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As at that time my whole thoughts were of my artistic equipment for the future, I conceived the idea that Perseus before becoming a hero was a mere mortal, and that he had to look to his equipment. That is a presage of my life and work at that time.' (Hatton 1903, p. 10). By showing Perseus in the act of quietly equipping himself for future trials, Gilbert emphasised Perseus\u2019 mortal rather than heroic character. Gilbert modelled the original plaster of Perseus Arming in Rome in 1880-1, and had the first bronze of it cast in Italy using the lost-wax casting method. This was exhibited at the Grosvenor Gallery, Bond Street, London in 1882 to great acclaim (his marble Kiss of Victory was exhibited at the Royal Academy at the same time) and at the Paris Salon in 1883, where it received an honourable mention.   \n\nPerseus Arming was a highly significant early work and the first of three important, deeply personal bronzes Gilbert made his highly creative period of 1881 to 1892 \u2013 the other two being Icarus and Comedy and Tragedy (for a cast of the latter, see M.1-2003). Perseus Arming was one of Gilbert's most popular models. It was reproduced in three sizes: full-scale (c.71-74 cm; see also M.22-2015, 67.9cm high), which is rare; half-scale (c.36 cm); and quarter-scale (c.14.5cm). The date and the place of casting of this example is uncertain."},{"value":"Sir Alfred Gilbert RA MVO (1854-1934) was an English sculptor. He studied in London, Paris and Rome, returning to England in 1884. Gilbert was the leading artist in the New Sculpture movement, which revitalised sculpture in late nineteenth-century Britain. He was also a vital force in reintroducing the lost-wax technique for casting works of art in bronze in England (sand-casting had been the norm for bronze sculpture since the 18th century, with lost-wax casting used only for small-scale work and jewellery). His commissions included the jubilee memorial to Queen Victoria in Winchester and the statue of Eros, in aluminium, for the Shaftesbury Memorial Fountain in Piccadilly Circus, and in 1900 he was appointed Professor of Sculpture at the Royal Academy. A period of bankruptcy and divorce followed, and Gilbert moved to Bruges. On his return to England in 1926, his fortunes improved, the highlight being the bronze Queen Alexandra Memorial, at Marlborough House, London, 1926-32. He was knighted by George V in 1932. 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Mentioned, p. 71","page":"p. 71","type":"reference"},"admin":{"id":"publication-1072","uid":"adlib-publication-1072","uuid":"cc21b4e3-d3f9-337a-859e-ce6392a2cc4f"},"summary_title":"Catalogue of European Sculpture in the Ashmolean Museum, 1540 to the present day"},{"@link":{"notes":"Publ. Illustrated in colour with short text","page":"168","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-1086","uid":"adlib-publication-1086","uuid":"d973f565-91a8-33f4-a783-98dcc5b1adbb"},"summary_title":"Western European Bronzes of the Nineteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-1087","uid":"adlib-publication-1087","uuid":"93de7855-f2b6-3250-a471-841ca5b5ae1c"},"summary_title":"Victorian High Renaissance"},{"@link":{"notes":"Cf. Another, pp. 80-1, lot 381 (Valued at c.\u00a315-25,000)","page":"pp. 80-1","type":"reference"},"admin":{"id":"publication-2875","uid":"adlib-publication-2875","uuid":"2d07d605-053f-3485-9491-ab75245a2fdb"},"summary_title":"Antiquities, Works of Art and Important Renaissance Bronzes, Plaquettes and Limoges Enamels, 8th July 1981"},{"@link":{"type":"reference"},"admin":{"id":"publication-2462","uid":"adlib-publication-2462","uuid":"2f16f7f5-3ac4-3747-bad1-2d567df4dbcf"},"summary_title":"Nineteenth Century European Paintings, Drawings and Sculpture"},{"@link":{"notes":"Cf. p. 126, lot 250, another 14 in. high. (Estimate \u00a39-12,000)","page":"p. 126","type":"reference"},"admin":{"id":"publication-2876","uid":"adlib-publication-2876","uuid":"34a26c6e-3e40-3c90-8596-15e5b170b555"},"summary_title":"Victorian Paintings and Sculpture"},{"@link":{"notes":"Cf. Two more, pp. 86-7, lot 54 (72.5 cm.) (Est. \u00a315-20,000), lot 56 (Est. \u00a36-8,000) (37.00 cm.)","page":"pp. 86-7","type":"reference"},"admin":{"id":"publication-2878","uid":"adlib-publication-2878","uuid":"dd9ca8a5-9ffe-35c3-8d30-6efea7add8bc"},"summary_title":"Nineteenth Century European Paintings, Drawings and Sculpture Part I"},{"@link":{"notes":"Cf. Another 71.7 cm high, pp. 90-1, lot 133. (Estimate \u00a340-60,000)","page":"pp. 90-1","type":"reference"},"admin":{"id":"publication-2399","uid":"adlib-publication-2399","uuid":"f46aa2b2-e379-3d5b-9c14-a56d29a49244"},"summary_title":"The Nineteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-1088","uid":"adlib-publication-1088","uuid":"6c5e5fd0-4cdc-337e-994a-23ceddc47762"},"summary_title":"Pre-Raphaelite Sculpture, Nature and Imagination in British Sculpture 1848-1914"},{"@link":{"notes":"Cf. Another 73 cm. high, p. 84, lot 181. (Estimate \u00a318-22,000; fetched \u00a334,500)","page":"p. 84","type":"reference"},"admin":{"id":"publication-2180","uid":"adlib-publication-2180","uuid":"442625f1-2f91-36db-a711-7099a21a4385"},"summary_title":"19th and 20th Century Sculpture"},{"@link":{"notes":"Cf. An Italian cast by Fonderia Nelli, Roma, pp. 96-8, lot 133. (Estimate \u00a340-50,000; fetched \u00a384,000).","page":"pp. 96-8","type":"reference"},"admin":{"id":"publication-2170","uid":"adlib-publication-2170","uuid":"8ab2d354-caec-3cd7-91d5-ecf357bfa9b2"},"summary_title":"19th and 20th Century Sculpture, 21st November 1995"},{"@link":{"type":"reference"},"admin":{"id":"publication-5348","uid":"adlib-publication-5348","uuid":"34db80a1-cc6d-38f6-8148-1107e898a8e8"},"summary_title":"European sculpture and works of art 900-1900"},{"@link":{"notes":"Cf. Another, 36.5 cm high (including integral base), pp. 234-5, lot 151. Estimate: \u00a315,000-25,000.","page":"pp. 234-5","type":"reference"},"admin":{"id":"publication-3706","uid":"adlib-publication-3706","uuid":"1f351836-5cee-3992-be1e-2bbdf38ee7c9"},"summary_title":"The Forbes Collection of Victorian Pictures and Works of Art II"},{"@link":{"notes":"Cf. pp. 275-6, no. 420 an example 37 cm high in the Victoria and Albert Museum (77-1904). The authors mention controversy about the possibility that this example was an aftercast, but date it c. 1882.","page":"275-6","type":"reference"},"admin":{"id":"publication-3759","uid":"adlib-publication-3759","uuid":"73edca64-3289-371a-bf69-0300633e25ed"},"summary_title":"British Sculpture 1470 to 2000, A Concise Catalogue of the Collection at the Victoria and Albert Museum"},{"@link":{"notes":"Cf. Lot 236, an example 36 cm high. Estimate \u00a315-20,000. Previously exhibited at Joanna Barnes Fine Arts, London, 1996, Leighton and his sculptural legacy. 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Fanelli was appointed Sculptor to Charles I in 1632 and was last recorded in England in 1641.\nThe dragon corresponds to one in a St George and the Dragon recorded in the collection of Charles I at Whitehall in 1640, and still in the Royal Collection at Windsor Castle. 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The nude is shown reclining seductively on a rocky outcrop, over which her discarded drapery has been cast. Her head is cushioned on her left arm, which has been brought up under it; her right arm is brought  across her pubic area so that her hand rests on her left thigh, its elegantly attentuated fingers playing with a part of the drapery."}],"exhibitions":[{"@link":{"catalogue":"no. 5","type":"reference"},"admin":{"id":"exhibition-1675","uid":"adlib-exhibition-1675","uuid":"10c2903c-a764-3da2-b2d5-7d3ba2352474"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1887","uid":"adlib-exhibition-1887","uuid":"ad7b6b61-9df3-34cb-9675-b711ea766ba9"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge (2005)"}],"identifier":[{"accession_number":"M.1-1961","primary":true,"type":"accession number","value":"M.1-1961"},{"priref":"13956","type":"priref","value":"13956"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_1_1961"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13956","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13956"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bought with the M.L. 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A nude youth, wearing a visor-like mask pushed back above his face, and  holding in both hands a large gaping mask of Comedy, stands on the ball of his left foot and looks down towards his bent and raised left leg. A bee has just stung the calf and he grimaces in pain to form the mask of Tragedy. The octagonal base rises up in the middle into a circular socle with a depression in the top in which the circular base of the bronze stands."}],"identifier":[{"accession_number":"M.1-2003","primary":true,"type":"accession number","value":"M.1-2003"},{"priref":"95764","type":"priref","value":"95764"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_1_2003"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/95764","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/95764"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Accepted by H.M. Treasury in lieu of capital taxes and allocated to The Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151342","uid":"adlib-agent-151342","uuid":"a991843a-a684-311c-b5fa-263d23f8294a"},"summary_title":"H.M. Treasury"}],"date":[{"earliest":2003,"latest":2003,"value":"2003-10-20"}],"method":{"value":"allocated"},"note":[{"value":"For the provenance see a receipt, letter, and note of sale in the object's file, and a note of 1 November 2003 from Miss Mary Davey and Mr John Davey, also giving biographical details of their mother."}]}],"creation":[{"date":[{"earliest":1891,"from":{"earliest":1891,"era":["CE"],"latest":1891,"precision":"circa","value":"1891"},"latest":1892,"note":[{"value":"Modelled in 1891-2. Cast later, possibly after 1901, but doesn't bear the mark of the Compagnie des Bronzes, Brussels, from whom a small number of actual size and half-size casts were ordered by Gilbert between 1902-05."}],"range":true,"to":{"earliest":1892,"era":["CE"],"latest":1892,"precision":"circa","value":"1892"}}],"maker":[{"@link":{"role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-51985","uid":"adlib-agent-51985","uuid":"bd8f6272-daa3-3bb6-8203-ba1546060e33"},"summary_title":"Gilbert, Alfred"}],"note":[{"value":"Comedy and Tragedy was the name of a play by W.S. \nGilbert which the sculptor had seen several times. He added the comment \u2018Sic Vita\u2019 (such is life) . The bee symbolizes love, and its sting, the pain love causes.The bronze originated in a sketch made in 1890, and in 1891, Gilbert developed his idea, using an Italian, Angelo Colorossi, as a model for the youth. The polychromed plaster sculpture was exhibited at the Royal Academy in 1892.  Bronzes were cast in two sizes, 29 in (73.7 cm) and 14 in (36.8 cm).\nBetween 1902 and 1905 Gilbert or his son ordered casts of several of his most popular works through the Compagnie des Bronzes in Brussels, but this bronze does not bear the foundry\u2019s mark."},{"value":"Sir Alfred Gilbert RA MVO (1854-1934) was an English sculptor. He studied in London, Paris and Rome, returning to England in 1884. Gilbert was the leading artist in the New Sculpture movement, which revitalised sculpture in late nineteenth-century Britain. He was also a vital force in reintroducing the lost-wax technique for casting works of art in bronze in England (sand-casting had been the norm for bronze sculpture since the 18th century, with lost-wax casting used only for small-scale work and jewellery). His commissions included the jubilee memorial to Queen Victoria in Winchester and the statue of Eros, in aluminium, for the Shaftesbury Memorial Fountain in Piccadilly Circus, and in 1900 he was appointed Professor of Sculpture at the Royal Academy. A period of bankruptcy and divorce followed, and Gilbert moved to Bruges. On his return to England in 1926, his fortunes improved, the highlight being the bronze Queen Alexandra Memorial, at Marlborough House, London, 1926-32. He was knighted by George V in 1932. Gilbert died in poverty in 1934."},{"value":"cast by the indirect lost wax process"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-97680","uid":"adlib-term-97680","uuid":"d0493beb-d54a-30ea-970d-e525d2e9403e"},"summary_title":"Victoria"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-106216","uid":"adlib-term-106216","uuid":"825b8379-ec94-388e-9a59-624e40c090d0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"note":[{"value":"probably"}],"summary_title":"London"}]}]},"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"37"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-67787","uid":"adlib-media-67787","uuid":"87d7c76c-e0d7-321c-b0e7-86b24eb1cf93"},"processed":{"large":{"format":"jpeg","location":"aa\/aa20\/M_1_2003.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":542}]},"modified":1742585200302,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa20\/mid_M_1_2003.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":701},{"dimension":"width","units":"pixels","value":500}]},"modified":1742585200302,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa20\/M_1_2003.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":542}]},"modified":1742585200302,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa20\/preview_M_1_2003.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":351},{"dimension":"width","units":"pixels","value":250}]},"modified":1742585200302,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3679747084","source":"portfolio","uid":"portfolio-media-3679747084","uuid":"8344c364-e828-3f96-9aa6-8297545e7cd7"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/750\/large_M_1_2003_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1435},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529370028000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/750\/mid_M_1_2003_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":701},{"dimension":"width","units":"pixels","value":500}]},"modified":1529370028000,"resizable":true,"type":"image"},"original":{"location":"M.1-2003_mas.jpg","modified":1529370028000,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/750\/preview_M_1_2003_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":350},{"dimension":"width","units":"pixels","value":250}]},"modified":1529370028000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Comedy and Tragedy: Sic Vita, by Alfred Gilbert"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Purchased from The Fine Art Society Ltd., Bond Street, London W 1,  for \u00a360 by Derek Parsons in 1943;  sold by him to G.C.Arnallt Jones on 21 December 1944; his brother-in-law Ivor Glyndwr Davies,Cardiff; his niece, Mrs Margaret Rowena Davey, n\u00e9e Davies (1917-2002); accepted by H.M. Treasury in lieu of capital taxes and allocated to The Fitzwilliam Museum from the estate of Mrs Davey."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Sculpture UK"}],"summary_title":"Sculpture UK"}],"publications":[{"@link":{"notes":"Publ. p. 43, no. 16, illustrated p. 42.","page":"42-3","type":"reference"},"admin":{"id":"publication-4856","uid":"adlib-publication-4856","uuid":"a2b11298-aaed-3a33-8b4d-57abd32489db"},"summary_title":"Acceptance in Lieu Report 2003\/04"},{"@link":{"notes":"Publ. pl. XVI","page":"859","type":"reference"},"admin":{"id":"publication-200001882","uid":"adlib-publication-200001882","uuid":"6ffe870e-fad9-3c83-8bf4-4de4648a6443"},"summary_title":"The Jerwood Supplement, Recent acquisitions (1999-2004) of sculpture by British museums and galleries"},{"@link":{"notes":"Cf. Three versions of 'Comedy and Tragedy', p. 116-17, no. 22, 73.7 cm high with text (National Gallery of Scotland); pp. 117-8 no. 23, h. 36.8 cm, cast by the Compagnie des Bronzes (National Gallery of Art, Washington 1984.67.1; no. 24, h. 36.8 cm (Tate Gallery)","page":"116-18","type":"reference"},"admin":{"id":"publication-4698","uid":"adlib-publication-4698","uuid":"52e3a307-275a-32ff-9b19-2a6bae9f8acc"},"summary_title":"Alfred Gilbert, Sculptor and Goldsmith"},{"@link":{"notes":"Cf. A large size cast 67.25 cm high. The author quotes Gilbert's explanation of the title and its meaning to him, and notes that the model for the figure was  Angelo Colorossi (b. 1875), who also posed for Eros.","page":"104-07","type":"reference"},"admin":{"id":"publication-4801","uid":"adlib-publication-4801","uuid":"5ff5c974-86f0-3821-9da5-929610aa9088"},"summary_title":"European Sculpture 2004"},{"@link":{"notes":"Cf. pp. 158-9, lot 52, an cast of the large size 68 cm (26 3\/4 in), bearing the double ampersand raised mark and 1. Estimate \u00a360-80,000. From the Hon. Bobby Wills Collection,Farmington Lodge, Gloucestershire.","page":"158-9","type":"reference"},"admin":{"id":"publication-5299","uid":"adlib-publication-5299","uuid":"8566cb57-2e31-3d4b-83de-5bd12880df4a"},"summary_title":"European Sculpture & Works of Art"},{"@link":{"notes":"Cf. p. 62, lot 227, a cast, 39 cm (15 3\/8 in) high on later marble plinth. From a private colllection, Villa San Maurizio, La Jolla, California. Reputedly from collection of the sculptor, Sir Edgar Bertram McKennal, and with the Fine Art Society in 1981. Estimate \u00a310,000-15000","page":"62","type":"reference"},"admin":{"id":"publication-5686","uid":"adlib-publication-5686","uuid":"456462fe-a218-3abe-99f7-d4d54596f2f5"},"summary_title":"Victorian & Traditionalist Pictures"},{"@link":{"notes":"Cf. p. 103, lot 108, illustrated pp. 102 & 103. Bronze he. 67.5 cm. sockle 6.5 cm. Estimate \u00a310-15,000. Described as 'After Alfred Gilbert'.","page":"102-3","type":"reference"},"admin":{"id":"publication-5701","uid":"adlib-publication-5701","uuid":"484a1dde-8d50-3624-8798-92dfef50a3d6"},"summary_title":"19th & 20th Century European Sculpture"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-14252","uid":"adlib-term-14252","uuid":"028aa1e1-3098-309d-af11-62ae27515507"},"summary_title":"New Sculpture Movement"}],"subjects":[{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-102669","uid":"adlib-term-102669","uuid":"b824e2d3-9ec5-30bb-8bb7-7d0d6879fdb6"},"summary_title":"comedy"},{"@link":{"relation":"concept","type":"reference"},"admin":{"id":"term-102756","uid":"adlib-term-102756","uuid":"bcc77875-108f-3b65-bf34-b4b7ee536cbb"},"summary_title":"tragedy"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-106414","uid":"adlib-term-106414","uuid":"f3bc6e35-6744-3307-bd59-ed00318e8b62"},"summary_title":"mask"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106583","uid":"adlib-term-106583","uuid":"172c1803-7ab4-354d-8b33-56a313134c72"},"summary_title":"bee"},{"@link":{"type":"literal"},"name":[{"value":"comedy"}],"summary_title":"comedy"},{"@link":{"type":"literal"},"name":[{"value":"tragedy"}],"summary_title":"tragedy"},{"@link":{"type":"literal"},"name":[{"value":"mask"}],"summary_title":"mask"},{"@link":{"type":"literal"},"name":[{"value":"bee"}],"summary_title":"bee"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","title":[{"translation":[{"value":"Comedy and Tragedy: Such is Life"}],"value":"Comedy and Tragedy: Sic Vita"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-13673","_score":18.259575,"_source":{"admin":{"added":1592999344000,"created":1312637261000,"flag":"Standard Record","id":"object-13673","indexed":1754071327190,"modified":1754040042000,"processed":1754071320611,"source":"adlib","stream":"fitz-online","uid":"adlib-object-13673","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13673","uuid":"090a8919-defd-37e5-b9c5-4fec09e12628","version":15},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153190","uid":"adlib-agent-153190","uuid":"faaa16a6-d820-3f2a-987e-3a243177ff3c"},"summary_title":"Ceres"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-98228","uid":"adlib-term-98228","uuid":"3d747999-296f-3944-9a84-2936c3ae9f5c"},"summary_title":"sculpture"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Copper alloy, probably bronze, cast and chased, with dark lacquer. Ceres strides forward on her left leg with her right stretched out behind her. Her left hand holds her drape behind her, and in her right, she holds out a torch.  A small dragon squirms between her feet, and on the square base there are integrally cast asphodel flowers."}],"exhibitions":[{"@link":{"catalogue":"71","type":"reference"},"admin":{"id":"exhibition-201","uid":"adlib-exhibition-201","uuid":"14c86d72-5b3b-32f3-85f5-cf71b1bb9878"},"summary_title":"Treasures from the Fitzwilliam, \"The Increase of Learning and other great Objects of that Noble Foundation\""},{"@link":{"catalogue":"no. 29","type":"reference"},"admin":{"id":"exhibition-1675","uid":"adlib-exhibition-1675","uuid":"10c2903c-a764-3da2-b2d5-7d3ba2352474"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1887","uid":"adlib-exhibition-1887","uuid":"ad7b6b61-9df3-34cb-9675-b711ea766ba9"},"summary_title":"Renaissance and Baroque Bronzes from the Fitzwilliam Museum, Cambridge (2005)"}],"identifier":[{"accession_number":"M.1-1970","primary":true,"type":"accession number","value":"M.1-1970"},{"priref":"13673","type":"priref","value":"13673"},{"source":"Art UK","type":"external ID","value":"CAM_CCF_M_1_1970"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13673","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/13673"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bought with the Cunliffe and Leverton Harris Funds."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-157208","uid":"adlib-agent-157208","uuid":"4f1c0961-5aca-377d-ad31-cc0c1a25ef60"},"summary_title":"Gerald Kerin Ltd"}],"date":[{"earliest":1970,"latest":1970,"value":"1970-03-05"}],"method":{"value":"bought"},"note":[{"value":"A comparison between this bronze and the photographs in the sale catalogues mentioned show that it differs from them in several respects, and must therefore have a different provenance. For the bronze in those sales, see Documentation, and the object's file"}]}],"creation":[{"date":[{"earliest":1652,"from":{"earliest":1652,"latest":1652,"precision":"circa","value":"1652"},"latest":1700,"range":true,"to":{"earliest":1700,"latest":1700,"precision":"circa","value":"1700"}}],"maker":[{"@link":{"role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-3236","uid":"adlib-agent-3236","uuid":"d6ec1b05-d134-35da-94ce-c7ebc25e1bd7"},"summary_title":"Anguier, Michel"}],"note":[{"value":"From a set of Olympian gods and goddesses made orignally for the jeweller Tessier de Montarsis in 1652. A version of this bronze appears in the collection of the sculptor Girardon,  which was engraved in about 1710. Other bronzes from the same set are in the Victoria and Albert Museum (Ceres, Neptune), and the Metropolitan Museum (Neptune). Anthony Radcliffe of the Victoria and Albert Museum considered that this might be Ceres which belonged to Girardon."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-118735","uid":"adlib-term-118735","uuid":"1631bde8-d0c4-3507-be3b-ac03c59ba807"},"summary_title":"17th Century, second half"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-129470","uid":"adlib-term-129470","uuid":"8353db27-fba9-33c1-94a1-f268fd2a2d21"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"Paris"}]}]},"materials":[{"note":[{"value":"probably bronze"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39741","uid":"adlib-term-39741","uuid":"47d44741-af05-37c3-b21e-0e278b114f3b"},"summary_title":"copper 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Taylor Collection; His Sale, Christie's, Londonk, 1 July, 1912, lot 41; ? Donaldson Collection; Sir Ernest Cassel (1852-1921); sold with his collection, known as the Brook House Collection, by his daughter Lady Louis Mountbatten, Puttick & Simpson, 25-27 May 1932, lot 739; ? Duke of Westminster; Gerald Kerin Ltd, from whom bought with the Cunliffe and Leverton Harris Funds, 1970."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"project":[{"@link":{"role":[{"value":"reference number"}],"type":"literal"},"name":[{"type":"name","value":"Sculpture UK"}],"summary_title":"Sculpture UK"}],"publications":[{"@link":{"notes":"Publ. IV, p. 115, no. 20, pl. 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Guillet de Saint-Georges in Memoires....des Membres de 'Academie Royale..., Paris, 1887, I, p. 438, records, 'Monsieur Anguier fut ont \u00e9t\u00e9 jet\u00e9e en bronze et qui repr\u00e9sentent un Jupiter foudroyant, Une Junon jalouse, Un Neptune agit\u00e9 une Amphitrite tranquille, un Pluton melancolique, un Mars quittant ses armes et une C\u00e9r\u00e8s eplor\u00e9e'. (Estimate \u00a380,000-120,000; fetched \u00a373,000)","page":"pp. 90-1","type":"reference"},"admin":{"id":"publication-2224","uid":"adlib-publication-2224","uuid":"8581cbcf-dc92-3f91-86f7-6d792f793a82"},"summary_title":"European Sculpture and Works of Art from the collection formed by the British Rail Pension Fund"},{"@link":{"type":"reference"},"admin":{"id":"publication-5275","uid":"adlib-publication-5275","uuid":"f0c2a250-9927-399a-b8af-d085718fe9c3"},"summary_title":"Museums New York Winter 2005"},{"@link":{"notes":"Cf. pp. 79-81, lot 69, another cast in less fine condition and differing in several small details, such as the position of the neck and head, and the lower end of the drapery between Cere's feet, and the lower end of the torch. This example, rather than the Fitzwilliam's has the Spitzer, and Sir Ernest Cassel collections. The other known examples are cited.  Estimate \u00a380-120,000; fetched \u00a3","page":"79-81","type":"reference"},"admin":{"id":"publication-5299","uid":"adlib-publication-5299","uuid":"8566cb57-2e31-3d4b-83de-5bd12880df4a"},"summary_title":"European Sculpture & Works of Art"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-107785","uid":"adlib-term-107785","uuid":"c70edf96-a6e9-39b0-99bb-d97be0cef893"},"summary_title":"dragon"},{"@link":{"type":"literal"},"name":[{"value":"dragon"}],"summary_title":"dragon"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"copper alloy, probably bronze, cast, chased, and dark lacquer"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26699","uid":"adlib-term-26699","uuid":"a385eebb-7834-3204-a17f-d9c3cd15d9b8"},"summary_title":"casting (process)"}},{"note":[{"value":"dark lacquer"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120073","uid":"adlib-term-120073","uuid":"8f03d319-c397-37c8-a0e8-e23ef3cfdbbc"},"summary_title":"patinating"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-29641","uid":"adlib-term-29641","uuid":"2cca4338-6a77-3f63-9174-0a137a118930"},"summary_title":"chasing"}}],"title":[{"value":"Ceres in search of Proserpine"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":9,"total":9}]