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This particular group is marked with an incised B which may be that of Bachelier, but could be interpreted as the Bo mark of his successor, Louis-Simon Boizot between 1775-70."},{"value":"Unglazed biscuit porcelain was introduced at Vincennes from 1751, and production continued after the factory moved in S\u00e8vres in the late summer of 1756. 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VI and example of this model in the author's collection.","page":"18-23","type":"reference"},"admin":{"id":"publication-200001941","uid":"adlib-publication-200001941","uuid":"f27858c8-2e6a-3d55-a6d0-10d9ad76c290"},"summary_title":"Falconet and S\u00e8vres biscuit"},{"@link":{"notes":"Cf. pp. 194-7, fig. 8, an example in the Elizabeth Parke Firestone Collection.","page":"194-7","type":"reference"},"admin":{"id":"publication-200001307","uid":"adlib-publication-200001307","uuid":"6c67f1c6-922d-3c28-b5ef-b6e3467aa007"},"summary_title":"Soft-paste biscuit figures from Vincennes and S\u00e8vres"},{"@link":{"notes":"Ref. pp. 27-8, see the postscript for the interpretation of the marks on biscuit figures.","page":"27-8","type":"reference"},"admin":{"id":"publication-200001238","uid":"adlib-publication-200001238","uuid":"ee3c8789-6896-350f-95d5-88483fee27ac"},"summary_title":"Les Marques sur les Biscuits en Pat\u00e9 Tendre de Vincennes et S\u00e8vres"},{"@link":{"notes":"Ref. For an interpretation of the marks on biscuit figures. The mark on this model is most like the B which the author attributes to Boizot, but is also very like that attributed to the sculptor Bourdois, working 1773.","page":"257-60","type":"reference"},"admin":{"id":"publication-200001239","uid":"adlib-publication-200001239","uuid":"e9b958a1-7a9a-3cfd-8377-dab5ddba0941"},"summary_title":"\u00c0 propos des Marques sur les Biscuits de Vincennes et de S\u00e8vres"},{"@link":{"notes":"Ref., Vol. II, pp. 819-821 for a short introduction to the technique  and models","page":"819-21","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. p. 156-7 no. 87a the model in terracotta of 1766. p. 157, no. 87b for a biscuit model MNC 25 220, marked with a B. H. 22 cm. For biography of Falconet, and marks on biscuit figures and groups, see pp. 11-24 and 25-29","page":"11-29, 156-7","type":"reference"},"admin":{"id":"publication-3881","uid":"adlib-publication-3881","uuid":"469244df-ef0f-3eb8-9d0c-757e58162458"},"summary_title":"Falconet \u00e0 S\u00e8vres 1756-1766 ou l'art de plaire"},{"@link":{"type":"reference"},"admin":{"id":"publication-3882","uid":"adlib-publication-3882","uuid":"9e4efd43-b7f2-3164-8737-8177dc4fbe1d"},"summary_title":"An Important Collection of European Porcelain, the property of the late Oscar Dusendschen of Geneva"},{"@link":{"notes":"Cf. p. 17, lot 34, an example from the collection of Wilfred J.Sainsbury","page":"17","type":"reference"},"admin":{"id":"publication-3662","uid":"adlib-publication-3662","uuid":"d4172bcd-2e6d-3b33-8769-33691d629025"},"summary_title":"Important Continental Porcelain"},{"@link":{"notes":"Cf. Day 1, 21 March, p. 144, lot 144. Estimate $3,500-4,500. 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The head is made separately and is balanced on the shoulders by means of a rod projecting on each side of the neck.The bottom of the neck is attached to a cylindrical lead weight. A gilt-metal mount with engraved decoration encircles the neck edge of the body.\n\nThe low mound base is square with rounded corners, and is decorated on top with applied green leaves and two yellow flowers wth purple centres. The boy stands on his left foot with his right leg raised and bent at the knee, his right hand is at his side, and his left hand is raised. He wears a cabbage leaf hat over his bald head, and has brown eyebrows and eyes, pink cheeks and red mouth. He wears a long white robe with scattered polychrome floral sprays and dark pink sleeve linings, with a V-shaped opening at the front. A yellow cape is draped around his shoulders, and he has yellow and pink shoes. A narrow gold line runs round the edge of his sleeves, the lower edge of his rbe, and the top of his right shoe."}],"exhibitions":[{"@link":{"catalogue":"E17","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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Estimate $6-8,000; fetched $","page":"42","type":"reference"},"admin":{"id":"publication-5128","uid":"adlib-publication-5128","uuid":"9f35e365-62ea-3315-bd8d-29c3f8917d3e"},"summary_title":"Fine Continental Ceramics from the Collection of the late Siegfried and Lola Kramarsky"},{"@link":{"notes":"Cf. p. 61, lots 84 and 85 (this model). H. 23.8 cm. Estimate for each SFr. 6-10,000; fetched SFr","page":"61","type":"reference"},"admin":{"id":"publication-5073","uid":"adlib-publication-5073","uuid":"51cd7c8d-3d05-32f6-a9f0-143b68fb52e6"},"summary_title":"The Distinguished Collection of a Lady"},{"@link":{"notes":"Cf. pp. 32-3, lots 277 and 278, two Chinese boys with left arm and right leg raised, both height 21.5 cm. 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G. Clarke"}],"component":[{"materials":[{"note":[{"value":"blue, green, yellow, flesh pink, dark pink, pale purple, shades of brown, and grey"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"in  blue, green, yellow, flesh pink, dark pink, pale purple, shades of brown, and grey enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"name":"Gilding","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26923","uid":"adlib-term-26923","uuid":"8637c49a-c93f-3442-86fb-0fa05cb5345b"},"summary_title":"tooling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Soft-paste porcelain decorated with a bleu nouveau ground on the rim, painting in enamels and gilding: in the centre, 'Les Bacchantes Endormies' after Boucher; on the reserves on the rim, classical scenes."},{"value":"Soft-paste porcelain decorated with an bleu nouveau ground, painting in blue, green, yellow, flesh pink, dark pink, pale purple, shades of brown, and grey enamels, and gilding. Circular, the rim scalloped with twelve alternately large and small arcs. The rim is slightly concave and the well has a shallow, concave sides. There is a suspension hole in the footring. In the centre, reserved on a white ground, is a circular panel, framed by a wide band of gilding tooled with bound laurel leaves and a narrow band of gilding tooled with straight lines outside it. The panel is painted with three voluptuous nymphs sleeping in the shelter of a purple hanging beside a tree, unaware of a satyr who peers at them over the hanging. The rim has a bleu nouveau ground decorated with gold scrolls, sprays of flowers and foliage, between which are four, elongated oval reserves framed by wide bands of gilding tooled with overlapping scales and crossed ribbons. The panels are painted in polychrome as follows: (1) Combat des Horiaces et Curiaces - A contest between two soldiers carrying swords and shields while another lies dead beside them and a fourth approaches from behind. (2) Cincinnatus - Two standing men, one wearing armour, invite Cincinnatus dressed as a farmer to come into the palace standing behind them. (3) Les Vestales portant le feu sacr\u00e9 - A young woman kneels in front of a brazier which is being carried by two priestesses. (4) Paul Emile appelle \u00e0 l'arm\u00e9e - A seated man refuses to look at a young woman being presented to him by another man. All the figures wear classical dress. 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