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A yellow bag is slung at his left side by means of a strap  attached to his right shoulder by a brooch A brown cloak extends downwards from that shoulder to the back of the base."}],"identifier":[{"accession_number":"C.43-1930","primary":true,"type":"accession number","value":"C.43-1930"},{"priref":"75068","type":"priref","value":"75068"},{"date":[{"earliest":1930,"latest":1930,"value":"1930"}],"source":"The Fitzwilliam Museum","type":"Glaisher Addition number","value":"Gl.Add.2-1930"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75068","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75068"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher 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The shallow, straight-sided rectangular base is hollow underneath, and is painted in blue, pale red, brown, grey and black to resemble marble. Demosthenes stands on his left leg with his right advanced. He leans forward, extending his right arm and holding up his cloak up to his chest with his left hand. He has black hair and beard, and wears a white tunic and a long turquoise cloak with a pink lining and yellow fringe. On the viewer's right there is a tall pedestal veined in black to resemble marble, and decorated on the front in relief with a green swag above an arched panel enclosing a scene showing a small figure of Demosthenes standing on a rocky promontory addressing the waves, with two sailing ships in the distance, and overhead, a larger figure of Hermes\/Mercury holding a caduceus with a cloud below him."}],"exhibitions":[{"@link":{"catalogue":"C5","type":"reference"},"admin":{"id":"exhibition-1070","uid":"adlib-exhibition-1070","uuid":"2cb713dc-899f-35df-9c15-515a05f38d48"},"summary_title":"Plagiarism Personified? 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WOOD suggests that the figure was probably made between 1783 when Enoch Wood (1739-1840) was potting on his own, probably at the Over House Works in Burslem, and 1793 when he opened a new factory at Fountain Place, and entered into a formal  partnership with James Caldwell which lasted until 1818.  However, it is possible that the mark E. WOOD continued to be used after the partnership was formed and the WOOD & CALDWELL mark was introduced. Wood's partnership with his cousin Ralph Wood in 1784 lasted for only a few weeks."},{"value":"When purchased by Dr Glaisher the figure was identified as St Paul preaching at Athens, and has also been described as 'Eloquence', but the model was after a plaster of Demosthenes by John Cheere (1709-87) of which there is an example 20 in high at Burton Constable, Yorkshire, where there is also a preliminary drawing by Cheere, and a life-size figure neither of which have the pedestal on the right of the figure (see Documentation, Hall, 1970). If not from Cheere, Wood might have obtained a plaster model from Charles Harris of the Strand (d. c. 1795) whose undated 'Catalogue of Statues, Bass Reliefs, Bustos, & c.' (V. & A., National Art Library 1.37.Y)  includes a figure of Demosthenes of the same size for 2 guineas, and figures of Prudence and Fortitude which might have been the models for Wood's figures of those subjects. A somewhat similar figure is shown representing 'Education' in George Bickham's 'The Universal Penman', London, 1743."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-107437","uid":"adlib-term-107437","uuid":"96f4b0d1-fc11-39ff-ae91-1b23d888d479"},"summary_title":"George III"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-108171","uid":"adlib-term-108171","uuid":"c943fe08-bd72-32ab-823c-e1eeb56717b3"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Burslem"}]}]},"materials":[{"note":[{"value":"tinted slight blue"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"48.2"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-195460","uid":"adlib-media-195460","uuid":"279087e8-6a2a-3a6b-bab2-38665b1e2789"},"processed":{"large":{"format":"jpeg","location":"aa\/aa32\/c_900_1928_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1024},{"dimension":"width","units":"pixels","value":873}]},"modified":1742597564924,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa32\/mid_c_900_1928_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":586},{"dimension":"width","units":"pixels","value":500}]},"modified":1742597564924,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa32\/c_900_1928_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1024},{"dimension":"width","units":"pixels","value":873}]},"modified":1742597564924,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa32\/preview_c_900_1928_dc2.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":293},{"dimension":"width","units":"pixels","value":250}]},"modified":1742597564924,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47440","uid":"adlib-media-47440","uuid":"f8495d24-6000-33af-9db3-7f70391d7463"},"processed":{"large":{"format":"jpeg","location":"aa\/aa7\/C_900_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583602707,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa7\/mid_C_900_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583602707,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa7\/C_900_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583602707,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa7\/preview_C_900_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583602707,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}}],"note":[{"type":"history note","value":"Christie, Manson & Woods, London, 12 December 1918, Porcelain, decorative furniture and Eastern rugs, lot 37; purchased for 37 guineas by Mr Stoner who sold it on the same day for \u00a338 to Dr J.W.L. 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The author discusses Enoch Wood's first enterprise, probably at the Over House Works, beginning in 1783; his very brief partnership with his cousin Ralph in 1784; and continuation of potting at the Over House Works until his new factory was completed at Fountain Place in1 793 when his formal partnership with James Caldwell was drawn up on 1 January 1793, and signed on 29 August.","page":"159-62","type":"reference"},"admin":{"id":"publication-200003276","uid":"adlib-publication-200003276","uuid":"aa1a2957-9ed0-3c60-8822-c5af83c11947"},"summary_title":"The Enoch Wood Paper Archive: Part I. 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The greyhound is seated on an oval mound base which is open and glazed underneath. 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A lion stands with tail between his rear legs and head turned to the right to look up at a half standing figure of Cupid mounted on its back. The lion\u2019s teeth are bared. Cupid, originally with wings, is holding a globe in his left hand and drawing on it with a quill in his right. The lion is golden brown, the Cupid is flesh-toned, with blond hair and a blue quiver. They stand on a shallow mound decorated with green leaves, supported on a rectangular plinth with moulding round the upper and lower edges, covered with slightly blue-tinged glaze. 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The figure is supported on a deep-sided almost square base decorated to resemble black and grey marble. It is hollow underneath and has a large ventilation hole to right of centre, and another in the side of the back wall. Newton stands beside a pile of three books which supports a celestial globe partially covered by a cloth. His weight is on his left leg and his right knee is relaxed so that the foot is behind him. His head is turned to his right. In his left hand he supports a telescope whose lower end rests on the globe, and in his right he holds up the cloth which covers the celestial globe. A piece of paper with a comet in relief, and the date '1680' impressed and painted in black protrudes from the uppermost book. Newton has short brown hair, and wears  a white waistcoat  with red and black floral sprigs and black spots, lilac borders and buttons, a long white morning gown with greyish-blue fur lining, salmon-pink breeches with red buttons and ties at the knees, white stockings, and black shoes. The  telescope and the lining of the cloth over the globe are lilac. The ecliptic, the other markings on the globe, and the degrees around it are in black, and its stand is dark brown. The lowest book is pale green and lilac with a black binding; the next has a brown binding and yellow edges, and the uppermost is pale green and lilac."}],"identifier":[{"accession_number":"C.885-1928","primary":true,"type":"accession number","value":"C.885-1928"},{"priref":"76288","type":"priref","value":"76288"},{"source":"Glaisher MS Catalogue","type":"old object number","value":"4524"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76288","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76288"}],"inscription":[{"description":[{"value":"rectangular white paper stick-on label"}],"location":"on inside of base at front","method":"printed and hand-written in black","transcription":[{"value":"C5479\/\u00a37\/0\/- hand-written, FENTON & SONS,\/11, New Oxford St.,\/London. printed"}],"type":"label"},{"description":[{"value":"rectangular white paper label with cut corners at the top and dark blue line round all but the lower edge; r of Novr is raised"}],"location":"on inside of base at the back","method":"hand-written in black ink","transcription":[{"value":"4524\/statuette of\/Sir Isaac Newton\/by Ralph Wood\/Given to me by\/Col. & Mrs Dickson\/Novr.2.1918"}],"type":"label"},{"description":[{"value":"semi-circular white stick-on label"}],"location":"on viewer's left inside wall of base","method":"hand-written in black ink","transcription":[{"value":"12 in\/30.5 cm."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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The tail tip and mane are modeled to suggest thick fur and coloured a rich red-brown. The rest of the body is painted more thinly in the same colour, with a stiff brush to indicate the texture of the pelt. The ball, or globe, is yellow-green.  The figure is fully shaped in the round and decorated all over; there is a vent hole under the tail. The base is a bright grass green rectangular plinth, the top moulded, decorated with a swag and foliage at the front, and edged in black. The underside is recessed with several vent holes."}],"identifier":[{"accession_number":"C.993-1928","primary":true,"type":"accession number","value":"C.993-1928"},{"priref":"76507","type":"priref","value":"76507"},{"date":[{"earliest":1905,"latest":1905,"value":"1905"}],"source":"Glaisher MS catalogue, Volume:   2","type":"old object number","value":"2350"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76507","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76507"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No 2350 Large Staffordshire lion (with protruding tongue)  b. in Brighton Oct 12, 1905."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. 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A cheaper alternative to porcelain figures, they drew on a variety of sources, including sculpture and porcelain figures. Classical, biblical, mythological and literary subjects were popular, as were animals and representations of rural life, seasons and trades.  These early figures are moulded, perhaps with moulded or modelled parts added, the bases often formed separately. After around 1810-1820,  figures are often more vibrantly coloured and by c.1835 earlier methods had largely given way to three-part press-moulding, enabling cheaper production of figures for a growing market."},{"value":"The figure is based on a pair of lions which stand at the entrance of the Loggia dei Lanzi in Florence, one a 2nd Century Roman figure and its companion sculpted by Flaminio Vacca in 1594.  The lions were moved from the gardens of the Villa Medici in Rome to Florence in 1789. By the turn of the century, they were well known as small scale reproductions in stone, marble, plaster and bronze, which may have been used as a source for earthenware lions. These were probably intended as chimney ornaments or to be placed at opposite ends of a dresser or bookcase."},{"value":"This is one of several similar Staffordshire lions in the Fitzwilliam collection. Dr Glaisher wrote in his notebook: \u2018[it] is quite perfect, nothing made up. It was bought partly on this account, and partly because it is an interesting specimen with its red colour, and protruding tongue. Staffordshire lions are common though not often so large as this\u2019."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-123484","uid":"adlib-term-123484","uuid":"2b62f859-fe7f-3226-b539-851ef4bc07ad"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110418","uid":"adlib-term-110418","uuid":"05d711c6-8b77-3dc8-801e-fbc4d8c52049"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Longton"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Plate XIII, no.60. lion from the same source, but differently modelled.","page":"17","type":"reference"},"admin":{"id":"publication-6364","uid":"adlib-publication-6364","uuid":"fe1f86b0-bf04-37e1-b2c4-ab59b763b611"},"summary_title":"The Wood Family of Burslem"},{"@link":{"notes":"Cf. Plate 49 another very similar lion, also in the Fitzwilliam Collection.","page":"68","type":"reference"},"admin":{"id":"publication-992","uid":"adlib-publication-992","uuid":"e26b9de8-5607-3d6e-82c1-bba7d8cb57c4"},"summary_title":"Plagiarism Personified? 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W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"blue, flesh pink, red, reddish-brown, brown, grey and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}]},{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"12.2"},{"dimension":"Width","units":"cm","value":"10.2"}]},"name":"Base"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-23385","uid":"adlib-term-23385","uuid":"4c17df77-7d4e-32bf-8ec9-921b71d218a2"},"summary_title":"religion"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Lead-glazed earthenware painted in polychrome enamels: a sleeping parson and his clerk in a two tier pulpit"},{"value":"Earthenware, moulded, coated with slightly blue tinted lead-glaze, and painted in blue, flesh pink, red, reddish-brown, brown, grey and black enamels. A  rectangular pulpit, with curved lower tier at the front, occupied at the top by a sleeping vicar with his head resting on his left hand; and at the bottom, by a speaking clerk. Each  figure has his right hand draped over the front of his pulpit, on which rests an open bible, each having 'chap' written at the top of the left page and ' +' at the top of the right. The clerk's left hand was originally lifted upwards as if blessing, but is now missing. The vicar wears a white wig and clerical dress - a black cassock with white bands; the clerk has brown hair and wears a brown jacket and a grey and black striped waistcoat. the bibles have brown bindings and pages edged in blue. The pulpit has a flat back and is dappled all over in two shades of red and reddish-brown and decorated with four small angels moulded in relief.  The underside is flat and unglazed, with a large central ventilation hole."}],"identifier":[{"accession_number":"C.916-1928","primary":true,"type":"accession number","value":"C.916-1928"},{"priref":"76357","type":"priref","value":"76357"},{"date":[{"earliest":1905,"latest":1905,"value":"1905"}],"source":"Glaisher MS catalogue, Volume 2","type":"old object number","value":"2551"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76357","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76357"}],"inscription":[{"location":"on left and right sides of both open bibles","method":"painted in black enamel","transcription":[{"value":"chap        +"}],"type":"inscription"},{"description":[{"value":"rectangular white paper stick on label with a blue line edging the right and left sides, and two small leaf motifs in the top corners"}],"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No.2551\/Group of the\/Vicar and Moses\/(Staffordshire),\/ good colour\/& modelling. the\/stand\/ b. in Cambridge\/Nov 17 1905"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"the Glaisher ceramic collection was entered in the accession register as one item with the date of Dr Glaisher's death"}]}],"creation":[{"date":[{"earliest":1800,"from":{"earliest":1800,"latest":1800,"precision":"circa","value":"1800"},"latest":1835,"range":true,"to":{"earliest":1835,"latest":1835,"precision":"circa","value":"1835"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"The earliest Staffordshire figure groups of The Vicar and Moses were decorated with coloured glazes and made by Ralph Wood  (1748-95) of Burslem, c. 1782-1795. An example in the Metropolitan Museum of Art,  New York, has the title impressed across the front of the pulpit (inv. no. 12.80.1), as does an example in the Fitzwilliam Museum (C.21-1929).  Similar groups decorated in enamels, like this one, appeared from the early 1800s and versions were made throughout the century. Although these all feature the double pulpit and sleeping vicar, variations in quality and modelling show they were produced by different potters - the Fitzwilliam holds two such different versions \u2013 and there are also later copies in circulation. A different group with the same title was made by Enoch Wood, c.1790-1810, and shows the parish clerk leading the drunken vicar to the church. A satirical ballad, \u2018The Vicar and Moses\u2019, by George Alexander Stevens, published c. 1772, which tells of a drunken vicar assisted in his duties by his clerk, Moses, almost certainly influenced the production of both these groups. The double pulpit format here seems to be inspired by  William Hogarth's engraving, \u2018The Sleeping Congregation\u2019, which shows the parson preaching while his clerk and the congregation sleep, first published in 1736.\n\nPearlware figures decorated with enamels and showing scenes from everyday life and topical events became popular in the early 19th Century. Early examples are often complex, with modelled and moulded parts and applied decoration; the backs, though flat, are decorated. However, by c.1835 these methods had largely given way to three-part press-moulding which enabled faster and cheaper production  for a growing market."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, 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The author notes that subject was listed a number of times in John Wood\u2019s account book.","page":"84","type":"reference"},"admin":{"id":"publication-6492","uid":"adlib-publication-6492","uuid":"8f7a7c8d-d834-39c7-aba5-eddaaff4dd0c"},"summary_title":"English Earthenware Figures 1740-1840"},{"@link":{"type":"reference"},"admin":{"id":"publication-5796","uid":"adlib-publication-5796","uuid":"f53034c1-658f-3808-ae92-bf4b4c428367"},"summary_title":"People, Passions, Pastimes, and Pleasures, Staffordshire Figures 1810-1835"},{"@link":{"notes":"Cf. Lot 181, a version of the same model, dated c.1785-90, attributed to Wood Family. 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This relates to the figure group known as the Vicar and Moses or as Parson and Clerk, see Fitzwilliam Museum, C. 917-1928","page":"74-5","type":"reference"},"admin":{"id":"publication-3569","uid":"adlib-publication-3569","uuid":"acb8fe53-eaa3-350b-8a4f-30281485bc73"},"summary_title":"Printed English Pottery, History and Humour in the reign of George III 1760-1820"},{"@link":{"notes":"Cf. a comparable model with a more exaggeratedly curvy top to the pulpit, together with a group of the Vicar and Moses walking, similar to C.917-1928. 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The roughly oval base has an undulating surface and is coloured turquoise-green. Five pale grey lambs of different sizes recline across the front.. The base rises up in the middle and has a projecting ledge on which is a reclining black dog. Behind it is the stepped base of a tall pedestal which supports the vase, and has on the front a rectangular panel decorated with a putto holding a palm. The edges of the two steps and the edges of the pedestal are outlined in dark brown. A grey-haired girl wearing a low-necked long lilac gown with a turquoise edging and orange belt, stands on the left of the pedestal, and on the right is a grey-haired nude boy partly covered by a blue and puce drape. Their inside arms rest on the back of the fluted circular foot of the vase. Its upper part is of a flattened  and shaped oval form with two strap handles rising above the wavy rim, Its lower part has bats' wing fluting picked out in blue; above, on each side are two garlands of puce flowers and foliage suspended from a raised blue band around the shoulder. ;and the area below the rim has border of blue striations. The edges of the handle and its leaf terminals are outlined in blue. 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Figure group comprising a square double tier pulpit; at the top, an elderly sleeping vicar with his head resting on his left hand; at the bottom, a younger speaking clerk with his left hand raised in benediction. Each  figure has his right hand draped over the lectern on the front of his pulpit, on which rests an open bible.   The pulpit is slab-built as an open vessel, into which the moulded figures have been put. On each of the four front corners below the lecterns, it has a winged cherub's head in relief. The modelling of the figures is very fine, showing the folds of the clothing, the finger nails, the ringlets of the vicar\u2019s wig and the clerk\u2019s buttons. The vicar wears a wig and clerical dress. The clerk has a blue jacket and the pulpit is mid brown, hands and faces are pale pinkish brown, other parts are white. \u2018THE VICAR \/ AND MOSES\u2019 is impressed on the front of the lower pulpit. The underside is flat and unglazed."}],"identifier":[{"accession_number":"C.21-1929","primary":true,"type":"accession number","value":"C.21-1929"},{"priref":"73131","type":"priref","value":"73131"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73131","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/73131"}],"inscription":[{"location":"on front of pulpit","method":"impressed","transcription":[{"value":"THE VICAR\/AND MOSES"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs W.D. Dickson"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-180712","uid":"adlib-agent-180712","uuid":"855e3948-593a-3b3c-9d66-028df74284fe"},"summary_title":"Dickson, W. D. 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See, for example, Fitzwilliam Museum C.916-1928.These all feature the double pulpit and sleeping vicar, but variations in quality and modelling show they were produced by different potters - the Fitzwilliam holds two such different versions \u2013 and there are also later copies in circulation. A different group with the same title was made by Enoch Wood, c.1790-1810, and shows the clerk leading the drunken vicar home. A satirical ballad, \u2018The Vicar and Moses\u2019, by George Alexander Stevens, published c. 1772, which tells of a drunken vicar assisted in his duties by his clerk, Moses, almost certainly influenced the production of both these groups. The double pulpit format here seems to be inspired by William Hogarth's engraving, \u2018The Sleeping Congregation\u2019, which shows the vicar preaching while his Clerk and the congregation sleep, first published in 1736.\n\nFigures showing scenes from everyday life and topical events became popular from the late 18th Century. 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The figure is supported on a low square base with straight sides, which is hollow underneath and has a central ventilation hole in the middle. The youthful shepherd stands on a rocky and grassy mound beside a tree stump. He has his left foot forward, as if he has just stepped onto one of the rocks, and leans forward slightly because of the weight of the sheep carried over his shoulders.Its feet are tied together by a rope, which he grasps in both hands. His head is turned three-quarters to his right. He wears a black tricorne hat, a blue waistcoat under a green coat, pale yellow breeches, and black shoes. The black glaze on his hat has run down over his left shoulder during firing."}],"identifier":[{"accession_number":"C.41-1930","primary":true,"type":"accession number","value":"C.41-1930"},{"priref":"74959","type":"priref","value":"74959"},{"date":[{"earliest":1930,"latest":1930,"value":"1930"}],"source":"The Fitzwilliam Museum","type":"Glaisher Addition number","value":"Gl.Add.10-1939"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74959","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74959"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1930,"latest":1930,"value":"1930-11-14"}],"method":{"value":"bought"},"note":[{"value":"one of twelve figures purchased at the same sale"}]}],"creation":[{"date":[{"earliest":1783,"from":{"earliest":1783,"latest":1783,"precision":"circa","value":"1783"},"latest":1795,"range":true,"to":{"earliest":1795,"latest":1795,"precision":"circa","value":"1795"}}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-167262","uid":"adlib-agent-167262","uuid":"b4ed69e6-df29-3832-a345-808895b7e3cd"},"summary_title":"Wood, Ralph, II"}],"note":[{"value":"This figure represents the Parable of the Lost Sheep in the Gospel of St Luke, 15: 3-7, and in St Matthew, 18: 10-14. 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The figure is supported on a rocky mound which is open underneath. The woman stands with her head turned a little to her left. She has her right hand tucked into the pocket slit in her skirt, and with her left holds a handkerchief up to her breast. She has brown hair, and wears a round green hat with the brim turned up at the front. Her pale greenish-brown dress has three-quarter length sleeves and a low neckline. It is is open at the front to show a yellow stomacher, a bluish-white apron and a dark brown petticoat. The mound is coloured green and manganese-brown."}],"identifier":[{"accession_number":"C.38-1930","primary":true,"type":"accession number","value":"C.38-1930"},{"priref":"74732","type":"priref","value":"74732"},{"date":[{"earliest":1930,"latest":1930,"value":"1930"}],"source":"The Fitzwilliam Museum","type":"Glaisher Addition number","value":"GL.Add.6-1930"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74732","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74732"}],"inscription":[{"location":"on inside of base","method":"in black ink","transcription":[{"value":"DR\/TR (or iTR)"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Glaisher Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-150858","uid":"adlib-agent-150858","uuid":"d36d1847-4d6a-33eb-974b-f4b061db49f9"},"summary_title":"Sotheby's"}],"date":[{"earliest":1930,"latest":1930,"value":"1930-11-14"}],"method":{"value":"bought"},"note":[{"value":"One of twelve figures bought at Sotheby's on 14 November 1930."}]}],"creation":[{"date":[{"earliest":1783,"from":{"earliest":1783,"latest":1783,"precision":"circa","value":"1783"},"latest":1800,"range":true,"to":{"earliest":1800,"latest":1800,"precision":"circa","value":"1800"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-167262","uid":"adlib-agent-167262","uuid":"b4ed69e6-df29-3832-a345-808895b7e3cd"},"summary_title":"Wood, Ralph, II"}],"note":[{"value":"Probably made in the Burslem factory of Ralph Wood II (d. 1795), or possibly during the proprietorship of his son Ralph Wood III. 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Halfpenny considered that some of the Ralph Wood' figures could have been made by his brother, John Wood, of Brownhills, but see the views expressed on this in an article by Wynn Hamilton Foyn. Cf. p. 69, top right, a pearlware or china glaze figure, uncoloured, with her companion sailor in Wisbech and Fenland Museum, 1900. 57 & 58.","page":"55-99","type":"reference"},"admin":{"id":"publication-6492","uid":"adlib-publication-6492","uuid":"8f7a7c8d-d834-39c7-aba5-eddaaff4dd0c"},"summary_title":"English Earthenware Figures 1740-1840"},{"@link":{"notes":"Ref. pp. 120-8. 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Ralph jnr. learned his trade through apprenticeship at Wedgwood, while his brother John trained at Wedgwood\u2019s London warehouse\/salerooms. Ralph was briefly in partnership with his cousin Enoch before establishing his Burslem business, which was continued after his death by his son (another Ralph). John Wood is known to have bought figures from his brother and his account book of 9 December 1785 notes the sale of \u20181 pair Lyon & Panther with cupids coloured & Gilt 4.6d\u2019 to a Mr John Edwards."},{"value":"This panther was originally ridden by Cupid, turned to the left and holding a telescope up to the stars in its left hand. One of a pair, its companion has Cupid on a lion holding a globe (C.866-1928). The winged Cupid represents love, and riding or subduing a ferocious lion symbolises \u2018love conquers all\u2019, while the globe and link to the heavens suggest that love knows no boundaries. Glaisher in his MS Catalogue of his collection, and Rackham in his Catalogue of the Glaisher Collection, 1935, described this figure as a lioness. 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Also, ref to a similar pair in John Wood\u2019s account book, referred to as '1 pair Lyon & Panther with cupids coloured & Gilt 4.6d.","page":"76,91","type":"reference"},"admin":{"id":"publication-6492","uid":"adlib-publication-6492","uuid":"8f7a7c8d-d834-39c7-aba5-eddaaff4dd0c"},"summary_title":"English Earthenware Figures 1740-1840"},{"@link":{"notes":"Cf. plate XII, nos 55 and 56, a very similar pair, Cupid on a Lion, 8 \u00bc in,  and Cupid on a Lioness, 8 \u00bd in; p.103 these pieces listed with mould nos. 45 and 46; attributed to Ralph Wood or his son.","page":"14,17","type":"reference"},"admin":{"id":"publication-6364","uid":"adlib-publication-6364","uuid":"fe1f86b0-bf04-37e1-b2c4-ab59b763b611"},"summary_title":"The Wood Family of Burslem"},{"@link":{"notes":"Cf. lion and cupid illustrated.","page":"103","type":"reference"},"admin":{"id":"publication-3515","uid":"adlib-publication-3515","uuid":"755fa945-3863-320a-99ff-c2ed519b1e05"},"summary_title":"Collecting Staffordshire Pottery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9044","uid":"adlib-term-9044","uuid":"99dcb503-1a64-3792-8a40-48eda95dd763"},"summary_title":"Neoclassical"}],"subjects":[{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-133739","uid":"adlib-term-133739","uuid":"96b04b5a-e598-3387-a9a0-4d1cb4607502"},"summary_title":"panther"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-110079","uid":"adlib-term-110079","uuid":"51f69cf3-66c8-39dc-9ec6-880935128b12"},"summary_title":"lioness"},{"@link":{"type":"literal"},"name":[{"value":"panther"}],"summary_title":"panther"},{"@link":{"type":"literal"},"name":[{"value":"lioness"}],"summary_title":"lioness"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110277","uid":"adlib-term-110277","uuid":"97f1ad1c-7b1d-373a-b0ae-ed010d95f37b"},"summary_title":"animal figure"}},"summary_title":"animal figure","title":[{"value":"Panther (originally carrying Cupid)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76254","_score":15.800068,"_source":{"admin":{"added":1592999673000,"created":1312637261000,"flag":"Standard Record","id":"object-76254","indexed":1752602736715,"modified":1714469837000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76254","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76254","uuid":"64558ed4-3139-3db6-9cb8-9098ee471bcd","version":9},"agents":[{"@link":{"note":[{"value":"Keeper of the At Library of the South Kensington Museum 1857-1890"}],"type":"reference"},"admin":{"id":"agent-206906","uid":"adlib-agent-206906","uuid":"b4b2f874-1fa8-3954-b33f-01c59d43a46d"},"summary_title":"Smith, Robert Henry Soden (1822-90)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-206907","uid":"adlib-agent-206907","uuid":"d9057884-ee2f-316e-85e1-a7a14def5956"},"summary_title":"Venus Anadyomene"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150796","uid":"adlib-agent-150796","uuid":"ec5a0c8a-e54c-3735-adea-0fd5dd14f994"},"summary_title":"Cupid"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-140823","uid":"adlib-term-140823","uuid":"d8ebcbe4-8f97-333b-a11d-95895ceb405f"},"summary_title":"coloured glazed figures"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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The undersides of the base and figures are open and unglazed, The figure and its base are supported on a high greyish-brown square pedestal, decorated on each side with a urn in relief, and having a projecting border of gadrooning round its lower edge, and of circular formal flower heads round its upper edge. Venus stands on a rocky base with Cupid on her right, and an inverted dolphin spewing water from its mouth on her left.  Her head is turned slightly to her left and she rests her left hand on the dolphin's tail. In her right hand she holds  a small oblong object. She has a yellow coronet over her brown hair, and wears a green and brown drape around her lower body held up by a strap over her right shoulder and descending to the ground at the back. The base and the dolphin are coloured green and manganese-brown, and the glaze on the flesh of Venus and Cupid is tinted very pale green."}],"identifier":[{"accession_number":"C.870-1928","primary":true,"type":"accession number","value":"C.870-1928"},{"priref":"76254","type":"priref","value":"76254"},{"source":"Glaisher MS Catalogue","type":"old object number","value":"2841"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76254","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76254"}],"inscription":[{"description":[{"value":"rectangular white stick-on label with a blue motif in the top corners, and part of one in lower left corner"}],"location":"inside the base","method":"hand-written","transcription":[{"value":"No 2841\/Ralph Wood\/figure of Venus\/on high square\/plinth, By the\/elder Ra. 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The figure is supported on a deep-sided almost square base decorated to resemble black and grey marble. It is hollow underneath and has a ventilation hole to right of centre, and a smaller hole  in the side of the back wall. Newton stands beside a pile of three books which supports a celestial globe partially covered by a cloth. His weight is on his left leg and his right knee is relaxed so that the foot is behind him. His head is turned to his right. In his left hand he supports a telescope whose lower end rests on the globe, and in his right he holds up the cloth which covers the globe. A piece of paper with a comet in relief, and the date '1680' impressed and painted in black protrudes from the uppermost book. Newton has short brown hair, rosy cheeks, and red lips. He wears  a white waistcoat with purplish-puce sprigs, and blue borders, a long purplish-puce morning gown lined with white fabric with blue and red spots, pale yellow breeches, white stockings and green shoes.  His telescope is marbled in yellow, and brown. The ecliptic, the other markings on the globe, and the degrees around it are in dark brown, and its stand is paler brown. The cloth over it is dull pink. One of the books has a brown cover and green text block; the next is covered in black, and the third is green with a purple text block."}],"exhibitions":[{"@link":{"catalogue":"57","type":"reference"},"admin":{"id":"exhibition-3855","uid":"adlib-exhibition-3855","uuid":"78c8dc60-80a5-3481-9d01-e7140eec60cd"},"summary_title":"The European Fame of Sir Isaac Newton"}],"identifier":[{"accession_number":"C.884-1928","primary":true,"type":"accession number","value":"C.884-1928"},{"priref":"76287","type":"priref","value":"76287"},{"source":"Glaisher MS Catalogue, vol. 4","type":"old object number","value":"2681"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76287","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76287"}],"inscription":[{"description":[{"value":"rectangular white paper stick-on label with dark blue line on three sides"}],"location":"on underside of base","method":"hand-written in faded ink","transcription":[{"value":"illegible without microscope"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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It was the first comet to be identified using a telescope. Isaac Newton in 'Principia' (1687), applied his theory of gravitation to show that the 1680 comet moved in an elliptical, almost parabolic orbit round the sun. In England it became known as 'Newton's Comet', although John Flamstead's observations of the comet had played a significant part in enabling Newton to reach his conclusions."},{"value":"This figure is attributed to Ralph Wood II of Burslem on the basis of examples marked 'Ra. Wood\/Burslem' and the model number '137'. It was a companion to a figure of Chaucer (see C. 883-1928). 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The underside is slightly recessed and flat, with a large central vent hole, and glazed."}],"identifier":[{"accession_number":"C.910-1928","primary":true,"type":"accession number","value":"C.910-1928"},{"priref":"76344","type":"priref","value":"76344"},{"date":[{"earliest":1905,"latest":1905,"value":"1905"}],"source":"Glaisher MS catalogue, vol. 2 and Typed Catalogue","type":"old object number","value":"2330"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76344","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76344"}],"inscription":[{"location":"on rear of base","method":"impressed","transcription":[{"value":"WOOD & CALDWELL"}],"type":"factory mark"},{"location":"on rear of base","method":"incised script","transcription":[{"value":"Burslem"}],"type":"factory mark"},{"type":"no paper label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. 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The vicar wears a wig and clerical dress;  the clerk has grey hair, a black jacket and white stock; the edges of the bibles are thin and marbled; the pulpit is red brown and covered with touches of black, suggesting a texture. The back is flat but painted. The underside is flat and unglazed."}],"identifier":[{"accession_number":"C.992-1928","primary":true,"type":"accession number","value":"C.992-1928"},{"priref":"76506","type":"priref","value":"76506"},{"date":[{"earliest":1906,"latest":1906,"value":"1906"}],"source":"Glaisher MS catalogue, Volume:   2","type":"old object number","value":"2569"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76506","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76506"}],"inscription":[{"type":"no visible mark"},{"location":"underside of base","method":"rectangular paper label handwritten in black ink","transcription":[{"value":"No.2569. Staffordshire group of the Vicar and  Moses. Reddish ground. Perfect. b. at Saffron Walden July 26, 1906"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J. W. L. Glaisher bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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However, by c.1835 these methods had largely given way to three-part press-moulding which enabled faster and cheaper production  for a growing market."},{"value":"The earliest Staffordshire figure groups of The Vicar and Moses were decorated with coloured glazes and made by Ralph Wood of Burslem, c. 1782-1795. Similar groups decorated in enamel colours, like this one, appeared from the early 1800s and versions were made throughout the century. Although these all feature the double pulpit and sleeping vicar, variations in quality and modelling show they were produced by different potters - the Fitzwilliam holds two such different versions \u2013 and there are also later copies in circulation. Another group with the same title was made by Enoch Wood, c.1790-1810, and shows the clerk leading the drunken vicar home. A satirical ballad, \u2018The Vicar and Moses\u2019, by George Alexander Stevens, published c. 1772, which tells of a drunken vicar assisted in his duties by his clerk, Moses, almost certainly influenced the production of both these groups. The double pulpit format here seems to be inspired by William Hogarth's engraving, \u2018The Sleeping Congregation\u2019, which shows the vicar preaching while his Clerk and the congregation sleep, first published in 1736."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106498","uid":"adlib-term-106498","uuid":"272179a1-524b-3f36-aab7-bf342ce484d6"},"summary_title":"19th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"24.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47914","uid":"adlib-media-47914","uuid":"fb7142ad-bfc8-3873-b46f-5392853d9b3e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa8\/C_992_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616286294421,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa8\/mid_C_992_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1616286294421,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa8\/C_992_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1616286294421,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa8\/preview_C_992_1928.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1616286294421,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-134396","uid":"adlib-term-134396","uuid":"238a8c79-c8ce-3ed9-9d80-3a938ba82083"},"summary_title":"Staffordshire figure group (early)"}}],"note":[{"type":"history note","value":"Bought from Mr Hagger of Saffron Walden on 28 July 1906, for 30\/-  (thirty shillings),by Dr J.W.L. 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Mr Hagger had bought it about two months before at a sale at Sawbridgeworth."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same subject"}],"type":"reference"},"admin":{"id":"object-76357","uid":"adlib-object-76357","uuid":"4103f6af-405c-3b2f-bde4-054cb4ee174f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-73131","uid":"adlib-object-73131","uuid":"63cc2f18-804a-3595-9ff1-bf49859275e8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Wood, Burslem\u2019, c.1789-1801, in the Stoke on Trent City Museum & Art Gallery; notes that subject listed a number of times in John Wood\u2019s account book.","page":"84","type":"reference"},"admin":{"id":"publication-6492","uid":"adlib-publication-6492","uuid":"8f7a7c8d-d834-39c7-aba5-eddaaff4dd0c"},"summary_title":"English Earthenware Figures 1740-1840"},{"@link":{"type":"reference"},"admin":{"id":"publication-5796","uid":"adlib-publication-5796","uuid":"f53034c1-658f-3808-ae92-bf4b4c428367"},"summary_title":"People, Passions, Pastimes, and Pleasures, Staffordshire Figures 1810-1835"},{"@link":{"type":"reference"},"admin":{"id":"publication-8432","uid":"adlib-publication-8432","uuid":"430081dc-2015-3a8a-ac11-ec6dae37305b"},"summary_title":"Songs, comic and satyrical"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-134909","uid":"adlib-term-134909","uuid":"f25f6bad-0a40-3a20-bc2d-2f6374d3f9c1"},"summary_title":"The Sleeping Congregation"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-47742","uid":"adlib-term-47742","uuid":"7e0fdcca-1b0e-3803-906e-69370b5cf169"},"summary_title":"pulpit"},{"@link":{"type":"literal"},"name":[{"value":"pulpit"}],"summary_title":"pulpit"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group","techniques":[{"description":[{"value":"Earthenware, moulded and modelled, lead glazed and painted with enamels."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}],"title":[{"value":"The Vicar and Moses"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":2,"last_page_url":"?page=2","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":"?page=2","label":"2","active":false},{"url":"?page=2","label":"Next »","active":false}],"next_page_url":"?page=2","path":"","per_page":24,"prev_page_url":null,"to":24,"total":28}]