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Glaisher"}],"component":[{"materials":[{"note":[{"value":"reddish-brown and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-132615","uid":"adlib-term-132615","uuid":"50475cf7-0163-3d56-a259-b8d1e8b82f44"},"summary_title":"underglaze black"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in two parts with separately moulded right arm, and covered with a blue-tinged lead-glaze and painted with black and reddish brown enamels."},{"date":[{"earliest":2011,"latest":2011,"value":"2011-11-08"}],"value":"Wesley stands with his left hand at his breast and his right raised in blessing. The figure is well coloured, but with the head and hands unpainted, save for the lips, eyes and eyebrows. He wears a floor-length black robe, with white bands at his neck and a wide brown sash belt. The deeply-waisted square base is painted in marbled brown. The underside is open. The back is moulded and decorated."}],"identifier":[{"accession_number":"C.974-1928","primary":true,"type":"accession number","value":"C.974-1928"},{"priref":"76481","type":"priref","value":"76481"},{"date":[{"earliest":1919,"latest":1919,"value":"1919"}],"source":"Glaisher MS catalogue, Volume: 22","type":"old object number","value":"4101"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481"}],"inscription":[{"description":[{"value":"Rectangular paper label, handwritten in black script:"}],"location":"inside base, on the back","method":"painted in black ink","transcription":[{"value":"No. 4101 Standing figure of John Wesley upon a streaky red base b. at Christies, Feb 11 1919\u2019"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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Methodism was thus strong amongst those who made Victorian Staffordshire figures, for whom John Wesley would have been one of the most important people of the preceding century."},{"value":"Rackham (1935) lists this figure as by an unidentified nineteenth century Staffordshire potter. Like most Staffordshire figures, it is unmarked, and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time. Dr Glaisher also bequeathed a Rockingham porcelain figure of Wesley (C.3159-1928)  preaching, c.1825-42, which, though holding a book in its left hand, is very similar to this figure and perhaps helps to date it. Underglaze black has been identified on the figures of several preachers made in the 1840s. There are also other  Staffordshire religious figures modelled in a comparable pre-Victorian style which have been dated as late as 1851 (see, for example, C.995-1928)."},{"value":"The source of this figure may be a Minton design. The first Minton design book includes drawings of both Charles and John Wesley, in the same clerical dress as that worn by this figure. The drawing of John Wesley has similar hair and long face, and its hands are raised, though the pose is not quite the same as the figure (see Atterbury]."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria I"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"blue 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The back is moulded with a vent hole 13.5 cm from the bottom."}],"identifier":[{"accession_number":"C.999-1928","primary":true,"type":"accession number","value":"C.999-1928"},{"priref":"76512","type":"priref","value":"76512"},{"source":"Glaisher MS catalogue, Volume.18","type":"old object number","value":"3711"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76512","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76512"}],"inscription":[{"description":[{"value":"\u2018SIR R TICHBORNE\u2019 in raised capitals"}],"location":"front of base","method":"moulding","transcription":[{"value":"SIR R TICHBORNE"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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So, whilst they probably come from the same factory, they must come from different moulds."},{"value":"Arthur Orton (20 March 1834 \u2013 1 April 1898), was the celebrated Tichborne Claimant, who claimed to be Sir Roger Tichborne, the heir to a wealthy landed family and a baronetcy."},{"value":"Rackham lists this figure as made by Sampson Smith at Longton, a factory noted in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851, and there is evidence to support this attribution. Firstly, it shares certain features with other figures that have been attributed to the factory: it is a large figure, supported by a stone wall; it is a simple three part moulding; and it has a plain oval base with title in raised gilt capitals. Secondly, this is one of two figures of Orton bequeathed to the Fitzwilliam collection by Dr Glaisher (see: C.999-1928). The other figure is one of eleven sparsely coloured  figures identified by Pugh as having been made with a brownish stain in the clay, which he attributes to Sampson Smith; he further notes that these figures may also be found without the stain and with a good bluish glaze (Pugh (1970), pp.14-15)."},{"value":"The figure shows the Claimant dressed as a fashionable man of substance, his claim to land and title indicated by the shotgun and bird. The image is recognisable from contemporaneous photographs and caricatures (which show that in life he was even more portly).  The case was a national sensation and newspapers published special editions with news of the latest events in the court, and he was therefore a likely choice of figure for which the Staffordshire potters would find a ready market. Noting the title, \u2018SIR R TICHBORNE\u2019, it is also possible the Claimant himself commissioned the figure, since he is known to have pressed his case in all manner of ways, including music hall appearances and public meetings."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, 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It is said that a crowd of 20,000 attended their Edinburgh meeting, held on the slopes of \u2018Arthur's Seat\u2019, and they raised \u00a310,000 for the building of a Mission in the Royal Mile. This figure was probably made at the time of the 1873-75 visit."},{"value":"Rackham (1935) lists this figure as of a type chiefly made by Sampson Smith at Sutherland Works, Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851. The firm continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures are rarely marked, but in 1948 a number of original moulds were found on site, and one of these was a mould for a 17 inch figure of Moody. 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Painted with black, brown, blue, red, yellow, pink and flesh-pink enamels, and gilt. The underside is concave and glazed. The upper back is moulded, with a vent hole 9.5cm from the bottom."}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Ira D. 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Painted with black, brown, blue, red, yellow, pink and flesh-pink enamels, and gilt."},{"value":"Dwight Lyman Moody stands with his left hand on his hip and his right resting on a book atop a short pillar. The oval base is lettered \u2018MOODY\u2019 in relief, black script, capitals; a pink line runs across the front beneath the title The figure is sparsely coloured. He wears a long coat, its lapels and cuffs lined in gilt; and a yellow waistcoat decorated in brown. He has black hair, a moustache and a full grey beard, and wears black shoes. The pillar is orange brown and the book is outlined in blue and yellow. The underside is concave and glazed. The upper back is moulded, with a vent hole 10.5cm from the bottom."}],"identifier":[{"accession_number":"C.1033-1928","primary":true,"type":"accession number","value":"C.1033-1928"},{"priref":"71202","type":"priref","value":"71202"},{"date":[{"earliest":1910,"latest":1910,"value":"1910"}],"source":"Glaisher M\/S catalogue, Volume: 10","type":"old object number","value":"3141"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71202","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71202"}],"inscription":[{"description":[{"value":"relief, black script capitals"}],"location":"front of base","method":"moulded and painted in black enamel","transcription":[{"value":"MOODY"}],"type":"name"},{"location":"underside of base","method":"hand painted in black","transcription":[{"value":"G.3141"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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In 1873 he and Sankey came to Britain for a two year revival tour that culminated with a four month London Crusade in 1875. It is said that a crowd of 20,000 attended their Edinburgh meeting, held on the slopes of \u2018Arthur's Seat\u2019, and they raised \u00a310,000 for the building of a Mission in the Royal Mile. This figure was probably made at the time of the 1873-75 visit."},{"value":"Rackham (1935) lists this figure as of a type chiefly made by Sampson Smith at Sutherland Works, Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851. The firm continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures are rarely marked, but in 1948 a number of original moulds were found on site, and one of these was a mould for a 17 inch figure of Moody. As the moulding of this smaller figure is very similar, it seems likely that it  and its pair were also made by Samson Smith."},{"value":"The Fitzwilliam collection also includes another Staffordshire figure of Moody (C.1021-1928), in similar pose, but 13 \u00bc in, more sparsely coloured and with some differences in the moulding; it is unlikely to have been  made by Sampson Smith."},{"value":"This figure is a pair ro a figure of Sankey, which is also in the collection."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Bought as a pair with figure of Ira D Sankey, on 3 February 1910 for 6 shillings, by Dr Glaisher, Trinity College, Cambridge."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71194","uid":"adlib-object-71194","uuid":"f837336d-bef4-3a31-8a76-a1f38083eb16"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71201","uid":"adlib-object-71201","uuid":"0d06a2c9-c8aa-31a5-b85c-01fbbffe54b7"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Plate D 4, Figs 9 and 10; a pair of similarly moulded Sankey and Moody figures, but differently decorated and 42.5 cm (17 in). Also Plate D5, Figs 9(a) and 10(a) :  a similar pair of figures but with separately moulded front leg to each figure, and 29cm (11 \u00bd in).","page":"379","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"a very similar pair of Sankey and Moody figures.","page":"16","type":"reference"},"admin":{"id":"publication-7216","uid":"adlib-publication-7216","uuid":"ae90609c-35b0-3a71-843a-73dea97c1dec"},"summary_title":"Staffordshire Figures"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted with black, brown, blue, red, yellow, pink and flesh-pink enamels, and gilt. The underside is concave and glazed. The upper back is moulded, with a vent hole 10.5cm from the bottom."}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Dwight Lyman Moody (9 \u00be in)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71188","_score":17.28937,"_source":{"admin":{"added":1592996598000,"created":1312637261000,"flag":"Standard Record","id":"object-71188","indexed":1755194540482,"modified":1714466021000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188","uuid":"245e21c1-21e7-34b2-9137-78e50f4517f1","version":7},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-188293","uid":"adlib-agent-188293","uuid":"b3ee073a-15a5-393e-9732-7189d5b56784"},"summary_title":"Dundas, Deans, Sir"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-188292","uid":"adlib-agent-188292","uuid":"b1608435-9b8e-3496-8ea0-2120355d736b"},"summary_title":"Napier, Charles, Admiral, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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The figure is mainly white, with features picked out in enamels and gilt. He wears naval uniform, with two medals, epaulets, sash, belt and buttons, all moulded and painted in gilt and brown. He carries a black hat in his right hand; his left holds a cloak, which drapes towards his foot. He carries a sword, with brown hilt and grey scabbard with black bands. He wears side whiskers, and his eyebrows are finely painted. The oval-to-egg shaped base is rounded to the top. A gilt line runs across its front, which also bears a ribbon with the name ' C. NAPIER' in relief, gilt capitals. The underside is concave and glazed. The back of the upper body and the right leg are moulded, with a round vent hole 11cm from the bottom."}],"identifier":[{"accession_number":"C.1025-1928","primary":true,"type":"accession number","value":"C.1025-1928"},{"priref":"71188","type":"priref","value":"71188"},{"source":"Glaisher MS catalogue, Volume: ?","type":"old object number","value":"R5115"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188"}],"inscription":[{"description":[{"value":"A gilt line runs across the front of the base, which also bears a ribbon with the name \u2018C. 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It is likely the name refers to a modeller, as there is no Carr factory known to have operated in the area at this time."},{"value":"Admiral Sir Charles John Napier (1786-1860) commanded the Baltic Fleet in the Crimean War (1854-56), but after a quarrel with the First Lord of the Admiralty, was replaced by Sir James Deans Dundas. The pairing of this figure with a similarly moulded figure of Dundas suggests that both were made at around this time. Later, as a Member of Parliament, Napier campaigned for the proper training of officers, decent living conditions for seamen and for the abolition of flogging and the press gang."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and typically have a flat back and  plain oval base. Meanwhile  there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source of this figure may be an engraving in Cassells Illustrated Family Paper, 7 October, 1854, which shows Napier, with Sir Edmund Lyons and Sir James Deans Dundas, in front of a naval group. Sir Charles Napier was a popular hero of the time. 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Fig.214: the same figure, but 12 \u00bd in high and with additional enamels, including blue coat, pink cloak, green belt and orange epaulets, standing on green\/brown ground. Harding also shows, Figs. 211P-215, figures of Napier in a variety of other standing poses, sometimes with a cannon or holding a telescope, or as a companion figure to \u2018SIR DEANS DUNDAS\u2019 (Fig.127). Harding also shows (Fig.216), a figure of Field Marshal Robert Cornelius Napier, standing by his horse, a companion piece to a similar figure of Garibaldi.","page":"91","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Cf. a coloured version","page":"p.55","type":"reference"},"admin":{"id":"publication-8448","uid":"adlib-publication-8448","uuid":"4ef2e26f-cb4d-3b92-9c93-840dff116ed8"},"summary_title":"A Potted History: Henry Willett's Ceramic Chronicle of Britain"},{"@link":{"notes":"Cf. a similar figure with small variations in the moulding (eg angle of hat) and additional enamels to coat, epaulets, cloak and ground.","page":"11","type":"reference"},"admin":{"id":"publication-7216","uid":"adlib-publication-7216","uuid":"ae90609c-35b0-3a71-843a-73dea97c1dec"},"summary_title":"Staffordshire Figures"},{"@link":{"notes":"Cf. 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The Princess wears: a blue scoop necked shirt; a kilt of brown, black and white tartan; brown and white ankle-length pantalettes; white socks; and black shoes. Her hair is mid brown, and her eyes, brows and lips finely painted. The chair has a deep-pink back-cushion. A chocolate brown line runs up the front sides and around the back of the chair, on top of which is a small moulded crown. The underside is arched and glazed, with a small vent hole. 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The back is moulded with a vent hole 14.5 cm from the bottom."}],"identifier":[{"accession_number":"C.1030-1928","primary":true,"type":"accession number","value":"C.1030-1928"},{"priref":"71193","type":"priref","value":"71193"},{"date":[{"earliest":1909,"latest":1909,"value":"1909"}],"source":"Glaisher MS catalogue, Volume: 7; no: 2992","type":"old object number","value":"2992"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71193","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71193"}],"inscription":[{"description":[{"value":"inscribed \u2018SIR R TICHBORNE\u2019 in raised, gilded capitals"}],"location":"front of base","method":"moulding and gilding","transcription":[{"value":"SIR R TICHBORNE"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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Firstly, it shares certain features with other figures that have been attributed to the factory: it is a large figure, supported by a stone wall; it is a simple three part moulding; and it has a plain oval base with title in raised gilt capitals. Secondly, it is one of eleven sparsely coloured  figures identified by Pugh as having been made with a brownish stain in the clay, which he terms \u2018porridge school\u2019, which he attributes to Sampson Smith, on the basis of style and similarity to portrait figure moulds found in 1948. Pugh further notes that these figures may also be found without the stain and with a good bluish glaze (Pugh (1970), pp.14-15)."},{"value":"The figure shows the Claimant dressed as a fashionable man of substance, his claim to land and title indicated by the shotgun and bird. The image is recognisable from contemporaneous photographs and caricatures (which show that in life he was even more portly).  The case was a national sensation and newspapers published special editions with news of the latest events in the court, and he was therefore a likely choice of figure for which the Staffordshire potters would find a ready market. Noting the title, \u2018SIR R TICHBORNE\u2019, it is also possible the Claimant himself commissioned the figure, since he is known to have pressed his case in all manner of ways, including music hall appearances and public meetings."},{"value":"This is one of two figures of Orton bequeathed to the Fitzwilliam collection by Dr Glaisher, and according to Rackham (1935) they come from the same mould. However, this figure is a full centimetre taller and its body and base slightly wider, whilst the head of the other is differently moulded, with a thinner face. So, whilst the two figures are identical in design and probably come from the same factory, they must come from different moulds. The other figure is unpainted, without the brown stain in the clay, and with a stronger hint of blue in the glaze."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110418","uid":"adlib-term-110418","uuid":"05d711c6-8b77-3dc8-801e-fbc4d8c52049"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Longton"}]}]},"materials":[{"note":[{"value":"a pink-brown tinge to the clay body"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Painted with brown, black green, pink and flesh-pink enamels, and gilt."},{"value":"The round to oval base is inscribed \u2018LADY FRANKLIN\u2019, painted in partly-incised gilt capitals with three gilt strokes to either side. The figure is mainly white, with features picked out in enamels and gilt, and stands on brown painted ground. She wears a gown with full sleeves; a two-tier flounced apron or petticoat decorated with gold motifs; a green necklace; a pink and green flower coronet; orange drop earrings; and black shoes. Her left arm is raised to waist height, her right holds the tasselled ends of her gilded girdle. The underside is concave and glazed. 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[remaining words rubbed away]."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"}],"maker":[{"@link":{"qualifier":"perhaps","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187909","uid":"adlib-agent-187909","uuid":"6486c303-82d9-3df3-b999-4e32054a4264"},"summary_title":"Alpha factory"}],"note":[{"value":"Following Pugh (1970) and Balston (1958), it seems more likely that this figure was made by the \u2018Alpha Factory\u2019, an as yet unidentified producer whose figures share a number of common features. Here these include: well moulded in the round; a subsidiary moulding; and the title in partly incised capitals bracketed by three strokes of gilt."},{"value":"In 1845, Sir John lead an expedition to discover the North West Passage, a route connecting the Atlantic and Pacific Oceans, passing through the Canadian Arctic archipelago, but did not return. After many search parties, several of which were funded by Lady Franklin, traces of ships and provisions were found, but no survivors. The expedition has inspired a wide variety of artistic works, including a ballad  Lady Franklin\u2019s Lament, c.1852. It is likely seems likely that this pair of figures was made at around the same time."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and there were many other manufacturers of figures working in Staffordshire at this time."},{"value":"This figure of  Jane, Lady Franklin (1791 \u2013 1875) is the pair to a figure of the English naval commander and Arctic explorer, Sir John Franklin. They were married in 1828. 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Painted with brown, black green, pink and flesh-pink enamels. The underside is concave and glazed. 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Painted with black, red and flesh-pink enamels, and gilt."},{"value":"The oval to round base is waisted to the front, and lettered MOODY' in relief gilt capitals at the top; a gilt line runs across, close to the bottom. Dwight Lyman Moody stands against a low wall with his left hand on his hip and his right resting on a cloth atop a short pillar. The figure is mainly white, with features picked out in enamels and gilt. Moody wears a long coat, its lapels and cuffs lined in gilt, and a double-breasted waistcoat with buttons and pockets highlighted in gilt. He has black hair, a moustache and a full beard, which parts into two on his chest, and his eyebrows are finely painted. His shoes are black. The pillar cloth is decorated with touches of gilt. The underside is concave and glazed. The upper back is moulded, with a vent hole 14.25 cm from the bottom; the lower back is partly moulded and combed."}],"identifier":[{"accession_number":"C.1031-1928","primary":true,"type":"accession number","value":"C.1031-1928"},{"priref":"71194","type":"priref","value":"71194"},{"date":[{"earliest":1903,"latest":1903,"value":"1903"}],"source":"Glaisher M\/S catalogue, Volume 3","type":"old object number","value":"2648"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71194","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71194"}],"inscription":[{"description":[{"value":"relief gilt capitals"}],"location":"front of base","method":"moulded and painted","transcription":[{"value":"MOODY"}],"type":"name"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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In 1873 he and Sankey came to Britain for a two year revival tour that culminated with a four month London Crusade in 1875. It is said that a crowd of 20,000 attended their Edinburgh meeting, held on the slopes of \u2018Arthur's Seat\u2019, and they raised \u00a310,000 for the building of a Mission in the Royal Mile. This figure was probably made at the time of the 1873-75 visit."},{"value":"However, the moulding of the Fitzwilliam figure differs from that of the 17 inch Sampson Smith model in several significant respects: Moody\u2019s waistcoat is double, not single, breasted; his beard divides into two; his right hand rests on a cloth not a book; and the front of the base is different. It is known that figures of Moody and Sankey were also made by other factories \u2013 a  pair is listed, for example, in an early twentieth century catalogue produced by the Kent factory, successors to Thomas and John Parr \u2013 and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time. It seems likely that one of these others made this figure."},{"value":"Rackham (1935) lists this figure as probably made by Sampson Smith at Sutherland Works, Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851. The firm continued to make figures in quantity into the early part of the twentieth century. 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