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The press-moulded teapot is a bulbous shape with a scroll handle composed of three leaves and a ribbed, s-curved spout. Both sides of the teapot are decorated with a view of a three-storey house, placed centrally and flanked by trees, with cows, sheep, swans and foliage in the foreground; the scene is bordered with C-scrolls, S-scrolls and basketwork. The lid of the teapot has a lamb knob surrounded by foliage and a pleated border."}],"identifier":[{"accession_number":"C.693 & A-1928","primary":true,"type":"accession number","value":"C.693 & A-1928"},{"priref":"75842","type":"priref","value":"75842"},{"source":"Glaisher MS catalogue, volume 2","type":"old object number","value":"2393"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75842","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75842"}],"inscription":[{"description":[{"value":"stick-on octagonal white paper label with blue border"}],"location":"inside bowl of teapot","method":"handwritten in black ink","transcription":[{"value":"\u201cNo.2393. Whieldon ware moulded teapot. b in London, May 18 1906\u201d"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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However, the term \u201clandskip\u201d was widely used at the time and so this reference could refer to any teapot with a landscape pattern. Furthermore, there is no archaeological evidence from Greatbatch\u2019s site to suggest he produced any ware in the specific pattern used on this teapot. Wasters of a comparable pattern have, however, been found at the sites of Thomas Whieldon at Fenton Vivian, Humphrey Palmer at Hanley and an unidentified potter at Union Street, also in Hanley. At the latter two sites, the wasters included creamware with underglaze colours, like this teapot. It is therefore not possible to attribute this teapot or the Etruria moulds to a specific potter."},{"value":"The teapot features a so-called \u201clandskip\u201d pattern. \u201cLandskip\u201d was a term widely used in Staffordshire potters\u2019 documents in the 1760s to refer to pastoral scenes, which, based on the large number and variety of surviving examples, were a very popular subject. 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However, it has since been demonstrated that the plaque in fact shows Elizabeth Canning, who was at the centre of a controversial trial that captured public imagination in the 1750s. In 1753, Mary Squires, a \u2018Gypsy\u2019, was condemned for robbing the 18 year old Canning and imprisoning her in a house of ill fame for a month. However, Canning\u2019s testimony was called into question, leading to her conviction for perjury on 8 May 1754; she was sentenced to transportation to America. Various depictions of the case and its protagonists were printed in illustrated publications of the day, including bust-length portraits of Canning and Squires engraved by Benjamin Cole for The New Universal Magazine in 1754; Cole\u2019s portrait of Canning was the source for this plaque. The Henry H. 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