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Lozenge-shaped with deep, sloping sides, pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring. The ground is bleu celeste decorated with garlands of gilt husks. In the centre there is an oval reserve framed by a band of chased gilding, and painted in polychrome enamels with a bouquet of flowers. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41A-1961."}],"identifier":[{"accession_number":"C.41B-1961","primary":true,"type":"accession number","value":"C.41B-1961"},{"priref":"93587","type":"priref","value":"93587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587"}],"inscription":[{"description":[{"value":"in script with S sideways"}],"location":"on base right up against the footring","method":"incised","transcription":[{"value":"cs"}],"type":"incised mark"},{"description":[{"value":"narrow rectangular white paper label"}],"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"description":[{"value":"oval white paper label"}],"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION.\nMrs Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The house became Brooks Club."}]}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter for 1769"}],"value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162415","uid":"adlib-agent-162415","uuid":"baae0116-646d-3d9d-b238-79fa655e11e6"},"summary_title":"Censier, Charles"}],"note":[{"value":"David Peters (Documentation 2005) has posited that the bulk of this service, mainly for dessert, was purchased on 5 November 1768 by an unnamed buyer, whom he considered may have been the Monsieur de Cotensky who on on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces which were items not included in the order of 5 November 1768. Monsieur de Cotensky was possibly Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774. There were two corbeilles losanges at 216 livres in the November 1768 order, which as the Fitzwilliam's are dated 1769 raises a question of whether they are the same ones, particularly as there are two in the Dodge Collection (71.222, 71,223), which have similar gilding, and reserves painted with birds after Buffon. Those however, were painted by Aloncle. In the exhibition of S\u00e8vres from the Sheremeteff collection held  by Asher Wertheimer in Bond Street, two plateaux-corbeilles losanges ajour\u00e9es were nos. 10 and 11, said to be painted by Dodin, and a further two, nos. 12 and 13 by Le Bel. It seems possible that the last two were the two now in the Fitzwilliam and that the identification of the painter who signed L. as Le Bel was in error for Lev\u00e9, although the catalogue appears to indicate that all the pieces in this service in the list were painted with birds."},{"value":"The plateau -corbeille lozange was introduced in 1755"},{"value":"This plateau-corbeille losange ajour\u00e9e, and its pair (C.41A-1961) with two compotiers ronds C.37A & B-1961, are all decorated with swags of husks or wheat ear, and probably formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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label), 69 & 71 Brook Street, London; Mary Ethel, Viscountess Harcourt (n\u00e9e Burns); sold Christie's, London, 22 June 1927, Old English and Continental porcelain, decorative objects and old French furniture, lot 19 CHECK SALE CATALOGUE;. 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This plateau corbeille and its pair were probably nos. 12 and 13.","page":"pp. 45-49","type":"reference"},"admin":{"id":"publication-7502","uid":"adlib-publication-7502","uuid":"a283b128-59e7-32fd-a686-0db830fd0b8d"},"summary_title":"Notes on the Historic Ch\u00e9r\u00e9m\u00e8teff Collection of old Turquoise S\u00e8vres Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-1970","uid":"adlib-publication-1970","uuid":"2b9703ad-8c20-31c6-894a-c7fea3ad953e"},"summary_title":"Fitzwilliam Museum, Cambridge. 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These plateaux have the same gilded decoration as the Fitzwilliam's examples with floral bouquets in the centre. The author, Clare Corbeiller cites Peters, as her source for the use of plateaux lozenges as stands for sauceboats in addition to their use with a cup but is not referring to the basket-like variety.","page":"194-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref.Vol. II, pp. 401-02, for the bleu c\u00e9leste ground service formerly in the Ch\u00e9r\u00e9m\u00e8eff Collection, which Peters considers is likely to have been a service, mainly for dessert, sold on 5 November 1768 to an unnamed buyer, who may have been a Monsieur de Cotensky who on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces missing from the earlier order. Cotensky may have been Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d'affaires to France from 24 December 1767 to January 1774. The Fitzwilliam's pair of plateau -corbeille losange ajour\u00e9 mentioned on p. 402 as possibly from the same service, but see the two with bird decoraton in the Dodge Collection.","page":"Vol. II, 401-02","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-106795","uid":"adlib-term-106795","uuid":"619c7689-2029-3c57-b0e2-12f5b54bedb8"},"summary_title":"flower"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"flower"}],"summary_title":"flower"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plateau-corbeille losange \u00e0jour\u00e9"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-86623","_score":16.7693,"_source":{"admin":{"added":1592970448000,"created":1312637261000,"flag":"Standard Record","id":"object-86623","indexed":1755194527673,"modified":1610538979000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-86623","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","uuid":"19fa13f2-a828-3152-8f36-655836767bf5","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113183","uid":"adlib-term-113183","uuid":"d0b2833e-0e65-3606-934e-193dc9d8511d"},"summary_title":"Ralph Griffin"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, maroon and pale purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in blue, green, yellow, maroon and pale purple enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"13.5"},{"dimension":"Height","units":"cm","value":"3"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"6.6"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"6.8"}]},"name":"Cup","techniques":[{"description":[{"value":"soft-paste porcelain, painted in blue, green, yellow, maroon, pale purple, brown, and trey enamels, and gilded"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}]},{"measurements":{"dimensions":[{"dimension":"Width","units":"cm","value":"9.1"}]},"name":"Cup Including Handle"}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain painted in enamels with a garden scene incorporating a jar with the letter C, sprays of flowers, and gilding."},{"value":"Soft-paste porcelain painted in blue, green, yellow, maroon, pale purple, brown, and grey enamels, and gilded. Cylindrical cup with double curved handle. Circular saucer with a flat centre, deep sloping side, and a suspension hole in the footrim. The front of the cup is painted in polychrome with a tall, narrow-necked jar, standing on grass with a wheelbarrow and trees behind, and a basket of grapes and apples on the right. On the jar is a letter C made up of small blue flowers. On each side there are three diagonally placed sprays of alternately yellow and blue flowers. Above and below there are maroon bands entwined with curving gold lines. There is a dentilated gold band round the rim, a plain gold band round the foot, and gold lines down the sides of the handle, which also has stylised gold leaves alternating with spots down its back. The saucer is decorated with a posy of blue flowers with green leaves, surrounded by a dark crimson band entwined with curved gold lines. The sides are decorated with diagonally placed sprays of alternately yellow and blue flowers, with above a dark crimson band entwined with curved gold lines. The rim is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.194 & A-1918","primary":true,"type":"accession number","value":"C.194 & A-1918"},{"priref":"86623","type":"priref","value":"86623"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing KK"}],"type":"factory mark"},{"location":"on base of kup and saucer","method":"painted in blue enamel","transcription":[{"value":"V."}],"type":"painter's mark"},{"description":[{"value":"41 with the 1 slanting to the right"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"41"}],"type":"incised mark"},{"description":[{"value":"3 a dash, longer than shown above, 1 slanting, possibly 31 or 37"}],"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"3-1 or 37"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"Both pieces bear the date letter for 1787"}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175457","uid":"adlib-agent-175457","uuid":"6e9d1bf1-1dae-33ad-bff1-1da53a119152"},"summary_title":"Noualher, Antoinette-Marie"}],"note":[{"value":"Cups decorated with initials were a new venture initiated by the comte d\u2019Angiviller in the summer of 1784, after he had seen Clignancourt cups decorated in this way. Between then and 1789 over 1000 were produced. Sir Geoffrey de Bellaigue cites over 80 in 1784, over 400 in 1785,nearly 500 in 1786, about 160 in 1787 and fewer than 20 in 1788. (See Documentation, Bellaigue, 1980)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009)  This is a gobelet litron of the second size with Savill's handle B."},{"value":"The incised mark on the cup, 41, is recorded on cups and saucers in the 1780s and 1790s, and on two vases of 1779 and 1780 respectively. It also occurs on C.56-1961, a cup of 1784, also on a saucer of 1780 in the Royal Collection"},{"value":"The painter's mark does not occur in MS Vj\u20192 but has been deduced from payments in the Artistis Lists of payments as that of Mme Antoinette-Marie Noualher (n\u00e9e Huet) , working from c. 1762-98. 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Circular with twelve-lobed, slightly raised edge, standing on a low foot with concave-curved, twelve-lobed sides.There is a hole for suspension inside the edge of the stand. In the centre of the top painted in polychrome is a small floral spray, including a rose, encircled by two gold-edged green ribbons, interlaced to form six ovals, around and in which is entwined a garland of flowers. The outer edge of the tray is green, with a scalloped gold line inside it, following the curves of the lobes and having a floriated loop at the intersection of each."}],"identifier":[{"accession_number":"C.2-1957","primary":true,"type":"accession number","value":"C.2-1957"},{"priref":"93544","type":"priref","value":"93544"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93544","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93544"}],"inscription":[{"description":[{"value":"interlaced L's enclosing E"}],"location":"on base","method":"in blue enamel","type":"factory mark"},{"description":[{"value":"not as typed"}],"location":"on base, below interlaced L's","method":"in blue enamel","transcription":[{"value":"d."}],"type":"painter's mark"},{"description":[{"value":"script Lf"}],"location":"on base","method":"incised underglaze","transcription":[{"value":"Lf"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1957,"latest":1957,"value":"1957-11-21"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1757,"from":{"earliest":1757,"era":["CE"],"latest":1757,"value":"1757"},"latest":1758,"note":[{"value":"The tray bears the date letter for 1757-8"}],"range":true,"to":{"earliest":1758,"era":["CE"],"latest":1758,"value":"1758"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"Soucoupes \u00e0 pied were used as a stands for ice cream cups, or for dried fruits. This is probably one of eight soucoupes \u00e0 pied costing 144 livres each from the service given to the Empress Maria-Theresa by Louis XV in 1758, the much of which is in the Hofburg, Vienna. 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Purchased from H.E. Backer, London; given by the Friends of the Fitzwilliam Museum"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Illustrated, front cover and p. 2","page":"p. 2","type":"reference"},"admin":{"id":"publication-3855","uid":"adlib-publication-3855","uuid":"d20590cf-6884-3559-a30c-6cabad9407af"},"summary_title":"Friends of the Fitzwilliam Museum, Forty-ninth Annual Report, for the Year 1957"},{"@link":{"notes":"Ref. and mention, vol. II, pp. 307-08, service, 58-3, for the components, date of manufacture, current locations of known pieces, and sales of components, and literature for the Maria Theresa Service.","page":"307-08","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. For the service now in the Hofburg, Vienna, see pl. 32.","page":"204-05","type":"reference"},"admin":{"id":"publication-3688","uid":"adlib-publication-3688","uuid":"6e82b986-e237-3d96-8b61-f057ec352107"},"summary_title":"S\u00e8vres, Le XVIIIe Si\u00e8cle"},{"@link":{"notes":"Ref. p. 25, no. 1, for a full listing of the pieces in the service, and references to the archival materal relating to it are given","page":"25","type":"reference"},"admin":{"id":"publication-4634","uid":"adlib-publication-4634","uuid":"d0262d0c-496d-3bf6-a95b-8c6d7ada2ceb"},"summary_title":"Les Grands Services de S\u00e8vres"},{"@link":{"notes":"Cf. p. 96, illustrated p. 97, another example of a soucoupe \u00e0 pied of the same pattern as the Fitzwilliam's example","page":"96-7","type":"reference"},"admin":{"id":"publication-4635","uid":"adlib-publication-4635","uuid":"98e2ea62-0aa5-3e9b-9c8b-a778732bab41"},"summary_title":"C.L. Davids Samling"},{"@link":{"notes":"Ref. For information, and a plate from the service, see especially pp. 149-51, and fig. 62","page":"144-52","type":"reference"},"admin":{"id":"publication-200001235","uid":"adlib-publication-200001235","uuid":"a1614bb8-6214-37f7-bc57-708df6017e7d"},"summary_title":"A propos de six S\u00e8vres du dix-huiti\u00e8me si\u00e8cle"},{"@link":{"notes":"Cf. p. 68, no. 49, illustrated pl. 49,  the soucoupe \u00e0 pied in the Davids Samling (FK 28a.) For the mark, see p. 76.","page":"68, 76","type":"reference"},"admin":{"id":"publication-4636","uid":"adlib-publication-4636","uuid":"86468de7-cccc-399e-931c-e99ba2128b1b"},"summary_title":"Davids Samling Fransk Porcelaen\/The David Collection, French Porcelain"},{"@link":{"notes":"Cf. p. 73, lot 242, a pair of seaux \u00e0 bouteille of 1758 painted by Tandart, from the Maria Theresa Service.","page":"73","type":"reference"},"admin":{"id":"publication-2645","uid":"adlib-publication-2645","uuid":"b1b69b1c-707f-3c05-a267-31713b4eb4c0"},"summary_title":"British and Continental Ceramics"},{"@link":{"notes":"Cf. lot 85, an oval mustard pot stand said to be from this service, no date letter. Estimate \u00a3750-950; E1,150-1,450","page":"54","type":"reference"},"admin":{"id":"publication-4812","uid":"adlib-publication-4812","uuid":"f51a10e5-f465-3e0e-904a-8fa72eb95d7c"},"summary_title":"European Ceramics, Glass, Silver and Vertu, 29 June 2004"},{"@link":{"notes":"Ref. and cf. catalogue nos 274-286 various pieces from the service, and illustrations of a compotiers coquille and a terrine gondole and plateau  (one each from 280 and 275) showing the interlace ribbon design","page":"334-5","type":"reference"},"admin":{"id":"publication-5983","uid":"adlib-publication-5983","uuid":"a8deeedb-4869-3a50-a871-c3d2d0f2fbc7"},"summary_title":"Versailles et les Tables Royales en Europe XVII\u00e8me - XIX\u00e8me si\u00e8cles"},{"@link":{"notes":"Cf. p. 18-19, lot 17 four plates of 1757-8 from the Maria Theresa Service, p. 20, lot 18, a similar plate probably one of six bought by Madame de Pompadour from Lazare Duvaux in March 1758, and p. 21, lot 19 four plates, from either the 'Rubans Verds' service delivered to the marquis de Paulmy or Madame Lair in 1760 (see Peters, 2005, II, pp. 317-20.). All these plates differ from the soucoupe \u00e0 pieds in having pairs of arched gilt floral sprays around the outer edge","page":"18-21","type":"reference"},"admin":{"id":"publication-5543","uid":"adlib-publication-5543","uuid":"1c2eeaac-af10-3342-83cb-cb894a9789df"},"summary_title":"Important French & Continental Furniture, decorations & Ceramics"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Ref. For another completely different example of green ribbon decoration, see p. 140-3, lot 161, a garniture of three vases hollandais with green ribbon decoration, flowers, gardening trophies and putti with date letter D for 1756-1757.","page":"140-3","type":"reference"},"admin":{"id":"publication-5539","uid":"adlib-publication-5539","uuid":"d35ced23-464b-3892-a133-776253c9e873"},"summary_title":"Bel Ameublement et Objets d'Art,  Mobilier Provenanant de la Villa Fal'eze"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107511","uid":"adlib-term-107511","uuid":"d27e0338-6e3f-37b3-9f1c-96fd22189f74"},"summary_title":"garland"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"garland"}],"summary_title":"garland"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120422","uid":"adlib-term-120422","uuid":"7dd6d416-47f7-35ef-ac4b-c79f08377dc6"},"summary_title":"Tray for ice cups"}},"summary_title":"Tray for ice cups","techniques":[{"description":[{"value":"Soft-paste porcelain, moulded, painted in blue, green, yellow, pink, orange-red, mauve, and black enamels and gilded."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"translation":[{"value":"footed saucer  for ice cream cups"}],"value":"Soucoupe \u00e0 pied pour tasses \u00e0 glace"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93566","_score":16.7693,"_source":{"admin":{"added":1592999709000,"created":1312637261000,"flag":"Standard Record","id":"object-93566","indexed":1755194528449,"modified":1610453425000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93566","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93566","uuid":"a944d76f-3b1b-3efc-b0f4-6b4f3248b4dd","version":7},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-175250","uid":"adlib-agent-175250","uuid":"3812efbe-2be4-3524-bb59-d0c77d5f92c4"},"summary_title":"Paley, Princess"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, two shades of green, yellow, pale and dark pink, mauve, purple, grey, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"note":[{"value":"green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"green"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"note":[{"value":"in  blue, two shades of green, yellow, pale and dark pink, mauve, purple, grey, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain compotier, with an apple green ground, painted in enamels with flowers in reserves, and gilded."},{"value":"Soft-paste porcelain, decorated with a green ground, painting in  blue, two shades of green, yellow, pale and dark pink, mauve, purple, grey, and black enamels, and gilded. Square with lobed and curved corners and concave edges down the sides. There is a suspension hole in the footring.The ground is green with four semi-circular reserves framed and linked by scrolls and trailing flowers and foliage in gold. In the centre there is a gold circle entwined with a garland of gold leaves. The reserves are painted in polychrome with bouquets of flowers. There is a dentilated gold band round the edge of the rim.\n\nA pair with C.29B-1961."}],"exhibitions":[{"@link":{"catalogue":"no. 858","type":"reference"},"admin":{"id":"exhibition-1767","uid":"adlib-exhibition-1767","uuid":"bc15b744-f3b4-33c4-bfb9-a3217852c56c"},"summary_title":"Art Treasures Exhibition, 1932"}],"identifier":[{"accession_number":"C.29A-1961","primary":true,"type":"accession number","value":"C.29A-1961"},{"priref":"93566","type":"priref","value":"93566"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93566","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93566"}],"inscription":[{"description":[{"value":"interlaced L's enclosing M"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"mark fof the painter Jaques-Fran\u00e7ois Micaud (1732\/5-1811) or Philippe Xhrowet (1725-75)"}],"location":"on base","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"Jif"}],"type":"mark"},{"location":"on base","method":"hand-written in faded black inkink","transcription":[{"value":"Collection of\/H.R.H. Princess Paley"}],"type":"label"},{"location":"on base","method":"printed in black, and hand-written in faded black ink","transcription":[{"value":"SEVRES (printed) \u2018Painter Xhrouet\/ Date\/1765\u2019 (hand-written)"}],"type":"label"},{"location":"on base","method":"paper printed in black","transcription":[{"value":"BRITISH\/ANTIQUE DEALERS ASSOCIATION\/ART TREASURES EXHIBITION\/CHRISTIES 1932\/No. 858"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"note":[{"value":"date letter for 1765"}],"value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"probably","type":"reference"},"admin":{"id":"agent-91565","uid":"adlib-agent-91565","uuid":"34f4a89f-1c61-3327-bf7f-7bb3acc40865"},"summary_title":"Micaud, Jacques-Fran\u00e7ois"},{"@link":{"qualifier":"possibly","role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-147975","uid":"adlib-agent-147975","uuid":"f3f9cfb3-0f42-3ba1-8d90-d878fb27d5f8"},"summary_title":"Xhrowet, Philippe"}],"note":[{"value":"Despite the labels on the dishes, they were attributed to Micaud in Sotheby\u2019s inventory of Clarke\u2019s collection in 1947, and, as Micaud was employed mainly as a flower-painting, and worked on the similar service for the court at Parma, it seems more likely that the X mark is his rather than the X of Philippe Xhrouet p\u00e8re, which is difficult to distinguish from Micaud\u2019s.  See Peters, 2005,  and  Savill, 1988, III, pp. 1049-51 for Micaud, and pp. 1977-8 for Xhrowet."},{"value":"Square dishes for fruit, compotiers carr\u00e9s, were made at Vincennes from 1754. The models and moulds for two sizes were listed in the work of that year in the inventory of 1 January 1755, and the first examples are listed in the biscuit firing of 8 May 1754 (Institut de France, MS 5673, p. 22). They were supplied with services, usually in multiples of two, together with compotiers ronds, compotiers ovales, and compotiers coquilles, although not all forms were present in each service."},{"value":"The decoration of this compotier and its pair is similar to that of a service decorated with a green ground and reserves painted with flowers or flowers and fruit supplied in 1765 to Claude Bonnet probably acting for Louise-Elizabeth of Parma. The service comprised 286 pieces made between 1760-66 with most made in 1763, 1764 and 1765. After the annexation of the duchy to Italy the service was divided between the Palazzo Pitti in Florence and the Palazzo Reale, Milan and was reunited in the Quirinale in Rome in 1893."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-113159","uid":"adlib-term-113159","uuid":"4bdfb4a7-b307-3dfa-a3d6-8ada4683271e"},"summary_title":"18th Century, third quarter"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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Woods, 6-7 June 1929, Catalogue of the Collection of French Furniture Objects of Art and Porcelain formed by Her Highness Princess Paley (Widow of the Grand Duke Paul of Russia, Uncle of the late Czar) removed from The Paley Palace, Tsarskoye Selo, now sold by the Princess Paley and the Members of the Syndicate p. 6, part of lot 16; ? Mallett and Son; from whom purchased by Louis C.G. Clarke  in 1933, for \u00a375; bequeathed by Louis C.G. Clarke, 1960."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-93567","uid":"adlib-object-93567","uuid":"7fe7cd93-b01c-3b64-bb0c-18e71be0d48d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-73803","uid":"adlib-object-73803","uuid":"7cec3ad0-0550-3020-b113-0fbc75b0f85e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89303","uid":"adlib-term-89303","uuid":"7012fd66-769f-33c8-bb38-d805db27c8c9"},"summary_title":"basin"}},"summary_title":"basin"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 113, no. 858 exhibited by Mallett & Son. 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Savill notes that it is difficult to distinguish between the two X marks used by these painters.","page":"1077-78","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Cf. pp. 113-149, No. 24, compotiers carr\u00e9 illustrated on p. 116, pl. 24.18 and p. 118, pl. 24.22, without painter\u2019s mark or incised mark.","page":"113-149","type":"reference"},"admin":{"id":"publication-7504","uid":"adlib-publication-7504","uuid":"f2aea85f-9270-32e9-bd7d-93bf0b1698a4"},"summary_title":"Il patrimonio artistico del Quirinale. 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Circular, with slightly shelving rim and shallow well. There is a suspension hole in the footring.\nIn the centre, painted in polychrome, a goose 'Oye de Canada' stands on an island beside a willow tree, with a small bird flying towards it. There are stones and grasses in the foreground and hazy trees in the background. The rim is decorated with red and gold oeil-de-perdrix on a pale yellow ground with three rectangular reserves with cut-out corners, framed by gold bands tooled alternatively with areas of striations and criss-cross trellis, each painted in polychrome with a bird in a landscape: 'Petite Perruche verte de Cayenne', 'Le Grand Pingoun des Mers du Nord' and 'Oye de Guin\u00e9e'. Between them there are three small, oval reserves painted en grisaille with female heads in profile, two facing to the left, and one to the right. There are bands of gilding round the inner and outer edges of the rim."}],"identifier":[{"accession_number":"C.58-1961","primary":true,"type":"accession number","value":"C.58-1961"},{"priref":"93751","type":"priref","value":"93751"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93751","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93751"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing gg"}],"type":"factory mark"},{"location":"on base beside footring","method":"incised","transcription":[{"value":"32"}],"type":"incised mark"},{"location":"on base in the centre","method":"painted in violet enamel","transcription":[{"value":"Oye de Canada."}],"type":"inscription"},{"location":"on base at  top","method":"painted in violet enamel","transcription":[{"value":"Petite Perruche verts,\/de Cayenne"}],"type":"inscription"},{"location":"on base on the left","method":"painted in violet enamel","transcription":[{"value":"Le Grand Pingoun des\/Mers du Nord"}],"type":"inscription"},{"location":"on base on right","method":"painted in violet enamel","transcription":[{"value":"Oye de Guin\u00e9e"}],"type":"inscription"},{"description":[{"value":"narrow white paper label"}],"location":"on base","method":"hand-written in faded black ink","transcription":[{"value":"Collection of\/H.R.H. Princess Paley"}],"type":"label"},{"location":"on base","method":"printed","transcription":[{"value":"SEVRES"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"Princess Paley was the 2nd morganatic wife of the Grand Duke Paul Alexandrovitch, m. 27 September 1907. 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III, and illuminated pl., no. 367. 'Le Grand Pingouin des Mers du Nord', from vol. IX, 1783, p. 393, and illuminated pl. no. 367. The 'Oye de Canada', vol. IX, 1783, p. 82, and illuminated pl. no. 346 which is called 'Oie sauvage du Canada'.  Buffon calls this bird 'L'Oie \u00e0 Cravatte, Dixi\u00e8me \u00e9sp\u00e8ce', with a footnote 'The Canada Goose', and refers to George Edwards, 'History of Birds', III, pl. 151 (the most famous English book on birds which was also used as a source of designs for S\u00e8vres porcelain)."},{"value":"This plate may have been one of group of variously decorated plates sold on 20 March 1784 to the Amsterdam dealer Jean-Baptiste Lefebvre, who later in the same year ordered a service with a fond Taillandier vert et oil de perdrix with bird painting after Buffon. 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Circular, the rim scalloped with twelve alternately large and small arcs. The rim is slightly concave and the well has a shallow, concave sides. There is a suspension hole in the footring. In the centre, reserved on a white ground, is a circular panel, framed by a wide band of gilding tooled with bound laurel leaves and a narrow band of gilding tooled with straight lines outside it. The panel is painted with three voluptuous nymphs sleeping in the shelter of a purple hanging beside a tree, unaware of a satyr who peers at them over the hanging. The rim has a bleu nouveau ground decorated with gold scrolls, sprays of flowers and foliage, between which are four, elongated oval reserves framed by wide bands of gilding tooled with overlapping scales and crossed ribbons. The panels are painted in polychrome as follows: (1) Combat des Horiaces et Curiaces - A contest between two soldiers carrying swords and shields while another lies dead beside them and a fourth approaches from behind. 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The jug stands on a low, circular foot. The ovoid body contracts at the neck and then rises and flares out slightly to form a wavy-edged lip at the front. The handle springs from the rim and rises up slightly before curving outwards and downwards to meet the body at a point just above its junction with the foot. There is a band of white beading at the junction of the foot and body; stiff leaves in relief forming a calyx round the lower part of the body; and two husks and a cord in relief down the back of the handle. The ground is bleu c\u00e9leste, interrupted above and below the widest point by two reserved white bands between narrow gilt lines, painted with sprays of polychrome flowers separated by two gold husks. The wide bleu c\u00e9leste zone between them is decorated with gold rinceaux between which are two small and one large oval medallions, each painted en grisaille on a reddish-brown ground to resemble brown and white sardonyx cameos. The small medallions each contain a profile head: a Roman soldier and a young woman. The larger medallion has a scene with two Roman soldiers, the one on the right seated, probably Cincinnatus, and the one on the left standing. On the underside of the spout there is a circular reserve painted in polychrome with a wreath made up of two branches of different trees (? laurel and olive) tied with a bow at the bottom. At the top the branches meet on either side of a gold Imperial crown. Within the wreath is an E made up of flowers in monogram with II in gold, for Ekaterina II. The ground on either side is decorated with gold rinceaux. There is a gold band round the foot and a dentilated band and close-set strokes of different lengths round the lip. 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The use of illusionistic cameos in the decoration reflected the Empress's interest in this aspect of antique art, and innovatory techniques were used to produce them .For descriptions of the service, see Savill (1988), Dawson (1994), and Peters ( 2005,  III) Four of the jugs are in the Hermitage in St Petersburg (see  Birioukova and Kazakevitch, (2005)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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Oval with notched and curved edges and concave curving slightly lobed sides. There is a suspension hole in the footring.  The stand has a bleu lapis ground with a shaped reserve at each end, surrounded by an elaborate rococo frame composed of gilt scrolls, flowers and foliage. The reserve is painted with an exotic bird standing on the ground in a landscape with a low tree on the right. 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But no evidence has been found for this attribution. On accession this dish was attributed to Yvernel, but if Peters' proposed revision of the years allocated to date letters is accepted, this dish would have been decorated in 1760 after he had left the factory (see Documentation, Peters, 2014)."},{"value":"This is one of two different stand forms which accompanied barrel-shaped mustard pots (moutardiers ordinaires), the other has a cusped rather than indented outline, and a central depression to take the pot. 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A pair with C.29A-1961\n\nAs a pair with C.29A-1961."}],"exhibitions":[{"@link":{"catalogue":"no. 858","type":"reference"},"admin":{"id":"exhibition-1767","uid":"adlib-exhibition-1767","uuid":"bc15b744-f3b4-33c4-bfb9-a3217852c56c"},"summary_title":"Art Treasures Exhibition, 1932"}],"identifier":[{"accession_number":"C.29B-1961","primary":true,"type":"accession number","value":"C.29B-1961"},{"priref":"93567","type":"priref","value":"93567"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93567","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93567"}],"inscription":[{"description":[{"value":"interlaced L's enclosing M"}],"location":"on base","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"mark fof the painter Philippe Xhrowet, 1725-75"}],"location":"on base","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"location":"on base","method":"incised","transcription":[{"value":"gp"}],"type":"mark"},{"location":"on the base","method":"hand-written in ink","transcription":[{"value":"Collection of\/H.R.H. 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The models and moulds for two sizes were listed in the work of that year in the inventory of 1 January 1755, and the first examples are listed in the biscuit firing of 8 May 1754 (Institut de France, MS 5673, p. 22). See Documentation, Pr\u00e9aud and Albis, 1991. They were supplied with services, usually in multiples of two, together with compotiers ronds, compotiers ovales, and compotiers coquilles, although not all forms were present in each service."},{"value":"The decoration of this compotier and its pair is similar to that of a service decorated with a green ground and reserves painted with flowers or flowers and fruit supplied in 1765 to Claude Bonnet probably acting for Louise-Elizabeth of Parma. The service comprised 286 pieces made between 1760-66 with most made in 1763, 1764 and 1765. After the annexation of the duchy to Italy the service was divided between the Palazzo Pitti in Florence and the Palazzo Reale, Milan and was reunited in the Quirinale in Rome in 1893."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"4.2"},{"dimension":"Length","units":"cm","value":"21.8"},{"dimension":"Width","units":"cm","value":"21.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-67096","uid":"adlib-media-67096","uuid":"9276d5dc-4661-3bb6-a5c2-e6a70144f1ac"},"processed":{"large":{"format":"jpeg","location":"aa\/aa23\/C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":560}]},"modified":1616266826489,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa23\/mid_C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":679},{"dimension":"width","units":"pixels","value":500}]},"modified":1616266826489,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa23\/C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":560}]},"modified":1616266826489,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa23\/preview_C_29B_1961.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":339},{"dimension":"width","units":"pixels","value":250}]},"modified":1616266826489,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3221231742","source":"portfolio","uid":"portfolio-media-3221231742","uuid":"79cfd7d1-9fb2-3d64-8f29-794cb31e314b"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/large_C_29B_1961_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1536},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529202744000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/mid_C_29B_1961_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":750},{"dimension":"width","units":"pixels","value":500}]},"modified":1529202744000,"resizable":true,"type":"image"},"original":{"location":"C.29B-1961_200902_mfj22_mas.tif","modified":1529202744000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/preview_C_29B_1961_200902_mfj22_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":375},{"dimension":"width","units":"pixels","value":250}]},"modified":1529202744000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/436\/795\/C_29B_1961_200902_mfj22_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":5120},{"dimension":"width","units":"pixels","value":3413}]},"modified":1529202744000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Dish painted with flowers, Sevres Factory"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},{"value":"compotier carr\u00e9"}],"note":[{"type":"history note","value":"Princess Paley; sold sold Christie, Manson & Woods, 6-7 June 1929, Catalogue of the Collection of French Furniture Objects of Art and Porcelain formed by Her Highness Princess Paley (Widow of the Grand Duke Paul of Russia, Uncle of the late Czar) removed from The Paley Palace, Tsarskoye Selo, now sold by the Princess Paley and the Members of the Syndicate, p. 6, part of lot 16; purchased by Louis C.G. Clarke from Mallett and Sons in 1933, for \u00a375; bequeathed by Louis C.G. Clarke, 1960."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"pair"}],"type":"reference"},"admin":{"id":"object-93566","uid":"adlib-object-93566","uuid":"a944d76f-3b1b-3efc-b0f4-6b4f3248b4dd"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}},"summary_title":"dish"},{"@link":{"cascade":true,"note":[{"value":"has same incised mark gp"}],"type":"reference"},"admin":{"id":"object-72954","uid":"adlib-object-72954","uuid":"1c5a3dae-ca0d-3450-bac1-f4ecb9541932"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-123169","uid":"adlib-term-123169","uuid":"6e47fb5c-dbf9-39e1-8fab-101e974ed882"},"summary_title":"stand for a mustard pot"}},"summary_title":"stand for a mustard pot"},{"@link":{"cascade":true,"note":[{"value":"has same incised mark gp"}],"type":"reference"},"admin":{"id":"object-93554","uid":"adlib-object-93554","uuid":"8657e874-6b27-3b11-843c-1ed51d417677"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107559","uid":"adlib-term-107559","uuid":"7f8f2ef8-86fb-318c-b509-1a70260fce87"},"summary_title":"stand"}},"summary_title":"stand"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 113, no. 858, exhibited by Mallett & Son. Provenance given as From the collection of the Princess Paley.","page":"113","type":"reference"},"admin":{"id":"publication-5780","uid":"adlib-publication-5780","uuid":"b7643731-7b9e-3ca9-b7a8-ecbe9b7ef657"},"summary_title":"Art Treasures Exhibition 1932"},{"@link":{"notes":"Ref. pp. 41-2, no. 63 for the form  known as compotier carr\u00e9","page":"41-2","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Ref. p. 179, no. 193, for the form known as compotier carr\u00e9","page":"193","type":"reference"},"admin":{"id":"publication-3638","uid":"adlib-publication-3638","uuid":"9fdd0b21-49ec-37e9-9467-969617c4e941"},"summary_title":"La Porcelaine de Vincennes"},{"@link":{"notes":"Ref.p. 339, and no. 39  for Philippe  Xhrouuet, See p. 94 where Eriksen suggests that the incised mark 'gp' on this piece signifies Claude-Jean-Baptiste Gr\u00e9mont p\u00e8re, a r\u00e9pareur-acheveur, working 1746-1775.","page":"p. 339","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. p. 337-9 for Philippe Xhrouuet. 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See p. 1106 where she attributes the gp incised mark possibly to Gratien Poulain working 1758-77, a soft-paste r\u00e9pareur, following Dauterman, marks, p. 199.","page":"1077-8","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. For the service with a green ground and floral reserves, see pp. 113-149, No. 24, compotiers carr\u00e9 illustrated on p. 116, pl. 24.18 and p. 118, pl. 24.22, without painter\u2019s mark or incised mark.","page":"113-49","type":"reference"},"admin":{"id":"publication-7504","uid":"adlib-publication-7504","uuid":"f2aea85f-9270-32e9-bd7d-93bf0b1698a4"},"summary_title":"Il patrimonio artistico del Quirinale. Le vaselle"},{"@link":{"notes":"Cf. vol. 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Oval with curved, slightly lobed sides, and undulating rim with four notches at the cardinal points and four less prominent notches between them. There is a suspension hole in the footring. The stand has a bleu lapis ground with a shaped reserve each end, surrounded by an elaborate rococo frame composed of gilt scrolls, flowers and foliage. The reserves are each painted with two birds in a landscape, one bird standing and the other flying or perched in a tree. There is a dentilated gilt band round the rim. 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which have been dispersed during the last fifty years which (by order of the Executors), lot 95, 108 guineas. D.M. Currie; Mrs Alistair Currie, sold Christie's, 13 June 1946,  Catalogue of Old French Furniture and S\u00e8vres Porcelain . .. p. 7,, lot 55 sold for 78 guineas to  F. Partridge for L.C.G. Clarke, MA, Leckhampton, Cambridge (1881-1960)."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same service"}],"type":"reference"},"admin":{"id":"object-93592","uid":"adlib-object-93592","uuid":"38f70bab-d288-34f4-8dd0-c0fbf534c2d1"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-6030","uid":"adlib-publication-6030","uuid":"493da1ea-dbf5-35b7-b1c3-1b4dac45a4cd"},"summary_title":"Catalogue of\/the Splendid Collection formed by the Right Honourable the late Earl of Dudley from the most celebrated cabinets which have been dispersed during the last fifty years which (by order of the Executors),Will be sold by Auction by Messrs. Christie, Manson & Woods at their Great Rooms 8 King Street, St James\u2019s Square"},{"@link":{"notes":"Publ. Illustrated, pp. 377-83, on p. 381, fig. 13","page":"p. 381","type":"reference"},"admin":{"id":"publication-200000779","uid":"adlib-publication-200000779","uuid":"23351138-8d80-3072-8cc1-3cf4e9f33fdc"},"summary_title":"Louis Clarke as a Collector"},{"@link":{"notes":"Publ. p. 29, short text with colour illustration","page":"29","type":"reference"},"admin":{"id":"publication-200001843","uid":"adlib-publication-200001843","uuid":"4fa33587-103a-3608-9de5-1afa6891542b"},"summary_title":"Earth and Fire"},{"@link":{"notes":"Publ. p. 162, illustrated with short text","page":"162","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"notes":"Ref. p. 36, no. 11 where the whole service is listed","page":"36","type":"reference"},"admin":{"id":"publication-4634","uid":"adlib-publication-4634","uuid":"d0262d0c-496d-3bf6-a95b-8c6d7ada2ceb"},"summary_title":"Les Grands Services de S\u00e8vres"},{"@link":{"notes":"Cf. pp. 322-7, M. Kasakevitch, 'Le Service de Porcelain de Catherine II de Russie',  where the entire service is listed n p. 325, and catalogue nos. 232-55.","page":"322-7","type":"reference"},"admin":{"id":"publication-5983","uid":"adlib-publication-5983","uuid":"a8deeedb-4869-3a50-a871-c3d2d0f2fbc7"},"summary_title":"Versailles et les Tables Royales en Europe XVII\u00e8me - XIX\u00e8me si\u00e8cles"},{"@link":{"notes":"Ref. and mention, vol. III, pp. 601-06, service  79-13, for the Empress Catherine of Russia:  the commission, components, date of manufacture and delivery,  painters and gilders employed on it, current locations and sales of pieces from the service. The Fitzwilliam's dish is mentioned on p. 604, with an incorrect accession number C.19-1961.","page":"601-06","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"notes":"Ref. pp. 130-52, nos. 129-811 for the pieces which remain in the Hermitage. Cf. Plates nos. 472-811,  one illustrated on p. 149.","page":"130-52","type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-3880","uid":"adlib-publication-3880","uuid":"2a919a18-5edb-3d2e-9336-3d08e969cd38"},"summary_title":"The Soft Porcelain of S\u00e8vres"},{"@link":{"notes":"Ref. pp. 88-9, for the Empress Catherine Service, and pl. on p. 91","page":"88-9, 91","type":"reference"},"admin":{"id":"publication-3671","uid":"adlib-publication-3671","uuid":"5a0e7ed7-b0be-33c8-a7b3-4b7dca0fda70"},"summary_title":"La Manufacture de Porcelaine de S\u00e8vres"},{"@link":{"type":"reference"},"admin":{"id":"publication-3655","uid":"adlib-publication-3655","uuid":"b008e74d-7bac-33c4-ad80-37f31f9fe1ce"},"summary_title":"European Ceramic Art"},{"@link":{"notes":"Ref. Frontispiece to the plates, a plate similar to the Fitzwilliams, and pl. 82, two ice cups and a sucrier, cover, and stand, and pp. 217-18, text for all which were in a private collection.","page":"217-18","type":"reference"},"admin":{"id":"publication-3688","uid":"adlib-publication-3688","uuid":"6e82b986-e237-3d96-8b61-f057ec352107"},"summary_title":"S\u00e8vres, Le XVIIIe Si\u00e8cle"},{"@link":{"notes":"Ref. For the mark of Niquet","page":"33","type":"reference"},"admin":{"id":"publication-3653","uid":"adlib-publication-3653","uuid":"a5169280-301b-31bd-9138-472d4d94a3ca"},"summary_title":"Les Marques de S\u00e8vres"},{"@link":{"notes":"Ref.pp. 317-18 for Boulanger, p\u00e8re, pp. 323-4, for Charles-Nicolas Dodin","page":"323-4, 317-1","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. pp. 18-19, and fig. 5, an oval dish in the Forsyth Wickes Collection at the Museum of Fine Arts, Boston","page":"18-19","type":"reference"},"admin":{"id":"publication-5244","uid":"adlib-publication-5244","uuid":"aabb51b8-9c78-33ab-90e3-873bfea9593d"},"summary_title":"S\u00e8vres"},{"@link":{"notes":"Cf. p. 295, no. 18.9.34, a plate from a different service with the incised mark '33'.","page":"295","type":"reference"},"admin":{"id":"publication-200001937","uid":"adlib-publication-200001937","uuid":"f7f00645-7544-35c8-ac44-54048c5c3b48"},"summary_title":"French Pottery and Porcelains"},{"@link":{"notes":"Cf. p. 198 and 199, nos. 223 and 224.","page":"198-9","type":"reference"},"admin":{"id":"publication-3651","uid":"adlib-publication-3651","uuid":"b6570ad2-e4e9-30b7-8f3d-5e91ee060031"},"summary_title":"S\u00e8vres des Origines \u00e0 nos Jours"},{"@link":{"notes":"Ref. Information on painters of the services and the sources of their designs","page":"667","type":"reference"},"admin":{"id":"publication-200001276","uid":"adlib-publication-200001276","uuid":"f85e7326-af51-3e34-a9bb-dce3271e7358"},"summary_title":"S\u00e8vres Artists and their Sources I: Paintings and Drawings"},{"@link":{"notes":"Cf. p. 6, lot 6, with colour illustration, a plate, 1782","page":"6","type":"reference"},"admin":{"id":"publication-4651","uid":"adlib-publication-4651","uuid":"9ed2d142-68df-3f5b-8081-f5f150d9cc57"},"summary_title":"Continental Porcelain"},{"@link":{"notes":"Cf. p. 8, lot 8, illustrated, a compotier, marked with interlaced Ls, AA, painter's mark for Foure in blue enamel, 2000 in gold for Henry-Fran\u00e7ois Vincent jeune, 20 incised. Estimate \u00a3600-800","page":"8","type":"reference"},"admin":{"id":"publication-4652","uid":"adlib-publication-4652","uuid":"020af38a-73b1-3989-a119-c13fe9b7ea18"},"summary_title":"Important Italian Maiolica and Continental Pottery and Porcelain"},{"@link":{"notes":"Cf. p. 128, no. 101, a cup and saucer of 1778 from the service.","page":"128","type":"reference"},"admin":{"id":"publication-5985","uid":"adlib-publication-5985","uuid":"0003a292-18c8-307d-a8db-1cb02302b5be"},"summary_title":"La  porcelaine fran\u00e7aise du XVIIIe si\u00e8cle dans les mus\u00e9es Nord-Pas-de-Calais"},{"@link":{"type":"reference"},"admin":{"id":"publication-8495","uid":"adlib-publication-8495","uuid":"39d527d2-aa40-398e-b10b-eb9f3b02e036"},"summary_title":"A thing of Beauty is a Joy For Ever. Vincennes and S\u00e8vres Porcelain from a Private Collection"},{"@link":{"notes":"Cf. Vol. II, pp. 762-82, two wine-bottle coolers, and four ice-cream coolers from the Empress Catherine Service, nos. 474-5 and 476-9. The author describes the history, design, and composition of the service,  and the techniques employed, including the method of transfer printing the painted cameos. A sheet of heads in reverse, including Pan, is illustrated on p. 765. The Fitzwilliam's plate is mentioned on pp. 767 and 781","page":"762-82","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. A similar plate, with text on the commissioning, design, and history of the service, with particular reference to the plates.","page":"141-4","type":"reference"},"admin":{"id":"publication-3616","uid":"adlib-publication-3616","uuid":"7ae45eaf-b5a1-314c-856f-7e3419f1a94e"},"summary_title":"French Porcelain, A Catalogue of the British Museum Collection"},{"@link":{"type":"reference"},"admin":{"id":"publication-200002992","uid":"adlib-publication-200002992","uuid":"4f8caf6e-00d1-3283-8a36-0392e6257e5d"},"summary_title":"Catherine the Great & Classical Imagery: An Analysis of her S\u00e8vres Porcelain Service of 1779"},{"@link":{"notes":"Cf. pp. 24-5, lot 25. a plate, estimate FF 75,000-120,000 . Provenance, Robert Napier of Shandon, Christie's, London, 11 April 1877, lot 160 or 161; L. Thomson, probably for the Earl of Dudley; Earl of Dudley, sold Christie's, London, 21 May 1886, lot 96 or 97; sold to Grindely.","page":"24-5","type":"reference"},"admin":{"id":"publication-4838","uid":"adlib-publication-4838","uuid":"a6f6fa46-1bdb-30fe-b7f7-d3226b96004a"},"summary_title":"Porcelain et Fa\u00efence Fran\u00e7aises, Mobilier et Objets d'Art, 8 December 1990"},{"@link":{"notes":"Cf. p. 87, lot 289, a plate from the collection of the late Robert Clarke, dated AA for 1778 with painter's mark of Dodin and FB for Fran\u00e7ois-Marie Barrat. D. 16.5 cm. Estimate \u00a310,000-15,000; fetched \u00a3","page":"87","type":"reference"},"admin":{"id":"publication-4653","uid":"adlib-publication-4653","uuid":"25e7f7aa-fbc2-385e-9976-1240f2a3c855"},"summary_title":"Continental and British Ceramics: including Meissen porcelain from Korthaus Collection: properties of the St. Germans 1962 Settlement, the late Robert Clarke"},{"@link":{"notes":"Ref.","page":"48-54","type":"reference"},"admin":{"id":"publication-200001798","uid":"adlib-publication-200001798","uuid":"ae666f1f-7c30-31c2-a3ca-921a644de069"},"summary_title":"The S\u00e8vres Porcelain Service of Catherine II of Russia: The Truth Concerning Payment"},{"@link":{"notes":"Cf. p. 66, no. 18, illustrated in colour on p. 67, a bronze-mounted ice cup. No year mark. Painter's mark HP for Henri Martin Pr\u00e9vost (active 1757-97). Inv. no. 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Pierpont Morgan Collection"},{"@link":{"notes":"Cf. p. 182-3, lot 265, a plate described as 'une replique' of the 18th century, 23.5 diameter with date letters ee for 1783,  painter's mark of Tandart, and gilder's mark of Chauvaux. Estimate E 15,245-18,295; fetched E","page":"182-3","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"notes":"Cf. Lot 99, a reproduction plate probably made by the Imperial Porcelain Manufactory in the late 19th century. D. 26 cm. Estimate \u00a32-3,000.","page":"73","type":"reference"},"admin":{"id":"publication-4699","uid":"adlib-publication-4699","uuid":"6cacf516-5595-300d-b383-656e14e2a766"},"summary_title":"Russian Works of Art, Faberg\u00e9 and Icons"},{"@link":{"notes":"Cf. p. 24, lot 38, a plate from the Empress Catherine Service with the date letter for 1778 and painter's mark for Dodin. 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The cup stands on a low foot. The white ground is painted with three sprays of polychrome flowers and leaves, with above and below, a blue band crossed at intervals by two short diagonal gold lines. There is a band of gilding round the foot and a dentilated band of gilding round the rim."}],"identifier":[{"accession_number":"C.66-1961","primary":true,"type":"accession number","value":"C.66-1961"},{"priref":"75771","type":"priref","value":"75771"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75771","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75771"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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Circular with twelve indentations in the edge, sloping rim, and shallow curved well, standing on a low footrim. The plate is decorated in the centre with a monogram comprising a C in gold, and an L formed of pink roses and leaves. On the rim there are three oval medallions containing sepia towers surrounded by gold frames and roses, alternating with three kidney-shaped panels containing polychrome landscapes surrounded by gold frames, and flanked by gold swags terminating in tassels. The edge of the rim is gilded."}],"identifier":[{"accession_number":"EC.22A-1945","primary":true,"type":"accession number","value":"EC.22A-1945"},{"priref":"76910","type":"priref","value":"76910"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76910","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76910"}],"inscription":[{"description":[{"value":"the fleur-de-lys is greyish-blue and the dot is turquoise"}],"location":"on base","method":"painted in bluish-grey enamel and turquoise","transcription":[{"value":"fleur-de-lys with a dot above"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by L.C.G. 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Cylindrical cup with arched and incurved handle. Circular saucer with flat central area and sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a bleu c\u00e9leste ground. The cup has an oval reserve  painted in polychrome with a spray of flowers, surrounded by a gilt frame of palms, scrolls and floral sprays, extending over the ground to right and left,. There is a band of gilding round the foot, a dentilated band round the rim, and lines of gilding down the sides of the handle, which also has a leaf at the top, and groups of three tiny leaves alternating with spots down its back. The saucer has a central reserve painted with a different spray of flowers, framed by palms, floral sprays, and scrolls enclosing a diaper pattern and striations respectively. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigure, 2009))\n\nThis is a gobelet litron of the third size, with Savill's handle B. Bleu c\u00e9leste grounds were introduced in 1753 and were often combined with flower painting in the reserves. The marks on these pieces make it unlikely that they were originally a pair. Houry worked at the factory 1754-55, and Antoine-Joseph Chappuis jeune, a\u00een\u00e9 (1743-87), worked as a r\u00e9pareur 1756-61 and as a painter 1761-87. Vande p\u00e8re  (1716-79?), worked at Vincennes and S\u00e8vres, 1753-79."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"Vincennes"}]}]},"materials":[{"note":[{"value":"presumed 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Circular with deep, curved sides, the rim divided by indentations into eight segments. There is a suspension hole in the footring.The dish has a bleu c\u00e9leste ground with a central, circular reserve framed by an inner band of gilding tooled with scrolling leaves, and an outer garland of large husks. The reserve is painted in polychrome with a duck standing on the right of a tree in a landscape with a pond or river on the right. Its name 'Canard de perie' is inscribed in black enamel on the base. 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This was probably followed by the Razumosvsky Service of 1767 (except one piece 1766).  At least five other services or groups of pieces are known between 1767-1770 which have comparable decoration and  the names of the birds inscribed on the bases. They can be distinguished by the different designs of their gilding. This compotier and its pair probably belonged to a service with gold husks around the reserves which in the late 19th century belonged to Count A.D. Sheremetev (or Ch\u00e9r\u00e9m\u00e8teff), of St Petersburg. Part of the service, not including the compotiers ronds, was displayed in London by Asher Wertheimer in Bond Streeet, with other S\u00e8vres from the Sheremetev collection in 1906 (see Documentation). David Peters identified the service as one purchased on 5 November 1768 by an unnamed buyer, whom he considered was probably the M. de Cotensky who bought  twenty-four plates and two seaux \u00e0 glace on 9 March 1769, pieces not included in the earlier anonymous order. Peters identified Cotensky as probably Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774, and again from 28 August 1780 to 25 April 1782. This would account for the presence of the service in Russia. This hypothesis is supported by the presence of two seaux \u00e0 glace of similar format and with the same gilding design, with the date letter for 1769, in the Dodge Collection, at the Detroit Institue of Arts. The service ordered in November 1768  included 8 compotiers at 45 livres and 8 compotiers at 51 livres."},{"value":"George Edwards, 'A Natural History of Birds', was published in London in four volumes in 1743, 1747, 1750 and 1751. 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Furniture Needlework, Silver, Old Chinese, S\u00e8vres and English Porcelains and Objects of Art, p. 38, part of no. 274, ill. opposite p. 36 (right);  Louis C.G. 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Circular with deep, curved sides, the rim divided by indentations into eight segments. There is a suspension hole in the footring. The dish has a bleu c\u00e9leste ground with a circular central, reserve framed by an inner band of gilding tooled with scrolling leaves, and an outer garland of large husks with two loose ends at the bottom. The reserve is painted in polychrome with a duck standing in front of a tree with water on one side and trees in the background. There is a band of gilding round the rim, dentilated on the exterior. The reverse is inscribed in black enamel, 'Plongeon Damerique'."}],"exhibitions":[{"@link":{"catalogue":"274 (part of)","type":"reference"},"admin":{"id":"exhibition-2062","uid":"adlib-exhibition-2062","uuid":"57bd263b-1e27-33a8-aa9e-8438eadc978f"},"summary_title":"Exhibition (1937) of Old English Furniture Needlework, Silver, Old Chinese, S\u00e8vres and English Porcelains and Objects of Art"}],"identifier":[{"accession_number":"C.37A-1961","primary":true,"type":"accession number","value":"C.37A-1961"},{"priref":"93573","type":"priref","value":"93573"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93573","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93573"}],"inscription":[{"location":"on the base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing P"}],"type":"factory mark"},{"description":[{"value":"resembling a dagger"}],"location":"on the base, beneath the factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"script letters"}],"location":"on base near footring to right of suspension hole","method":"incised","transcription":[{"value":"BV"}],"type":"incised mark"},{"location":"on back above factory mark","method":"inscribed in black cursive script","transcription":[{"value":"Plongeon Damerique"}],"type":"inscription"},{"description":[{"value":"rectangular white paper now pale buff"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"Sotheby.10.XII.1944.\/Madame Dhainault Sale.\/Part of Lot 49."}],"type":"label"},{"description":[{"value":"rectangular white paper label, smaller than the other, now pale buff"}],"location":"on back","method":"printed in black and hand-written in black ink","transcription":[{"value":"Painter Evans\/1768 handwritten, SEVRES printed"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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This was probably followed by the Razumosvsky Service of 1767 (except one piece 1766).  At least five other services or groups of pieces are known between 1767-1770 which have comparable decoration and  the names of the birds inscribed on the bases. They can be distinguished by the different designs of their gilding. This compotier and its pair probably belonged to a service with gold husks around the reserves which in the late 19th century belonged to Count A.D. Sheremetev (or Ch\u00e9r\u00e9m\u00e8teff), of St Petersburg. Part of the service, not including compotiers ronds, was displayed in London by Asher Wertheimer in Bond Streeet, with other S\u00e8vres from the Sheremetev collection in 1906.  David Peters identified the service as one purchased on 5 November 1768 by an unnamed buyer, whom he considered was probably the M. de Cotensky who bought  twenty-four plates and two seaux \u00e0 glace on 9 March 1769, pieces not included in the earlier anonymous order. Peters identified Cotensky as probably Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019afaires to France from 24 December 1767 to January 1774, and again from 28 August 1780 to 25 April 1782. This would account for the presence of the service in Russia. This hypothesis is supported by the presence of two seaux \u00e0 glace (ice pails) of similar format and with the same gilding design, with the date letter for 1769, in the Dodge Collection, at the Detroit Institue of Arts. The service ordered in November 1768  included 8 compotiers at 45 livres and 8 compotiers at 51 livres."},{"value":"George Edwards, 'A Natural History of Birds', was published in London in four volumes in 1743, 1747, 1750 and 1751. A French edition was published in 1745, 1747, and vols 3 and 4 in 1751.The Plongeon D'amerique (the Red-breasted goosander) was painted after a plate in Part II, Vol. II, 1747 (see documentation). It also occurs on an oval liquer cooler painted by Aloncle in the Razumovsky Service of 1767 (see Documentation, Schwarz, 2005). Selma Schwarz noted that many of the names of the birds inscribed on the porcelain services do not coincide with the names given by Edwards, as this does not. The painters often added a place of origin drawn from the text, but sometimes inaccurately as a result of misunderstanding. Etienne Evans, was one of the factory\u2019s leading bird painters, but was not so talented as Louis-Denis Armand, Aloncle, or Chappuis. 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