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The glaze is slightly speckled inside and outside. The vase stands on a D-shaped solid base. The back of the bowl is almost flat with a depression on either side of the centre. The front is curved, and divided into two lobes, separated by stylised palms in relief which curve below each lobe and rise to form small handles at each end. The wavy upper edge is divided and folded back at each end. Each of the lobes is painted with a bouquet of flowers. The relief leaves are touched with blue and gold; the upper edge is feathered in blue, and there are gold bands round the upper edge, and round the edge of the base.\nA pair with C.4B-1955."}],"identifier":[{"accession_number":"C.4A-1955","primary":true,"type":"accession number","value":"C.4A-1955"},{"priref":"82570","type":"priref","value":"82570"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82570","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82570"}],"inscription":[{"description":[{"value":"the dots are one above the other"}],"location":"on base","method":"painted in blue enamel onto the unglazed body","transcription":[{"value":"interlaced, foliate Ls with a group of three dots above, three in the centre and one below"}],"type":"mark"},{"description":[{"value":"an illegible inscription in which some letters are readable"}],"location":"on base","method":"hand-written, probably in ink, appearing pale brown","type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Leverton Harris Fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-161362","uid":"adlib-agent-161362","uuid":"d1288bdc-73de-34c6-86d1-0acf56e103d7"},"summary_title":"Gould, Cecil"}],"date":[{"earliest":1955,"latest":1955,"value":"1955-05-26"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1955-05-26"}]}],"creation":[{"date":[{"earliest":1751,"from":{"earliest":1751,"era":["CE"],"latest":1751,"precision":"circa","value":"1751"},"latest":1752,"note":[{"value":"Perhaps c.1750-1, see documentation Eriksen and Bellaigue, 1987"}],"range":true,"to":{"earliest":1752,"era":["CE"],"latest":1752,"value":"1752"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"This open bowl-like flower vase, is likely to have been the form referred to in the Vincennes factory's records as a 'cuvette \u00e0 fleurs' or a 'pot \u00e0 fleur'. With its pair, C.4B-1955, it may have formed part of a garniture of three vases, with a larger one in the centre. \n\nIn the absence of other wide bowl-like Vincennes flower vases during the early 1750s, Eriksen and Bellaigue  (see Documentation 1987) identified this form as probably corresponding to a garniture of vases, listed twice, once as 'vases \u00e0 fleurs' and again as 'cuvettes \u00e0 fleurs' in the probate inventory of Jean-Henry-Louis Orry de Fulvy (1703-51), which was begun on 26  May 1751, and is now in the Archives Nationales.  In the inventory of the factory's stock taken of 1 October 1752 among the glazed wares there were five chimney garnitures in the form of bowls for flowers each defective costing 100 livres and amounting to 500 livres, which were still unsold in the inventory of 1 April 1753. (MNS I 7,p. 23) The report of the biscuit firing of 4 November 1752 included under moulded ware, one 'cuvette a fleur' of the first size and two of the second size which seems likely to have been another garniture of this type.  (Ledger in the Institut de France, MS 5673, p. 3. ) \n\nIt seems plausible to imagine that the large central vase resembled the one filled with an arrangement of porcelain flowers on metal stems acquired by the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres in 1983 (MNC 25058). The museum already owned a pair of matching smaller bowls. (MNC 24427.1, 2), similar to the Fitzwilliam\u2019s but having pink edges, which suggests that they may have been decorated before July 1751 when the factory's chemist, Jean Helot, introduced a blue enamel. The Fitzwilliam's examples were probably made between that date and the introduction of the date lettering system in 1753. Another of the smaller size bowls with pink edges is in the Toledo Museum of Art, Ohio (71.147), and another with blue edges was sold at Christies, New York, on 24 October 2012, lot 21.  The bowls were also made with turquoise grounds."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"}]}]},"materials":[{"note":[{"value":"except underside of base; presumed 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Eriksen and Bellaigue suggest a date of c. 1750-1. Nothing resembling them was listed in the 1752 stock list.","page":"234-5","type":"reference"},"admin":{"id":"publication-2708","uid":"adlib-publication-2708","uuid":"8bd0fe01-f1e7-391a-9790-39dfbcf6c941"},"summary_title":"S\u00e8vres Porcelain: Vincennes and S\u00e8vres 1740-1800"},{"@link":{"type":"reference"},"admin":{"id":"publication-3650","uid":"adlib-publication-3650","uuid":"a6c9b778-9484-30c5-8834-65c60bb2e6ba"},"summary_title":"Important Continental Porcelain and Pottery"},{"@link":{"type":"reference"},"admin":{"id":"publication-3664","uid":"adlib-publication-3664","uuid":"f25efea3-7517-3d67-8795-3fed23e56bde"},"summary_title":"Sotheby's Sale Catalogue, 29th-30th March 1971"},{"@link":{"notes":"Cf. p. 76, nos. 155-6, further examples, a pair in the Mus\u00e9e national de C\u00e9ramique, S\u00e8vres (MNC 24427 1 and 2).The Fitzwilliam's pair are mentioned, p. 75. See also p. 75, no. 154, a larger vase with porcelain flower arrangement then in a private collection, since 1983 also at S\u00e8vres  (MNC 25058).","page":"pp. 75-6","type":"reference"},"admin":{"id":"publication-3134","uid":"adlib-publication-3134","uuid":"3aca7c2c-770f-3903-8496-0510265bed08"},"summary_title":"Porcelaines de Vincennes, Les Origines de S\u00e8vres"},{"@link":{"notes":"Cf. p. 132, fig. 27, the pair at S\u00e8vres which have pink edges. 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There are bands of gilding round the foot, round the junction of the spout and body and down the sides of the handle, which also has strokes at the top, a group of four petals, and dots of graduated sizedown the back."}],"identifier":[{"accession_number":"C.2 & A-1948","primary":true,"type":"accession number","value":"C.2 & A-1948"},{"priref":"93537","type":"priref","value":"93537"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93537","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93537"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing E"}],"type":"factory mark"},{"description":[{"value":"above the factory mark"}],"location":"on base below factory mark","method":"painted in blue enamel","transcription":[{"value":"S"}],"type":"painter's mark"},{"description":[{"value":"'d' over a line, '4 x'"}],"location":"on base","method":"incised","transcription":[{"value":"d on one side of the base and  4\/x"}],"type":"incised mark"},{"description":[{"value":"entry from a sale catalogue"}],"location":"stuck on inside the teapot","method":"printed in black and hand-written","transcription":[{"value":"'64 A small teapot, sucrier and cover; with gros-bleu and g           s   and flowers in colours'\/ and in ink '1886 Christie's\/M\u00e9rault Sen-'."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1948,"latest":1948,"value":"1948-02-24"}],"method":{"value":"given"},"note":[{"value":"The collection of the Countess of Chesterfield was sold at Christie's in 1886. 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For biography of Pierre-Antoine M\u00e9reau, l'a\u00een\u00e9","page":"331-2","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref.pp. 577-8, for description, and documentation of the th\u00e9i\u00e8re Calabre, introduced in 1752, and pp. 578-84, C578-81 examples. The author also discusses the th\u00e9i\u00e8re Verdun, which was introduced a year later in 1753.","page":"577-8","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Cf. p. 44, lot 255, illustrated on p. 45, a teapot with similar decoration with date letter E for 1757-8, with flowers painted by Guillaume No\u00ebl.","page":"44-5","type":"reference"},"admin":{"id":"publication-8467","uid":"adlib-publication-8467","uuid":"f65e5e03-c552-3f1b-9ddc-8696045689cd"},"summary_title":"The Evill\/Frost Collection, Porcelain, Furniture & Decorative Arts, Part Three"},{"@link":{"notes":"Cf. p. 148, no. 201 and p 152,  no. 206, two cups and saucers Bouret with green ribbons painted by Jean-Baptiste Tandard in 1756-7 and by Etienne Evans in 1757-8 (MNC 24790 and 26292)","page":"p. 148 and 152","type":"reference"},"admin":{"id":"publication-6523","uid":"adlib-publication-6523","uuid":"1dbb2bc1-4f20-3d00-8d79-cc9283f78f41"},"summary_title":"S\u00e8vres, Mus\u00e9e national de C\u00e9ramiques, Nouvelles Acquisitions 1979-1989"},{"@link":{"notes":"Cf. pp.40-1, no. 7 a saucer, sugar bowl and cover and a covered jug with a lozenge-shaped tray of 1757-8 (E) at Schloss Fasanerie. Their ribbons slope from top right diagonally to bottom left. Painter, an unidentified flower painter whose mark was a reversed c with dot either side.","page":"40-1","type":"reference"},"admin":{"id":"publication-4655","uid":"adlib-publication-4655","uuid":"4c795466-ef5c-3139-af87-252991660c24"},"summary_title":"K\u00f6nigliches Porzellan aus Frankreich, Sammlerst\u00fccke und Service der Manufaktur Vincennes\/S\u00e8vres"},{"@link":{"notes":"Cf. pp. 80-1, no. 17, a comparable teapot Calabre decorated with alternating diagonal wavy ribbons and floral sprays, painted by No\u00ebl, and bearing date letter for 1757. H. 12.5 cm. The ribbons slant in the opposite direction from those on the Fitzwilliam's pot.","page":"80-1","type":"reference"},"admin":{"id":"publication-5924","uid":"adlib-publication-5924","uuid":"a04146c2-58f7-3893-a341-612f88ee0acc"},"summary_title":"The French Royal Porcelain S\u00e8vres, The Marton Museum Collection Samobor\/Francuski kraljevski porculan, Kolkcija Muzeja Marton Samobor"},{"@link":{"notes":"Cf. p. 147, lot 196 a small (7.5 cm) sugar bowl and cover of Bouret form, of similar design with diagonal scalloped blue ribbons alternating with floral sprays on a white ground, with date letter for 1756, and marks for Taillandier and perhaps Tandart.","page":"147","type":"reference"},"admin":{"id":"publication-4654","uid":"adlib-publication-4654","uuid":"d85cfd87-80cb-3509-b001-361acbb42605"},"summary_title":"Collection Charles-Otto Zieseniss"},{"@link":{"type":"reference"},"admin":{"id":"publication-5976","uid":"adlib-publication-5976","uuid":"7c4b2d91-bb08-3697-bd4d-29880542e1ac"},"summary_title":"Mus\u00e9e de l\u2019Ermitage, La porcelaine de S\u00e8vres du XVIII si\u00e8cle, Catalogue de la Collection"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-107622","uid":"adlib-term-107622","uuid":"523e46be-6c51-3455-8391-3ea334aab2f0"},"summary_title":"flowers"},{"@link":{"type":"literal"},"name":[{"value":"flowers"}],"summary_title":"flowers"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91394","uid":"adlib-term-91394","uuid":"2bb189d3-6008-3a4e-abbb-eb2a240e0739"},"summary_title":"teapot"}},"summary_title":"teapot","title":[{"value":"Th\u00e9i\u00e8re Calabre"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"&laquo; Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next &raquo;","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":2,"total":2}]