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Christ visiting the prisoners. Inscribed below T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY\/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022\/Q\/ NOVS\u2022 ONT\u2022 OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). One of a set wth M.49A-C, E & F-1904"},{"value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with a little flesh pink on a black ground, and gilded. Clear counter-enamel unevenly applied with blobs in the top right quarter, and on the lower edge. A large red area of copper in that quarter. Two prisoners are seated side by side in front of a wall in which there is a barred arched window. Thier legs and arms are in stocks Christ enters from a doorway on the right. He has a gold aurole, and is bearded, long-haired, and bare-footed. He wears a long gown with a cloak over it. His arms are held out towards the prisoners. A gaoler with his back to the viewer, is unlocking the prisoner on the left. The gaoler wears a cap with a feather in it, a tunic, trunk hose and shoes. The edges of Christ\u2019s robes and the gaoler\u2019s clothes are outlined in gold. A white panel running across the bottom of the panel, is inscribed in black with gold over it, T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY\/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022 Q\/NOVS\u2022ONT\u2022OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the number \u2018VI\u2019. ADD line over Q and N and O in PARDONOS\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49D-1904","primary":true,"type":"accession number","value":"M.49D-1904"},{"priref":"156438","type":"priref","value":"156438"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156438","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156438"}],"inscription":[{"location":"on front","method":"painted in black and gold","transcription":[{"value":"ET\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022OFFESES\u2022AINSY\/ VE\u2022NOVS\u2022PARDONOS\u2022A. CEVLX\u2022Q\/NOVS\u2022ONT\u2022OFFENSE\u2019"}],"type":"inscription"},{"description":[{"value":"Roman six"}],"location":"on back","method":"painted in black","transcription":[{"value":"VI"}],"type":"number"},{"description":[{"value":"almost square label with serrated edges, printed in blue with a beaded border; text underlined as far as di"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"4899 s(4\/T000\/N000\/A10\/di una\/venduta separato"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1530,"from":{"earliest":1530,"era":["CE"],"latest":1530,"precision":"circa","value":"1530"},"latest":1560,"range":true,"to":{"earliest":1560,"era":["CE"],"latest":1560,"value":"1560"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. 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Three more plaques decorated with this subject have been recorded, see Documentation.\n\nThe scenes illustrating the lines of the prayer in were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately probably a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). Possibly they were intended to be used in a French illustrated edition which was never published. While the iconography of all the plaques was derived from these prints, the details of the figures and settings differ, in some scenes more than others. \n\nTwo plaques enamelled in the same style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867)and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nLord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP' or' KI'. These are in very different styles from the Nouailher plaques and include some scenes which were not based on the Holbein\/CV illustrations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Or, although smaller, G.H. Morland; sold Christie's, 10 May 1866, one of six plaques in gilt-metal frames in lot 437. An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. 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His mulberry-coloured cloak lies in the foreground on greensward scattered with numerous flowers with red and green jewelled centres and white dotted petals. Two men on the right and one on the left stand with their arms raised holding bunches of green twigs with which they are about to strike Christ. Another man kneels on the left holding a snaking cord in his right hand and a crown of thorns in his left. The head of another is visible behind the column. Above the figures there is a black drape bordered by a curved line of red, blue and green jewels with white dotted edges. Above it, two fluted arches with jewelled edges spring from the green capital of the column. In the spandrel between them is a green mask, and a blue shield bearing the mnogram IHS in gothic letters, held up by two putti who lie horizontally on the top of the arches. Remnants of lavish gilding are visible on the figures and arches. The narrow gilt-metal inner frame has eighteen flower headed rivets. The outer frame of the stand is covered in very worn crimson velvet and is backed by crimson damask with a hinged prop in the middle."}],"identifier":[{"accession_number":"M.8-1938","primary":true,"type":"accession number","value":"M.8-1938"},{"priref":"139848","type":"priref","value":"139848"},{"source":"number in L.D. Cunliffe's inventory","type":"inventory number","value":"B39"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139848","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139848"}],"inscription":[{"description":[{"value":"in gothic letters"}],"location":"on blue shield in spandrel between arches","method":"painted in gold","transcription":[{"value":"IHS"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.D. 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The figures and garment in the foreground were derived from a print in a series of twelve illustrating the Passion of Christ by Martin Schongauer (c. 1441-1491), or from a copy after it. (See Documentation, Bartsch and Hollstein). The architectural setting was omitted, and the figures were depicted in more static and less muscular style. The man at the front of the group on the right follows the print in having his feet and legs facing away from the viewer, but the enameller has created a torso and head facing the viewer.                                                                                                    \n The plaque was attributed to the workshop of Nardon Penicaud on its accession. The treatment of the draping of Christ\u2019s loin cloth and the jewelled flowerheads on this plaque are very close in style to those on the Crucifixion plaque signed by Nardon P\u00e9nicaud and dated 1503 (Mus\u00e9e de Cluny, Paris), but although the faces of the figures have similarly long noses, they are treated with greater realism, which suggests that the plaque was made some years later. The triptych in the Museo Sacro Vaticano is also attributed to Nardon P\u00e9nicaud. There is very little deterioration of the blues and manganese-purples, which suggests that it was made later than the Deposition (MAR.M.250-1912) which has considerable degrading of the manganese-purples, probably in the 1520s.\nThe metal frame and red velvet-covered mount are typical of French 19th century mounting of painted enamels. The scarlet damask backing and prop could have been made for it while it was in Leonard D. 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The descent of the Holy Spirit inscribed below 'TON ROYAINNE VIENNE\/A NOUS'. One of a set with M.49A & C-F-1904"},{"value":"Rectangular convex copper plaque with a small hole in each corner, enamelled en grisaille with a little flesh pink, and red on a black ground, and gilded. Clear, unevenly applied counter-enamel, with a thick blob in the top right corner, and many pinholes. The Virgin is seated in the centre reading a book with groups of the disciples on either side. She wears a long cloak over her head and dress, and looks down at the book. The disciple nearest on the left is seated on an X-framed stool, and the nearest on the right is bearded and kneels. Only the heads and shoulders of the rest are shown. Above, there is a white line and black sky sem\u00e9 with red tadpole stars and with banks of clouds in the top corners. At top centre the Dove of the Holy Spirit is shown over a semi-circular red sun with straight and wavy gold rays. A white panel running across the bottomof the plaque is inscribed in black with gilding over it \u2018TON ROYAINNE VIENNE\/A NOUS\u2019 (Thy kingdom come to us) preceded by two adorsed C scrolls, and followed by two small scrolls. A gold line runs round the edge of the scene and inscription.  The reverse is inscribed in pale black with the number \u2018III\u2019. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49B-1904","primary":true,"type":"accession number","value":"M.49B-1904"},{"priref":"156436","type":"priref","value":"156436"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156436","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156436"}],"inscription":[{"description":[{"value":"preceded by two adorsed C scrolls, and followed by two small scrolls"}],"location":"on front","method":"painted in black and gold","transcription":[{"value":"TON ROYAINNE VIENNE\/A NOUS\u2019"}],"type":"inscription"},{"location":"on back","method":"painted in black","transcription":[{"value":"III"}],"type":"number"},{"description":[{"value":"almost square paper label with serrated edges, printed in blue with a beaded border; the inscription is underlined as far as the A"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"2 (in circle) 4899 sei\/T000\/N000\/A10\/di una\/venduta separato\u2019. the 489 crossed through."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. 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Five more plaques of the Pentecost scene are recorded. \n\nThe scenes in the plaques were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). They may have been made for a French illustrated edition of Erasmus's book which was not published. While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others. The text on the plaques does not exactly follow the French text on the prints in the British Museum.\n\nTwo Lord's Prayer plaques in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed for plaques in the same style by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nSets of Lord's Prayer plaques are also attributed to Jean II or III Penicaud, and to an enameller who signed 'KIP'. These differ considerably in style and details from Noualher's plaques and include one or two scenes which are completely different from the metalcuts after Holbein."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Cf. two other plaques of this subject, p. 229, no. 3, illustrated framed with the other plaques, formerly in the Chabri\u00e8res-Arles Collection, Paris; and p. 233, no. 3, formerly collections of W. Bemrose, Derby, and the Rev. E.A. Coghill, Southwell","page":"230-1","type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Ref. 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Mus\u00e9e municipal de  l\u2019Ev\u00each\u00e9, Inv. no. 2000.10.,1.","page":"296-99","type":"reference"},"admin":{"id":"publication-200002664","uid":"adlib-publication-200002664","uuid":"b15e6464-77a8-34fa-9ad7-9bbbcd063ed8"},"summary_title":"Les acquisitions du Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9 - mus\u00e9e de l\u2019Email de Limoges"},{"@link":{"notes":"Cf. pp. 366-7, no. 161 (Wyvern Collection no. 1016), a plaque of this subject inscribed '.TON . ROIAVME . VIENNE . A . NOVS.' across the lower edge, and numbered III in black on the reverse.","page":"366-7","type":"reference"},"admin":{"id":"publication-8908","uid":"adlib-publication-8908","uuid":"3e092b76-c3f2-3edd-9fab-dcb93430892f"},"summary_title":"The Wyvern Collection, Medieval and Renaissance Enamels and other Works of Art"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-102735","uid":"adlib-term-102735","uuid":"9ffebc71-0d53-3435-b13f-9ab850955082"},"summary_title":"prayer"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106812","uid":"adlib-term-106812","uuid":"0c941b0e-c9a1-397c-b29a-1ddcb3ef3e02"},"summary_title":"dove"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-125760","uid":"adlib-term-125760","uuid":"9dec1208-802e-3fab-9859-e8c2503a6afb"},"summary_title":"Descent of the Holy Spirit"},{"@link":{"type":"literal"},"name":[{"value":"dove"}],"summary_title":"dove"},{"@link":{"type":"literal"},"name":[{"value":"Descent of the Holy Spirit"}],"summary_title":"Descent of the Holy Spirit"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque","title":[{"value":"The Lord's Prayer III: The Descent of the Holy Spirit"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-156437","_score":18.499306,"_source":{"admin":{"added":1592999776000,"created":1312637261000,"flag":"Standard Record","id":"object-156437","indexed":1755194595598,"modified":1754040043000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-156437","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156437","uuid":"b54901a7-9a74-3ae3-a38c-9a43b179d5b2","version":13},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-179398","uid":"adlib-agent-179398","uuid":"55e6f979-1b3f-38d1-97a7-f109d8de6343"},"summary_title":"preacher"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-120007","uid":"adlib-term-120007","uuid":"00af7c97-d937-3d5c-a1af-d2a83fe2785b"},"summary_title":"Frank McClean"}],"component":[{"materials":[{"note":[{"value":"white, pink, red, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"description":[{"value":"rectangular convex copper plaque with a small hole in each corner, enamelled en grisaille with a little pink, and one spot of red on a black ground, and gilded. 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A preacher in a canopied pulpit addresses a congregation. In the background a man and woman dine in front of a house. Below is an inscription \u2018DONNE NOVSAVIOVR DHVY\u2022NOS\/TRE PAIN COTIDIAN\u2019 (Give us today our daily bread). One of a set with M.49A, B & D-F-1904"},{"value":"Rectangular convex copper plaque with a small hole in each corner, enamelled in grisaille technique in opaque white with enlevage with a little pink, and one spot of red on a black ground, and gilded. The counter enamel is clear, and unevenly applied with thick blobs at the top and left side. On the left, a preacher stands in a canopied pulpit inscribed 'VERI\/TAS' on its side. He addresses a congregation of women seated in the middle, and men standing on the right. A woman seated on the right holds a closed book. Another in the middle holds an infant on her lap, and another with her back to the pulpit has a cloak draped around her. A partly shown figure behind them has a red jewel in his turban-like cap. Only two of the men are shown in detail. Both wear square hats and long gowns. In the background there are columns and a man and woman dining at a table in front of a house. The man offers a cup to the woman. The sky is powdered with gold, and there are four gold plants in the foreground. A white panel running across the bottom of the plaque is inscribed in black with gilding over it 'DONNE NOVSAVIOVR DHVY\\bullet NOS\/TRE PAIN COTIDIAN' (Give us today our daily bread). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the Roman numeral 'V'.\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"catalogue":"224","type":"reference"},"admin":{"id":"exhibition-3305","uid":"adlib-exhibition-3305","uuid":"534a3247-91a9-398f-abe9-7b419586f568"},"summary_title":"Feast and Fast: The Art of Food in Europe (1500-1800)"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49C-1904","primary":true,"type":"accession number","value":"M.49C-1904"},{"priref":"156437","type":"priref","value":"156437"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156437","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156437"}],"inscription":[{"location":"on front","method":"painted in black and gold","transcription":[{"value":"DONNE NOVSAVIOVR DHVY\u2022NOS\/TRE PAIN COTIDIAN\u2019"}],"type":"inscription"},{"description":[{"value":"Roman five"}],"location":"on back","method":"painted in black","transcription":[{"value":"V"}],"type":"number"},{"description":[{"value":"almost square label with two serrated edges, and blue printed beaded border; text underlined as far as the H"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"3) 4899 sei\/T000\/N000\/H 10 di una\/venduta separato ...\u2019."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93819","uid":"adlib-agent-93819","uuid":"08bff0de-c601-3f77-b0ac-fe18f53ce404"},"summary_title":"Monogrammist C V B"}],"note":[{"value":"This plaque was originally the fifth of a set of eight illustrating the Lord's Prayer of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows Christ instructing his disciples how to pray (Matthew, VI, 6-7), and the others have scenes associated with the petitions of the Lord's Prayer which follows (Matthew, VI, 8-13). The words are written in French at the bottom of each plaque. This plaque illustrates the line 'Give us our daily bread' (Matthew, VI, 11). At least seven more plaques are known illustrating this line, see Documentation \n\nThe literal interpretation of the petition is represented by a couple taking a meal in the background, but the significant message of the scene is that the congregation should feed their minds and souls on the spiritual food of the Word of God expounded by the preacher. The viewers would probably have familiar with Jesus words to to Satan during his Temptation in the Wilderness, that 'Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God' (Matthew IV:4), and with his words after the Feeding of the Five Thousand, 'I am the bread of life: he that cometh to me shall never hunger; and he that believes in me shall never thirst' (John VI: 35). \n\nThe scenes in this Lord's Prayer series were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones' (The Lord's Prayer in seven parts), published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). While the iconography of all the plaques by Colin Nouailler was derived from these metalcuts, their details differ considerably, in some scenes more than others. See Documentation. The preacher on the plaques, who unlike the one in Precatio domenica ..., wears a biretta, seems likely to have been influenced by the woodcut for the Preacher in Holbein's 'The Dance of Death', published in Lyon in 1538. \n\nThe iconography of this plaque differs greatly from the Holbein version, which presents an orthodox view of this line as a petition for everyday food together with the spiritual bread of the Eucharist and the Word of God. Possibly significantly the enameller omitted a priest administering the Eucharist in the middle of the metalcut scene. The word 'VERITAS' (Truth) on the side of the pulpit is not present in the print, nor on the other plaques of this subect. It may refer to the Latin text of St John's Gospel 17: 17, in which Christ, while praying to God for his disciples before his arrest asked 'Sanctify them through thy truth: thy word is truth'. Its presence can also be related to Erasmus's text in' Precatio dominica . . .', where he wrote  in Latin 'Your Son is the truth, and the truth of the gospel is the bread that he left us for spiritual nourishment.'  The presence of the word VERITAS therefore suggests that the patron or enameller was familiar with Erasmus' text as well as the illustrations. \n\nTwo plaques from this Lord's Prayer series in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed for plaques in the same style by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9, (now the Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). Sets of plaques illustrating the Lord's Prayer were also executed by at two more Limoges enamellers: one signing himself KIP or KI; and the other probably Jean II or III P\u00e9nicaud. Their sets include some scenes which differ completely from the Holbein\/CV prints, and their text follows the French of the prints in the British Museum."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Or, although smaller, G.H. Morland; sold Christie's, 10 May 1866, one of six plaques in gilt-metal frames in lot 437. An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. Frank McClean, MA, FRS (1837-1904), Tunbridge Wells; bequeathed by him."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156436","uid":"adlib-object-156436","uuid":"be846ed0-3d5d-35a7-9e1d-9caa50238288"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156435","uid":"adlib-object-156435","uuid":"6351a77b-d5f9-3f74-8fb0-82fa55ee758f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156438","uid":"adlib-object-156438","uuid":"6f5d2df2-fd58-3c26-a778-f4bf0695323a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156439","uid":"adlib-object-156439","uuid":"75f8f71d-2c8f-30d8-a48f-f5510e03f42f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156440","uid":"adlib-object-156440","uuid":"8783ea79-cad6-352d-b68c-4b9086c04d3e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ., p. 112, no. 67","page":"112","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"notes":"Publ. pp. 230-1, no. 5. Cf. p. 229, no. 5 formerly in the Chabri\u00e8res-Arles Collection, Paris, illustrated framed with the other plaques in the series; p. 231, no. 5, in the Louvre; p. 233, no. 5 formerly in the collections of W. Bemrose, Derby, and the Rev. E.A. Coghill, Southwell","page":"230-1","type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Publ. text pp. 191-2, illustrated p. 191, fig. 6.16, and p. 252, cat. 224.","page":"p. 191, 252","type":"reference"},"admin":{"id":"publication-8743","uid":"adlib-publication-8743","uuid":"a86a8f73-aae5-372c-930d-aa215bd02c9b"},"summary_title":"Feast & Fast. The Art of Food in Europe 1500-1800"},{"@link":{"notes":"Ref. p. 244 for the source of the designs for the Lord's Prayer plaques","page":"244","type":"reference"},"admin":{"id":"publication-200002171","uid":"adlib-publication-200002171","uuid":"a8c2f19e-5c1e-3d49-8f24-ab741ecd8bc7"},"summary_title":"Holbein\u2019s Thatigkeit f\u00fcr Baseler Verleger"},{"@link":{"type":"reference"},"admin":{"id":"publication-6076","uid":"adlib-publication-6076","uuid":"068a21f1-ace1-3495-956a-8069df651c67"},"summary_title":"Hollstein\u2019s German Engravings, Etchings and Woodcuts 1400-1700, vol. XLIX"},{"@link":{"notes":"Cf. p. 36, the Preacher wearing hat on left, not identical to plaque, but closer than the preacher in Praecatio domenica","page":"36","type":"reference"},"admin":{"id":"publication-7352","uid":"adlib-publication-7352","uuid":"afbbdf54-a157-3015-bdde-58f392efa1ad"},"summary_title":"The Dance of Death by Hans Holbein the Younger. A Complete Facsimile of the Original 1538 Edition of Les simulachres & historiees faces de la mort"},{"@link":{"notes":"Cf. p. 69, no. MR 2617 (other no. N.1336) with inscription in panel at top centre, formerly in the collection of Chevalier Edme-Antone Durand, acquired by the Louvre in 1852.","page":"69","type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. pp. 296-99, a set of all eight Lord's Prayer plaques by Colin Nouailher, mounted in a wooden frame as a triptych, with above, at centre, an arched plaque of the Crucifixion with the Virgin and St John, probably from the workshop of Pierre Reymond. These plaques, like the Fitzwilliam's, have the inscriptions at the bottom. Purchased at Christie's, 4 July 2000, lot 22 (attributed to Pierre Reymond). Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9, inv. no. 2000.10.1","page":"296-99","type":"reference"},"admin":{"id":"publication-200002664","uid":"adlib-publication-200002664","uuid":"b15e6464-77a8-34fa-9ad7-9bbbcd063ed8"},"summary_title":"Les acquisitions du Mus\u00e9e municipal de l\u2019Ev\u00each\u00e9 - mus\u00e9e de l\u2019Email de Limoges"},{"@link":{"notes":"Cf. p. 4, another plaque of this subject,  a preacher, with inscription  DONNE + NOVS+AVIOVR+\/DHVI+BISTRE+PAIN+\/ +COTIDIAN+ (Give us this day our Daily Bread) below the scene and 'V' on the back; with large chip in top right and lower left corner, and inscription at the bottom; area of gold sky. Accompanied by another plaque inscribed MAIS.DELIVRE.NOVS.\/.DU. MALIN.AMEN.\/.CN' . Purchased by Mus\u00e9e municipal de l\u2019\u00c9v\u00each\u00e9, Limoges in 2007.","page":"4","type":"reference"},"admin":{"id":"publication-6136","uid":"adlib-publication-6136","uuid":"91a54493-ae80-3454-9624-e1a6a3a47029"},"summary_title":"Works of Art, Newsletter"},{"@link":{"notes":"Cf. pp. 298-9, illustrated p. 297, fig. 10, the plaque sold by Bernard Descheemaeker, acquired by the Mus\u00e9e municipal de l\u2019\u00c9v\u00each\u00e9, Limoges in 2007, inv. 2007.5.1, with the other plaque of the 'Deliver us from Evil' scene inv. 2007.5.2 which is initialled CN below the title, and 'VIII; on the back.","page":"297-9","type":"reference"},"admin":{"id":"publication-200002402","uid":"adlib-publication-200002402","uuid":"ad98cb72-1d1d-338c-883d-4f5668b1e141"},"summary_title":"Les acquisitions du Mus\u00e9e municipal de l\u2019\u00c9v\u00each\u00e9 de Limoges en 2007"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-102735","uid":"adlib-term-102735","uuid":"9ffebc71-0d53-3435-b13f-9ab850955082"},"summary_title":"prayer"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-108537","uid":"adlib-term-108537","uuid":"be68fb7e-acab-3b0f-b721-17da4528057d"},"summary_title":"preaching"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-47742","uid":"adlib-term-47742","uuid":"7e0fdcca-1b0e-3803-906e-69370b5cf169"},"summary_title":"pulpit"},{"@link":{"relation":"people","type":"reference"},"admin":{"id":"term-147450","uid":"adlib-term-147450","uuid":"5b605e9d-fbee-3f1b-b9a4-8f96b8e0eb62"},"summary_title":"congregation"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-125761","uid":"adlib-term-125761","uuid":"bce2de03-432e-3676-bb62-4a5042d2c1d3"},"summary_title":"dining"},{"@link":{"type":"literal"},"name":[{"value":"preaching"}],"summary_title":"preaching"},{"@link":{"type":"literal"},"name":[{"value":"pulpit"}],"summary_title":"pulpit"},{"@link":{"type":"literal"},"name":[{"value":"congregation"}],"summary_title":"congregation"},{"@link":{"type":"literal"},"name":[{"value":"dining"}],"summary_title":"dining"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque","title":[{"value":"The Lord's Prayer V: A Preacher giving a Sermon"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":4,"total":4}]