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He had been an undergraduate at Trinity College, Cambridge, and after gaining his degree in 1859 was employed as an apprentice on drainage work on the Fens being undertaken by Sir John Hawkshaw. He then joined his father\u2019s firm, McClean and Stileman, becoming a partner in 1862, but found engineering increasingly irksome, and retired from business in 1870 in order to concentrate on astronomy. It is not known when he began to collect enamels."}],"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-154123","uid":"adlib-agent-154123","uuid":"2fef3fa1-e550-35f4-b4de-2ced0eb2272a"},"summary_title":"Virgin Mary"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-149696","uid":"adlib-agent-149696","uuid":"c1d7b5bf-63d4-3ba4-a080-9810b80bf16c"},"summary_title":"Christ"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-8649","uid":"adlib-agent-8649","uuid":"b3d510e7-0636-3578-92af-db3b410163da"},"summary_title":"Joseph"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-156777","uid":"adlib-agent-156777","uuid":"8966210f-6104-3951-a8bc-afb0f577470e"},"summary_title":"Magi"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-120007","uid":"adlib-term-120007","uuid":"00af7c97-d937-3d5c-a1af-d2a83fe2785b"},"summary_title":"Frank McClean"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107470","uid":"adlib-term-107470","uuid":"f6217ee1-61ca-3c57-92a1-dd13e97bc77c"},"summary_title":"gilt-metal"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"11"},{"dimension":"Width","units":"cm","value":"17"}]},"name":"Frame"},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular, slightly convex copper plaque, enamelled en grisaille on a translucent brown ground, and gilded. The reverse has clear counter-enamel, but much of it is covered by a black substance"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39588","uid":"adlib-term-39588","uuid":"b17ff981-06b2-30a2-b9a9-b514fe84a191"},"summary_title":"copper"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"8.9"},{"dimension":"Width","units":"cm","value":"15.1"}]},"name":"Plaque"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-107707","uid":"adlib-term-107707","uuid":"cbae1ed2-5069-35db-a029-700dc23ada11"},"summary_title":"Christian religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Rectangular plaque of the Adoration of the Magi painted en grisailled on a translucent brown ground, and gilded"},{"value":"Rectangular, slightly convex copper plaque, enamelled en grisaille on a translucent brown ground, and gilded. The reverse has clear counter-enamel, but much of it is covered by a black substance, partly scraped away.\nThe Virgin is seated on the left holding the Christ Child on her knee. St Joseph stands to the left in profile, and an aged King with a long beard kneels in front of the Child and holds His left foot in his hand. The other two kings holding cups in their right hands stand in front of a column in the middle. One faces the front, and doffs his hat. The other, richly-dressed, has his back towards the viewer. Further to the right a retainer stands beside a horse, Behind it is another horse ridden by a man with a shield and a banner, and a third man stands gazing back towards a star with a streaming tail in the sky on the left. Below it is a castle, and another is on a hill rising up behind the retainers and horses. In the foreground to left there is a fragment of broken column, and to right a small heap of stones and a low wall Gilding is used sparingly for the halos of the Holy Family, a chain round the neck of the man doffing his hat, the star, and the lower end of a staff or sword scabbard at centre. In a gilt-metal rectangular moulded frame with a rosette in the middle of each side, and a stud in each corner."}],"identifier":[{"accession_number":"M.53-1904","primary":true,"type":"accession number","value":"M.53-1904"},{"priref":"156442","type":"priref","value":"156442"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156442","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156442"}],"inscription":[{"description":[{"value":"rectangular paper label with rounded corners, and blue edge and dotted border"}],"location":"on back","method":"hand-written","transcription":[{"value":"illegible"}],"type":"label"},{"description":[{"value":"rectangular paper label with cut corners, completely obliterated by the black substance on the back of the plaque."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died in Brussels on 8 November 1904"}]}],"creation":[{"date":[{"earliest":1840,"from":{"earliest":1840,"era":["CE"],"latest":1840,"precision":"circa","value":"1840"},"latest":1880,"note":[{"value":"in the style of the mid 16th century, but scientific analysis of the enamels indicated that it was made in the mid to late 19th century"}],"range":true,"to":{"earliest":1880,"era":["CE"],"latest":1880,"value":"1880"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-159102","uid":"adlib-agent-159102","uuid":"eb63d021-f963-35f4-aae7-31c18b9036af"},"summary_title":"Unidentified"}],"note":[{"value":"This Adoration of the Magi was probably based on a Flemish panel painting successively attributed to Pierre Coeck d\u2019Alost and Bernard van Orley, which in 1966 was in the collection of Am\u00e9d\u00e9e Hus at Paris, and is now in the Mus\u00e9e Rolin at Autun (inv. 2014.4.9)  In addition to the Fitzwilliam\u2019s, which was probably made in Paris c. 1850-80, there are at least six more enamel plaques derived from this painting (or possibly a print after it, although none has yet been found), all of which differ from it in showing on the right side, a man leading a horse, a man holding a pennant on a pole, and in the background a castle on a hill. This could be accounted for if the painting had since been cut down on that side. The example with the earliest provenance, said to be initialled P.M., and to have been in the Defournet collection, Paris in 1820, was sold in the Hamilton sale of 1882, and was last  recorded collection of Baron Alphonse de Rothschild (1827-1905). The others are in the Petit Palais, Paris, (ODUT01259) The Royal Museum of Scotland, Edinburgh (1948.146), the Bloomington Indiana University Art Museum (inv. no. 72.88.1), the Museo L\u00e1zaro Galdiano, Madrid (inv.no. 2223), the Hermitage, Leningrad (inv. no. F 2662), and a French private collection. The brown enamel ground on this example is similar in tone to the frame of the example in the Petit Palais.            . \n\nAfter the bequest of the plaque to the Fitzwilliam there was uncertainty as to whether it was of sixteenth- or nineteenth-century manufacture, but because of its high quality, it was included in O.M. Dalton's Catalogue of the McClean bequest (1912). This doubt increased as more plaques of the same subject were identified, and in 2012 ion beam analysis of the enamels confirmed that it had been made during the mid to late nineteenth century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, 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Wells"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-162103","uid":"adlib-object-162103","uuid":"e05e2619-0017-38f8-982d-23070d21e91d"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-126653","uid":"adlib-term-126653","uuid":"38ec5aff-ff75-3732-b28b-2cdc948738a2"},"summary_title":"plaques in frame"}},"summary_title":"plaques in frame"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ., p. 110, no. 64, pl. XXI","page":"110","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Ref. especially pp. 129 to end; p. 135, pl. 2 for the Flemish Adoration; p. 136, pl. 3, a plaque by Master PM, unknown location; p. 136, pl. 4 attributed to Jean II Pennicaud, Paris, Petit Palais; p. 137, pl. 5, anonymous plaque in a French private collection, and p. 137, pl. 6 anonymous, Bloomington, Indiana, University Art Museum.","page":"127-37","type":"reference"},"admin":{"id":"publication-200002179","uid":"adlib-publication-200002179","uuid":"5e5a05b1-70b7-327a-b2e0-4fb6b17fba22"},"summary_title":"Deux tableaux flamands non sign\u00e9s du XVIe si\u00e8cle: Cene et Adoration des Mages"},{"@link":{"notes":"Cf. ninth day, Tuesday, 4 July 1882, p. 119, lot 973, a plaque painted in grisaille on a black ground, said to be initialled PM on the truncated portion of a capital of a column in the foreground (Leroy 1989, pl. 3), 6 in x 3 3\/4 in. in gilt metal frame M. Defournet, Paris, 1820. Alexander 10th Duke of Hamilton (?) and by descent to the 12th Duke. . Baron Alphonse de Rothschild; current location unknown","page":"119","type":"reference"},"admin":{"id":"publication-5967","uid":"adlib-publication-5967","uuid":"47692106-b892-341c-bd59-6a861a6bb97f"},"summary_title":"Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects the property of His Grace the Duke of Hamilton, K.T"},{"@link":{"notes":"Cf. p. 127, lot 273, sold to G. Attenborough for \u00a31,328.5s. illustrated by engraving opposite p.129. Location unknown.","page":"127","type":"reference"},"admin":{"id":"publication-7331","uid":"adlib-publication-7331","uuid":"9a66be30-0009-31e3-ba39-02836bb1ef04"},"summary_title":"The Hamilton Palace Collection. 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This has a frame with a brown enamel border of approximately the same colour as the ground of the Fitzwilliam's Adoration plaque, but the ground of the plaque itself appears black, The writer mentions other related plaques.","page":"240-1","type":"reference"},"admin":{"id":"publication-6142","uid":"adlib-publication-6142","uuid":"517e6c62-56b3-3ca3-8314-d7e94fafb6e2"},"summary_title":"La Rencontre des H\u00e9ros, Regards crois\u00e9es sur les \u00e9maux peints de la Renaissance appartenant aux collections du Petit Palais, Mus\u00e9e des Beaux-Arts de la ville de Paris et du Mus\u00e9e municipal de L'\u00c9v\u00each\u00e9 de Limoges"},{"@link":{"notes":"Cf. pp. 310-11, no. 139, F 2662, measuring 8.8 x 15 cm.  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Acquired after accession two wax models for the vase and fruit forming the replacement finial for the cover (B and C) and two rubber moulds for the casting of the finial (D and E)."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1978","uid":"adlib-exhibition-1978","uuid":"1d691f89-d10f-318f-a19c-83d5e3724e6e"},"summary_title":"Principal Acquisitions of the Past Seven Years"},{"@link":{"catalogue":"no. 18","type":"reference"},"admin":{"id":"exhibition-166","uid":"adlib-exhibition-166","uuid":"a08b2214-9d39-3c26-84d6-07a71c509bf2"},"summary_title":"Foundations for the Future"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1910","uid":"adlib-exhibition-1910","uuid":"6f30e783-0334-3dbe-b75c-f9dbf0cfe9c3"},"summary_title":"Fifteen Years of the National Art Collections Fund"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1979","uid":"adlib-exhibition-1979","uuid":"8634e749-3e41-33f9-a506-b3aed27034c6"},"summary_title":"William Beckford and his Buildings"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1933","uid":"adlib-exhibition-1933","uuid":"d334c181-c6c3-3d54-a77d-d572588c9a30"},"summary_title":"William Beckford, 1760-1844: An Eye for the Magnificent"}],"identifier":[{"accession_number":"M.1 & A-1990","primary":true,"type":"accession number","value":"M.1 & A-1990"},{"priref":"146272","type":"priref","value":"146272"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/146272","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/146272"}],"inscription":[{"description":[{"value":"monarch's head"}],"location":"on inner rim, on rim, and on underside of foot","method":"struck","type":"hallmark"},{"description":[{"value":"leopard's head"}],"location":"on inner rim","method":"struck","type":"hallmark"},{"description":[{"value":"lion passant"}],"location":"on inner rim, and on rim","method":"struck","type":"hallmark"},{"location":"on inner rim","method":"struck","transcription":[{"value":"l"}],"type":"date letter"},{"location":"on inner rim, inner rim, and underside of foot","method":"struck","transcription":[{"value":"JH"}],"type":"maker's mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased from Brand Inglis, who bought it for the Fitzwilliam Museum, using the Rylands, Gow, Leverton Harris and Marlay Funds, and with grants from the MGC Regional Fund, the National Heritage Memorial Fund, the National Art Collections Fund, and a gift from The Friends of the Fitzwilliam Museum."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-175544","uid":"adlib-agent-175544","uuid":"f9fe1eee-0893-3bff-8878-daf36f97920d"},"summary_title":"Inglis, Brand"}],"date":[{"earliest":1990,"latest":1990,"value":"1990"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1990"}]}],"creation":[{"date":[{"earliest":1826,"from":{"earliest":1826,"era":["CE"],"latest":1826,"value":"1826"},"latest":1827,"range":true,"to":{"earliest":1827,"era":["CE"],"latest":1827,"value":"1827"}}],"maker":[{"@link":{"role":[{"value":"silversmith"}],"type":"reference"},"admin":{"id":"agent-175545","uid":"adlib-agent-175545","uuid":"35eea615-6637-313f-bfaf-1856a0a5e180"},"summary_title":"Harris, John, VI"}],"note":[{"value":"On accession the cover had a bud-shaped, raspberry-like finial of a differerent shade of gold, and obviously a replacement for that shown in the photograph in the Catalogue of the 1882 Hamilton sale. 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day, 19 July, p. 221, lot 2028; the Hon. W. Massey-Mainwaring \u00a3787.10s.' probably Christopher Beckett Denison, London; sold Christie, Manson & Woods, 6 June 1885 and further days, First Portion, Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects of Christopher Beckett Denison, Esq., Deceased, late of Upper Grosvenor Street, 6th day, 12 June, p. 75, lot 775; sold for \u00a3735.  Anonymous Australian Collection; sold Christie's, 6 December 1989, Important Silver and Objects of Vertu, p. 89, lot 208; Brand Inglis, 9 Halkin Arcade, Motcomb Street, London, SW1."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. on the 16th day of sale, July 19, p. 221, lot 2028","page":"221","type":"reference"},"admin":{"id":"publication-5967","uid":"adlib-publication-5967","uuid":"47692106-b892-341c-bd59-6a861a6bb97f"},"summary_title":"Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects the property of His Grace the Duke of Hamilton, K.T"},{"@link":{"notes":"Publ. probably 6th day, 12 June, p. 75, lot 775, sold for \u00a3735","page":"75","type":"reference"},"admin":{"id":"publication-5969","uid":"adlib-publication-5969","uuid":"55cca6d7-4f42-3fb8-a16b-a451b0de3c12"},"summary_title":"Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects of Christopher Beckett Denison, Esq., Deceased, late of Upper Grosvenor Street, First Portion"},{"@link":{"notes":"Publ. p. 89, lot 208","page":"89","type":"reference"},"admin":{"id":"publication-5968","uid":"adlib-publication-5968","uuid":"42be89e1-1fcd-36f9-88fb-bd65827a9376"},"summary_title":"Important Silver and Objects of Vertu"},{"@link":{"notes":"Publ. pp. 744-5, and fig. 35","page":"735-48","type":"reference"},"admin":{"id":"publication-200001988","uid":"adlib-publication-200001988","uuid":"57fa36b9-d4c5-3584-82b2-ba2777482c37"},"summary_title":"William Beckford's Silver I"},{"@link":{"notes":"Publ. mentioned on p. 833, G 136 'Lapys Lazuli . . . richly mounted in gold. 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