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Lois Roberts (see Documentation) concluded after studying Batavian wares were several types of decoration, that the 'Fuschia' pattern examples probably dated from around 1795."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, 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In the centre is a stylized landscape within a border of interlacing stems and leaves. Two trees, one on either side, are linked by a twining creeper and between the trees a bird flies down to a four-bar gate. The rim is encircled by a vine stem with bunches of grapes and foliage. The background is filled with fine sgraffito tendrils. The underside is glazed only. 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Dr Glaisher opted to buy just one plate, rather than pay \u00a325 for a pair he was offered, though he notes \u2018it seemed so remarkable to have a piece of resist lustre marked \u2018Leeds Pottery\u2019 that I thought the dish worth securing on any terms\u2019."},{"value":"English lustreware was commercially produced from c.1805 and popular throughout the first half of the 19th Century. Resist lustreware was typically produced by drawing, transfer printing or stencilling the design over-glaze then applying a size (perhaps a sugar and glycerine mix) to the design, with a fine brush. The pot was then coated in lustre, which only adhered to the unpainted parts. Silver lustre, made using minute deposits of platinum on a white, yellow or blue ground, was popular from around 1810-1830; and pots were sometimes coated all over to mimic Georgian silverware. Most lustreware was made for everyday use, and factory markings are rare. Staffordshire potters were the first and largest producers of lustreware, but the mark on this plate indicates it was made in Leeds, which was a significant centre for resist lustreware. 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Greenwood & Sons 24 Stonegate York, from whom bought for 10s.0d.  on 20 July 1911 by Dr J.W.L. Glaisher, FRS, Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Glaisher"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}}],"name":"Decoration","techniques":[{"note":[{"value":"in green, yellow, red, pale to dark manganese-purple, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Surface","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"11.5"}]},"name":"Foot"},{"name":"Body","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28386","uid":"adlib-term-28386","uuid":"953a9a1d-a0e8-33ec-a354-05e03ee211cb"},"summary_title":"throwing (pottery technique)"}}]},{"name":"Handle Terminals","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}}]},{"name":"Spout","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98182","uid":"adlib-term-98182","uuid":"f474eb43-f5e1-3400-ae2d-2825dbaf5997"},"summary_title":"portraits"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Creamware painted in enamels on one side with a festooned medallion enclosing a bust portrait of William V of Orange, and on the other side with a similar medallion enclosing a harbour scene; smaller medallions of harbour scenes adorn the cover which has a flower knob."},{"value":"Cream-coloured earthenware thrown, with applied moulded spout, and handle, lead-glazed, and painted in green, yellow, red, pale to dark manganese-purple, and black enamels. The pear-shaped pot has a long curved spout with fluted foliage around its lower part, and a loop handle in the form of two interlaced reeded bands with floral terminals at the upper and lower ends. There is a large circular hole in the side behind the spout to emit the coffee. The high domed cover has a ventilation hole, and a knob in the shape of a flower (rose?) with three tiers of petals on a stalk with three leaves. One side of the pot is decorated with a bust portrait of William V of Orange in profile to left, in an oval medallion with a dark red ground and a yellow border, surrounded by festoons of roses and laurel-wreaths. Above there is a small horizontal oval medallion enclosing a small harbour scene. On the other side is a similarly bedecked oval medallion enclosing a harbour-scene with three figures in the foreground. Above is a small horizontal oval medallion enclosing another  scene and on the cover two vertical oval medallions with views of a ship and two figures on the shore."}],"exhibitions":[{"@link":{"catalogue":"87","type":"reference"},"admin":{"id":"exhibition-3776","uid":"adlib-exhibition-3776","uuid":"8c3b410c-d186-3c91-9072-2af7a4bebf92"},"summary_title":"Black Atlantic: Power | People | Resistance"}],"identifier":[{"accession_number":"C.1067 & A-1928","primary":true,"type":"accession number","value":"C.1067 & A-1928"},{"priref":"71261","type":"priref","value":"71261"},{"source":"Glaisher MS Catalogue, vol. 2 and Typed Catalogue","type":"old object number","value":"1932"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71261","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71261"}],"inscription":[{"description":[{"value":"rectangular white paper stick-on label with dark blue line edging and in each of the cut corners a plant motif rather like a fleur-de-lys"}],"location":"inside cover","method":"hand-written in black ink","transcription":[{"value":"Leeds ware\/coffee pot\/decorated in\/Holland in \/overglaze colours.\/The best specimen\/of its kind I\/have seen.\/b. at Mr Freeman's\/sale at Cambridge\/Jan 27,1904"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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The bottom tier stands on four corner legs on a stepped base and has sockets moulded as crowned human masks. On the other two tiers the sockets are fluted. , those on the next two tiers are fluted. The cover is in the form of an inverted cone with a finial. The underside is flat, within a deep foot-ring formed by the steps."}],"identifier":[{"accession_number":"C.1169A-D-1928","primary":true,"type":"accession number","value":"C.1169A-D-1928"},{"priref":"71447","type":"priref","value":"71447"},{"date":[{"earliest":1912,"latest":1912,"value":"1912"}],"source":"Glaisher MS Catalogue, vol.15","type":"old object number","value":"3494"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71447","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71447"}],"inscription":[{"location":"underside of lowest  base section","method":"incised","transcription":[{"value":"P"}],"type":"mark"},{"location":"underside of middle base section","method":"incised","transcription":[{"value":"S"}],"type":"mark"},{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No.3494. 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Staffordshire potters were the first and largest producers, though similar wares were also made in other regions and pink lustreware is often particularly associated with Sunderland. Minute amounts of gold were used to produce copper, gold, pink or purple lustre, depending on the type of clay, lustre formula, number of layers and firing temperature; platinum was used to mimic silver. Silver lustre was produced by dissolving platinum in aqua regia  (nitric and hydrochloric acids) suspended in a resinous medium such as spirits of tar. Pots were dipped in the lustre solution to produce an even all-over coating and then fired at a low temperature, which burned the medium away to leave a \u2018silver\u2019 surface. Most lustreware was made for everyday use, and factory markings are rare."},{"value":"This vase shape is also found in early 19th century designs for other ceramic materials, including creamware and blue and white sprigged stoneware. Dr Glaisher wrote in his notebook: \u2018It struck me as being as regards execution and general style the best piece of silver lustre I have seen\u2026 Silver lustre (like silver) to my mind shows best on a perfectly plain surface\u2019. But he also notes that he previously declined to buy the piece for 15\/- ( 15 shillings)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107567","uid":"adlib-term-107567","uuid":"3b5b26a6-e8df-3d66-b1ba-c2a77781d6e0"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Leeds (Yorks.)"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-121303","uid":"adlib-term-121303","uuid":"ec91b069-9e11-397d-92ad-6ab224992074"},"summary_title":"red 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vase and cover"}],"note":[{"type":"history note","value":"Bought at Gill and Reigate, Oxford Street, W. on 14 February, 1912 for \u00a39.10 (nine pounds ten shillings), by Dr J.W.L. 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