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Painted in blue, olive-green, yellow, and brown, outlined in very dark manganese-purple.\nAlbarello with slight swellings above and below the waist.\nThe front is decorated with The Fall. The Tree of Knowledge entwined by the Serpent is on the left. Eve stands beside the Tree, reaching up into its branches with her right hand, and, with her left, hands a fruit to Adam, who is seated further to the right on a grassy mound. A bird flies overhead. On the back, there is a ruined arcade with flowering creepers growing on it. The neck and foot are each encircled by a narrow blue band. The base is marked with a lighthouse in manganese-purple filled in with blue."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.2223-1928","primary":true,"type":"accession number","value":"C.2223-1928"},{"priref":"73263","type":"priref","value":"73263"},{"source":"Glaisher MS Catalogue, vol. 3","type":"old object number","value":"2670"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73263","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73263"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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The style of figure painting has been associated with Giovanni Agostino Ratti (b. Savona 1699, d. Genoa 1775), who signed dishes at Savona in 1720 and 1721 but was not a maiolica painter by trade."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109775","uid":"adlib-term-109775","uuid":"360235be-f250-39b6-8374-dccd0bdf5260"},"summary_title":"18th Century, first half"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113193","uid":"adlib-term-113193","uuid":"ca55a0d5-6a4a-3862-9ee4-bb3f737a1069"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Savona"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"16.8"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-39555","uid":"adlib-media-39555","uuid":"a09c7391-6369-3422-9cd0-d9f09bc099a5"},"processed":{"large":{"format":"jpeg","location":"aa\/aa9\/C_2223_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926291323,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa9\/mid_C_2223_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926291323,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa9\/C_2223_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926291323,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa9\/preview_C_2223_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926291323,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110748","uid":"adlib-term-110748","uuid":"2be693d4-8ff9-3eaf-9715-31e78087d0fd"},"summary_title":"pharmacy jar"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"},"type":"category"},{"value":"drug jar"},{"value":"albarello"}],"note":[{"type":"history note","value":"Mr Richards, Nottingham, from whom purchased on 5 November 1906 by Dr J.W.L. 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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"watery dark blue, pale blue, yellow, orange, and dark manganese-brown"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}}],"name":"Front And Sides","techniques":[{"note":[{"value":"reverse unglazed"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120059","uid":"adlib-term-120059","uuid":"dfa315b5-819d-37ab-ab22-bddfdbb3cbe7"},"summary_title":"tin-glazing"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica relief, painted in polychrome with a half-length figure of the Virgin with the infant Christ."},{"value":"Buff earthenware, moulded in relief and tin-glazed on the front and sides; the reverse unglazed. The glaze has crawled to the left of bottom centre. Painted in watery dark blue, pale blue, yellow, orange, and dark manganese-brown.\nRectangular, with two suspension holes inside the raised frame at top centre.\nWithin a frame of egg and dart ornament is a half-length figure of the Virgin with the infant Christ sitting on a cushion on her lap. He plays with her veil and she restrains Him with her right hand. On each side of the Virgin's head is a cloud with a cherub flying out of it, holding a crown in the hand nearest to her and a palm in the other. The dark blue background is scattered with stars."}],"exhibitions":[{"@link":{"catalogue":"30","type":"reference"},"admin":{"id":"exhibition-1662","uid":"adlib-exhibition-1662","uuid":"911c989a-e42d-3013-8eb0-c992b72acf8c"},"summary_title":"Loan Exhibition of Pottery and Porcelain held in the Fitzwilliam Museum"},{"@link":{"catalogue":"A5","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? European Pottery and Porcelain Figures"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"plate 50","type":"reference"},"admin":{"id":"exhibition-2806","uid":"adlib-exhibition-2806","uuid":"6e1b65bf-b6bc-3f65-8be7-5ea2aab18496"},"summary_title":"Madonnas and Miracles. The Holy Home in Renaissance Italy"}],"identifier":[{"accession_number":"C.2200-1928","primary":true,"type":"accession number","value":"C.2200-1928"},{"priref":"73227","type":"priref","value":"73227"},{"source":"Glaisher MS Catalogue, vol. 1","type":"old object number","value":"1342"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73227","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73227"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1600,"from":{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"},"latest":1700,"range":true,"to":{"earliest":1700,"era":["CE"],"latest":1700,"value":"1700"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-190452","uid":"adlib-agent-190452","uuid":"d7536c72-123d-3c81-a2f5-4b97f80a1f56"},"summary_title":"Unidentified Deruta potter"},{"@link":{"qualifier":"after","role":[{"value":"sculptor"}],"type":"reference"},"admin":{"id":"agent-10360","uid":"adlib-agent-10360","uuid":"a406342a-5dbf-3bb9-b64a-ea223118c48f"},"summary_title":"Benedetto da Maiano"}],"note":[{"value":"Devotional panels moulded in relief with this representation of the Virgin and Child were been made mainly in Deruta.  The image derives from a marble relief attributed to Benedetto da Maiano (1442-97), formerly in the Orl\u00e9ans collection at Bologna and now in the Blumenthal collection in New York.  The location of the panel in the sixteenth and seventeenth centuries is not known, and the immediate prototype of the maiolica panels was probably a terracotta or plaster cast."},{"value":"Label text from the exhibition \u2018Madonnas and Miracles: The Holy Home in Renaissance Italy\u2019, on display at The Fitzwilliam Museum from 7 March until 4 June 2017: This rectangular plaque has two holes at the top, suggesting that the image originally hung on a wall. The heavenly colours of blue, gold and white, as well as the starry background and the angels holding crowns, remind the viewer that, according to Catholic tradition, the Virgin was crowned \u2018Queen of Heaven\u2019 after her death. The Child is shown entwined in her golden veil."},{"value":"There are numerous panels of this type, which can be divided into two main groups. The relief moulding of one group, to which this example belongs, follows the iconography of the marble. The other group deviates from it in having a cherub's head in the fold of the drapery under the Virgin's left arm, which may be accompanied by a cherub or angel's head in the background on the right, or both sides, of the Virgin's head, sometimes obscured by the painted background.  This group appears to be related to a painted plaster relief  also attributed to Benedetto da Maiano in the Skulpurengalerie, Staatliche Museen Preussischer Kulturbesitz, Berlin. This has three cherub's heads, and is approximately the same size as the maiolica panels, 49.5 x 39 cm. A tondo, without cherub's heads, is in the Palazzo di Venezia, Rome (PV5480). The painted backgrounds of both groups of maiolica reliefs include draped curtains, draped curtains with a window on the left, a wall with or without drapes, and a landscape with buildings.  The number of moulds used suggests that production continued over a long period, probably throughout the seventeenth century. The only dated example cited is at the Bowes Museum, Barnard Castle (X 1559). This belongs to the second group, and differs from most of the others in having a panel at the bottom bearing two coats of arms, and an inscription giving the date 25 February 1633. Somewhat similar panels, presumably inspired by an Italian example, were made at Triana, Seville."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th 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Her weight is on her right foot and she rests her left on the torso of Holofernes, whose left shoulder and arm project over the edge of the pedestal. Judith holds his decapitated head by its hair in her left hand; her right arm is raised, the hand grasping a sword hilt (the blade missing). She has long hair, waist length at the back, falling in ringlets over her shoulders at the side. She wears a long gown with elbow-length sleeves, and a full-skirted, sleeveless tunic, fastened by a belt and doubled up over her hips. She has sandals, a bead armlet on each arm and a small tiara or frontlet.\nThe pedestal is yellow with a purple top. Judith's hair is brownish-yellow. Her gown is white with a yellow hem. Her over-gown is blue with yellow ornament round the neck, a yellow belt and hem. Her sandals are purple, her tiara, armlets and sword hilt yellow. Her flesh is tinted slightly pink and her features are delineated in manganese. Holofernes' torso is greyish-white; the edge of his neck is red, his hair and beard brown and his features manganese."}],"identifier":[{"accession_number":"C.2170-1928","primary":true,"type":"accession number","value":"C.2170-1928"},{"priref":"48211","type":"priref","value":"48211"},{"source":"Glaisher MS Catalogue, vol. 29","type":"old object number","value":"4674"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48211","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/48211"}],"inscription":[{"description":[{"value":"rectangular with blue printed border"}],"method":"inscribed in black ink in J.W.L. Glaisher's hand","transcription":[{"value":"4674\/..."}],"type":"label"},{"description":[{"value":"circular white paper label"}],"method":"printed in black and hand-written in black ink","transcription":[{"value":"'.J.W.L. GLAISHER.\/COLLECTION' printed in a circle around  '4674' in black ink"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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In art, the theme symbolized the triumph of humility over pride and vice, and we well known to Florentines through Donatello's bronze in the Piazza della Signoria."},{"value":"The tin-glazed terracotta group of Judith was attributed to Giovanni Della Robbia (1469-1529\/3- by Marquand (1920), and this opinion was upheld by Gentilini (nd 1992). Nine examples, excluding the Fitzwilliam\/'s have been recorded with their present locations by Tscermak von Seysenegg (1986 and 1989). Each model differs in some respects from the others. Rackham (1935) dated this example to about 1525  but it was probably made in the mid-19th century, The revised dating follows thermoluminescence analysis by the Research Laboratory for Archaeology and the History of Art, Oxford (sample 581m28 taken 8 October 1993, report dated 19 November 1993) which estimated that the material of the sample was last fired less than 200 years ago, i.e. after 1793. 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(1794-1866), Master of Trinity College, Cambridge; Dr Bampstead, Leighton, Trumpington Road, Cambridge; sold  on the premises, 14-17th August, 1917, his sale lot 20; sold for \u00a31 to Mr Jolley of Cambridge, by whom sold for \u00a34.10s. on 6 October 1917 to Dr J.W.L. Glaisher, FRS,  Trinity College, Cambridge"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. I, p. 282, no. 2170, II, pl. 162. Attributed to Giovanni Della Robbia and dated to about 1525.","page":"p. 282","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Ref. and cf. p. 212, illustrated p. 211, fig. 153. 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Painted in blue, green which has run, yellow, and orange, with manganese-purple outlines. Circular with wide, slightly concave sloping rim and small curved well, standing on a footring. (Poole, 1995, Shape 62). Sprays of foliage and flowers including roses, hyacinths, carnations, tulips and lilies on either side of a saz leaf, all springing from the same point at the bottom of the rim. At the top, the initials 'G:D:\/B:' are inscribed in a rectangular scrolled frame. Round the rim there are two narrow blue bands, continuous scrolls and another blue band. The back is painted in blue with four elongated Ss separated by four squiggles each resembling a '3' with an extra backward stroke at the top."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"10","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"}],"identifier":[{"accession_number":"C.22-1932","primary":true,"type":"accession number","value":"C.22-1932"},{"priref":"73247","type":"priref","value":"73247"},{"date":[{"earliest":1932,"latest":1932,"value":"1932"}],"type":"Glaisher additions number","value":"Gl.Add.40-1932"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73247"}],"inscription":[{"location":"on front of rim","method":"painted in blue","transcription":[{"value":"G:D:\/B:"}],"type":"initials"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1932,"latest":1932,"value":"1932-05-20"}],"method":{"value":"bought"},"note":[{"value":"This object was included as no. 2212 in Rackham's Catalogue of the Glaisher Collection (1935) because it was bought with the Glaisher Fund. This has sometimes resulted in it being referred to incorrectly as C.2212-1932 instead of C.22-1932. It was also given a Glaisher Additions no. Gl. Add.40-1932."}]}],"creation":[{"date":[{"earliest":1610,"from":{"earliest":1610,"era":["CE"],"latest":1610,"precision":"circa","value":"1610"},"latest":1705,"note":[{"value":"probably mid 17th century"}],"range":true,"to":{"earliest":1705,"era":["CE"],"latest":1705,"value":"1705"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-192946","uid":"adlib-agent-192946","uuid":"a9557f5c-2b5c-3868-92a2-06a2cab3d14e"},"summary_title":"Unidentified Paduan pottery"},{"@link":{"qualifier":"probably","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-160729","uid":"adlib-agent-160729","uuid":"979fe7f5-c091-3c4c-ba65-8f24f9387ed8"},"summary_title":"Manardi Factory"}],"note":[{"value":"This unusually large dish is decorated in the style of Isnik pottery of about 1570-1600, which featured exuberant floral designs in blue, emerald green, black and vivid 'sealing-wax red'. Exports of this splendid Ottoman ware to Italy must have been considerable, because it was there that many pieces were found by nineteenth century collectors such as Charles Drury Fortnum.\nDated dishes show that maiolica influenced by this class of Isnik pottery was being made by the second decade of the seventeenth century, probably at Padua. The earliest known dated example is of 1613. The earliest dish with a large central 'saz' leaf in the design and blue squiggles on the back resembling those on the Fitzwilliam's dish, is dated 1633. This dish, now in the Mus\u00e9e National de C\u00e9ramique at S\u00e8vres, is inscribed `S. Chandiana', for a nun, Suora (sister) Chandiana. The first nineteenth century publications of that dish missed out the `h' and consequently the whole class became known as `Candiana ware' and was thought to come from Crete, known earlier as Candia. The latest recorded dish, in the Ca' Rezzonico, Venice, is dated 1705. Isnik style decoration has also been recorded on ewers, bowls and vases.\nThe discovery of fragments of Isnik style maiolica including wasters, during an excavation in 1982 on the site of the Manardi factory at Bassano del Grappa, indicate that it was also made there during the second half of the seventeenth century."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106447","uid":"adlib-term-106447","uuid":"c24dda6b-b738-3a7d-bddf-648ede5b5cd4"},"summary_title":"17th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-106655","uid":"adlib-term-106655","uuid":"ee8a7821-8b3c-3059-913f-eca0d91befec"},"summary_title":"18th Century, 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Harland; Mrs Bryan Harland; Sotheby's, 20 May 1932, Catalogue of Fine Tapestries and Spanish Carpets, Boxwood Figures, Alabaster Carvings, European Faience, Old English Furniture etc. comprising the property of Mrs Bryan Harland . . . . ,  p. 3, lot 3; sold for \u00a350 to the Fitzwilliam Museum"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 3, lot 3","page":"p. 3","type":"reference"},"admin":{"id":"publication-3336","uid":"adlib-publication-3336","uuid":"db61c5a2-6c32-3107-8d1d-a46ac021325f"},"summary_title":"Catalogue of continental pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-200001140","uid":"adlib-publication-200001140","uuid":"9030e8dc-656e-31d3-93a7-a3a612a2036d"},"summary_title":"Maioliche dette \"Candiane\" in Inghilterra"},{"@link":{"notes":"Publ. 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For the type of Iznik pottery which inspired the decoration on the dish, see pp. 246-7, and cf. pls. 692, 694, 698, 704, 706, 723, 730","page":"246-7","type":"reference"},"admin":{"id":"publication-6261","uid":"adlib-publication-6261","uuid":"445cc21f-ed97-3c1d-acba-fce0d4f1733c"},"summary_title":"G\u00f6tter, Helden und Grotesken, Das Goldene Zeitalter der Majolika"},{"@link":{"notes":"Cf. p. 230, no. 202, an alzata with Isnik style decoration in Schloss Pillnitz, Dresden (inv. no. 48429).","page":"230","type":"reference"},"admin":{"id":"publication-6434","uid":"adlib-publication-6434","uuid":"4524f0a3-0484-3e51-8720-80332f8ac8a2"},"summary_title":"Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Volume I and Volume II"},{"@link":{"notes":"Cf. p. 68, no. 27 a dish withbroad rim and deep centre, decorated in Isnik style, d. 31.1 cm, attributed to Padua or Bassano del Grappa, c. 1610-80. 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