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Cupid riding on a lion with the inscription 'omnia vinci amor (Love conquers all) and signed '\u2018\u2022I\u2022L\u2022\u2019; on the sides floral sprays and birds; and on the back a central landscape, surrounded by stylized floral sprays."},{"value":"Copper, raised, and decorated in three techniques: enamelling in grisaille on a black ground and gilded; enamelling in blue, green, yellow, orange-red, pale manganese\/mulberry, and black on a white ground; and enamelling in blue, turquoise, green, yellow, and mulberry translucent enamels over silver foils in a black ground, and gilded.  The hexafoil bowl has lobed sides rising from a slightly convex hexagonal base, and two small S-shaped handles on opposing sides In the middle, framed by two gold lines is a hexagonal panel executed in grisaille on a black ground of Cupid riding on a lion walking to the left. Cupid has a quiver of gold arrows slung on his back by a gold strap, and controls the lion by means of a gold leash passing through its mouth. The lion has gold toe nails and some of Cupid\u2019s  wavy hair is gold. On the left edge \u2018omnia uinci amor\u2019(Love conquers all) is inscribed in gold The initials \u2018\u2022I\u2022L\u2022\u2019 in black are inscribed in front of the lion\u2019s left rear paw. The sides have a white ground decorated with blue, pale mulberry, and red and yellow flowers on black stems with green foliage, amongst which, on three lobes, there is a fanciful bird. Round the rim is a border of black petals with vertically striated semi-circular centres.\nOn the hexagonal base framed by black and gold lines there is a landscape in which is a white house with a red roof beside a stream, with a clump of trees behind it. Four small flocks of birds fly through the opaque pale blue sky. The black sides are decorated with stylized flowers and gold foliage, amongst which, on two lobes, is a fanciful bird in translucent enamels over silver foils. The handles are black with remnants of a gold line following its S-shape."}],"identifier":[{"accession_number":"M.51-1904","primary":true,"type":"accession number","value":"M.51-1904"},{"priref":"139844","type":"priref","value":"139844"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139844","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139844"}],"inscription":[{"location":"inside in centre","method":"painted in gold","transcription":[{"value":"omnia uinci amor"}],"type":"inscription"},{"location":"inside in front of the lion\u2019s left rear paw.","method":"painted in black","transcription":[{"value":"\u2022I\u2022L\u2022"}],"type":"initials"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1650,"from":{"earliest":1650,"era":["CE"],"latest":1650,"precision":"circa","value":"1650"},"latest":1695,"range":true,"to":{"earliest":1695,"era":["CE"],"latest":1695,"value":"1695"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-76511","uid":"adlib-agent-76511","uuid":"228a38d9-7ce2-33f4-a19e-e240d6a0ac52"},"summary_title":"Laudin, Jacques I"}],"note":[{"value":"Small enamelled two-handled bowls or cups with hexafoil or circular rims became fashionable in the mid 17th century and large numbers of them have survived. Most of them are decorated on the base with a landscape, surrounded by stylized flowers and birds in translucent enamels over foils in a black ground embellished with gold foliage. Others have floral decoration on a white ground. The central medallion inside may be of a religious, classical, or other secular subjects, and the interior sides are usually decorated with polychrome flowers and birds on a white ground in either a continuous band or in panels. Many of them bear the initials \u2018.I.L.\u2019 and these have usually been attributed to Jacques Laudin I (c. 1627-95), for example by Darcel and Marquet de Vasselot, although it is possible that some of them were executed by his nephew Jacques II Laudin (c. 1663-1729). However, the decoration of the reverse of the Fitzwilliam\u2019s bowl, resembles that on other pieces attributed to Jacques I Laudin.\nCupid riding a lion, emblematic of the power of Love, accompanied by the inscription \u2018omnia vincit amor\u2019 from Virgil\u2019s Eclogues, X, 69: \u2018omnia vincit Amor: et nos cedamus Amori.\u2019 (Love conquers all; let us, too, yield to Love\u2019) was a popular one in the 17th century. A a circular image appeared with a fiercer lion, as the first plate in the earliest Dutch emblem book by Dani\u00ebl Heinsius, published untitled in 1601 but known as Quaeris quid sit amor? and titled, Emblemata amatoria, in the second edition of 1611. \nThe emblem occurs on four more hexafoil bowls: in the Fitzwilliam (M.3-1928), the Mus\u00e9e des Beaux-Arts, Limoges (101); and the Mus\u00e9e d\u2019Art et d\u2019Arch\u00e9ologie, Gu\u00e9ret (2009.0.335), and one unlocated, sold in Paris in 2004. Four more with circular rims are respectively in the the Ashmolean Museum (OA 248), the Victoria and Albert Museum (C.23-1923), the Mus\u00e9e des Beaux-Arts, Limoges (94), and the Mus\u00e9e des Beaux-Arts, Dijon (CA T 1322). The shape of another, formerly in the K\u00f6nigliche Kunstkammer Berlin, (Inv. I.G.179), but now lost is not certain, but may have been of hexafoil form as it was not described as having a footring. Several others were mentioned in 19th century French and English sales."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-118735","uid":"adlib-term-118735","uuid":"1631bde8-d0c4-3507-be3b-ac03c59ba807"},"summary_title":"17th Century, second half"},{"@link":{"type":"reference"},"admin":{"id":"term-15536","uid":"adlib-term-15536","uuid":"02571f2e-a606-30c6-a49e-85d820d4a0cd"},"summary_title":"Louis XIV 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F.R.S."},{"@link":{"notes":"Ref. p. 386 for biographical details based on archival sources for Jacques Laudin I, and p. 388, for his nephew, Jacques Laudin II.","page":"386, 388","type":"reference"},"admin":{"id":"publication-6116","uid":"adlib-publication-6116","uuid":"bbff1ced-945e-3b6f-8556-b6eedf278dea"},"summary_title":"Le m\u00e9tier d\u2019\u00e9mailleur \u00e0 Limoges, XVIe-XVIIe si\u00e8cle"},{"@link":{"type":"reference"},"admin":{"id":"publication-7141","uid":"adlib-publication-7141","uuid":"e32855a0-ee12-381a-923f-b8e47a7dd72b"},"summary_title":"Catalogue descriptif des objets d\u2019art formant le mus\u00e9e Anthelme et Edma Trimolet"},{"@link":{"notes":"Cf. Sixth Day, 12th June, p. 77, lot 795, 'A small two-handled Tazza' with Cupid riding a lion in the centre by J. Laudin, and lot 797 another with Cupid in the centre (no lion mentioned) by J. Laudin, from Hamilton Palace, both with landscapes on the base","page":"77","type":"reference"},"admin":{"id":"publication-5969","uid":"adlib-publication-5969","uuid":"55cca6d7-4f42-3fb8-a16b-a451b0de3c12"},"summary_title":"Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects of Christopher Beckett Denison, Esq., Deceased, late of Upper Grosvenor Street, First Portion"},{"@link":{"notes":"Cf. p. 75, an example with similar central motif of Cupid leading a lion, in the Mus\u00e9e Municipal de l\u2019\u00c9vech\u00e9, Limoges (Inv. 101), now the Mus\u00e9e des Beaux-Arts: Formerly Durand Collection, 45.2478, given by the state 1875. A lobed bowl, initialed \u2018.I.L.\u2019 with crudely painted flowers on the interior. 4 x 12.5 cm.","page":"75","type":"reference"},"admin":{"id":"publication-6074","uid":"adlib-publication-6074","uuid":"2bfe1392-fcb2-38bc-a20d-5b5b1115f22b"},"summary_title":"Guide du Mus\u00e9e Municipal, Collection \u00c9gyptienne, \u00c9maux"},{"@link":{"notes":"Cf.  p. 158, no. 38, an example with a probably similar central motif, formerly K\u00f6nigliche Kunstkammer Berlin, Inv. I.G.179; now lost. Formerly in the Nagler Collection, acquired in 1935. : Initialled I.L. Landscape on base. H.. 4 cm. D. 14 cm. Inv. no. K 5084. The description does not state whether it was of hexafoil form or circular.","page":"158","type":"reference"},"admin":{"id":"publication-5097","uid":"adlib-publication-5097","uuid":"3f273066-5292-3611-8791-142c76030836"},"summary_title":"Maleremails aus Limoges, Der Bestand des Berliner Kunstgewerbemuseums"},{"@link":{"type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. p. 87, pl. 43, and pp. 263-4, no. 146, an example with Marcus Curtius in the centre surrounded by flowers on a white ground, and on the reverse, a landscape surrounded by coloured decoration on a black ground. Attributed to Jacques I Laudin, mid 17th century. The author lists other examples with different themes for the central plaque, including the Fitzwilliam's.","page":"87, 263-4","type":"reference"},"admin":{"id":"publication-6120","uid":"adlib-publication-6120","uuid":"3031603c-c1e6-3c56-aa2f-a4da4420218f"},"summary_title":"Maleremails des 16. und 17. 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The shaped oval base mount is cast and chased with strapwork and foliage around the domed gadrooned lapis foot. The baluster lapis knop in the stem is mounted above and below with bands of marlets, rosettes, and guilloche ornament. The quatrefoil lapis element at the top is a replacement. The oval, fluted lapis bowl has a silver-gilt rim cast and chased with strapwork and foliage. The two handles are formed as snakes and a heron's head gorged with a collar flory, a fish in its beak. The gently domed lapis cover has a silver-gilt border cast and chased with trefoils, and an oval mount with a replacement finial in the form of a vase filled with fruit. Acquired after accession two wax models for the vase and fruit forming the replacement finial for the cover (B and C) and two rubber moulds for the casting of the finial (D and E)."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1978","uid":"adlib-exhibition-1978","uuid":"1d691f89-d10f-318f-a19c-83d5e3724e6e"},"summary_title":"Principal Acquisitions of the Past Seven Years"},{"@link":{"catalogue":"no. 18","type":"reference"},"admin":{"id":"exhibition-166","uid":"adlib-exhibition-166","uuid":"a08b2214-9d39-3c26-84d6-07a71c509bf2"},"summary_title":"Foundations for the Future"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1910","uid":"adlib-exhibition-1910","uuid":"6f30e783-0334-3dbe-b75c-f9dbf0cfe9c3"},"summary_title":"Fifteen Years of the National Art Collections Fund"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1979","uid":"adlib-exhibition-1979","uuid":"8634e749-3e41-33f9-a506-b3aed27034c6"},"summary_title":"William Beckford and his Buildings"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1933","uid":"adlib-exhibition-1933","uuid":"d334c181-c6c3-3d54-a77d-d572588c9a30"},"summary_title":"William Beckford, 1760-1844: An Eye for the Magnificent"}],"identifier":[{"accession_number":"M.1 & A-1990","primary":true,"type":"accession number","value":"M.1 & A-1990"},{"priref":"146272","type":"priref","value":"146272"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/146272","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/146272"}],"inscription":[{"description":[{"value":"monarch's head"}],"location":"on inner rim, on rim, and on underside of foot","method":"struck","type":"hallmark"},{"description":[{"value":"leopard's head"}],"location":"on inner rim","method":"struck","type":"hallmark"},{"description":[{"value":"lion passant"}],"location":"on inner rim, and on rim","method":"struck","type":"hallmark"},{"location":"on inner rim","method":"struck","transcription":[{"value":"l"}],"type":"date letter"},{"location":"on inner rim, inner rim, and underside of foot","method":"struck","transcription":[{"value":"JH"}],"type":"maker's mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased from Brand Inglis, who bought it for the Fitzwilliam Museum, using the Rylands, Gow, Leverton Harris and Marlay Funds, and with grants from the MGC Regional Fund, the National Heritage Memorial Fund, the National Art Collections Fund, and a gift from The Friends of the Fitzwilliam Museum."},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-175544","uid":"adlib-agent-175544","uuid":"f9fe1eee-0893-3bff-8878-daf36f97920d"},"summary_title":"Inglis, Brand"}],"date":[{"earliest":1990,"latest":1990,"value":"1990"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1990"}]}],"creation":[{"date":[{"earliest":1826,"from":{"earliest":1826,"era":["CE"],"latest":1826,"value":"1826"},"latest":1827,"range":true,"to":{"earliest":1827,"era":["CE"],"latest":1827,"value":"1827"}}],"maker":[{"@link":{"role":[{"value":"silversmith"}],"type":"reference"},"admin":{"id":"agent-175545","uid":"adlib-agent-175545","uuid":"35eea615-6637-313f-bfaf-1856a0a5e180"},"summary_title":"Harris, John, VI"}],"note":[{"value":"On accession the cover had a bud-shaped, raspberry-like finial of a differerent shade of gold, and obviously a replacement for that shown in the photograph in the Catalogue of the 1882 Hamilton sale. The finial was replaced by a new one made to match that shown in the photograph, although it is possible that that was not the original. A quatrefoil lapis lazuli element in the stem, present in the photograph, was not there on purchase, and this too was replaced with a lapis quatrefoil made by Charlotte de Syllas"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-123604","uid":"adlib-term-123604","uuid":"e2dbe5c7-69b1-3d9b-b515-bca920826e03"},"summary_title":"1820s"},{"@link":{"type":"reference"},"admin":{"id":"term-108976","uid":"adlib-term-108976","uuid":"dc8f08bb-8cb5-3af0-a884-9780ec8d0e12"},"summary_title":"George 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Harris"}]},"type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-3115824482","source":"portfolio","uid":"portfolio-media-3115824482","uuid":"ddd098e6-cef8-38c9-9ad1-bf7d3bced7a5"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/836\/large_M_1___A_1990_1_201312_adn21_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1341},{"dimension":"width","units":"pixels","value":1024}]},"modified":1550048735000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/836\/mid_M_1___A_1990_1_201312_adn21_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":655},{"dimension":"width","units":"pixels","value":500}]},"modified":1550048735000,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/836\/M_1___A_1990_1_201312_adn21_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":3543},{"dimension":"width","units":"pixels","value":2706}]},"modified":1550048735000,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/836\/preview_M_1___A_1990_1_201312_adn21_dc1.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":327},{"dimension":"width","units":"pixels","value":250}]},"modified":1550048735000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/626\/836\/M_1___A_1990_1_201312_adn21_dc1.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":3543},{"dimension":"width","units":"pixels","value":2706}]},"modified":1550048735000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Lapis and silver covered cup, by John Harris"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-123626","uid":"adlib-term-123626","uuid":"d6eff686-270d-35bd-aec4-a60c503e19ee"},"summary_title":"cup and cover"}},{"value":"covered cup"}],"note":[{"type":"history note","value":"William Beckford; 10th Duke and later Dukes of Hamilton until 1882; sold Christie's, 17 June-20 July 1882, Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects the property of His Grace the Duke of Hamilton, K.T., 16th day, 19 July, p. 221, lot 2028; the Hon. W. Massey-Mainwaring \u00a3787.10s.' probably Christopher Beckett Denison, London; sold Christie, Manson & Woods, 6 June 1885 and further days, First Portion, Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects of Christopher Beckett Denison, Esq., Deceased, late of Upper Grosvenor Street, 6th day, 12 June, p. 75, lot 775; sold for \u00a3735.  Anonymous Australian Collection; sold Christie's, 6 December 1989, Important Silver and Objects of Vertu, p. 89, lot 208; Brand Inglis, 9 Halkin Arcade, Motcomb Street, London, SW1."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. on the 16th day of sale, July 19, p. 221, lot 2028","page":"221","type":"reference"},"admin":{"id":"publication-5967","uid":"adlib-publication-5967","uuid":"47692106-b892-341c-bd59-6a861a6bb97f"},"summary_title":"Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects the property of His Grace the Duke of Hamilton, K.T"},{"@link":{"notes":"Publ. probably 6th day, 12 June, p. 75, lot 775, sold for \u00a3735","page":"75","type":"reference"},"admin":{"id":"publication-5969","uid":"adlib-publication-5969","uuid":"55cca6d7-4f42-3fb8-a16b-a451b0de3c12"},"summary_title":"Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects of Christopher Beckett Denison, Esq., Deceased, late of Upper Grosvenor Street, First Portion"},{"@link":{"notes":"Publ. p. 89, lot 208","page":"89","type":"reference"},"admin":{"id":"publication-5968","uid":"adlib-publication-5968","uuid":"42be89e1-1fcd-36f9-88fb-bd65827a9376"},"summary_title":"Important Silver and Objects of Vertu"},{"@link":{"notes":"Publ. pp. 744-5, and fig. 35","page":"735-48","type":"reference"},"admin":{"id":"publication-200001988","uid":"adlib-publication-200001988","uuid":"57fa36b9-d4c5-3584-82b2-ba2777482c37"},"summary_title":"William Beckford's Silver I"},{"@link":{"notes":"Publ. mentioned on p. 833, G 136 'Lapys Lazuli . . . richly mounted in gold. Drawing Room","page":"820-34","type":"reference"},"admin":{"id":"publication-200001989","uid":"adlib-publication-200001989","uuid":"4e3b28e0-3d5c-3c2d-b70d-0a6a5c54ba3c"},"summary_title":"William Beckford's Silver II- Appendix G- The Lansdown Inventory of 1844"},{"@link":{"notes":"Publ. 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Cupid riding on a lion with inscription 'omnia.vincit amo' surrounded by stylized flowers and birds on a white ground; on the reverse, a cntral landscape, surrounded by stylized flowers and foliage on a black ground."},{"value":"Copper, raised, and decorated in three techniques: painted en grisaille on a black ground and gilded; painted in blue, green, yellow, orange-red, pale manganese\/mulberry, and black on a white ground; and enamelled in blue, turquoise, green, yellow, and mulberry over silver foils in a black ground, and gilded.  The hexafoil bowl has lobed sides rising from an almost flat hexagonal base, and the stumps of two small S-shaped handles on opposing sides.                                                                                                                                       In the middle framed by two gold lines is a hexagonal panel executed in grisaille on a black ground of Cupid riding on a lion walking to the left. Cupid has a quiver of gold arrows slung on his back by a gold strap, and controls the lion by means of a gold leash passing through its mouth. On the left and above is the inscription \u2018.omnia.vincit amo\u2019 in gold. On the low skyline below the lion there are two very small gold trees. The initials \u2018\u2022I\u2022L\u2022\u2019 are inscribed in front of the lion\u2019s rear left paw. The sides have a white ground painted with blue, pale mulberry, and red and yellow flowers, and green leaves on black stems, amongst which on three lobes is a fanciful bird. Round the rim is a black line with continuous scallops below.\nOn the base is a landscape with a mill house beside a pond. a path and a bridge on which is a red and gold man holding a staff. Behind the house there are trees, and two flocks of birds in the sky. The black sides are decorated in translucent enamels over foils with flowers with gold foliage, and, on two lobes, with an owl and a fanciful bird respectively."}],"identifier":[{"accession_number":"M.3-1928","primary":true,"type":"accession number","value":"M.3-1928"},{"priref":"156451","type":"priref","value":"156451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156451","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156451"}],"inscription":[{"location":"on left of central area","method":"painted in gold","transcription":[{"value":".omnia.vincit amo"}],"type":"inscription"},{"location":"in front of the lion\u2019s rear left paw","transcription":[{"value":"\u2018\u2022I\u2022L\u2022"}],"type":"initials"},{"description":[{"value":"rectangular paper label with rounded sides"}],"location":"on one lobe near to the rim on the exterior","method":"hand-written in black ink","transcription":[{"value":"Six lobed enam -\/elled tray with Cupid\/riding a lion at the\/bottom, and underneath\/a cottage and trees..\/b. at the Dewar sale at\/Cambridge May 26\/ 1904"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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Most of the hexafoil examples are decorated on the base with a landscape, surrounded by stylized flowers and birds in translucent enamels over foils in a black ground embellished with gold foliage. Others have floral decoration on a white ground.The central medallion inside may be of a religious, classical, or other secular subjects,  and the interior sides are usually decorated with polychrome flowers and birds on a white ground in either a continuous band or in panels. Many of them bear the initials \u2018.I.L.\u2019 and these have usually been attributed to Jacques Laudin I (c. 1627-95), for example by Darcel and Marquet de Vasselot, although it is possible that some of them were executed by his nephew Jacques II Laudin (c. 1663-1729). However, the decoration of the reverse of the Fitzwilliam\u2019s bowl, resembles that on other pieces attributed to Jacques I Laudin.\n\nCupid riding a lion, emblematic of the power of Love occurs on several of the bowls. The inscription \u2018omnia vincit amor\u2019 was taken from Virgil\u2019s Eclogues, X, 69, \u2018omnia vincit Amor: et nos cedamus Amori.\u2019 (Love conquers all; let us, too, yield to Love\u2019). Hexafoil bowls with the same subject are in the Fitzwilliam (M.51-1904), Mus\u00e9e Municipal de l\u2019\u00c9vech\u00e9, Limoges (Inv. 101); and bowls with circular rims in the Ashmolean Museum  (OA 248); Victoria and Albert Museum (C.23-1923), and the Mus\u00e9e des Beaux-Arts, Dijon (Inv. no. CA T 1322; acq. 1878) . Another, shape uncertain, was formerly in the K\u00f6nigliche Kunstkammer Berlin, (Inv. 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(1842\u20131923), 1 Scroope Terrace, Cambridge; Puttick & Simpson\u2019s sale at the house, 26-27 May 1924, first day, part of lot 112; bought by Stanley Woolstan on behalf of Dr J.W.L. 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Sixth day, 12 June, p. 77, lot 795, 'A SMALL TWO-HANDLED TAZZA' with Cupid riding a lion in the centre, by Jacques Laudin, and lot 797, another with Cupid in the centre (no mention of lion), both with landscapes on the bottom, and the latter from Hamilton Palace.","page":"77","type":"reference"},"admin":{"id":"publication-5969","uid":"adlib-publication-5969","uuid":"55cca6d7-4f42-3fb8-a16b-a451b0de3c12"},"summary_title":"Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects of Christopher Beckett Denison, Esq., Deceased, late of Upper Grosvenor Street, First Portion"},{"@link":{"notes":"Cf p. 75, no. 101, a lobed bowl initialed \u2018.I.L.\u2019 with crudely painted flowers on the interior. 4 x 12.5 cm, attributed to Jacques I Laudin is in the Mus\u00e9e Municipal de l\u2019\u00c9vech\u00e9, Limoges (Inv. 101). Formerly Durand Collection, 45.2478, given by the state 1875.  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