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Outside, there are two greyish-blue bands below the rim, which is yellow."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-1613","uid":"adlib-exhibition-1613","uuid":"14ebcb02-6902-3d77-86f1-2632430766a6"},"summary_title":"The Fine Art and Antiques Fair"},{"@link":{"catalogue":"no catalogue","type":"reference"},"admin":{"id":"exhibition-1605","uid":"adlib-exhibition-1605","uuid":"04d3c358-0bef-3d8f-8df5-14f16987ac1b"},"summary_title":"Italian Maiolica in the Fitzwilliam Museum"},{"@link":{"catalogue":"256","type":"reference"},"admin":{"id":"exhibition-2376","uid":"adlib-exhibition-2376","uuid":"3e2208a0-ad25-3b64-b03f-cb63aa00fd02"},"summary_title":"Treasured Possessions from the Renaissance to the Enlightenment"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-2806","uid":"adlib-exhibition-2806","uuid":"6e1b65bf-b6bc-3f65-8be7-5ea2aab18496"},"summary_title":"Madonnas and Miracles. 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Very rare."}],"type":"label"},{"location":"on front below figures","method":"painted in manganese","transcription":[{"value":"CON.POL.DI.S.CASA"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928-12-07"}],"method":{"value":"bequeathed"},"note":[{"value":"the date of entry was registered as the date of Dr Glaisher's deathj"}]}],"creation":[{"date":[{"earliest":1700,"from":{"earliest":1700,"era":["CE"],"latest":1700,"precision":"circa","value":"1700"},"latest":1800,"range":true,"to":{"earliest":1800,"era":["CE"],"latest":1800,"value":"1800"}},{"earliest":1800,"from":{"earliest":1800,"era":["CE"],"latest":1800,"precision":"circa","value":"1800"},"latest":1900,"range":true,"to":{"earliest":1900,"era":["CE"],"latest":1900,"value":"1900"}}],"maker":[{"@link":{"qualifier":"uncertain","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"note":[{"value":"According to the legend related by Pietro Giorgio da Teramo, about 1470-3, the Virgin Mary's home at Nazareth was carried by angels to Tersatto in Yugoslavia on 10 March 1291 to save it from the Infidels. On 10 December 1294 it was moved again to a forest near Recanati but, because of brigands in the area, it was moved in August 1295 to a hilltop. This site in turn proved unfavourable because two brothers robbed the pilgrims who went there, and after one brother murdered the other, the angels transported the house to its final resting place at Loreto.  During the late Middle Ages Loreto developed into an important pilgrimage centre, and a great church, completed in 1500, was built around the `house' which was encased in an elaborate marble rivestimento during the early sixteenth century. In addition to the Holy House, pilgrims came to venerate a statue of the Virgin and the Holy Bowl said to have been used by her."},{"value":"Souvenir bowls for pilgrims bear the words 'CON POL DI S CASA' (con polvere di Santa Casa), referring to the adding of dust from the sweeping of the Holy House to the clay from which they were made. Bowls like this one are fairly common. The scene inside was probably copied from a woodcut on one of the printed attestations, which pilgrims acquired as evidence of their visit to the shrine. The Virgin is shown wearing a stiff robe similar to that worn by the famous statue, and stands in front of the church of the Santa Casa. Another common design is painted in baroque style, mainly in blue and yellow. The origin of most of these bowls is uncertain. Some can be attributed to Castelli, and it seems likely that the others were made near Loreto, or elsewhere in the Marches."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106400","uid":"adlib-term-106400","uuid":"3e80c102-1483-3c39-b2f4-67e333d653d8"},"summary_title":"18th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113179","uid":"adlib-term-113179","uuid":"e74d25a1-07c3-3a30-b91b-004673211ee5"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"Italy"}],"summary_title":"Italy","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"The Marches"}],"summary_title":"The Marches","type":"region"}]],"note":[{"value":"possibly 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