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[The sense of the Flemish base is such that a definite attribution is being suggested, although it sounds hesitant in translation]","page":"p. 100","type":"reference"},"admin":{"id":"publication-1180","uid":"adlib-publication-1180","uuid":"2cef542b-28b8-3f14-97b0-998f4b1ce7ce"},"summary_title":"Jean Bologne-Giovanni Bologna Fiammingo"},{"@link":{"notes":"Publ.","page":"139","type":"reference"},"admin":{"id":"publication-382","uid":"adlib-publication-382","uuid":"ee5148de-e3eb-3d38-88db-9a331edf70b6"},"summary_title":"Treasures of the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"publication-15","uid":"adlib-publication-15","uuid":"a688918a-bb81-3998-99cc-81244715767d"},"summary_title":"The Fitzwilliam Museum, An Illustrated Survey"},{"@link":{"notes":"Publ. p. 16 (under lot 61)","page":"p. 16","type":"reference"},"admin":{"id":"publication-2264","uid":"adlib-publication-2264","uuid":"8ff1b543-9530-3fbf-9433-dd213642fdfc"},"summary_title":"Sotheby's Sale Catalogue, 12th December 1958"},{"@link":{"notes":"Publ. pp. 62-65 (entry by C. 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Erwerbungen 1963"},{"@link":{"notes":"Publ. pp. 191-204","page":"pp. 191-204","type":"reference"},"admin":{"id":"publication-200001113","uid":"adlib-publication-200001113","uuid":"d1ee1be1-b131-3e9d-b5ca-65dbcc8ac24a"},"summary_title":"\u00dcber die Florentinische Einwirkung auf die Kunst des Johann Gregor von der Schardt"},{"@link":{"notes":"Publ. p. 194 (under entry on Hamburg Bacchus)","page":"p. 194","type":"reference"},"admin":{"id":"publication-3293","uid":"adlib-publication-3293","uuid":"791b7358-efd9-3c3c-909a-ff9f74110628"},"summary_title":"Jahrbuch der Hamburger Kunstsammlungen, 10, 1965"},{"@link":{"notes":"Publ. p. 21","page":"p. 21","type":"reference"},"admin":{"id":"publication-200001114","uid":"adlib-publication-200001114","uuid":"8bc56c20-cfd1-3c6c-80b2-46cde86ed66f"},"summary_title":"Aspetti della Scultura Fiorentina al Tempo della Formazione di Francesco Mochi"},{"@link":{"notes":"Publ. pp. 99-100, 102-3, fig. 1","page":"pp. 99-100","type":"reference"},"admin":{"id":"publication-200000840","uid":"adlib-publication-200000840","uuid":"9d15d085-52a2-3a0c-98c5-8e176bb1eae4"},"summary_title":"Schardt, Tetrode and some possible sculptural sources for Goltzius"},{"@link":{"notes":"Publ. p. 276, no. 30","page":"p. 276","type":"reference"},"admin":{"id":"publication-200001115","uid":"adlib-publication-200001115","uuid":"8eeab179-00b3-3f8f-8296-a9d2a6813f02"},"summary_title":"Willem Danielsz. van Tetrode"},{"@link":{"notes":"Publ. 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See a bronze attributed to Adrien de Vries, cat. no. 181, p. 150: pl. 181, p. 151.This was pointed out by Ian Robertson of the Ashmoleon, Oxford (H. 51.8 cm)","page":"pp. 150-1","type":"reference"},"admin":{"id":"publication-1265","uid":"adlib-publication-1265","uuid":"dc55db52-9b6c-3bf1-93ba-46b7a5274a1c"},"summary_title":"Die Bildwerke in Bronze und in Anderen Metallen"},{"@link":{"notes":"Cf. pp. 410-12, lot 639 another paired with a Faun (attributed to Adriaen de Vries), described as probably German, 17th century. 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earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-42865","uid":"adlib-term-42865","uuid":"92be1d50-bb1c-3472-950f-b140ee6cdde9"},"summary_title":"maiolica"}],"component":[{"materials":[{"note":[{"value":"metallic oxide colours"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-108364","uid":"adlib-term-108364","uuid":"115b8729-a560-35c1-b654-4b9d2fc5f68b"},"summary_title":"high-temperature colours"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"},{"@link":{"type":"reference"},"admin":{"id":"term-107486","uid":"adlib-term-107486","uuid":"234fe16e-17e4-3db8-881a-443636aac5ca"},"summary_title":"classical mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Maiolica dish, painted in polychrome with The Judgement of Paris."},{"value":"Earthenware, tin-glazed overall; the reverse pale 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Painted in blue, green, turquoise, yellow, orange, stone, brown, manganese-purple, black, grey, and white. Shape 64. Circular with narrow rim and wide shallow well. The Judgement of Paris. Paris and his dog sit on the left. He hands the apple of discord to Venus who is accompanied by Cupid; Juno with her peacock stands behind them, and to the right is Minerva, who has her back to the viewer and holds up a drape; above, a winged Victory holds a wreath over Venus' head. To the left are three nymphs, including Paris' wife Oenone, and to their right, behind Paris, is Mercury, who is leaving; to the right, three river gods sit or recline beside the River Scamander. In the sky Apollo drives the chariot of the sun through a zodiac arch and on the right, emerging from a bank of clouds, Coelius supports Jove, seated with his eagle beside him and Diana and two other gods behind him. In the landscape background to left are two bulls and a nude woman with a unicorn, and in the distance, buildings and mountain peaks. The edge is yellow.  On the reverse, in the middle, an oval shield bears the arms of Farnese impaling Crispi, or six fleurs-de-lis azure placed three, two, and one, impaling azure a unicorn argent on a terrace vert, dipping its horn in a stream, a comet above, surmounted by a cross and cardinal's hat, and flanked by three rows of tassels, with below, the inscription in blue 'SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AURV[M] (GENIUS, VALOUR, DOMINATION AND WEALTH ARE DESPISED IN COMPARISON TO BEAUTY). Yellow bands encircle the outer and inner edges of the rim."}],"exhibitions":[{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2080","uid":"adlib-exhibition-2080","uuid":"21fb61db-870d-399e-a0fb-035ef1c66d00"},"summary_title":"'I turned it into a palace', Sir Sydney Cockerell and The Fitzwilliam Museum"}],"identifier":[{"accession_number":"C.59-1927","primary":true,"type":"accession number","value":"C.59-1927"},{"priref":"47187","type":"priref","value":"47187"},{"source":"F. Leverton Harris Collection list","type":"old object number","value":"M 68"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/47187"}],"inscription":[{"location":"on the back","method":"painted","transcription":[{"value":"SORDENT.PRAE FORM\/INGENIVM VIRTVS\/REGNA.AVRV"}],"type":"inscription"},{"description":[{"value":"rectangular paper label"}],"location":"on the back","method":"handwritten in black ink","transcription":[{"value":"Arms of Farnese impaling Crispi\/of Rome.\/For Tiberio Crispi a familiar of\/Paul III before his pontificate.\/created by him Cardinal in 1544\/Achp of Amalfi 1547-61 bp of Sabina\/& of Sutri when he died 1566"}],"type":"label"},{"description":[{"value":"circular paper label"}],"location":"on the back","method":"handwritten in ?","transcription":[{"value":"M 68"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"F. Leverton Harris Bequest, 1926"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-151483","uid":"adlib-agent-151483","uuid":"26fbb332-a159-3961-80ad-ff1bd1a618c2"},"summary_title":"Harris, Frederick Leverton"}],"date":[{"earliest":1927,"latest":1927,"value":"1927"}],"method":{"value":"bequeathed"}}],"creation":[{"date":[{"earliest":1545,"from":{"earliest":1545,"era":["CE"],"latest":1545,"precision":"circa","value":"1545"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"workshop"}],"type":"reference"},"admin":{"id":"agent-39957","uid":"adlib-agent-39957","uuid":"a857a45e-ad93-3e9f-87e7-346c948ec5a4"},"summary_title":"Durantino, Guido"},{"@link":{"qualifier":"after","role":[{"value":"engraver"}],"type":"reference"},"admin":{"id":"agent-112340","uid":"adlib-agent-112340","uuid":"a9104dd3-daf9-32ba-b083-c074b588b652"},"summary_title":"Raimondi, Marcantonio"}],"note":[{"value":"The Judgement of Paris, engraved by Marcantonio Raimondi after drawings by Raphael, was one of the prints most frequently used as a source by maiolica painters, but was rarely copied in its entirety as it is here. Paris is shown with the goddesses Hera, Athena and Aphrodite (Juno, Minerva, and Venus) who had been brought to him by Hermes with a message from Zeus that he was to award a golden apple to the fairest. Rejecting the bribes of power and wisdom offered by Hera and Athene, Paris awarded the apple to Aphrodite, who offered to assist him in gaining the love of Helen, wife of Menelaus, King of Sparta, whose beauty was equal to her own. The inscription on the back of the dish referring to Paris' choice was also copied from the print."},{"value":"The arms on the reverse are those of Cardinal Tiberio Crispi (1497-1566), who was promoted to the cardinalate in December 1544 by the Farnese Pope, Paul III (ruled 1534-49). Like many cardinals, Crispi marked his promotion by impaling his arms with those of the Pope, so their presence on the dish indicates a date after December, 1544. Another feature which links the dish to Crispi is the nude woman with a unicorn which the painter inserted into the Judgement in the upper left background. This is believed to be an impresa adopted by Crispi, but might also refer to his links with the Farnese family who had four unicorn imprese, including a unicorn placing its front hooves in a maiden's lap."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110708","uid":"adlib-term-110708","uuid":"ef038505-1555-3c61-b6e2-cadcedf6c42a"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"}]],"summary_title":"Urbino"}]}]},"materials":[{"note":[{"value":"beige on the back"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39575","uid":"adlib-term-39575","uuid":"cdf6707a-1eeb-3622-a26b-6e54f1f8d4ab"},"summary_title":"tin-glaze"}},{"note":[{"value":"buff"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"45.4"},{"dimension":"Height","units":"cm","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-17663","uid":"adlib-media-17663","uuid":"285c1325-5b16-3c38-9051-b9b67062e38f"},"processed":{"large":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa19\/mid_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":500},{"dimension":"width","units":"pixels","value":500}]},"modified":1742581281084,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa19\/C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":760},{"dimension":"width","units":"pixels","value":760}]},"modified":1742581281084,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa19\/preview_C_59_1927.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":250},{"dimension":"width","units":"pixels","value":250}]},"modified":1742581281084,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-2187790741","source":"portfolio","uid":"portfolio-media-2187790741","uuid":"1b39445b-e2a3-3687-a753-bc66104813e6"},"processed":{"large":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/large_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":1171},{"dimension":"width","units":"pixels","value":1024}]},"modified":1529369920000,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/mid_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":572},{"dimension":"width","units":"pixels","value":500}]},"modified":1529369920000,"resizable":true,"type":"image"},"original":{"location":"C.59-1927_mas.tif","modified":1529369920000,"processed":true,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/preview_C_59_1927_mas.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":286},{"dimension":"width","units":"pixels","value":250}]},"modified":1529369920000,"resizable":true,"type":"image"},"zoom":{"format":"pyramid tiff","location":"portfolio\/F25982D9_7CB9_CFFF_028E_8BBFC531887C\/504\/680\/C_59_1927_mas.ptif","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":6677},{"dimension":"width","units":"pixels","value":5837}]},"modified":1529369920000,"resizable":true,"type":"image"}},"sort":"1","source":{"title":[{"primary":true,"type":"main title","value":"Maiolica dish with the Judgement of Paris, after Marcantonio Raimondi"}]},"type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-90855","uid":"adlib-term-90855","uuid":"b48207ec-774d-3e3e-8ab3-536996bc5dac"},"summary_title":"dish"}}],"note":[{"type":"history note","value":"Possibly Charles Jarvis (?1675-1739); his sale, London, 11-20 March 1739 (OS),A catalogue of the most valuable collection of pictures . . . late of . . . Esq., deceased,  lot 555. Probably Princess Amelia;  possibly Thomas 2nd Vicount Hampden; Viscountess Hampden (d. 1833); sold Christie, Manson, and Christie, 16 and 18 April 1834, A catalogue of the valuable assemblage of Italian Bronzes, magnificent French Furniture, of boule and marqueterie; and rare Oriental and other porcelain . . . , p. 12, lot 68; Lord Eldon, Scotland ?; Richard Ford (1706-1858), Heavitree, near Exeter, before 1850; Captain Ford; Christie's, 31 July 1919, Catalogue of porcelain, objects of art and tapestry from various sources, lot 43; purchased for \u00a3399 by Durlacher  Bros. on behalf of F. Leverton Harris (1864-1926)"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. probably, p. 12, lot 68, one of four pieces of maiolica said to have been purchased at the 'Sale of the Effects of the Princess Amelia, Sister to George III, and described as 'A DITTO WITH THE JUDGMENT OF PARIS, very richly coloured, with the arms of a cardinal on the back, 18 inches in diameter'. However, the Princess Amelia sale held by Chrisite's on 15-18 February 1787 did not mention maiolica.","page":"12","type":"reference"},"admin":{"id":"publication-7219","uid":"adlib-publication-7219","uuid":"78a1122c-ce1a-37d8-9a0e-3d6513945490"},"summary_title":"A catalogue of the valuable assemblage of Italian bronzes, mangificent French furniture, of boule and marqueterie; and rare Oriental and other porcelain; the property of the Viscountess Hampden, deceased"},{"@link":{"notes":"Publ. Mentioned as being in the collection of Richard Ford (1796-1858), at Heavitree, near Exeter.","page":"24","type":"reference"},"admin":{"id":"publication-3023","uid":"adlib-publication-3023","uuid":"35a96726-6a45-3b31-8fd4-28a7aec22e5a"},"summary_title":"Collections towards a History of Pottery and Porcelain in the 15th, 16th, 17th and 18th Centuries"},{"@link":{"notes":"Publ. Mentioned","page":"83","type":"reference"},"admin":{"id":"publication-3024","uid":"adlib-publication-3024","uuid":"824e1975-893e-3573-8d2b-d1f5a24a3a06"},"summary_title":"A History of Pottery and Porcelain Medieval and Modern"},{"@link":{"notes":"Publ. See text p. 323 where attributed to Orazio Fontana, and pl. on p. 322.","page":"322-3","type":"reference"},"admin":{"id":"publication-200000978","uid":"adlib-publication-200000978","uuid":"81c5d92f-f206-326e-8ca3-2a3610a2d94d"},"summary_title":"Italian Maiolica in the Collection of the Right Hon. F. Leverton Harris, II"},{"@link":{"notes":"Publ. Mentioned on p. 9 and illustrated pls. XIIID and XVI, top shelf on extreme left.","page":"9","type":"reference"},"admin":{"id":"publication-1569","uid":"adlib-publication-1569","uuid":"4825b83f-3a92-3c6d-b58b-2686ea0509e0"},"summary_title":"The Leverton Harris Collection"},{"@link":{"notes":"Publ. 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The print by Marcantonio Raimondi which was the source of the design, no. 245-I, or no. 246, a copy by Marco Dente","page":"242-3","type":"reference"},"admin":{"id":"publication-3026","uid":"adlib-publication-3026","uuid":"c72f1337-312c-3770-8d7d-6b27ff0e0915"},"summary_title":"The Illustrated Bartsch: The Works of Marcantonio Raimondi and of his School, vols 26-27"},{"@link":{"notes":"Ref. The most readily accessible source for the life of Tiberio Crispi (1497-1566)","page":"801-3","type":"reference"},"admin":{"id":"publication-7016","uid":"adlib-publication-7016","uuid":"71e04e2e-09e1-303e-be93-66693f3f6942"},"summary_title":"Dizionario biografico degli Italiani"},{"@link":{"notes":"Ref. For biography and arms of Cardinal Tiberio Crispi, see p. 407, no. 60, p. 409 (wrongly numbered 449), fig. 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Around the plaques and edge of the crucifix is a punched border of silver beads and an applied rope border.  The flat silver surfaces are engraved with stylised leaves and gothic tracery.  Near the base is a large compressed circular knop with applied openwork borders of fleurs de lis and gothic tracery and four large lozenge-shaped lobes with applied enamelled plaques.  Beneath, on the hexagonal stem, are applied borders of Gothic tracery.  The plaques on the front of crucifix represent, in the centre, Christ in Majesty flanked by the Virgin Mary and St. John, with a pelican in her piety above, and Adam (or Lazarus) rising from his tomb below.  On the back the plaques represent, in the centre, St. George and the Dragon surrounded by the four Evangelists.  The four lozenge-shaped enamelled plaques on the lobes represent God the Father, or Christ, and St. James the Great (patron saint of Spain) and two unidentified saints.  The stand (A) is of wood painted red with a gold border and feet.  It is octagonal with a knop above a low trumpet-shaped foot, and stands on six carved recumbant lion-shaped feet."}],"identifier":[{"accession_number":"MAR.M.67 & A-1912","primary":true,"type":"accession number","value":"MAR.M.67 & A-1912"},{"priref":"139875","type":"priref","value":"139875"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139875","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139875"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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