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Job admonished by his wife and tempted by Satan with the inscription \u2018ET NOVS INDVIS POINT\/EN TENTATION\u2019 (And lead us not into temptation). One of a set of plaques with M.49A-D & F-1904."},{"value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with a little pink, and red, on a black ground, and gilded. Clear, uneven counter-enamel with several blobs on the right side. Job sits on ashes, menaced from behind by Satan, and admonished by his wife who stands in front of him on the right. Job faces to his left with his head turned to his right, He is bearded, and naked apart from a white cloth over his knees. His body is covered with red boils.. Satan holds a blazing red switch, and behind him is a furnace spouting flames. Job\u2019s wife wears sixteenth-century costume and has her back to the vewer. God appears in a semi-circle of clouds in the top right corner. Gold lines run round the edges of the garments. Running across the bottom of the plaque is a white panel inscribed in black with gold over it, \u2018ET NOVS INDVIS POINT\/EN TENTATION\u2019 (And lead us not into temptation) followed by two curved gold lines. A gold line runs round the edge of scene and the inscription. The reverse is inscribed in black with the number \u2018VII\u2019. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49E-1904","primary":true,"type":"accession number","value":"M.49E-1904"},{"priref":"156439","type":"priref","value":"156439"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156439","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156439"}],"inscription":[{"location":"on front at bottom","method":"painted in black and gold","transcription":[{"value":"ET NOVS INDVIS POINT\/EN TENTATION\u2019"}],"type":"inscription"},{"description":[{"value":"Roman seven"}],"location":"on back","method":"painted in black","transcription":[{"value":"VII"}],"type":"number"},{"description":[{"value":"almost square label with a serrated edge and blue printed beaded border; underlined as far as 401"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"4899\/sar (5\/T000\/N000\/401\/di una\/venduta separat . ."}],"type":"label"},{"description":[{"value":"a strip cut out of a sale catalogue"}],"location":"on back","method":"printed in black","transcription":[{"value":"289 SIX PLAQUES en \u00e9mail de Pierre Remond, repr\u00e9sentant des sc\u00e8nes de pri\u00e8res avec inscriptions au bas en vieux fran\u00e7ais. Petit collection tres rare et digne d\u2019un mus\u00e9e. Vois illustration page 3.\u2019 and handwritten in black ink \u2018CAT.B (or D) AVD"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"value":"1550"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."}],"note":[{"value":"This plaque was originally the seventh in a series of eight panels illustrating the Lord's Prayer, of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows 'Christ instructing the Disciples how to pray', the others have scenes associated with the Lord's Prayer which follows. The words are written in French below each scene. This plaque illustrates \u2018 Lead us not into temptation\u2019 (Matthew VI, 13). It shows a Job sitting in despair among ashes after Satan has afflicted him with boils from top to toe in order to tempt him to speak ungratefully of God. (Job, 2, 7-8).There are at least three other recorded plaques of this subject, see Documentation\n\nTwo plaques from the series decorated in the same style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and this was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9, Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1).\n\nThe scenes illustrating the lines of the prayer were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately probably a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). While the iconography of all the plaques was derived from these prints, the details differ considerably, in some scenes more than others. \n\nLord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP' or' KI'. These are in very different styles from the Nouailher plaques and include some scenes which were not based on the Holbein\/CV illustrations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Christ visiting a dying man. Inscribed below MAIS DELIVRE NOVS DV\u2019\/two shallow scrolls with fleur-de-lys below, \u2018MALIN AMEN\u2019 (But deliver us from evil, Amen). One of a set with M.49A-E-1904."},{"value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with some pink and a spot of red, on a black ground, and gilded.  Clear, uneven  counter-enamel with several blobs in the middle of the right side, and near to the lower left and lower right corners. An outdoor setting with trees on the right and in the centre. A sick or dying man lies propped up on cushions on a bed covered by a blanket. He looks towards Christ, who stands behind bed. A lame man stands at its end. A woman wearing a cloak over her head stands or sits beside the bed close to the invalid holding a candle with a red flame. Behind and to the left is a man wearing a hat, and a younger bare-headed man moves towards the centre. In the left foreground in front of the bed, is a small table decorated with gold scrolls, with a dish and a jar on it. Across the bottom of the plaque is a white panel inscribed in black and gold,\u2018MAIS DELIVRE NOVS DV\u2019\/two shallow scrolls with fleur-de-lys below, \u2018MALIN AMEN\u2019 (But deliver us from evil, Amen). A gold line runs round the scene and inscription. The reverse is inscribed in black with the number \u2018VIII\u2019. The plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49F-1904","primary":true,"type":"accession number","value":"M.49F-1904"},{"priref":"156440","type":"priref","value":"156440"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156440","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156440"}],"inscription":[{"description":[{"value":"between the words, two shallow scrolls with fleur-de-lys below"}],"location":"on front","method":"painted in black and gold","transcription":[{"value":"MAIS DELIVRE NOVS DV\u2019 and \u2018MALIN AMEN'"}],"type":"inscription"},{"description":[{"value":"Roman eight"}],"location":"on back","method":"painted in black","transcription":[{"value":"VIII"}],"type":"number"},{"description":[{"value":"rectangular with serrated edges, and printed blue beaded border;"}],"location":"on back","method":"hand-written in black","transcription":[{"value":"6)4899Ser\/ T000\/N000\/A10 di una\/venduta se[arata ]? mente"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1540,"from":{"earliest":1540,"era":["CE"],"latest":1540,"precision":"circa","value":"1540"},"latest":1550,"note":[{"value":"Marquet de Vasselt in April 1911 attributed this series of plaques to Colin or Couly Nouailher, c. 1540"}],"range":true,"to":{"earliest":1550,"era":["CE"],"latest":1550,"precision":"circa","value":"1550"}}],"maker":[{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. 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This image was appropriate for this petition of the prayer because in the Gospels the miraculous cures effected by Christ were sometimes followed by him granting the sufferers forgiveness of their sins. \n\nTwo Lord's Prayer plaques in similar style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867) and this was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was  confirmed by the presence of the initials CN below the title on a Lord\u2019s Prayer plaque decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now the Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nThe scenes on Nouailher's plaques were inspired by a set of metalcuts by the Basel monogrammist C.V. after Hans Holbein the Younger which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', (The Lords Prayer in seven parts) published by both Johann Froben and Johannes Bebel successively in Basel in Switzerland in 1524. The work was first published in Basel without illustrations in 1523, and was rapidly translated into modern European languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately, probably  a little later, with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). Possibly they were intended for a French illustrated edition which was never published. While the iconography of all the plaques was derived from these illustrations, the scenes were transposed (left to right) and details differ considerably, in some scenes more than others.\n\nSets of Lord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP'. 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The gaoler wears a cap with a feather in it, a tunic, trunk hose and shoes. The edges of Christ\u2019s robes and the gaoler\u2019s clothes are outlined in gold. A white panel running across the bottom of the panel, is inscribed in black with gold over it, T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY\/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022 Q\/NOVS\u2022ONT\u2022OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the number \u2018VI\u2019. ADD line over Q and N and O in PARDONOS\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2107","uid":"adlib-exhibition-2107","uuid":"07086265-735b-3fd0-90c6-7b1c4f93cb94"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum By Frank McClean, M.A., F.R.S."}],"identifier":[{"accession_number":"M.49D-1904","primary":true,"type":"accession number","value":"M.49D-1904"},{"priref":"156438","type":"priref","value":"156438"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156438","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156438"}],"inscription":[{"location":"on front","method":"painted in black and gold","transcription":[{"value":"ET\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022OFFESES\u2022AINSY\/ VE\u2022NOVS\u2022PARDONOS\u2022A. CEVLX\u2022Q\/NOVS\u2022ONT\u2022OFFENSE\u2019"}],"type":"inscription"},{"description":[{"value":"Roman six"}],"location":"on back","method":"painted in black","transcription":[{"value":"VI"}],"type":"number"},{"description":[{"value":"almost square label with serrated edges, printed in blue with a beaded border; text underlined as far as di"}],"location":"on back","method":"hand-written in black ink","transcription":[{"value":"4899 s(4\/T000\/N000\/A10\/di una\/venduta separato"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Frank McClean Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-172414","uid":"adlib-agent-172414","uuid":"73d94f64-8c0d-30c1-9764-25b005f3ce1d"},"summary_title":"McClean, Frank"}],"date":[{"earliest":1904,"latest":1904,"value":"1904"}],"method":{"value":"bequeathed"},"note":[{"value":"Frank McClean died on 8 November 1904 in Brussels"}]}],"creation":[{"date":[{"earliest":1530,"from":{"earliest":1530,"era":["CE"],"latest":1530,"precision":"circa","value":"1530"},"latest":1560,"range":true,"to":{"earliest":1560,"era":["CE"],"latest":1560,"value":"1560"}}],"maker":[{"@link":{"qualifier":"probably","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-99908","uid":"adlib-agent-99908","uuid":"376e1128-04f6-3812-88a6-e4928cb7732d"},"summary_title":"Nouailher, Colin"},{"@link":{"qualifier":"after","role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-63808","uid":"adlib-agent-63808","uuid":"2ed7b47b-c05b-3fcc-879c-c3f517ea1682"},"summary_title":"Holbein, Hans, the younger"},{"@link":{"qualifier":"after","role":[{"value":"printmaker"}],"type":"reference"},"admin":{"id":"agent-93853","uid":"adlib-agent-93853","uuid":"f6c72949-df13-3991-afdb-164610d10ab4"},"summary_title":"Monogrammist C. V."}],"note":[{"value":"This plaque was originally the sixth of a set of eight representing the Lord's Prayer, of which six are in the Fitzwilliam (M.49A-F-1904). The first plaque shows 'Christ instructing his disciples how to pray', and the others, have scenes associated with the lines of the Lord's Prayer. The words are written below in French. This plaque, the sixth in the sequence, represents the line \u2018Forgive us our trespasses as we forgive them that trespass against us\u2019 (Matthew VI, 12). The subject, 'Christ delivering prisoners from captivity' is a reference to the words 'to bring out the prisoners from the prison and them sit in darkness out of the prison house' in Isaiah, 42.6-7. Three more plaques decorated with this subject have been recorded, see Documentation.\n\nThe scenes illustrating the lines of the prayer in were inspired by a set of metalcuts by the Basel monogrammist C.V. after Holbein which appeared in Desiderio Erasmus's 'Precatio dominica in septem portiones', published by both Johann Froben and Johannes Bebel successively in Basle in 1524. The work was first published without illustrations in 1523, and was rapidly translated into modern languages. The illustrations in the Froben and Bebel editions have the inscriptions in Latin, but a set of eight prints issued separately probably a little later with inscriptions in French, signed CV, is in the British Museum (1904.0206, 64,1-8;) and seven of the set (no. 4 is missing) are in the Cabinet des Estampes, Biblioth\u00e8que nationale, Paris (EA 25c in fol., p. 57). Possibly they were intended to be used in a French illustrated edition which was never published. While the iconography of all the plaques was derived from these prints, the details of the figures and settings differ, in some scenes more than others. \n\nTwo plaques enamelled in the same style in the Louvre were attributed to Colin Nouailher by Alfred Darcel (1867)and his attribution was upheld by J.J. Marquet de Vasselot (1919-20) and Sophie Baratte (2000). This attribution was confirmed by the presence of the initials CN below the title on a plaque from the Lord\u2019s Prayer decorated with the 'Deliver us from Evil' scene, acquired by the Mus\u00e9e de l\u2019\u00c9v\u00each\u00e9 (now Mus\u00e9e des Beaux-Arts), Limoges, in 2007 (2007.5.2) with another plaque of the 'Give us our daily bread' scene (2007.5.1). \n\nLord's Prayer plaques were also executed probably by Jean II or III P\u00e9nicaud, and an enameller who signed 'KIP' or' KI'. These are in very different styles from the Nouailher plaques and include some scenes which were not based on the Holbein\/CV illustrations."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-110475","uid":"adlib-term-110475","uuid":"223ae6a7-2f91-3314-ae3c-da3233ae47dc"},"summary_title":"16th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Or, although smaller, G.H. Morland; sold Christie's, 10 May 1866, one of six plaques in gilt-metal frames in lot 437. An unidentified French sale in which the six plaques formed lot 289. An unidentified Italian owner or dealer before or after the sale. Frank McClean, MA, FRS (1837-1904), Rusthall House, near Tunbridge Wells."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156436","uid":"adlib-object-156436","uuid":"be846ed0-3d5d-35a7-9e1d-9caa50238288"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156435","uid":"adlib-object-156435","uuid":"6351a77b-d5f9-3f74-8fb0-82fa55ee758f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156437","uid":"adlib-object-156437","uuid":"b54901a7-9a74-3ae3-a38c-9a43b179d5b2"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156439","uid":"adlib-object-156439","uuid":"75f8f71d-2c8f-30d8-a48f-f5510e03f42f"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-156440","uid":"adlib-object-156440","uuid":"8783ea79-cad6-352d-b68c-4b9086c04d3e"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107484","uid":"adlib-term-107484","uuid":"935e21d3-0b7f-3ca6-9987-b79c82e054fd"},"summary_title":"plaque"}},"summary_title":"plaque"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ., p. 112, no. 67","page":"112","type":"reference"},"admin":{"id":"publication-4060","uid":"adlib-publication-4060","uuid":"0f6d91a4-87ab-338c-b868-7d56c66bc250"},"summary_title":"Fitzwilliam Museum, McClean Bequest, Catalogue of the Mediaeval Ivories, Enamels, Jewellery, Gems and Miscellaneous Objects Bequeathed to the Museum by Frank McClean, M.A., F.R.S."},{"@link":{"type":"reference"},"admin":{"id":"publication-200002170","uid":"adlib-publication-200002170","uuid":"06575876-e5c8-362b-93fd-a20f0679b18f"},"summary_title":"Quelques \u00e9maux de Colin Noailher et leurs mod\u00e8les grav\u00e9s"},{"@link":{"notes":"Ref. p. 244 for the source of the designs for this series of Lord's Prayer plaques","page":"244","type":"reference"},"admin":{"id":"publication-200002171","uid":"adlib-publication-200002171","uuid":"a8c2f19e-5c1e-3d49-8f24-ab741ecd8bc7"},"summary_title":"Holbein\u2019s Thatigkeit f\u00fcr Baseler Verleger"},{"@link":{"notes":"Ref. pp. 288-9-, no. 436 for the illustrated editions of Prectatio dominica in septem portiones","page":"288-90","type":"reference"},"admin":{"id":"publication-7080","uid":"adlib-publication-7080","uuid":"36d387ec-0109-3ca5-8194-f63ec1767c0a"},"summary_title":"Oberrheinische buchillustration 2. 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