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The boy stands in front of a tree stump on a small circular mound base, which is hollow and unglazed underneath.  His skin is bluish-white and his eyes are picked out in dark brown. He wears a pale green cap with a long tail at the back, a bluish-white shirt with a frilled collar, a blue coat, a small blue apron, bluish-white trunks, and dark brown boots. 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The standing shepherd and his seated dog are on a rocky base with a tree stump at the back, supported on a low square plinth. The underside is open and has a circular ventilation hole under the figure. The shepherd stands on his right leg with his left relaxed at the knee. His head and body are turned slightly to his right, and he holds up his right hand to hold a crook, now missing. His left hand is extended a little way in front of him. His face and hands are dull pink, and he has a dark brown hat with a turned up brim at the front, and two feathers attached to the left side of the crown. He wears a bluish-white shirt and waistcoat, a brown coat, pale yellow breeches, bluish-white stockings and dark brown shoes. There are remnants of gilding on the buttons and buttonholes of his coat, and the ties of his left shoe. 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The shallow, straight-sided rectangular base is hollow underneath, and is painted in blue, pale red, brown, grey and black to resemble marble. Demosthenes stands on his left leg with his right advanced. He leans forward, extending his right arm and holding up his cloak up to his chest with his left hand. He has black hair and beard, and wears a white tunic and a long turquoise cloak with a pink lining and yellow fringe. 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WOOD suggests that the figure was probably made between 1783 when Enoch Wood (1739-1840) was potting on his own, probably at the Over House Works in Burslem, and 1793 when he opened a new factory at Fountain Place, and entered into a formal  partnership with James Caldwell which lasted until 1818.  However, it is possible that the mark E. WOOD continued to be used after the partnership was formed and the WOOD & CALDWELL mark was introduced. Wood's partnership with his cousin Ralph Wood in 1784 lasted for only a few weeks."},{"value":"When purchased by Dr Glaisher the figure was identified as St Paul preaching at Athens, and has also been described as 'Eloquence', but the model was after a plaster of Demosthenes by John Cheere (1709-87) of which there is an example 20 in high at Burton Constable, Yorkshire, where there is also a preliminary drawing by Cheere, and a life-size figure neither of which have the pedestal on the right of the figure (see Documentation, Hall, 1970). If not from Cheere, Wood might have obtained a plaster model from Charles Harris of the Strand (d. c. 1795) whose undated 'Catalogue of Statues, Bass Reliefs, Bustos, & c.' (V. & A., National Art Library 1.37.Y)  includes a figure of Demosthenes of the same size for 2 guineas, and figures of Prudence and Fortitude which might have been the models for Wood's figures of those subjects. 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A young man and woman are seated at different levels on a tree-stump, each holding a basket. He rests his basked on the stump on his right and she rests her basket on her knees in front of her. The young man wears a black hat, a white coat with blue edging, a yellow waistcoat, pale brown breeches, and black shoes with blue bows; the girl has a white cap, a lilac bodice over a white chemise, a flowered skirt, and black shoes with blue bows. 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