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On the rocky base there reclines a sleeping, draped nude female figure, her right arm resting on flowers and her right leg crossed elegantly over her left. Behing her is a hollow tree stump beside which is the lower part of a draped male figure, the upper part of which has broken away."}],"identifier":[{"accession_number":"EC.3-1944","primary":true,"type":"accession number","value":"EC.3-1944"},{"priref":"82556","type":"priref","value":"82556"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82556","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82556"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1944,"latest":1944,"value":"1944-07-14"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1944-07-14"}]}],"creation":[{"date":[{"earliest":1749,"from":{"earliest":1749,"era":["CE"],"latest":1749,"precision":"circa","value":"1749"},"latest":1755,"range":true,"to":{"earliest":1755,"era":["CE"],"latest":1755,"value":"1755"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"}],"note":[{"value":"L\u2019Heure du Berger was probably inspired by Pelletier\u2019s engraving after Boucher\u2019s Le Repos de Diane of 1722. (See Documentation, Ananoff, 1976). Its earlier identification as Daphne and Chloe arose because the figures are also reminiscent of those in Boucher\u2019s 'Berger pr\u00e8s d\u2019une Bergere endormie' or 'Daphne and Chloe' ,in the Wallace Collection, London (See Documentation, Ingamells,1989), for which a drawing by Boucher was sold at the H\u00f4tel Drouot, Ader Picard Tajan, on 18 June 1991. It was probably modelled about 1749 or 1750, and may have been intended to be mounted in bronze. Only one mounted example is known, in the Victoria and Albert Museum (see Documentation, Maxwell, 2009)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis 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Glass and Works of Art, Antique and Decorative Furniture, Oriental Rugs and Carpets, & c., p. 5, lot 28, purchased for \u00a330 by Frank Partridge,124-6 New Bond Streett, London from whom purchased for \u00a331.10s. by the Friends of the Fitzwilliam Museum. See invoice dated 14th July 1944 and receipted at 26 King street, St James\u2019s Square, in the Friends\u2019 records for 1944."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 5, lot 28","page":"p. 5","type":"reference"},"admin":{"id":"publication-3659","uid":"adlib-publication-3659","uuid":"4c94246c-335c-30a8-a8e1-19f7614ca3da"},"summary_title":"Catalogue of European Ceramics"},{"@link":{"notes":"Publ. 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The cup has a double-curved outline and entwined branch handle. The saucer is circular with a five-lobed edge, concave curving sides and a slight well in the centre. There is a hole for suspension in the footring of the saucer. The upper part of the cup and the outer part of the interior of the saucer have green grounds divided from the white lower and inner parts by trailing sprays of gold foliage and flowers, forming a wave pattern. Below, or within, in the arcs formed by the dips in the waves, are sprays of polychrome flowers. There are bands of gilding round the foot of the cup and of the saucer and dentilated bands round the lip of the cup, the outer edge of the saucer and the edge of the well. The leaf terminals of the handle are gilded, and there are two broad patches of gilding on the handle itself."}],"identifier":[{"accession_number":"C.34 & A-1961","primary":true,"type":"accession number","value":"C.34 & A-1961"},{"priref":"93570","type":"priref","value":"93570"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93570","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93570"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing D"}],"type":"factory mark"},{"description":[{"value":"a fleur-de-lis"}],"location":"on base of cup and saucer, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"a square"}],"location":"on base of cup","method":"incised","type":"incised mark"},{"location":"on base of saucer to right of suspension hole","method":"incised","transcription":[{"value":"6c"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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It was made in three sizes with a plain or cinquefoil-shaped saucer. This is the second size. The form had been introduced by October 1752, when \u20187 Gobelets h\u00e9bert\u2019 and \u20184 Soucoupes Id[em]\u2019were included in a list of biscuit objects awaiting glazing at the beginning of the biscuit firing register. (Bibl. Institute de France, MS 5673 )  The third size followed in 1754. For the association of this type of cup with the name 'gobelet H\u00e9bert' see Eriksen, 1968 (see documentation).\n\nThis form and pattern are more common with a bleu c\u00e9leste than a green ground, which was not introduced until 1756, probably not until the autumn. The sales register for 1756 (Vy1 and Vy2) mentions numerous 'gobelet H\u00e9bert' described as' bleu c\u00e9leste et guirlandes', which may have described this pattern. 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