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It has shoulder-length wavy hair with a lock falling over its forehead. Its wings project behind it, from either side of a circular hole in its back. It wears a gown with a collar and cross bands; over its left shoulder it has a cloak, draped across in front and looped up below its right hip; over its right shoulder there is a narrow drape which falls down in front and is held up to the pedestal in its right hand. The base is narrow and irregularly shaped. The face, hands and feet are pinkish-buff; the gown is blue with a white collar and yellow cross-bands; the right sleeve is white at the bottom and has a green lining; the cloak is yellow with a purple lining. The hair, wings, pedestal and vase are white. 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For the production techniques of Della Robbia sculpture, see pp. 83-95, Charlotte Hubbard and Peta Motture, 'The Making of Terrcotta Sculpture: Techniques and Observations'.","page":"83-95","type":"reference"},"admin":{"id":"publication-9061","uid":"adlib-publication-9061","uuid":"dff0d995-feb2-3433-82a4-03987579338b"},"summary_title":"Earth and Fire, Italian Terracotta Sculpture from Donatello to Canova"},{"@link":{"notes":"Cf. p. 34, lot 158, a kneeling angel attributed to the workshop of Benedetto Buglioni.","page":"34","type":"reference"},"admin":{"id":"publication-5636","uid":"adlib-publication-5636","uuid":"c60e3436-285f-3c4f-84e2-b97d3a7fd91f"},"summary_title":"Old Master Paintings including European Works of Art"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-68009","uid":"adlib-term-68009","uuid":"91f3a501-d5d5-3088-afd6-87f5515a9250"},"summary_title":"candlestick"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-107521","uid":"adlib-term-107521","uuid":"ec3f85b3-260f-3811-a2c8-e3d8609cea04"},"summary_title":"kneeling"},{"@link":{"type":"literal"},"name":[{"value":"candlestick"}],"summary_title":"candlestick"},{"@link":{"type":"literal"},"name":[{"value":"kneeling"}],"summary_title":"kneeling"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"greyish-buff terracotta, decorated with lavender-blue, green, yellow, manganese-purple and white tin-glazes."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}],"title":[{"value":"Kneeling Angel holding a candlestick"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-29862","_score":18.296892,"_source":{"admin":{"added":1592996144000,"created":1312637261000,"flag":"Standard Record","id":"object-29862","indexed":1747160086646,"modified":1714398271000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-29862","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/29862","uuid":"368f4822-b399-3815-8f4f-4aa84a71b5d6","version":12},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149742","uid":"adlib-agent-149742","uuid":"1d4d164f-45d5-3cec-ad71-bbc83cea9b86"},"summary_title":"woman"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149749","uid":"adlib-agent-149749","uuid":"a26143f2-6dbe-3ee8-9e2d-863b9c1fa1f9"},"summary_title":"child"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-98228","uid":"adlib-term-98228","uuid":"3d747999-296f-3944-9a84-2936c3ae9f5c"},"summary_title":"sculpture"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110500","uid":"adlib-term-110500","uuid":"6dc34c6c-d553-36b2-b489-9797a89deeea"},"summary_title":"society\/human life"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Terracotta,  in the round. 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One king kneels to present a casket while the other two kings stand behind her."},{"value":"Circular very slightly convex copper plaque with a small hole on each side, painted in multi-couche technique in blue, greyish-blue, green, turquoise, pale yellowish-brown, mulberry, black, grey, on a white ground, with  jewelling over silver foil. The Virgin is seated on a wooden stool. She looks downwards, and holds the wide-awake infant Christ on her knee to greet one of the kings, who kneels before him holding out an open casket. A second king stands behind them in the centre, pointing to the right with his right index finger. The third more youthful king stands on the right. Behind the figures is the gable end of a rustic building, and on the right, an area of sky with a star. On the reverse, the copper is visible through the almost clear but cloudy counter-enamel with many pin holes. The plaque is mounted in a circular gilt wood frame with a border of small impressed circles round the top, and on the cavetto, a pricked repeating pattern of elliptical outlines. On accession the back was closed by brown paper, with near the top a small dark red leather suspension tab."}],"identifier":[{"accession_number":"M.39-1904","primary":true,"type":"accession number","value":"M.39-1904"},{"priref":"156425","type":"priref","value":"156425"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156425","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156425"}],"inscription":[{"description":[{"value":"circular paper label printed in a circle in black with the collection name surrounding the lot number in black ink"}],"location":"on brown paper backing of frame","method":"printed in black and hand-written in black ink","transcription":[{"value":"MAGNIAC COLLECTION, printed, 516 in hand-written black ink"}],"type":"label"},{"description":[{"value":"rectangular with blue border forming four shallow lobes"}],"location":"on brown paper backing of frame","method":"hand-written in black ink","transcription":[{"value":"Mr Magniac."}],"type":"label"},{"location":"on brown paper backing near the top","method":"hand-written in pencil","transcription":[{"value":"528"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1904"}]}],"creation":[{"date":[{"earliest":1515,"from":{"earliest":1515,"era":["CE"],"latest":1515,"precision":"circa","value":"1515"},"latest":1530,"range":true,"to":{"earliest":1530,"era":["CE"],"latest":1530,"value":"1530"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-206155","uid":"adlib-agent-206155","uuid":"a9ea7698-b53b-3e09-9513-ad18afd0846c"},"summary_title":"P\u00e9nicaud workshop"},{"@link":{"qualifier":"possibly","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-207553","uid":"adlib-agent-207553","uuid":"616b8dcf-7aa2-31c9-aa9b-012c74d905a2"},"summary_title":"Master of the High Foreheads"}],"note":[{"value":"The story of the journey of three wise men from the east to find the newly-born King of the Jews is told in St Matthew\u2019s Gospel, 2, 1-12. The Adoration of the Magi depicts their arrival at Bethlehem to worship the Infant Christ and present to him gifts of gold, frankincense and myrh signifying his royalty, divinity, suffering and death.\nThe small holes on each side, now filled, indicate that the medallion may originally have been intended to be mounted as a hat badge. Busts or  figures of Saints, and small Biblical scenes were popular subjects for these badges, which were worn on the upturned brims of men's hats during the late fifteenth and first half of the sixteenth century. A portrait of Louis XII painted c. 1510-14, in the Royal Collection at Holyrood House, Edinburgh, shows the king wearing a badge decorated with three saints. Several enamelled roundels of about the same size as the Fitzwilliam's, in the Walters Art Museum, the Museum Angewandte Kunst, Vienna, the Mus\u00e9e des Arts d\u00e9coratif, Paris, and the Mus\u00e9e des Beaux-Arts, Limoges  have 'jewelled' borders which make them appear even more likely to have been used in this way.\nThis and several other small plaques of the Adoration of the Magi were derived from either the same manuscript or printed source, or from one or other of a series of more accomplished late fifteenth century plaques attributed to the Monvaerni Master, which include Joseph on the left, the Virgin seated with an alert Christ Child on her lap, a bearded king kneeling to present a rectangular casket, two others standing behind him, of whom one or both are pointing upwards or sideways with one index finger, and an open gable end of a stable in the left background. A rectangular plaque with a slightly curved top in the Mus\u00e9e Municipal de l\u2019Ev\u00each\u00e9, Limoges, provides an approximate date range for the earliest examples because the scene includes on the right of the Biblical group, St John presenting Jean Barton II, Bishop of Limoges, from 1484-1510. and was probably made before the death in 1497 of his uncle and predecessor, Jean I Barton.  For the other plaques attributed to the Monvaerni Master see Documentation, Marcheix, 1967. Dalton attributed the Fitzwilliam\u2019s plaque to \u2018an enameller of the school of Nardon P\u00e9nicaud, and dated it to about 1500. However, the white preparation, only slight deterioration of the blue enamel, and almost clear cloudy counter-enamel suggest that it is more likely to be closer to 1525. The treatment of the heads, and the jewelling round the edges of Mary\u2019s halo and the garments of both figures, seems close in style to those of the Virgin and Gabriel on an unattributed pax of the Annunciation in the Victoria and Albert Museum."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106256","uid":"adlib-term-106256","uuid":"1bd8ad44-09c2-3c55-825a-635e463bb56b"},"summary_title":"16th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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(known as the Colworth Collection), 5th Day, 7 July, p. 138, lot\u00a0516, sold for \u00a333.12.0 to Frank McClean, Tunbridge Wells."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-162103","uid":"adlib-object-162103","uuid":"e05e2619-0017-38f8-982d-23070d21e91d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-126653","uid":"adlib-term-126653","uuid":"38ec5aff-ff75-3732-b28b-2cdc948738a2"},"summary_title":"plaques in frame"}},"summary_title":"plaques in frame"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p.138, 5th day, lot 516","page":"138","type":"reference"},"admin":{"id":"publication-5925","uid":"adlib-publication-5925","uuid":"5e8330b4-b645-34d4-88b6-acecc1f61ce6"},"summary_title":"Catalogue of the Renowned Collection of Works of Art, chiefly formed by the late Hollingworth Magniac, Esq. (Known as the Colworth Collection)"},{"@link":{"notes":"Publ., p. 109, no. 63, pl. XXIII, The reference by Dalton to two circular plaques in the Ashmolean Museum, with the Ecce Homo and the Piet\u00e0, presumably the two now described as Christ as Man of Sorrows and Lamentation over the Dead Christ, does not seem to be relevant, other than that the subjects are shown in a simple manner, comparable to this plaque.","page":"109","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Publ. p. 121, brief mention; the author likened it to some enamels by the Master of the High Foreheads. 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As at that time my whole thoughts were of my artistic equipment for the future, I conceived the idea that Perseus before becoming a hero was a mere mortal, and that he had to look to his equipment. That is a presage of my life and work at that time.' (Hatton 1903, p. 10). By showing Perseus in the act of quietly equipping himself for future trials, Gilbert emphasised Perseus\u2019 mortal rather than heroic character. Gilbert modelled the original plaster of Perseus Arming in Rome in 1880-1, and had the first bronze of it cast in Italy using the lost-wax casting method. 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Mentioned, p. 71","page":"p. 71","type":"reference"},"admin":{"id":"publication-1072","uid":"adlib-publication-1072","uuid":"cc21b4e3-d3f9-337a-859e-ce6392a2cc4f"},"summary_title":"Catalogue of European Sculpture in the Ashmolean Museum, 1540 to the present day"},{"@link":{"notes":"Publ. Illustrated in colour with short text","page":"168","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-1086","uid":"adlib-publication-1086","uuid":"d973f565-91a8-33f4-a783-98dcc5b1adbb"},"summary_title":"Western European Bronzes of the Nineteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-1087","uid":"adlib-publication-1087","uuid":"93de7855-f2b6-3250-a471-841ca5b5ae1c"},"summary_title":"Victorian High Renaissance"},{"@link":{"notes":"Cf. Another, pp. 80-1, lot 381 (Valued at c.\u00a315-25,000)","page":"pp. 80-1","type":"reference"},"admin":{"id":"publication-2875","uid":"adlib-publication-2875","uuid":"2d07d605-053f-3485-9491-ab75245a2fdb"},"summary_title":"Antiquities, Works of Art and Important Renaissance Bronzes, Plaquettes and Limoges Enamels, 8th July 1981"},{"@link":{"type":"reference"},"admin":{"id":"publication-2462","uid":"adlib-publication-2462","uuid":"2f16f7f5-3ac4-3747-bad1-2d567df4dbcf"},"summary_title":"Nineteenth Century European Paintings, Drawings and Sculpture"},{"@link":{"notes":"Cf. p. 126, lot 250, another 14 in. high. (Estimate \u00a39-12,000)","page":"p. 126","type":"reference"},"admin":{"id":"publication-2876","uid":"adlib-publication-2876","uuid":"34a26c6e-3e40-3c90-8596-15e5b170b555"},"summary_title":"Victorian Paintings and Sculpture"},{"@link":{"notes":"Cf. Two more, pp. 86-7, lot 54 (72.5 cm.) (Est. \u00a315-20,000), lot 56 (Est. \u00a36-8,000) (37.00 cm.)","page":"pp. 86-7","type":"reference"},"admin":{"id":"publication-2878","uid":"adlib-publication-2878","uuid":"dd9ca8a5-9ffe-35c3-8d30-6efea7add8bc"},"summary_title":"Nineteenth Century European Paintings, Drawings and Sculpture Part I"},{"@link":{"notes":"Cf. Another 71.7 cm high, pp. 90-1, lot 133. (Estimate \u00a340-60,000)","page":"pp. 90-1","type":"reference"},"admin":{"id":"publication-2399","uid":"adlib-publication-2399","uuid":"f46aa2b2-e379-3d5b-9c14-a56d29a49244"},"summary_title":"The Nineteenth Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-1088","uid":"adlib-publication-1088","uuid":"6c5e5fd0-4cdc-337e-994a-23ceddc47762"},"summary_title":"Pre-Raphaelite Sculpture, Nature and Imagination in British Sculpture 1848-1914"},{"@link":{"notes":"Cf. Another 73 cm. high, p. 84, lot 181. (Estimate \u00a318-22,000; fetched \u00a334,500)","page":"p. 84","type":"reference"},"admin":{"id":"publication-2180","uid":"adlib-publication-2180","uuid":"442625f1-2f91-36db-a711-7099a21a4385"},"summary_title":"19th and 20th Century Sculpture"},{"@link":{"notes":"Cf. An Italian cast by Fonderia Nelli, Roma, pp. 96-8, lot 133. (Estimate \u00a340-50,000; fetched \u00a384,000).","page":"pp. 96-8","type":"reference"},"admin":{"id":"publication-2170","uid":"adlib-publication-2170","uuid":"8ab2d354-caec-3cd7-91d5-ecf357bfa9b2"},"summary_title":"19th and 20th Century Sculpture, 21st November 1995"},{"@link":{"type":"reference"},"admin":{"id":"publication-5348","uid":"adlib-publication-5348","uuid":"34db80a1-cc6d-38f6-8148-1107e898a8e8"},"summary_title":"European sculpture and works of art 900-1900"},{"@link":{"notes":"Cf. Another, 36.5 cm high (including integral base), pp. 234-5, lot 151. Estimate: \u00a315,000-25,000.","page":"pp. 234-5","type":"reference"},"admin":{"id":"publication-3706","uid":"adlib-publication-3706","uuid":"1f351836-5cee-3992-be1e-2bbdf38ee7c9"},"summary_title":"The Forbes Collection of Victorian Pictures and Works of Art II"},{"@link":{"notes":"Cf. pp. 275-6, no. 420 an example 37 cm high in the Victoria and Albert Museum (77-1904). The authors mention controversy about the possibility that this example was an aftercast, but date it c. 1882.","page":"275-6","type":"reference"},"admin":{"id":"publication-3759","uid":"adlib-publication-3759","uuid":"73edca64-3289-371a-bf69-0300633e25ed"},"summary_title":"British Sculpture 1470 to 2000, A Concise Catalogue of the Collection at the Victoria and Albert Museum"},{"@link":{"notes":"Cf. Lot 236, an example 36 cm high. Estimate \u00a315-20,000. Previously exhibited at Joanna Barnes Fine Arts, London, 1996, Leighton and his sculptural legacy. British sculpture 1875-1930, p. 42, no. 13.","page":"105","type":"reference"},"admin":{"id":"publication-4714","uid":"adlib-publication-4714","uuid":"ab4f93bc-fa05-33f1-8819-e650d06f0023"},"summary_title":"European Sculpture & Works of Art 900-1900"},{"@link":{"notes":"Cf. pp. 154-5, lot 150, a cast of the larger size 72.7 cm (28\u00bd in) , probably one of ten casts prodcued by the Compagnie des Bronzes from 1901-20. From the Hon. Bobby Wills Collection, Farmington Lodge,Gloucestershire, . Estimate \u00a350-70,000","page":"154-5","type":"reference"},"admin":{"id":"publication-5299","uid":"adlib-publication-5299","uuid":"8566cb57-2e31-3d4b-83de-5bd12880df4a"},"summary_title":"European Sculpture & Works of Art"},{"@link":{"page":"84","type":"reference"},"admin":{"id":"publication-8565","uid":"adlib-publication-8565","uuid":"5a13015c-cd03-37e5-ab7c-a277c121551a"},"summary_title":"Collecting & Giving: Highlights from the Sir Ivor and Lady Batchelor Bequest"},{"@link":{"page":"38-42","type":"reference"},"admin":{"id":"publication-8668","uid":"adlib-publication-8668","uuid":"01ccb9f3-84a6-3aad-9b91-eb74be238e0a"},"summary_title":"Alfred Gilbert"},{"@link":{"page":"passim","type":"reference"},"admin":{"id":"publication-8669","uid":"adlib-publication-8669","uuid":"ce1d750d-c612-3e94-bb5d-c033e06f0c90"},"summary_title":"The New Sculpture"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-14252","uid":"adlib-term-14252","uuid":"028aa1e1-3098-309d-af11-62ae27515507"},"summary_title":"New Sculpture Movement"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"bronze, cast and chased"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-27438","uid":"adlib-term-27438","uuid":"6e8fa95f-07b1-35a4-bfed-2b07a46e0410"},"summary_title":"lost-wax process"}}],"title":[{"value":"Perseus Arming"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":5,"total":5}]