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Cylindrical cup with double curved handle. Circular saucer with a flat centre, deep sloping side, and a suspension hole in the footrim. The front of the cup is painted in polychrome with a tall, narrow-necked jar, standing on grass with a wheelbarrow and trees behind, and a basket of grapes and apples on the right. On the jar is a letter C made up of small blue flowers. On each side there are three diagonally placed sprays of alternately yellow and blue flowers. Above and below there are maroon bands entwined with curving gold lines. There is a dentilated gold band round the rim, a plain gold band round the foot, and gold lines down the sides of the handle, which also has stylised gold leaves alternating with spots down its back. The saucer is decorated with a posy of blue flowers with green leaves, surrounded by a dark crimson band entwined with curved gold lines. The sides are decorated with diagonally placed sprays of alternately yellow and blue flowers, with above a dark crimson band entwined with curved gold lines. The rim is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.194 & A-1918","primary":true,"type":"accession number","value":"C.194 & A-1918"},{"priref":"86623","type":"priref","value":"86623"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing KK"}],"type":"factory mark"},{"location":"on base of kup and saucer","method":"painted in blue enamel","transcription":[{"value":"V."}],"type":"painter's mark"},{"description":[{"value":"41 with the 1 slanting to the right"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"41"}],"type":"incised mark"},{"description":[{"value":"3 a dash, longer than shown above, 1 slanting, possibly 31 or 37"}],"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"3-1 or 37"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"Both pieces bear the date letter for 1787"}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175457","uid":"adlib-agent-175457","uuid":"6e9d1bf1-1dae-33ad-bff1-1da53a119152"},"summary_title":"Noualher, Antoinette-Marie"}],"note":[{"value":"Cups decorated with initials were a new venture initiated by the comte d\u2019Angiviller in the summer of 1784, after he had seen Clignancourt cups decorated in this way. Between then and 1789 over 1000 were produced. Sir Geoffrey de Bellaigue cites over 80 in 1784, over 400 in 1785,nearly 500 in 1786, about 160 in 1787 and fewer than 20 in 1788. (See Documentation, Bellaigue, 1980)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009)  This is a gobelet litron of the second size with Savill's handle B."},{"value":"The incised mark on the cup, 41, is recorded on cups and saucers in the 1780s and 1790s, and on two vases of 1779 and 1780 respectively. It also occurs on C.56-1961, a cup of 1784, also on a saucer of 1780 in the Royal Collection"},{"value":"The painter's mark does not occur in MS Vj\u20192 but has been deduced from payments in the Artistis Lists of payments as that of Mme Antoinette-Marie Noualher (n\u00e9e Huet) , working from c. 1762-98. An almost similar mark was used by her daughter from c. 1790-98, and possibly earlier in the late 1780s, who about 1796 became Mme Weydinger."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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Circular, the rim scalloped with twelve alternately large and small arcs. The rim is slightly concave and the well has a shallow, concave sides. There is a suspension hole in the footring. In the centre, reserved on a white ground, is a circular panel, framed by a wide band of gilding tooled with bound laurel leaves and a narrow band of gilding tooled with straight lines outside it. The panel is painted with three voluptuous nymphs sleeping in the shelter of a purple hanging beside a tree, unaware of a satyr who peers at them over the hanging. The rim has a bleu nouveau ground decorated with gold scrolls, sprays of flowers and foliage, between which are four, elongated oval reserves framed by wide bands of gilding tooled with overlapping scales and crossed ribbons. The panels are painted in polychrome as follows: (1) Combat des Horiaces et Curiaces - A contest between two soldiers carrying swords and shields while another lies dead beside them and a fourth approaches from behind. (2) Cincinnatus - Two standing men, one wearing armour, invite Cincinnatus dressed as a farmer to come into the palace standing behind them. (3) Les Vestales portant le feu sacr\u00e9 - A young woman kneels in front of a brazier which is being carried by two priestesses. (4) Paul Emile appelle \u00e0 l'arm\u00e9e - A seated man refuses to look at a young woman being presented to him by another man. All the figures wear classical dress. There are bands of gilding round the inner and outer edges of the rim, and the footring, and a band of gold laurel leaves and berries on the underside of the rim."}],"identifier":[{"accession_number":"C.55-1961","primary":true,"type":"accession number","value":"C.55-1961"},{"priref":"93749","type":"priref","value":"93749"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93749","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93749"}],"inscription":[{"location":"on base","method":"painted in gold","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base, below factory mark","method":"painted in gold","transcription":[{"value":"LG"}],"type":"gilder's mark"},{"location":"on base","method":"incised underglaze","transcription":[{"value":"33"}],"type":"incised mark"},{"location":"on base","method":"incised underglaze","transcription":[{"value":"t"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The service was the most costly ever made at S\u00e8vres, and was manufactured in stages up to 1793, when it was not complete. The majority of the service is at Windsor Castle, having been acquired in 1811 and 1812 by George, Prince of Wales, the future George IV. For the locations of other components see Documentation, Bellaigue, 1986, and Peters, 2005."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.   Both pieces have an opaque, bright yellow ground strewn with small five-petalled flowers and bordered by brown bands, zig-zags and dots. The borders at the top of the cup and round the inside edge of the saucer have a reserved white ground decorated with circular blue medallions, each painted with a spray of white flowers and encircled by a gold band (four on the cup and eight on the saucer). Between each of the medallions there is spray of blue flowers and foliage enclosed in an oval of gold dots, linked to the blue medallions by garlands of red flowers and foliage. There are gold bands on both sides of the borders, dentilated on the interior of the cup and exterior of the saucer. The handle has gold lines down its sides, and a stylised leaf, husks and dots down its back."}],"identifier":[{"accession_number":"C.59 & A-1961","primary":true,"type":"accession number","value":"C.59 & A-1961"},{"priref":"75591","type":"priref","value":"75591"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing ii"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base of cup and saucer below factory mark","method":"painted in blue enamel","transcription":[{"value":"mb"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"47"}],"type":"incised mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"44"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"49"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988,  Bellaigue 2009)\n\nThis is a gobelet litron and soucoupe of the third size with Savill's handle shape B. Yellow grounds were not very common prior to 1775 after which they became increasingly fashionable, especially after 1787."},{"value":"The painter's mark is not precisely like any listed by Brunet, 1953 (see documentation), but it is fairly close to alternative fig. 18 in Desir\u00e9 Riocreux's chart, see Jacquemart and Blant, 1862 (in documentation), attributed to Mme Bunel, n\u00e9e Buteux, painter of 'bouquets detach\u00e9s', who was working at the factory 1778-1816 according to Mlle Brunet, who gave the other mark illustrated by Riocreux MB. 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Circular saucer with flat central area, deep, sloping sides. There is a suspension hole in the footring of the saucer.                                                                           The cup has a beau bleu ground elaborately gilded on each side with back to back rinceaux, garlands, sprays of leaves and two birds. On the front there is an almost circular reserve, framed by a wide tooled gold band and a narrow plain gold band, and painted in polychrome with an exotic bird, standing amid trees. There are bands of gilding round the foot and rim, lines of gilding down the sides of the handle and a stylised leaf, husks and dots down its back. The base is inscribed in pale blue enamel with the name of the bird, 'Faisan couronne des Indes'. The saucer also has a beau bleu ground decorated with six pairs of rinceau, garlands and sprays of leaves. In the centre there is a circular reserve, framed by a wide chased gilt band and a narrow plain gilt band, and painted in polychrome with an exotic bird,standing on a fallen, sprouting branch, with trees in the background. There are bands of gilding round the rim and outside lower edge. The base is inscribed in pale blue enamel with the name of the bird,  'Le M\u00e2le, appelle le Pape'."}],"identifier":[{"accession_number":"C.64 & A-1961","primary":true,"type":"accession number","value":"C.64 & A-1961"},{"priref":"93767","type":"priref","value":"93767"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93767","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93767"}],"inscription":[{"description":[{"value":"interlaced L's enclosing qq"}],"location":"on base of both pieces","method":"painted in blue enamel","type":"factory mark"},{"location":"on base of both pieces, below factory mark","method":"painted in blue enamel","transcription":[{"value":"C with a comma or dot on either side and a commabelow"}],"type":"painter's mark"},{"description":[{"value":"in script capitals"}],"location":"on base of both pieces, below the inscription","method":"painted in blue enamel","transcription":[{"value":"LG"}],"type":"gilder's mark"},{"location":"on the base of both pieces","method":"incised","transcription":[{"value":"38"}],"type":"incised mark"},{"description":[{"value":"the u was missed out and has been written above the r of coronne with a short dash over it"}],"location":"on the cup","method":"painted in blue enamel","transcription":[{"value":"Faisan couronne.\/des Indes"}],"type":"inscription"},{"location":"on the saucer","method":"painted in blue enamel","transcription":[{"value":"Le m\u00e2le, appelle\/le Pape"}],"type":"inscription"},{"description":[{"value":"rectangular white paper label now buff"}],"location":"on the base of saucer","method":"hand-written in faded black ink","transcription":[{"value":"Formerly the property\/of the\/Earl of Balfour KG. 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The cup is of truncated conical form with two loop handles, foliated at the upper and lower ends. The domed cover is surmounted by a finial in the shape of a multi-petalled flower and three leaves. The saucer is circular with a flat base and deep, sloping sides. There is a suspension hole in the interior edge of the cover, and in the footring.                       On one side of the cup there are two exotic birds perched in a tree with mosses, grasses, and a flowering plant at its foot. On the other side is a tree in the branches of which is a nest containing three nestlings, and a parent bird. Another bird stands on the ground amid similar flora. On the cover there are two landscapes each with a bird standing on the ground, and two flying birds in the spaces between them, one carrying a branch in its beak. On the saucer there are three landscapes, two with a bird on the ground, and a bird perched in a tree,  and one with a bird standing on the ground. In the middle, there are  three flying birds, one carrying a branch in its beak. There is a plain gold band round the base of the cup and dentilated gold bands round the rim of all three pieces. The handles are outlined in gold."}],"exhibitions":[{"@link":{"catalogue":"no. 35","type":"reference"},"admin":{"id":"exhibition-1741","uid":"adlib-exhibition-1741","uuid":"0e292605-69a4-3b99-9e65-03daad1c87ef"},"summary_title":"An Exhibition of 18th Century French Porcelain"}],"identifier":[{"accession_number":"C.20 & A & B-1980","primary":true,"type":"accession number","value":"C.20 & A & B-1980"},{"priref":"82588","type":"priref","value":"82588"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82588","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82588"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing D"}],"type":"factory mark"},{"location":"on base of cup and saucer above the factory mark","method":"painted in blue","transcription":[{"value":"a diamond shape"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"4 cc"}],"type":"mark"},{"location":"on the base of the saucer","method":"incised","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given jointly by the National Art Collections Fund and Professor J.H. Plumb, FBA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-173354","uid":"adlib-agent-173354","uuid":"2c43df20-e3c8-3158-9d84-bf4d01c7008a"},"summary_title":"Plumb, John, Sir, F.B.A."},{"@link":{"type":"reference"},"admin":{"id":"agent-149857","uid":"adlib-agent-149857","uuid":"470046d4-9799-31c0-81c7-49c04a9f9bb1"},"summary_title":"National Art Collections Fund"}],"date":[{"earliest":1980,"latest":1980,"value":"1980-12-01"}],"method":{"value":"given"},"note":[{"value":"Joint donation. Acquisition went to Syndicate on 2 February 1980 but was not entered until the end of the year"},{"value":"Entry date: 1980-12-01"}]}],"creation":[{"date":[{"earliest":1757,"era":["CE"],"latest":1757,"note":[{"value":"On accession the date letter was interpreted as 1756 or 1756-57, but in 2014 David Peters recommended  a revision of the dating system to A for 1754 rather than 1753, so that D would stand for 1757 instead of 1756. See Documentation, Peters, 2014"}],"precision":"circa","value":"1757"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"},{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"Decoration of vignettes of birds in landscapes, or garden, and rural scenes on a white ground were popular in the mid to late 1750s. A vignette almost similar to the one with the nest on one side of the cup occurs on a small mug of 1758-9 said to bear the mark of Pierre-Fran\u00e7ois Yvernel, formerly in the Elizabeth Parke Firestone Collection (see sale catalogue in Documentation), The vignette on the other side occurs on a gobelet \u00e0 la reine of 1756 bearing a lozenge-shaped mark, formerly at Seaton Delaval (see sale catalogue in Documentation)"},{"value":"On accession the cup and saucer were attributed to Claude-Fran\u00e7ois Tabary. Savill, 1988, III, noted that he was working for the factory in May 1751, April to October 1754, and retired in January, 1755 on grounds of ill health. His supposed mark is found on pieces dated 1755 and 1756, and there is therefore uncertainty in the association of the lozenge-shaped mark with this painter. The move of the factory from Vincennes to S\u00e8vres took place at the end of September 1756."},{"value":"This is a gobelet \u00e0 lait or gobelet \u00e0 lait chopine of the first size of two, although it is not quite so tall as the measurement given by Savill (1988) for this size, 14.5 to 15.5 cm. It holds one pint. The form had been introduced by 1752 when moulds and countermoulds were mentioned in the inventory of 1 October (1 7, fol. 10 ) . The second, smaller, size was in production in 1753. Plaster models and two drawings survive at S\u00e8vres. 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252-8","type":"reference"},"admin":{"id":"publication-200000535","uid":"adlib-publication-200000535","uuid":"0f07083e-9854-35b1-8626-182ebe31fff0"},"summary_title":"How to buy a Stubbs on \u00a32,600 a Year, The Fitzwilliam and the N.A.C.F."},{"@link":{"notes":"Ref. 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Cf. pp. 669-72,  later examples of the second size, nos. C438, 439, 440, an see p. 673 for a list of examples of both sizes. \nVol. III, pp. 1067-8 for Tabary (b. 1710). The author notes that he was working for the factory in May 1751, April to October 1754, and retired in January,1755 on grounds of ill health, although his mark is found on pieces dated 1755 and 1756.","page":"1067-8","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. p. 69 Peters does not illustrate a mark for Tabary, but refers to Part II, Unattributed Marks (Devices) where he shows the lozenge mark on p. 87, as that of a bird painter working 1753-6, and notes the attribution of the mark to Tabary in the 19th century, addition 'There is no evidence to support the attribution, which is doubtful.'","page":"69, 87","type":"reference"},"admin":{"id":"publication-5938","uid":"adlib-publication-5938","uuid":"a3784223-c3bf-3f73-9caf-7861ade1c75e"},"summary_title":"Decorator and Date marks on C18th Vincennes and S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. Second day, p. 92, lot 219, a cylindrical mug 11.5 cm high of 1758 (F), decorated with closely comparable style of bird painting on a white ground , with painter's mark for Yvernel, incised 4 and AP. The scene shown is almost similar to one of those on the Fitzwilliam's cup.","page":"92","type":"reference"},"admin":{"id":"publication-6666","uid":"adlib-publication-6666","uuid":"32b9697e-da9c-3fd9-b11e-9602afd4f952"},"summary_title":"The Elizabeth Parke Firestone Collection Part 1: Important French Porcelain"},{"@link":{"notes":"Cf. p. 108, lot 165, a gobelet \u00e0 la reine of 1756 decorated with the vignette showing a blue bird above a pink bird, and a saucer with different birds of 1758. The cup has a blue diamond-shaped mark, and incised 3 and a long-tailed a; the saucer has the scrolling N mark of F.-J. Aloncle and incised mn. Saucer d. 15.3 cm. 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The vase stands on a low, moulded circular foot. The body is of an inverted pear-shape, contracting above the widest point into a narrow neck. The foliated, notched mouth divided into two and curls outwards and downwards to rejoin the body just above the widest point, thus forming two ear-shaped handles. The ground is bleu nouveau with on each side a reserve of inverted triangular shape with a tri-lobed top, framed by one plain and one tooled band of gilding. A wreath of gilt oak leaves hangs on a ribbon below each handle. Three bands of gilding encircle the foot, and one the junction of foot and body, and there are touches of gilding on the upper parts and edges of the handles. The panel on the front is painted in polychrome with a scene of three fishermen unloading or packing their catch on the shore with the rigging of a ship in the background, and two more sailors, one of whom is pointing to the right. 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