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The spandrels are of a cherub and flower design (Cescinsky & Webster, No.7) introduced by Tompion and used mainly by him.  Between the spandrels fine scrolling foliage is engraved and at the lower edge \u2018THO. TOMPION.LONDON.INVENT.' Curved openings below the dial centre show the days of the week, each with its appropriate deity.  Similar openings above the chapter ring display an annual calendar and the sun's position in the zodiac.  Finely pierced steel hands, the minute hand being accurately balanced and having a gilt tip to point to apparent time.\n\nMovement: The year timepiece movement has no seat board but rests directly on metal plates on the tops of the reinforced sides of the case.  The movement is inverted, with the escapement at the bottom, and is made in two sections with the barrel assembly and the second wheel in a small frame to the rear.  The remainder of the train and all the calendar and equation work are mounted on the large front plate.  Bolt and shutter maintaining power is fitted to protect the delicate escapement and is operated by a lever on the right hand side of the dial.  The equation cam, on the same arbor as the annual calendar, is driven by a vertical arbor from the motion work.  A bell crank which follows the cam carries a rack which engages with a wheel at the centre of the apparent time ring and moves it backwards or forwards as required.\n\nCase: Has an oak carcase veneered with burr walnut and with narrow herring-bone bandings.  The skirting appears to be original.  The case has a rising hood, originally without a door and with acanthus design side frets of walnut veneer.  The very elaborate superstructure appears to be of slightly different carcase wood and to be slightly later in date than the rest of the hood.  A disturbing feature of the case is that, with the hood door closed, both calendar and zodiac slots are covered and when the door is opened only the calendar slot is visible.  Arising from a consideration of these peculiarities it is suggested that the hood, originally without a door, had only a modest-sized superstructure.  Traces remain of the spoon lock for securing the hood and the catch for holding it in the raised position.  The hood would have had to be raised for winding or adjusting the clock when both calendar and zodiac slots would have been visible.  It is quite probable that the original customer wanted a more imposing clock in keeping with a lofty room and the large caddy top with its elaborate mounts was then provided.  The hood thus became too unwieldy to raise for winding or setting the clock so a door was made.\n\nThe trunk door has its original iron lock and hinges, exceptionally three in number.  The remain\u00acing mounts are of gilt brass and include fine vase and urn finials, a central figure of a warrior, probably Mars, and fine repouss\u00e9 frieze frets consisting of strapwork and of floral scrolls wtih central female mask and cherub heads at the corners.  Like other special clocks the trunk door has tiny metal spandrels in the corners.  The `gothic' shaped metal frame to the pendulum window is also used on the William III clock mentioned belowand resembles a design by David Marot."}],"identifier":[{"accession_number":"M.22-1947","primary":true,"type":"accession number","value":"M.22-1947"},{"priref":"95862","type":"priref","value":"95862"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/95862","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/95862"}],"inscription":[{"location":"at bottom of dial","method":"engraved","transcription":[{"value":"THO.TOMPION. 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This has a small break arch to expose the calendar and zodiac slots and its rising hood is also cut for a door.  Apart from the upper parts of the hoods the cases are virtually identical."},{"value":"This clock is said to have been supplied by Tompion to Drayton House, which Lady Mary Mordaunt, Duchess of Norfolk inherited from her father in 1697. Lady Mary had separated from the Duke of Norfolk and formed a liason with Sir John Germane, whom she married after being divorced from the Duke in 1700. She died in 1705. In 1718 when Sir John died, the house was inherited by his second wife, Lady Betty Germaine. An inventory of the contents of Drayton House taken in 1710 mentions 'In the Great Hall itself . . . 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