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Glaisher"}],"component":[{"materials":[{"note":[{"value":"brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-31513","uid":"adlib-term-31513","uuid":"c0e8a43e-df55-389d-aded-2563c653ed12"},"summary_title":"wash"}}],"name":"Neck And Top Of Hand"},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32652","uid":"adlib-term-32652","uuid":"82d8ae3b-f165-395c-ba93-dfa1c282b7be"},"summary_title":"glaze"}}],"name":"Inside And Neck"},{"name":"Dcoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-148323","uid":"adlib-term-148323","uuid":"9b5ad405-9b9f-3ab5-9b26-6f32173040eb"},"summary_title":"engine-turning"}}]},{"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120075","uid":"adlib-term-120075","uuid":"52ab8602-9259-3aac-b4df-b2392a4d206c"},"summary_title":"turning"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120129","uid":"adlib-term-120129","uuid":"a45642f3-9302-308f-b788-bda050bd2509"},"summary_title":"sprigging"}}]},{"name":"Inside, Neck, Handle","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-132866","uid":"adlib-term-132866","uuid":"9478bea1-1fba-3570-a8de-1dbc59f6441f"},"summary_title":"rural scene"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Dry-bodied white stoneware decorated with applied sprigs of trees, and of a group of huntsmen, horses and hounds outside an inn, and with brown wash on the neck and handle;  silver mount."},{"value":"Dry-bodied white stoneware with glazed interior, turned neck beneath glazed brown wash, the lower part engine-turned, and the sides decorated with moulded and applied sprigs. The jug has an ovoid body, a cylindrical neck with pulled lip, and an angular applied handle with a pseudo-strap fastening it to the neck, and a large serrated leaf terminal where the lower end joins the body. The lower part is engine-turned with bamboo flutes with two raised horizontal bands at the top, above which, on the front below the lip,  is a large sprig of three huntsmen, a maid servant, two horses, and two hounds standing beside a tree with an inn sign suspended from it. One huntsman holds up a mug as if raising a toast. On the viewer's left, is a tree with a stump beside it, and on the right a tree with more abundant foliage at the top, and more at its base.  The neck is encircled by a silver mount which has a raised horizontal line half-way up. The underside is very slightly recessed and bears the impressed mark 'TURNER'."}],"identifier":[{"accession_number":"C.1264-1928","primary":true,"type":"accession number","value":"C.1264-1928"},{"priref":"71690","type":"priref","value":"71690"},{"source":"Glaisher MS Catalogue, vol. 14","type":"old object number","value":"3340"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71690","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71690"}],"inscription":[{"location":"underside of base","method":"impressed","transcription":[{"value":"TURNER"}],"type":"mark"},{"location":"outside of silver rim","method":"struck","transcription":[{"value":"IT"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"the Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher's death"}]}],"creation":[{"date":[{"earliest":1784,"from":{"earliest":1784,"era":["CE"],"latest":1784,"precision":"circa","value":"1784"},"latest":1804,"note":[{"value":"Rob Fountain (Sydney, Australia) advised that the date range was probably between 1783 and 1804, as the earliest silver date mark he had found on a jug with the Huntsmen outside an Inn sprig was 1784."}],"range":true,"to":{"earliest":1804,"era":["CE"],"latest":1804,"precision":"circa","value":"1804"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-190702","uid":"adlib-agent-190702","uuid":"15c78f04-e68d-3991-99d3-031086d09642"},"summary_title":"William & John Turner"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-190576","uid":"adlib-agent-190576","uuid":"5e5b1f3f-7ffa-3b28-aa5b-28d3050d2558"},"summary_title":"Turner and Abbott"},{"@link":{"qualifier":"possibly","type":"reference"},"admin":{"id":"agent-192107","uid":"adlib-agent-192107","uuid":"672ef2ba-90ab-3930-9e66-9299ccd4059b"},"summary_title":"Turners, Abbott and Newbury"},{"@link":{"qualifier":"possibly","role":[{"value":"silversmith"}],"type":"reference"},"admin":{"id":"agent-190719","uid":"adlib-agent-190719","uuid":"3ee47b33-77a9-3279-a34b-f00213cb512e"},"summary_title":"Tibbitts, J"}],"note":[{"value":"Stoneware jugs were a common domestic item, used for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars. In the 1780s, the Turners introduced jugs and mugs like this example, with ribbed, brown-glazed necks and sharply modelled sprigs - designs formed in small plaster, clay or brass moulds and applied to leather hard clay. The jugs were made with and without a silver mount, and sometimes with a hinged lid.The style was soon imitated by other businesses, and other businesses, notably Adams and Spode, are known to have bought up moulds in the 1806 Turner bankrupcy sale. From around the mid 1820s, however, such jugs were more often made in two-piece relief moulds. There are several examples in the Fitzwilliam Collection."},{"value":"The Turner factory was founded  in Stoke about 1760 by John Turner and was initially known as Turner & Banks. In 1762 Turner moved to Lane End, Longton, and from 1762 to 1781 John Turner was the sole proprietor. From 1781 to 1787 it was known as Turner and Abbot. John Turner died in 1787 and was succeeded by his two sons, William and John. The firm was known as Turners, Abbott & Newbury from 1788 to 1792, and  from 1792 to 1803 as William and John Turner. From 1803 until their bankruptcy in 1806 the firm continued as Turner(s), Glover & Simpson. The Turners ran various smaller potworks until 1829. John Turner died in 1824, and William in 1835. During the 1780s and 1790s the brothers experimented widely and their firm became one of the largest manufacturers of dry-bodied stoneware, making jasper, white stoneware and caneware, including a range of lidded pie dishes which mimic pastry in the shape of pies or animals (see C.29-2013)."},{"value":"The mark on the silver mount may be that registered by a Sheffield silversmith , J.Tibbitts, in 1778. This earliest known silver date mark on the mount on the rim of a jug with the' Huntsmen at the Inn' sprig is 1784 However, although this jug could be as early as 1784, it was probably made some years later up to 1804."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"},{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, 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Lot contained two jugs for \u00a31.12; Dr Glaisher considered this jug cost 16 shillings."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76944","uid":"adlib-object-76944","uuid":"7d1a7f82-520e-3625-9f8b-7066a36c321d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-130060","uid":"adlib-term-130060","uuid":"4caff24c-d6df-3450-8c13-799476286cf0"},"summary_title":"tea set"}},"summary_title":"tea set"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-197430","uid":"adlib-object-197430","uuid":"f041664e-f491-34e0-a197-9f5afe1af593"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90931","uid":"adlib-term-90931","uuid":"c167eea7-b6f5-3036-8951-c3bbd7e0aa94"},"summary_title":"tureen"}},"summary_title":"tureen"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-76245","uid":"adlib-object-76245","uuid":"6f2b9ba4-62f7-3b2d-ac13-4c86c4562541"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89400","uid":"adlib-term-89400","uuid":"194f8c99-93e1-30de-9465-9209222dafaa"},"summary_title":"jug"}},"summary_title":"jug"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Notes Turner's modellers produced a range of English rural scenes, and purchase of sprig moulds by Adams and Spode.","page":"17-19","type":"reference"},"admin":{"id":"publication-3520","uid":"adlib-publication-3520","uuid":"6d6a19c3-c8e3-3659-a74b-00bfa03e2261"},"summary_title":"Master Potters of the Industrial Revolution, The Turners of Lane End"},{"@link":{"notes":"Cf.Fig.330, a very similar jug, though with different sprigs, mount dated 1790; and other examples in a similar style, one lidded (1790-1800). 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The handle is in the form of a greyhound with its front paws resting on the rim and supporting its head and its hind legs and tail resting on the body below the shoulder. The body is decorated in relief with hunting scenes: on one side, hounds attack a boar; on the other, hounds attack a stag. Above, there is a scalloped border and round the neck there is a wavy hop stem. The interior is fully glazed and glossy. 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The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection. The hops around the neck of this jug suggest that it was intended for beer."},{"value":"This is one of the very earliest designs of this type of jug. On other surviving examples, the makers\u2019 name is impressed on the collars of the dogs hunting the boar, as well as on that of the dog-handle. Phillips and Bagster was a partnership formed in 1818, the partners being Jacob Phillips and John Denton Bagster. From c.1823-28, the business continued under the latter\u2019s sole name and produced, inter alia, more examples of this jug. A version with some variations to the hunting scenes and moulding was also made by William Ridgway & Co, which took over Church Works in 1831. James Leonard Abington (also recorded as Leonard James Abington), who joined Phillips & Bagster in 1819 and worked as designer and modeller for all three businesses, perhaps produced this design. Abington was also a Baptist  minister, editor of the Pottery Mercury and helped found the local Pottery Philosophical Society, where he lectured on a wide variety of science topics. 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The size and style of this example suggest it may be a milk jug. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament,  here in contasting off-white sprigs, and the stoneware is sufficiently durable for everyday use. Sprigging, or designs formed in small plaster, clay or brass moulds and applied to leather hard clay, was a common form of decoration from the late eighteenth century. From around the mid 1820s, such jugs were more often made in two-piece relief moulds. There are several examples in the Fitzwilliam Collection."},{"value":"The Ridgway family produced stoneware and china in Staffordshire from the 1790s until the 20th Century. The pad mark on this jug was used between c.1815-1830 when, trained by their father Job, the brothers William and John were known for producing this type of  drab (coloured) stoneware  decorated with applied relief sprigs. A Bell Works pattern book indicates that it was probably made there, though the brothers also operated at Cauldron Place Works and, in 1830, separated to run their own factories. 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Other factories, notably Turners of Lane End, soon produced their own versions. Jasper was made in white or solid colour, often blue, and later by dipping in coloured slip (as this cup & saucer). The coloured body was often decorated with sprigs - designs formed in small plaster, clay or brass moulds \u2013 applied when the clay was leather hard. Adams is known to have bought sprig moulds in the Turner bankrupcy sale of 1806, though this set is earlier."},{"value":"William Adams ran a pot works in Tunstall from 1779 until his death in 1805; the business then continued under his son Benjamin until 1821. They produced a wide range of products, but particularly stoneware and jasperware jugs and mugs featuring neo-classical, hunting or contemporary scenes.  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Above this is a narrow blue horizontal band and a row of blue dots on the edge of the shoulder, which is decorated with green pointed serrated leaves radiating from the mouth, enclosed by a blue zig-zag line and blue bell flowers in the spaces. The footring is blue. The moulding on the spout is painted in green and mauve, and it has a mauve line round its tip and a mauve-edged rococo 'frill' around its junction with the body. The handle has mauve leaf terminals and lines down its sides.  The cover has a blue edge, a border of scrolling green foliage with yellow and puce-pink flowers, and a green and puce-pink knob rising from pointed leaves"}],"identifier":[{"accession_number":"C.1125 & A-1928","primary":true,"type":"accession number","value":"C.1125 & A-1928"},{"priref":"71384","type":"priref","value":"71384"},{"source":"Glaisher MS Catalogue, vol. 1","type":"old object number","value":"1411"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71384","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71384"}],"inscription":[{"description":[{"value":"the small circle is a bit lower than shown"}],"location":"on base and inside the cover","method":"painted in mauve enamel","transcription":[{"value":"33\u00b0"}],"type":"number"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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The sides of the body formed with sixteen vertical panels, alternately flat and concave, decorated with pendant and festooned floral decoration. Around the base is a strip of small acanthus, around the neck small pendant trefoils and on the gallery trefoils above half daisies interspersed with upstanding leaves. The cover has a similar partial gallery, made to fit the other when slid into place, and a central finial moulded as a flower sitting on a bed of leaves; around the edge is a band of leaves and semi-circles; there is a vent hole to one side. The interior is glazed, with a domed strainer at base of the spout. The underside is slightly recessed, giving a narrow foot-rim."}],"identifier":[{"accession_number":"C.1276 & A-1928","primary":true,"type":"accession number","value":"C.1276 & A-1928"},{"priref":"71713","type":"priref","value":"71713"},{"date":[{"earliest":1923,"latest":1923,"value":"1923"}],"source":"Glaisher MS catalogue, Volume 24","type":"old object number","value":"4247"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71713","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71713"}],"inscription":[{"location":"underside of base","method":"impressed","transcription":[{"value":"35"}],"type":"mark"},{"location":"underside of base","method":"rectangular paper label, handwitten in black ink","transcription":[{"value":"4247 white Castleford teapot with sliding cover and incurved panels in the side. b. at  Dover,  Nov 22, 1923"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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The body and spout shape and the decoration of the panels are characteristic of tea wares identified as made by Dunderdale & Co., however the less typical handle and finial and the semi-translucent body suggest another maker (see Cox). The mark, \u201835\u2019,  is found on a number of \u2018Castleford-type\u2019 teawares of uncertain origin."},{"value":"The Castleford Pottery in Yorkshire, run by David Dunderdale & Co. from 1790 to1821, was renowned for its white felspathic stoneware, and thus teapots from this material have become known as \u2018Castleford-type teapots\u2019. However, other factories made similar wares, including Sowter & Co of Mexborough in Yorkshire and Chetham & Woolley of  Longton  in Staffordshire.  Examples are typically plain white or white with edges lined in blue or another colour, or black basalt. The smear-glazing makes the most of the crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. The teapots are moulded in two parts, with applied handle and sprig decoration, and may have a drop-in,  sliding or hinged cover.  There are four examples in the Fitzwilliam Collection, of which two have sliding lids and two have added blue lining."},{"value":"The sliding lid is a device to prevent the lid falling off when the tea is poured. 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The size and style of this example suggest it may be a milk jug or, perhaps, a mustard pot, though there are no obvious signs that it ever had a lid (see note below). Sprigging, the application of designs formed in small plaster, clay or brass moulds and applied to leather hard clay, was a common form of decoration from the late eighteenth century. From around the mid 1820s, such jugs were more often made in two-piece relief moulds. There are several examples in the Fitzwilliam Collection."},{"value":"William Adams ran a pot works in Tunstall from 1779 until his death in 1805; the business then continued under his son Benjamin until 1821. The business produced a wide range of products, but particularly stoneware and jasper jugs and mugs featuring neo-classical, hunting or contemporary scenes. Pots with ribbed, brown-glazed necks and sharply modelled sprigs, like this example, were a speciality. Turner, of Lane End, Longton had popularised this type of design in the late 18th Century (see C.1264-1928).  Adams is known to have bought sprig moulds in the Turner bankrupcy sale of 1806, so it is possible that the designs used here came from that source.  Thomas Law and Co. were cutlers and general silversmiths, and provided the mounts for many such Adams products. The Law business continued under subsequent generations until 1829, then as Atkin Brothers until 1925."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, 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The loop handle has a flat top,  connected to the shoulder of the pot by a vertical strip; a thumb piece across the top has both outward and inward spurs. On each side of the body is an arched panel, connected to a third panel around the base of the spout and another around the base of the handle. The arches are outlined in blue and there is a blue line above, below and around the base. The gallery is edged with a daisy chain, each flower rimmed by a blue circle. Blue lines also outline the sides of the handle and decorate the finial and hinge. The centre panels each contain sprigged classical cherubs, on one side two together and on the other one with a lion. The four points where the arches join are marked with a stylised leaf sprig and there is stylised foliage around the shoulder and cover. The spout has a triangular cross-section and five small projecting bobbles above the opening, which is edged in blue; otherwise the spout is undecorated. The interior is smear glazed, with a domed strainer at base of the spout. The underside is slightly recessed, giving a narrow foot-rim. Vent hole in the cover."}],"identifier":[{"accession_number":"C.720 & A-2016","primary":true,"type":"accession number","value":"C.720 & A-2016"},{"priref":"208429","type":"priref","value":"208429"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/208429","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/208429"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Professor Shon Ffowcs-Williams"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-194554","uid":"adlib-agent-194554","uuid":"dc7448aa-be5a-30e1-aac1-6795aad4d8fd"},"summary_title":"Ffowcs-Williams, Shon"}],"date":[{"earliest":2016,"latest":2016,"value":"2016-01-25"}],"method":{"value":"given"}}],"creation":[{"date":[{"earliest":1810,"era":["CE"],"latest":1810,"precision":"circa","value":"1810"}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-194745","uid":"adlib-agent-194745","uuid":"7cdb1222-487e-37ad-a934-b28e199b4589"},"summary_title":"John Glass"}],"note":[{"value":"The cherub sprigs and finial on this teapot are similar to those found on teapots made by Chetham and Woolley, of Longton. However, the overall shape, handle, gallery, finial, spout and the other sprig decoration  suggest the maker was John Glass of Hanley."},{"value":"The thumb piece on the handle has a projecting front spur to provide a stop for the cover, which is hinged to prevent it falling off when tea is poured."},{"value":"\u2018Castleford-type\u2019 teawares are named for The Castleford Pottery in Yorkshire, run by David Dunderdale & Co. from 1790 to 1821, which was renowned for its white felspathic stoneware. However, other factories also made similar products and there are many unmarked examples. Examples are typically plain white or white with edges lined in blue or another colour, or black basalt. The ornament is crisp, whilst the stoneware would be durable in an everyday setting. The teapots are moulded in two parts, with applied handle and sprig decoration, and may have a drop-in, sliding or  (as here) a hinged cover.  There are four  other examples in the Fitzwilliam Collection, of which two have sliding lids and two are decorated with blue-lining."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110443","uid":"adlib-term-110443","uuid":"8e41da15-698e-303b-ac89-c241a4e52efc"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Hanley"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130710","uid":"adlib-term-130710","uuid":"8269090a-b3e0-3a95-a524-753db4c33401"},"summary_title":"feldspathic stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"135"},{"dimension":"Length","units":"cm","value":"25.5"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-117371","uid":"adlib-term-117371","uuid":"fe1e9c7c-8ecc-340b-83f8-c75e822eb1d0"},"summary_title":"teapot and cover"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-133927","uid":"adlib-term-133927","uuid":"0cde1f32-bd09-3603-96a6-a595a568b673"},"summary_title":"Castleford type teapot"}}],"note":[{"type":"history note","value":"unknown before donor, Professor Shon Ffowcs-Williams"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71711","uid":"adlib-object-71711","uuid":"781e4209-6e85-3662-bf75-13c263bd0da9"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},"summary_title":"teapot"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71712","uid":"adlib-object-71712","uuid":"a096b854-ff82-33b1-b854-28ddf34892be"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},"summary_title":"teapot"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71713","uid":"adlib-object-71713","uuid":"a132f6cb-1552-30f4-8e8e-28b231a82dbf"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},"summary_title":"teapot"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71714","uid":"adlib-object-71714","uuid":"93cefc3c-356d-3134-a1e4-751008fcbc97"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},"summary_title":"teapot"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75579","uid":"adlib-object-75579","uuid":"bd9b0ebc-5af7-3f22-8420-3725adcee9d8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-90710","uid":"adlib-term-90710","uuid":"035a5af3-9d2e-36b1-a161-2805e1bed8b8"},"summary_title":"slop bowl"}},"summary_title":"slop bowl"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Pl. 300, a very similar example attributed to John Glass, Hanley, but in black basalt and with different Classical sprigs and spout and without the inner spur on the thumb piece; notes indicate that there are other Glass-attributed  teapots with these last two features similar to the Fitzwilliam example.","page":"197-8","type":"reference"},"admin":{"id":"publication-2555","uid":"adlib-publication-2555","uuid":"37def8a8-7a1b-3bef-ba76-de34d059323b"},"summary_title":"British Teapots and Tea Drinking"},{"@link":{"notes":"Cf. No.39, another similar teapot from the Fitzwilliam Collection, attributed to Sowter & Co, Mexborough, c.1800-11, with colour illustration.","page":"88","type":"reference"},"admin":{"id":"publication-1030","uid":"adlib-publication-1030","uuid":"9cf77d50-a614-3947-8d0e-919f695fe7b0"},"summary_title":"Fitzwilliam Museum Handbooks, English Pottery"},{"@link":{"notes":"Cf. teapots with similar cherub sprigs in the side panels and similar finials.","page":"60,65,89","type":"reference"},"admin":{"id":"publication-7220","uid":"adlib-publication-7220","uuid":"df5e4bf1-0360-3f7b-8615-e77e0d5a0b7f"},"summary_title":"Chetham & Woolley Stonewares 1793-1821"},{"@link":{"notes":"Cf. various examples of  feldspathic stoneware teapots associated with the Castleford Pottery.","page":"11-54","type":"reference"},"admin":{"id":"publication-400001957","uid":"adlib-publication-400001957","uuid":"062a450b-1563-3114-bc7e-a54dd9b53d7d"},"summary_title":"Castleford Pottery and its wares 1790-1821 : a new survey"},{"@link":{"notes":"Cf. Figs 220,221.255, \u2018Castleford type\u2019 teapots and other wares with the same cherub sprigs  and another, Fig.255, with,  with similar gallery; suggests that all teapots with this gallery may have been made by Sowter & Company, Mexborough, S.Yorks.","page":"55-69","type":"reference"},"admin":{"id":"publication-3546","uid":"adlib-publication-3546","uuid":"9f144f2e-2cd8-3e04-aba0-4d4d4a506616"},"summary_title":"The Castleford Pottery 1790-1821"},{"@link":{"notes":"Ref. information about Sowter & Co.","page":"168-9","type":"reference"},"admin":{"id":"publication-5760","uid":"adlib-publication-5760","uuid":"ccb7d59b-ac1b-3fdd-b187-71ef789671d4"},"summary_title":"English Dry-bodied Stoneware, Wedgwood and Contemporary Manufacturers 1774-1830"},{"@link":{"notes":"Ref. various examples of feldspathic stoneware teapots in similar style to this.","page":"85-152, 355","type":"reference"},"admin":{"id":"publication-7684","uid":"adlib-publication-7684","uuid":"e1e1f574-d066-3473-9b7f-ddacea3849df"},"summary_title":"Directory of British Teapots"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},"summary_title":"teapot","techniques":[{"description":[{"value":"white feldspathic stoneware, press-moulded, and decorated with sprigged reliefs, and painting in blue enamel"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}}],"title":[{"value":"Blue lined 'Castleford-type' teapot, hinged cover"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-197430","_score":15.999111,"_source":{"admin":{"added":1592997129000,"created":1383050556000,"flag":"Standard Record","id":"object-197430","indexed":1765389649624,"modified":1754040044000,"processed":1765389647489,"source":"adlib","stream":"fitz-online","uid":"adlib-object-197430","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197430","uuid":"f041664e-f491-34e0-a197-9f5afe1af593","version":12},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"},{"@link":{"type":"reference"},"admin":{"id":"term-133770","uid":"adlib-term-133770","uuid":"11c60d40-b116-395a-9d3f-0dc28c4ab856"},"summary_title":"pastry ware"}],"component":[{"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-115812","uid":"adlib-term-115812","uuid":"5ff69ea6-7a8e-307d-89e3-0a960ba42e8a"},"summary_title":"applying"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"Cream stoneware, moulded, modelled and decorated with applied reliefs."},{"value":"Cream stoneware, moulded, modelled and decorated with applied reliefs. The tureen is moulded in the shape of a trussed and roasted fowl or game bird, breast upwards, with upturned feet and head tucked under one wing and egg-shaped cover fitting into breast. There is a relief moulded parsley garnish around the junction of the cover and body; three moulded bay leaves which form a handle for the cover. Faint reddish-brown staining suggests roasting on parts of the upper surface. The interior is glazed. The underside is very slightly concave, with a narrow foot-rim."}],"exhibitions":[{"@link":{"catalogue":"161","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"}],"identifier":[{"accession_number":"C.29 & A-2013","primary":true,"type":"accession number","value":"C.29 & A-2013"},{"priref":"197430","type":"priref","value":"197430"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197430","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/197430"}],"inscription":[{"location":"on base","method":"impressed, small","transcription":[{"value":"TURNER"}],"type":"factory mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with gifts from Cambridge Antiques Society and the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149932","uid":"adlib-agent-149932","uuid":"86dcd948-71e5-311d-99f3-33ae36f683d5"},"summary_title":"Christie's"}],"date":[{"earliest":2013,"latest":2013,"value":"2013-10-14"}],"method":{"value":"bought"}}],"creation":[{"date":[{"earliest":1800,"era":["CE"],"latest":1800,"note":[{"value":"[not dated, but social circumstances at this time indicate c.1800 the most likely date; other examples dated c.1780-c.1820]"}],"precision":"circa","value":"1800"}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-161271","uid":"adlib-agent-161271","uuid":"5a7ea634-41ca-32b8-a21e-b348f103e716"},"summary_title":"John and William Turner"}],"note":[{"value":"Flour was in short supply in the early years of the 19th Century. The Royal Household forbade the use  of flour for pastry; the Staffordshire Advertiser of 3 May 1800 records rioters seizing potatoes and flour at Lane End; and potters such as Turner and Wedgwood responded by making dishes to represent pie crust. This trussed chicken, turkey or pheasant roast was probably made at around that time, to hold the contents of a poultry or game pie. Several examples survive and, according to legend, the Turners \u2018made a nine-days wonder for the countryside\u2019 when they exhibited a series of \u2018country roasts\u2019, including beef, mutton, goose and turkey, at a local inn. (see Hillier, 19)."},{"value":"In 1792, William and John Turner took over the pottery business started by their father, as Turner & Banks in the 1760s. From 1803 they continued the family business as Turner(s), Glover & Simpson until bankrupcy in 1806, and thereafter with various smaller potworks until 1829. They experimented widely and became one of the largest manufacturers of dry-bodied stoneware, making jasper, white stoneware and caneware and specialising in a range of lidded pie dishes which mimic pastry in the shape of pies or animals."},{"value":"Label text from the exhibition \u2018Feast and Fast: The Art of Food in Europe, 1500\u20131800\u2019, on display at The Fitzwilliam Museum from 26 November 2019 until 31 August 2020: In the late 1790s flour was in short supply and the Royal Household forbade its use for pastry. Potters such as Turner and Wedgwood responded by making stoneware dishes to mimic pie crust, and hence why it was known as \u2018pastry ware\u2019. This tureen was made to hold the contents of a poultry or game pie, despite being shaped as a trussed and roasted capon. Its wings and thighs show the holes left when the skewers were removed prior to carving, and its reddish-brown colour suggests roasting."},{"value":"There is a similarly moulded, marked, tureen in the V & A collection (C. 2512&A-1901). 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