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Painted in blue, green, yellow, orange, brown, black, and white. Shape 57. Circular with a wide, almost flat rim and small deep well; the underside of the rim moulded with three bands of reeding.\nMeleager hunting the Calydonian Boar. Meleager stands on the left aiming his bow and arrow at the boar which is already wounded and fleeing towards the right. In the landscape background there are trees, hills and a town. Above, suspended from the branches of a tree, there is a shield of Tuscan form charged with the arms azure, three crescents addorsed argent (one above and two below). 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Formerly in the collection of Baron Achille Seilli\u00e8re, Chateau de Mello; sold Paris, Galerie George Petit, 5 May 1890; Raymond Subes, Ch\u00e2teau des Ev\u00e8ques Saint-Pandelon, France. 2016.","page":"54-5","type":"reference"},"admin":{"id":"publication-8281","uid":"adlib-publication-8281","uuid":"8969c939-d3ed-336a-ae08-ea0d538b259b"},"summary_title":"Urbino - Venice, Italian Renaissance Ceramics"},{"@link":{"notes":"Cf. pp. 224-5, no. 96, a dish with the Death of Narcissus from the service with the crescents arranged two over one, attributed to Francesco Xanto Avelli, Urbino, probably 1530","page":"224-5","type":"reference"},"admin":{"id":"publication-8571","uid":"adlib-publication-8571","uuid":"1c526257-c1d6-33b1-a279-b3248fce0bcc"},"summary_title":"The Golden Age of Maiolica-Painting. 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Painted in polychrome with The Judgement of Paris."},{"value":"Pale buff earthenware, tin-glazed overall; the reverse beige and speckled. Painted in blue, green, yellow, orange, stone, brown, manganese-purple, black, and white. Shape 78 with a groove around the edge of the foot. Circular with shallow upturned sides and flat centre, standing on a low foot.\nThe Judgement of Paris. Venus, Juno and Minerva stand beside a gnarled tree on the left, accompanied by Cupid who tugs at Venus' drapery as she extends her left arm to receive the apple of discord from Paris, seated at the base of a rocky cliff on the right. He holds a crook upside down in his left hand and offers Venus the apple with his right. In the foreground there is grass and a tree stump; in the background, the sea shore and a hill town. Suspended from the branch of a tree growing out of the rocks above Paris, there is a shield of Tuscan form bearing the arms vert, a fess or, a chief party per pale gules (shown orange) and argent two rosettes counterchanged flanked by `Eli:' and `PYA'. The edge is yellow.  The reverse is inscribed in dark blue near the edge with 'IVDITIVM PARIDIS.MANET ALTA MENTE REPOSITVM' and in the centre '.1531.Per cui Troia superba fu\/combusta.\/Favola.\/Fra(n)cesco Xanto,Avelli da\/Rovigo,i Urbino\/pi(n)se."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"33","type":"reference"},"admin":{"id":"exhibition-1952","uid":"adlib-exhibition-1952","uuid":"82f70ee8-9b4e-30cf-8868-e605626a3991"},"summary_title":"Xanto: Pottery-Painter, Poet, Man of the Renaissance"}],"identifier":[{"accession_number":"C.86-1961","primary":true,"type":"accession number","value":"C.86-1961"},{"priref":"76242","type":"priref","value":"76242"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76242","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76242"}],"inscription":[{"location":"on reverse in middle","method":"inscribed in dark blue","transcription":[{"value":".1531.\/Per cui Troia superba fu\/combusta\/.favola.\/Fracesco Xanto, Avelli da\/Rovigo,i  Urbino\/Pise."}],"type":"inscription"},{"location":"reverse, on the sides","transcription":[{"value":".IVDITIVM PARIDIS.MANET ALTA MENTE REPOSITVM."}],"type":"inscription"},{"description":[{"value":"square"}],"method":"inscribed in black ink","transcription":[{"value":"175\/An Urbino Dish the\/Judgement of Paris, landscape\/and buildings, arms\/suspended from a tree,\/description & date 1531\/on back, by F. Xanto -\/10 1\/4in.\/Signed Fracesco Xanto\/Avelli da Rovigo, Urbino\/\u00a357."}],"type":"label"},{"location":"on the back","method":"incised","transcription":[{"value":"'af' and '30'"}]}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961"}],"method":{"value":"bequeathed"},"note":[{"value":"The incised Fountaine collection number corresponds with its number in the inventory compiled between 1855 and 1873 by Andrew Fountaine IV, which is in the `Family Book', Part I, at Narford Hall, Norfolk. According to Moore (1988), this entry was not accompanied by the initials `AF' which almost certainly indicate that a piece was purchased by Andrew Fountaine IV. The dish may therefore have been one of those acquired by Sir Andrew Fountaine (1676-1753)."}]}],"creation":[{"date":[{"earliest":1531,"era":["CE"],"latest":1531,"note":[{"value":"dated"}],"precision":"circa","value":"1531"}],"maker":[{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-5335","uid":"adlib-agent-5335","uuid":"abbd62ad-dff5-32f6-8881-6cc828e21322"},"summary_title":"Avelli, Francesco Xanto"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-159002","uid":"adlib-agent-159002","uuid":"93c9a327-1a2c-3628-ab1d-6a7c039660b0"},"summary_title":"Caraglio, Giovanni Giacomo"}],"note":[{"value":"The figures were derived from three engraved sources, all used repeatedly by Xanto. 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