann Michael Rummer (1747-1812) who worked in London with William Gomm for a year in 1765."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106451","uid":"adlib-term-106451","uuid":"9cdfd62c-ee07-3884-ae08-c797aad08631"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106216","uid":"adlib-term-106216","uuid":"825b8379-ec94-388e-9a59-624e40c090d0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"note":[{"value":"possibly London"}],"summary_title":"London"}]}]},"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"60.5"},{"dimension":"Height","units":"cm","value":"89.5"},{"dimension":"Length","units":"cm","value":"127.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-67801","uid":"adlib-media-67801","uuid":"799475d5-a1aa-38fe-bb86-fa1298d16ccb"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/M_F_11_1938_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":621},{"dimension":"width","units":"pixels","value":760}]},"modified":1616261848441,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_M_F_11_1938_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":409},{"dimension":"width","units":"pixels","value":500}]},"modified":1616261848441,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/M_F_11_1938_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":621},{"dimension":"width","units":"pixels","value":760}]},"modified":1616261848441,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_M_F_11_1938_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":204},{"dimension":"width","units":"pixels","value":250}]},"modified":1616261848441,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-115873","uid":"adlib-term-115873","uuid":"c6dad09f-d3b7-32b5-bf88-602e0d493f4f"},"summary_title":"commode"}},{"value":"chest of drawers"}],"note":[{"type":"history note","value":"Captain M. Weyland of Woodeaton, Oxfordshire; sold Christie, Manson & Woods, 2 December 1904, Old English Furniture and old S\u00e8vres porcelain; French Furniture, lot 28, bought by testator."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-6836","uid":"adlib-publication-6836","uuid":"ce424230-ef87-3859-9311-b9f793478ed9"},"summary_title":"Old English Furniture and old S\u00e8vres porcelain; French Furniture"},{"@link":{"notes":"Publ.","number":"Cat.116","page":"114","type":"reference"},"admin":{"id":"publication-1119","uid":"adlib-publication-1119","uuid":"8b3701d3-a6b9-3cdf-8f20-d50dda99c46c"},"summary_title":"Treasures from the Fitzwilliam: ''The Increase of Learning and other great Objects of that Noble Foundation''"},{"@link":{"notes":"Publ. p. 52 brief mention,  and pl. XIIA view and pl. XIIB the signature of Daniel Langlois","page":"52","type":"reference"},"admin":{"id":"publication-200001934","uid":"adlib-publication-200001934","uuid":"3da6f8d4-a3d2-32cc-9eec-00e9c0c88e71"},"summary_title":"Daniel Langlois"},{"@link":{"notes":"Publ., p. 36, mentioned, illustrated pl. 52, the signature of Daniel Langlois, pl. 53.","page":"36","type":"reference"},"admin":{"id":"publication-5238","uid":"adlib-publication-5238","uuid":"b33221ad-4b4c-36f3-a61e-1393adb38bec"},"summary_title":"Chippendale Furniture. The Work of Thomas Chippendale and his Contemporaries in the Rococo Taste, Vile, Cobb, Langlois, Channon, Hallett, Ince and Mayhew, Lock, Johnson, and others circa 1745-1765"},{"@link":{"notes":"Pujbl. p. 34, fig. 5. Cf. p. 33, fig. 4, one of the commodes at Woburn. The authors rejecting the possibility of a Pierre Langlois attribujtion, presumably not having seen the documentary evidence in the Woburn accounts.","page":"33-34","type":"reference"},"admin":{"id":"publication-200001932","uid":"adlib-publication-200001932","uuid":"fb79a836-a512-3007-bca7-f84f48c8b525"},"summary_title":"Pierre Langlois, Ebeniste, Part 5"},{"@link":{"notes":"Publ. The author suggests that Daniel Langlois was the maker of the marquetry top, and mentions the possibility that because it was sold fromWoodeaton, Oxfordshire in 1904, it might have been commissioned by the Duke of Marlborough for Blenheim, where there is a comparable commode","page":"15-16","type":"reference"},"admin":{"id":"publication-200001931","uid":"adlib-publication-200001931","uuid":"2934f2e2-b1ab-3e90-b01e-7be15bf9194d"},"summary_title":"AGM and Special Members' Meeting, 21 November 1992"},{"@link":{"notes":"Publ. The author explains why the views expressed in The Furniture History Society Newsletter, 109, concerning Daniel Langlois, could not be true.","page":"5-6","type":"reference"},"admin":{"id":"publication-200000743","uid":"adlib-publication-200000743","uuid":"f09a3d0a-bf02-3f43-b583-307b6df5cab6"},"summary_title":"Pierre Langlois: A further note on the Fitzwilliam commode"},{"@link":{"notes":"Publ. p. 19, mentioned in connection with the commode at Woburn, p. 18, fig. 13.","page":"19","type":"reference"},"admin":{"id":"publication-5237","uid":"adlib-publication-5237","uuid":"d8636907-f895-399f-adc9-a07c3b569e3a"},"summary_title":"The Lady Lever Art Gallery, Catalogue of Commodes"},{"@link":{"notes":"Publ. p. 300, no. 563; the signature of Daniel Langlois fig. 562","page":"300","type":"reference"},"admin":{"id":"publication-5235","uid":"adlib-publication-5235","uuid":"7041a1a3-7f00-35e0-8848-6ac802fea927"},"summary_title":"Pictorial Dictionary of Marked London Furniture 1700-1840"},{"@link":{"notes":"Publ. p. 35, discussed and illustrated pl. 6.","page":"35","type":"reference"},"admin":{"id":"publication-5236","uid":"adlib-publication-5236","uuid":"3e1c5520-1c57-3beb-98a2-8cf087657378"},"summary_title":"Matthew Boulton: Ormolu"},{"@link":{"notes":"Publ. p. 300, no. 563; the signature of Daniel Langlois, no. 562","page":"399","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Publ. Fig. 1, front cover. The article greatly extends what is known about the family and life of Pierre Langlos.","page":"2-7","type":"reference"},"admin":{"id":"publication-200002975","uid":"adlib-publication-200002975","uuid":"80bdbd96-ce3d-3bce-b89a-877b0be7ad51"},"summary_title":"New Light on Pierre Langlois (1718-1767)"},{"@link":{"notes":"Ref. p. 526 Daniel Langlois, and Pierre Langlois","page":"526","type":"reference"},"admin":{"id":"publication-5239","uid":"adlib-publication-5239","uuid":"942c8aa4-7fd8-3561-9935-0fc8ed61361a"},"summary_title":"Dictionary of English Furniture Makers 1660-1840"},{"@link":{"notes":"Cf. p. 397, fig. 9","page":"397","type":"reference"},"admin":{"id":"publication-200001933","uid":"adlib-publication-200001933","uuid":"0dc9fc77-0d60-3ba3-a15f-2a563b521388"},"summary_title":"Interior Design and Furnishings at Woburn Abbey"},{"@link":{"notes":"Ref. and Cf. 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