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W. L. Glaisher"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in three parts and lead-glazed. Painted with brown, grey, red, dark pink, blue, green and orange enamels."},{"value":"A girl stands against foliage and beside a low grey wall. She holds a wreath in her left arm, which rests on the back of a lamb standing on the wall, and with her right hand she gathers flowers into her apron. The figure is sparsely coloured. She wears: a green hat, wound with a green scarf which falls to her shoulder; a tartan wrap draped over her left shoulder and right forearm; and a dress with buttoned bodice, puff sleeves and a full pleated skirt decorated with finely painted flower decorations in pink and green. Her brown hair falls to her shoulders. The plain oval base is pointed to one end and has an incised line across the top front; the top of the base is moulded into a pattern. The underside is concave and glazed. The back is curved, but largely unmoulded, with vertical lines made in the clay and a vent hole 27.5cm from the bottom."}],"identifier":[{"accession_number":"C.1016-1928","primary":true,"type":"accession number","value":"C.1016-1928"},{"priref":"71144","type":"priref","value":"71144"},{"date":[{"earliest":1913,"latest":1913,"value":"1913"}],"source":"Glaisher MS catalogue, Volume: 16;","type":"old object number","value":"3621"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71144","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71144"}],"inscription":[{"description":[{"value":"Rectangular paper label"}],"location":"underside of base","method":"handwritten in black script","transcription":[{"value":"\u2018No. 3621 Large Staffs figure of a girl with wreath and lamb b. in Cambridge Feb 20 1913 (Came from Yorkshire).\u2019"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1870,"era":["CE"],"latest":1870,"precision":"circa","value":"1870"}],"maker":[{"@link":{"qualifier":"perhaps","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187784","uid":"adlib-agent-187784","uuid":"5027cb9e-24f0-335d-9d5c-e0aefb240830"},"summary_title":"Sampson Smith"}],"note":[{"value":"Mary Campbell (c.1768-86), also known as \u2018Highland Mary\u2019, was the subject of some of the finest poems of the Scottish poet Robert Burns (1759-96). It is said that he invited her to accompany him to Jamaica as his wife, in 1886, but she died later that year. His poem \u2018Highland Mary\u2019, 1792 includes the words: \u2018O my sweet Highland Mary\/  How sweetly bloom'd the gay, green birk\/ How rich the hawthorn's blossom\/ As underneath their fragrant shade\/ I clasp'd her to my bosom!\u2019. It is likely that this figure was made as a pair for a figure of Burns, who was a popular subject for Victorian Staffordshire figures \u2013 respected, perhaps, both for  the tender emotions expressed by his poems andfor his humble origins as the labourer son of a tenant farmer. Several other pairs and figure groups of Burns and Highland Mary exist."},{"value":"Pugh and others  have attributed a number of large figures, dated around 1873-1881, to the Sampson Smith factory, on the basis of their size and resemblance to a 17 in mould for Dwight Lyman Moody found at the factory in 1948. This figure of Highland Mary shares most of the features identified: it is a \u2018monumental\u2019 15 3\/8 inch figure, supported by a low wall; it is a simple three part moulding, with flat back; and it has a plain oval base.  Thus, it is possibly a Sampson Smith figure, made in the 1870s."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. A spill vase group of Burns and Mary and a figure of Burns standing on a pedestal have been found with the Sampson Smith mark, and the dates 1851 and 1882 respectively, marked on the base."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"note":[{"value":"brown, grey, red, dark pink, blue, green and 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Bought on 20 February 1913, for 15\/- (fifteen shillings), by Dr Glaisher, Trinity College, Cambridge."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. Vol. I, p.131, no. 1016","page":"131","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf: Plate 12, Fig.44: a 16 in figure with similar features and dress, notably the hat with wound scarf, the pleated floral skirt and the sash gathered up on her right side, but without the wreath, wall and lamb. This figure, titled \u2018Mary\u2019 and a pair to a figure of Robert Burns, is identified by Pugh as Mary Campbell (Highland Mary). Also several other pairs and figure groups of Burns and Mary.","page":"578","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf: Fig.1971: a spill vase 7 \u00bc in figure of a girl in tartan skirt, sitting on a low wall and holding a lamb, which the author opines may be a representation of the \u2018Mary had a lamb\u2019 nursery rhyme figure. Also, pp. 86-89, and in Book 4, pp.185-203, various other shepherd or shepherdess figures, with sheep, some of which wear tartan wraps or skirts.","page":"88","type":"reference"},"admin":{"id":"publication-7228","uid":"adlib-publication-7228","uuid":"a05323d5-1d04-3f02-a665-38fa11903b1a"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book Two: religious, hunters, pastoral, occupations, children & animals, dogs, animals, cottages & castles, sport & miscellaneous"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware figure moulded in three parts and lead-glazed. Painted with brown, grey, red, dark pink, blue, green and orange enamels. The base is concave and glazed. The back is curved, but largely unmoulded, with vertical lines made in the clay and a vent hole 27.5cm from the bottom."}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"type":"possible title","value":"Highland Mary"},{"type":"alternative title","value":"Highland shepherdess"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76481","_score":15.435759,"_source":{"admin":{"added":1592999679000,"created":1312637261000,"flag":"Standard Record","id":"object-76481","indexed":1752602738384,"modified":1714400631000,"processed":1752602690710,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76481","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481","uuid":"676a7300-813d-370d-a5ea-5e70b3174ce4","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-188449","uid":"adlib-agent-188449","uuid":"ffb503ab-2caa-3010-9cc3-fbd3cf5ae35b"},"summary_title":"Wesley, Charles"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-144331","uid":"adlib-agent-144331","uuid":"2ed29a8e-40e5-3f1f-adb4-50218d94a490"},"summary_title":"Wesley, John"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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The figure is well coloured, but with the head and hands unpainted, save for the lips, eyes and eyebrows. He wears a floor-length black robe, with white bands at his neck and a wide brown sash belt. The deeply-waisted square base is painted in marbled brown. The underside is open. The back is moulded and decorated."}],"identifier":[{"accession_number":"C.974-1928","primary":true,"type":"accession number","value":"C.974-1928"},{"priref":"76481","type":"priref","value":"76481"},{"date":[{"earliest":1919,"latest":1919,"value":"1919"}],"source":"Glaisher MS catalogue, Volume: 22","type":"old object number","value":"4101"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481"}],"inscription":[{"description":[{"value":"Rectangular paper label, handwritten in black script:"}],"location":"inside base, on the back","method":"painted in black ink","transcription":[{"value":"No. 4101 Standing figure of John Wesley upon a streaky red base b. at Christies, Feb 11 1919\u2019"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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Methodism was thus strong amongst those who made Victorian Staffordshire figures, for whom John Wesley would have been one of the most important people of the preceding century."},{"value":"Rackham (1935) lists this figure as by an unidentified nineteenth century Staffordshire potter. Like most Staffordshire figures, it is unmarked, and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time. Dr Glaisher also bequeathed a Rockingham porcelain figure of Wesley (C.3159-1928)  preaching, c.1825-42, which, though holding a book in its left hand, is very similar to this figure and perhaps helps to date it. Underglaze black has been identified on the figures of several preachers made in the 1840s. There are also other  Staffordshire religious figures modelled in a comparable pre-Victorian style which have been dated as late as 1851 (see, for example, C.995-1928)."},{"value":"The source of this figure may be a Minton design. The first Minton design book includes drawings of both Charles and John Wesley, in the same clerical dress as that worn by this figure. 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The back is moulded."}],"note":[{"value":"in three parts with separately moulded arms"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Louis Antoine Jullien"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71126","_score":15.435759,"_source":{"admin":{"added":1592999553000,"created":1312637261000,"flag":"Standard Record","id":"object-71126","indexed":1755194540141,"modified":1714466014000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71126","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71126","uuid":"4f35d18b-f720-3e09-bcc6-ed10c56bb507","version":7},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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Below its chin, a circular moulded dog bowl standing on the base doubles as both ink-well and vent hole. The dog is white with brown patches, and wears a gilt collar and chain, which runs down its left foreleg. Its eyes and whiskers are finely painted in black; its claws are touched in in under-glaze blue. The figure is well coloured. The base, a rough oval, is a deep but uneven blue; a gilt line runs across the front, its ends dipping towards the bottom. 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But, on purchasing this and another figure of a dog, he notes: \u2018In both the base is of a bright blue, not uniform but shaded and very dark in places [\u2026]I think this dark blue first came into use about 1830 and rather distinguishes the period 1830-1845.  The modelling in both is good [\u2026]. I always feel rather interested in the animals which serve also as ink stands\u2019."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851. But this figure is moulded in the round, so was probably made in the 1840s. The Dudson factory at Hanley produced many animal figures, particularly dogs, at this time. These were often on bases painted underglaze in a rich cobalt blue and with a gilt line across the front. The fine painting of the dog\u2019s face, with the whiskers delicately painted and the eyes moulded with a dot at the centre and a fine black line above, also suggests that this is a Dudson figure. Dudson ledgers of 1842-44 show that dogs were made, both as pairs and inkwells, and that setters, for example, sold wholesale at 5\/- (five shillings) a dozen (Dudson (2006), p.131)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-110443","uid":"adlib-term-110443","uuid":"8e41da15-698e-303b-ac89-c241a4e52efc"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Hanley"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Bought with two other pieces on 27 February 27 1915, for \u00a320, by  Dr Glaisher, Trinity College, Cambridge. Dr Glaisher considered the purchase value of this piece to be 16\/- (sixteen shillings)."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Painted with black, grey, green, blue, red, pink, orange and flesh-pink enamels, and gilt."},{"value":"Moses sits above the watch opening, which is encircled by a spray of green leaves and blue flowers. His left hand supports the tablets of the law. A black staff rests against his right shoulder. The oval base has a chamfered top edge to the front, on which \u2018MOSES\u2019 is inscribed in relief, black script capitals, above a gilt line. The figure is well coloured. Moses wears a pink robe, a yellow skirt decorated with tiny, red, brown and blue flower sprigs, and an orange belt. His hair and beard are long and grey; his feet are bare. The figure is framed by three flame-like green leaves on each side, which curl up from the bottom. The base is concave and glazed. Only the back of Moses is moulded; there is a vent hole 14.5cm from the bottom."}],"identifier":[{"accession_number":"C.1018-1928","primary":true,"type":"accession number","value":"C.1018-1928"},{"priref":"71146","type":"priref","value":"71146"},{"date":[{"earliest":1909,"latest":1909,"value":"1909"}],"source":"Glaisher MS catalogue, Volume: 7","type":"old object number","value":"2990"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71146","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71146"}],"inscription":[{"description":[{"value":"base has a chamfered top edge to the front, on which \u2018MOSES\u2019 is inscribed in relief, black script capitals, above a gilt line"}],"location":"front of base","method":"moulded and painted in black enamel","transcription":[{"value":"MOSES"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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Sampson Smith figures typically have a flat back, simplified design and plain oval base, so this figure could have been made there.  However, there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The pose refers to the Old Testament story of the prophet Moses. After an encounter with God in the form of a \u2018burning bush\u2019(perhaps represented here by the flame-like leaves around the watch hole), Moses led the Jews out of slavery in Egypt and to the Holy Land that God had promised them. God parted the Red Sea to help their escape and helped them in many other ways. 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The back is flat."}],"identifier":[{"accession_number":"C.1015B-1928","primary":true,"type":"accession number","value":"C.1015B-1928"},{"priref":"71143","type":"priref","value":"71143"},{"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"source":"Glaisher MS catalogue, Volume: 23","type":"old object number","value":"4139"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71143","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71143"}],"inscription":[{"description":[{"value":"the front is inscribed \u2018Potash Farm\u2019 in gilt script"}],"location":"front of base","method":"painted in gilt","transcription":[{"value":"Potash Farm"}],"type":"title"},{"description":[{"value":"Rectangular paper label, handwritten in black script"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No.4138. Staffordshire model of Potash Farm where J B Rush lived, who murdered Mr Jermy at Stanfield Hall in 1848. b. at Norwich, May 25, 1918"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1849,"era":["CE"],"latest":1849,"precision":"circa","value":"1849"}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"Potash Farm was the home of James Blomfield Rush, who murdered his landlord, Isaac Jermy, the Recorder of Norwich, following a dispute over Rush\u2019s \u00a35,000 mortgage.  On 28 Nov 1848, Rush went to Jermy's home, Stanfield Hall, shot Jermy and his son dead, and wounded his daughter-in-law and a housemaid. Rush was hanged at Norwich Castle on 21 April 1849."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures typically have a flat back and plain oval base, often with a gilt script title, although the decoration with shards of clay would be unusual for their figures.  Meanwhile, there were many other manufacturers of figures working in Staffordshire at this time."},{"value":"The trial was widely reported. \u2018The Illustrated London News\u2019  carried an engraving of Stanfield Hall on 8 December 1848, and of Potash Farm on 31 March 1849. This model is a pair to a model of Stanfield Hall, which is also in the Fitzwilliam collection; a further companion piece, Norwich Castle, has also been identified. The date of the trial and execution indicate that the set was made in 1849. The Farm and Hall appear in several variations, which shows both their popularity and that they were  made by several factories. In addition to the three model buildings, figures were made of Rush and his mistress, Emily Sandford. 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In  May 1847, she made her London debut in the role of Alice in Meyerbeer\u2019s opera, Roberto il diavolo (Robert the Devil) at the Theatre Royal, Haymarket, to immense popular acclaim  \u2013 it is said that Queen Victoria threw her a bouquet rom the Royal Box. In later life she raised substantial funds for good causes, such as Florence Nightingale\u2019s Nursing Fund and The Railway Servants\u2019 Benevolent Fund."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and typically have a flat, undecorated back and plain oval base, and are made without subsidiary mouldings. 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It is possible that this figure was made as a pair with one of Peel (see Pugh, pp.219,232). The Corn Laws were repealed in 1846 and Wellington is here a grey-haired statesman, which suggests that the date of the figure may be c.1845-1850."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019. But Samson Smith began only around 1851, and figures manufactured there more usually had a broad, simplified moulding, without subsidiary parts, a flat back and an oval base.  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Also, a similar 18.5 inch figure of Wellington (p.214, Fig.20), with a slightly different base, a gilt script inscription, and with the right foot turned out; there are also differences to the decoration, and the trousers are unpainted.","page":"215","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. 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The oval base is lettered \u2018SANKEY\u2019 in relief, black script, capitals; a pink line runs across the front beneath the title. The figure is sparsely coloured. He wears a long coat, edged in blue; a yellow waistcoat decorated in brown; and a black bow tie. His cuffs are lined in blue and gilt, his shirt buttons are gilt. He has black hair, moustache and mutton chop whiskers, and wears black shoes. The pillar is orange brown and the book is outlined in blue and yellow, with black lines to suggest text. The underside is concave and glazed. 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It is said that a crowd of 20,000 attended their Edinburgh meeting, held on the slopes of \u2018Arthur's Seat\u2019, and they raised \u00a310,000 for the building of a Mission in the Royal Mile. This figure was probably made at the time of the 1873-75 visit."},{"value":"Rackham (1935) lists this figure as of a type chiefly made by Sampson Smith at Sutherland Works, Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851. The firm continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures are rarely marked, but in 1948 a number of original moulds were found on site, and one of these was a mould for a 17 inch figure of Moody. The moulding of the companion figure of Moody  is very similar, so it seems likely that this figure and its pair were also made by Samson Smith."},{"value":"The Fitzwilliam collection also includes another Staffordshire figure of Moody (C.1021-1928), in similar pose, but 13 \u00bc in, more sparsely coloured and with some differences in the moulding; it is unlikely to have been  made by Sampson Smith."},{"value":"This figure is a pair ro a figure of Sankey, which is also in the collection."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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The upper back is moulded, with a vent hole 10.5cm from the bottom."}],"identifier":[{"accession_number":"C.1033-1928","primary":true,"type":"accession number","value":"C.1033-1928"},{"priref":"71202","type":"priref","value":"71202"},{"date":[{"earliest":1910,"latest":1910,"value":"1910"}],"source":"Glaisher M\/S catalogue, Volume: 10","type":"old object number","value":"3141"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71202","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71202"}],"inscription":[{"description":[{"value":"relief, black script capitals"}],"location":"front of base","method":"moulded and painted in black enamel","transcription":[{"value":"MOODY"}],"type":"name"},{"location":"underside of base","method":"hand painted in black","transcription":[{"value":"G.3141"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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In 1873 he and Sankey came to Britain for a two year revival tour that culminated with a four month London Crusade in 1875. It is said that a crowd of 20,000 attended their Edinburgh meeting, held on the slopes of \u2018Arthur's Seat\u2019, and they raised \u00a310,000 for the building of a Mission in the Royal Mile. This figure was probably made at the time of the 1873-75 visit."},{"value":"Rackham (1935) lists this figure as of a type chiefly made by Sampson Smith at Sutherland Works, Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851. The firm continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures are rarely marked, but in 1948 a number of original moulds were found on site, and one of these was a mould for a 17 inch figure of Moody. As the moulding of this smaller figure is very similar, it seems likely that it  and its pair were also made by Samson Smith."},{"value":"The Fitzwilliam collection also includes another Staffordshire figure of Moody (C.1021-1928), in similar pose, but 13 \u00bc in, more sparsely coloured and with some differences in the moulding; it is unlikely to have been  made by Sampson Smith."},{"value":"This figure is a pair ro a figure of Sankey, which is also in the collection."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Bought as a pair with figure of Ira D Sankey, on 3 February 1910 for 6 shillings, by Dr Glaisher, Trinity College, Cambridge."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71194","uid":"adlib-object-71194","uuid":"f837336d-bef4-3a31-8a76-a1f38083eb16"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-71201","uid":"adlib-object-71201","uuid":"0d06a2c9-c8aa-31a5-b85c-01fbbffe54b7"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. 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Plate D 4, Figs 9 and 10; a pair of similarly moulded Sankey and Moody figures, but differently decorated and 42.5 cm (17 in). Also Plate D5, Figs 9(a) and 10(a) :  a similar pair of figures but with separately moulded front leg to each figure, and 29cm (11 \u00bd in).","page":"379","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"a very similar pair of Sankey and Moody figures.","page":"16","type":"reference"},"admin":{"id":"publication-7216","uid":"adlib-publication-7216","uuid":"ae90609c-35b0-3a71-843a-73dea97c1dec"},"summary_title":"Staffordshire Figures"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted with black, brown, blue, red, yellow, pink and flesh-pink enamels, and gilt. The underside is concave and glazed. The upper back is moulded, with a vent hole 10.5cm from the bottom."}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Dwight Lyman Moody (9 \u00be in)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71188","_score":15.435759,"_source":{"admin":{"added":1592996598000,"created":1312637261000,"flag":"Standard Record","id":"object-71188","indexed":1755194540482,"modified":1714466021000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188","uuid":"245e21c1-21e7-34b2-9137-78e50f4517f1","version":7},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-188293","uid":"adlib-agent-188293","uuid":"b3ee073a-15a5-393e-9732-7189d5b56784"},"summary_title":"Dundas, Deans, Sir"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-188292","uid":"adlib-agent-188292","uuid":"b1608435-9b8e-3496-8ea0-2120355d736b"},"summary_title":"Napier, Charles, Admiral, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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The figure is mainly white, with features picked out in enamels and gilt. He wears naval uniform, with two medals, epaulets, sash, belt and buttons, all moulded and painted in gilt and brown. He carries a black hat in his right hand; his left holds a cloak, which drapes towards his foot. He carries a sword, with brown hilt and grey scabbard with black bands. He wears side whiskers, and his eyebrows are finely painted. The oval-to-egg shaped base is rounded to the top. A gilt line runs across its front, which also bears a ribbon with the name ' C. NAPIER' in relief, gilt capitals. The underside is concave and glazed. The back of the upper body and the right leg are moulded, with a round vent hole 11cm from the bottom."}],"identifier":[{"accession_number":"C.1025-1928","primary":true,"type":"accession number","value":"C.1025-1928"},{"priref":"71188","type":"priref","value":"71188"},{"source":"Glaisher MS catalogue, Volume: ?","type":"old object number","value":"R5115"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188"}],"inscription":[{"description":[{"value":"A gilt line runs across the front of the base, which also bears a ribbon with the name \u2018C. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1854,"from":{"earliest":1854,"latest":1854,"precision":"circa","value":"1854"},"latest":1856,"range":true,"to":{"earliest":1856,"latest":1856,"precision":"circa","value":"1856"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"A similar figure, but with slightly different moulding and with a cannon and shot beside Napier\u2019s feet, has been found incised \u2018John Carr, 1857\u2019 (Pugh p.339). It is likely the name refers to a modeller, as there is no Carr factory known to have operated in the area at this time."},{"value":"Admiral Sir Charles John Napier (1786-1860) commanded the Baltic Fleet in the Crimean War (1854-56), but after a quarrel with the First Lord of the Admiralty, was replaced by Sir James Deans Dundas. The pairing of this figure with a similarly moulded figure of Dundas suggests that both were made at around this time. Later, as a Member of Parliament, Napier campaigned for the proper training of officers, decent living conditions for seamen and for the abolition of flogging and the press gang."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and typically have a flat back and  plain oval base. Meanwhile  there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source of this figure may be an engraving in Cassells Illustrated Family Paper, 7 October, 1854, which shows Napier, with Sir Edmund Lyons and Sir James Deans Dundas, in front of a naval group. Sir Charles Napier was a popular hero of the time. The figure was made in several variations, by different manufacturers, and there were also similarly moulded medals."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria I"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Fig.214: the same figure, but 12 \u00bd in high and with additional enamels, including blue coat, pink cloak, green belt and orange epaulets, standing on green\/brown ground. Harding also shows, Figs. 211P-215, figures of Napier in a variety of other standing poses, sometimes with a cannon or holding a telescope, or as a companion figure to \u2018SIR DEANS DUNDAS\u2019 (Fig.127). Harding also shows (Fig.216), a figure of Field Marshal Robert Cornelius Napier, standing by his horse, a companion piece to a similar figure of Garibaldi.","page":"91","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Cf. a coloured version","page":"p.55","type":"reference"},"admin":{"id":"publication-8448","uid":"adlib-publication-8448","uuid":"4ef2e26f-cb4d-3b92-9c93-840dff116ed8"},"summary_title":"A Potted History: Henry Willett's Ceramic Chronicle of Britain"},{"@link":{"notes":"Cf. a similar figure with small variations in the moulding (eg angle of hat) and additional enamels to coat, epaulets, cloak and ground.","page":"11","type":"reference"},"admin":{"id":"publication-7216","uid":"adlib-publication-7216","uuid":"ae90609c-35b0-3a71-843a-73dea97c1dec"},"summary_title":"Staffordshire Figures"},{"@link":{"notes":"Cf. Fig.47: a similar figure standing with a cannon, paired with a companion figure of Sir James Deans Dundas. Also, Fig.48, an engraving from Cassells Illustrated Family Paper, 7 October, 1854, showing Napier in similar dress and pose (though not identical), in front of a group of people with Sir E. Lyons and Sir James Deans Dundas.","page":"36","type":"reference"},"admin":{"id":"publication-7214","uid":"adlib-publication-7214","uuid":"5837e427-2875-313b-a414-8210d452c972"},"summary_title":"The Victorian Staffordshire Figure"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-108082","uid":"adlib-term-108082","uuid":"1c5310ee-4d1a-3a9a-98b3-45edd40b2c0e"},"summary_title":"Crimean War"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted with black, brown, grey, red and flesh-pink enamels, and gilt. The underside is concave and glazed. The back of the upper body and the right leg are moulded, with a round vent hole 11cm from the bottom"}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}],"title":[{"value":"Admiral Sir Charles Napier (1786-1860)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71145","_score":15.435759,"_source":{"admin":{"added":1592991039000,"created":1312637261000,"flag":"Standard Record","id":"object-71145","indexed":1755194540658,"modified":1714466017000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71145","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71145","uuid":"64306277-ab49-3054-9ee7-3fc4dc0fec3a","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-187916","uid":"adlib-agent-187916","uuid":"8ac2bb78-1dcb-3938-9319-225c177aca48"},"summary_title":"Cook, Eliza"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"black, brown, blue, red, pink and flesh-pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in three parts, with separately moulded right arm, and lead glazed. Painted with black, brown, blue, red, pink and flesh-pink enamels, and gilt."},{"value":"Eliza stands with her head turned towards her left; her left hand holds up her skirt to show her petticoat. The rounded-rectangular base is inscribed \u2018ELIZA COOK\u2019 in indented gilt capitals with three strokes of gilt to each side. The figure is well coloured. Eliza wears a full, three-tier, blue skirt, with the edges painted a darker blue; a white bodice, open at the neck and decorated with red flowers; a pink jacket displaying gilt-lined white cuffs; and a red necklace with a star-shaped pendant. Her brown hair falls in ringlets to her shoulders, and is caught at the top by an orange band. The underside is concave and glazed with a vent hole towards the left back corner. The back is moulded, but only the upper half is painted."}],"identifier":[{"accession_number":"C.1017-1928","primary":true,"type":"accession number","value":"C.1017-1928"},{"priref":"71145","type":"priref","value":"71145"},{"date":[{"earliest":1917,"latest":1917,"value":"1917"}],"source":"Glaisher MS catalogue, Volume:22","type":"old object number","value":"4106"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71145","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71145"}],"inscription":[{"description":[{"value":"in indented gilt capitals with three strokes of gilt to each side."}],"location":"front of base","method":"indented and painted","transcription":[{"value":"'ELIZA COOK'"}],"type":"name"},{"description":[{"value":"rectangular paper label"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No.4106 Staffordshire figure of Eliza Cook the poetess b. in Bournemouth Jan 5 1917"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.w.l.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"}],"maker":[{"@link":{"qualifier":"perhaps","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187909","uid":"adlib-agent-187909","uuid":"6486c303-82d9-3df3-b999-4e32054a4264"},"summary_title":"Alpha factory"}],"note":[{"value":"Eliza Cook (1818-1889) was the daughter of a London tradesman and a radical poet and writer. Her weekly Eliza Cook's Journal, published from 1849 to 54, featured a mix of household and childcare hints, poetry and fiction, and essays supporting causes such as careers for women, public libraries, mechanics' institutions, and extended museum opening hours. First year circulation reached over 50,000 copies collected versions of its essays and other items were published. \nOn purchasing this figure, in 1917, Dr Glaisher wrote:  \u2018in my younger days Eliza Cook\u2019s poems enjoyed great popularity and I have heard her preferred to Tennyson who had not then reached the height of his fame\u2019."},{"value":"Following Pugh (1970) and Balston (1958), it seems more likely that this figure was made by the \u2018Alpha Factory\u2019, an as yet unidentified producer whose figures share a number of common features. Here these include: well moulded in the round; subsidiary moulding; and the title in indented gilt capitals bracketed by three strokes of gilt."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But there were many other manufacturers of figures working in Staffordshire at this time."},{"value":"The figure was probably made in the period 1849-54, whilst the journal was in publication, as it shows her with young features, and afterwards she was less publicly active."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Fig.114: a similarly moulded but 27cm (10 \u00be in) and differently decorated figure, with blue jacket and flowered dress, which carries a book in her right hand.","page":"53","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"type":"reference"},"admin":{"id":"publication-7215","uid":"adlib-publication-7215","uuid":"5a432fe5-59b0-3aa3-80ff-60e8c20dd302"},"summary_title":"Staffordshire Chimney Ornaments"},{"@link":{"type":"reference"},"admin":{"id":"publication-7230","uid":"adlib-publication-7230","uuid":"d2cba9cb-c086-3e16-84dd-f01a6f3d26b6"},"summary_title":"Staffordshire Portrait Figures of the Victorian Age"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts, with separately moulded right arm, and lead glazed. Painted with black, brown, blue, red, pink and flesh-pink enamels, and gilt. The underside is concave and glazed with a vent hole towards the left back corner. The back is moulded, but only the upper half is painted."}],"note":[{"value":"in three parts with separate right arm"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Eliza Cook"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-76271","_score":15.435759,"_source":{"admin":{"added":1592996638000,"created":1312637261000,"flag":"Standard Record","id":"object-76271","indexed":1755194542327,"modified":1714469839000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-76271","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76271","uuid":"61153fbd-b0c2-3f32-ba54-0cebe7fc55b6","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-161233","uid":"adlib-agent-161233","uuid":"460e6f07-164b-3841-8cf4-44d672149ea4"},"summary_title":"Watch, Will"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"component":[{"materials":[{"note":[{"value":"black, brown, grey, blue, green, yellow, red, dark pink and flesh-pink enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in three parts, with separately moulded right hand, and lead glazed. Painted with black, brown, grey, blue, green, yellow, red, dark pink and flesh-pink enamels, and gilt."},{"value":"A man stands holding a shotgun in his left hand and a pistol in his right, a package under his right arm. He leans towards his left and is supported by a pile of three barrels. The lower part of the figure is well coloured; above, it is mainly white with gilt and enamel decoration. He wears: a white jacket and shirt, edged in gilt and open at the neck; yellow breeches, decorated with a fine pattern of green spots surrounded by tiny red spots; dark pink stockings, finely painted in light and dark pink; black boots with red-brown tops; a red-brown and green checked sash; and a wide-brimmed hat with feathers, two pink and one blue. The barrels are grey, with bands of blue and gilt. The base is rectangular, extended to the back right, with \u2018WILL WATCH\u2019 in raised gilt capitals above a gilt line to the front. The underside is concave and glazed. The back is moulded but undecorated, with a triangular vent hole 10 cm from the bottom."}],"identifier":[{"accession_number":"C.878-1984","primary":true,"type":"accession number","value":"C.878-1984"},{"priref":"76271","type":"priref","value":"76271"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76271","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76271"}],"inscription":[{"description":[{"value":"\u2018WILL WATCH\u2019 in raised gilt capitals above a gilt line"}],"location":"front of the base","method":"moulded and painted in gilt","transcription":[{"value":"WILL WATCH"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs J E Cameron 1984, from the collection of the late Col R G Turner"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-155987","uid":"adlib-agent-155987","uuid":"e436f445-fa38-38a0-bdfd-83e40b0508c9"},"summary_title":"Cameron, J.E., Mrs"}],"date":[{"earliest":1984,"latest":1984,"value":"1984"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1984-10-22"}]}],"creation":[{"date":[{"earliest":1850,"from":{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"},"latest":1865,"range":true,"to":{"earliest":1865,"era":["CE"],"latest":1865,"precision":"circa","value":"1865"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"The flattened but moulded back, combined with the use of underglaze blue on similar models, suggests this figure was made mid-period, perhaps.1850-1865. The painting of the stockings is unusual, and similar to that found on figures which may have been made by John and Rebecca Lloyd, but Lloyd figures were usually modelled and decorated in the round and the Lloyd factory closed around 1852. A larger factory making figures from the 1850s onwards was Sampson Smith; but although this is a large figure and a simple three-part moulding, like many Sampson Smith-attributed figures, the base and complex outline are untypical. So it is likely that this figure was made by another, perhaps smaller, manufacturer."},{"value":"\u2018Will Watch\u2019, a legendary Sussex smuggler, was the hero of several Victorian broadside ballads. Will died at sea in a fight with other smugglers and, as an 1820s ballad records, was buried in an unmarked grave: \u2018Where Will Watch, the bold smuggler\/ that famed lawless fellow\/ Once feared - now forget - \/ sleeps in peace with the dead\u2019. The figure is perhaps a theatrical portrait:  a performance of \u2018Will Watch\u2019 , by J H Amherst, took place at the Royalty Theatre, London, on 3 January 1925, and was no doubt repeated in later years."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"11.5"},{"dimension":"Depth","units":"in","value":"4.5"},{"dimension":"Height","units":"cm","value":"39"},{"dimension":"Height","units":"in","value":"15.375"},{"dimension":"Width","units":"cm","value":"19.1"},{"dimension":"Width","units":"in","value":"7.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47300","uid":"adlib-media-47300","uuid":"fc44097c-37dd-3b75-9dd3-5641f5586631"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926637460,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926637460,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926637460,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926637460,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47301","uid":"adlib-media-47301","uuid":"42f69166-ecdb-3e7c-ab69-7fdcd39788af"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926611223,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926611223,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926611223,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926611223,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"},"type":"category"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130674","uid":"adlib-term-130674","uuid":"2728ba11-801b-318a-8f24-c6f4b99f08e3"},"summary_title":"Victorian Staffordshire figure"},"type":"category"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130678","uid":"adlib-term-130678","uuid":"c683fbc6-ba3a-3ab1-b2f5-41493ff3588d"},"summary_title":"flat-backed figure"},"type":"category"}],"note":[{"type":"history note","value":"From the collection of the late Colonel R.G. 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Sampson Smith at Longton, one of the larger ones, is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019; production began around 1851, and figures were made in quantity into the early part of the twentieth century. 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Figs 320P, 321P, 324P: three figures in very similar pose, though with differences in the moulding, decoration and base. Also, p.86, Fig.203: a figure of Milton, with very similar decoration, notably the pillar, breeches (though red) and under-jacket, a flesh-pink cloak and the same motifs on the base, but only 8 inches high.","page":"128-129","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Cf. Fig.233: a black and white image of a 9 \u00bc in figure which appears very similarly decorated, notably the two-tone colouring of the breeches and the motif on the base. 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Though undoubtedly a pair, the decoration of the shepherdess is slightly more detailed than that on the male figure \u2013 notably the fine painting on the skirt and the addition of painted shredded clay clumps (or \u2018parsley\u2019)  on the rocks. There were many manufacturers of figures working in Staffordshire at this time, but these features, the shape of the face and the painting of the eyes, with a central dot and a single, curved black line above, suggest that the figures may have been made by  Dudson. The Dudson factory was founded in 1800 and at this time operated in Hope Street, Hanley. It made a wide range of products, and is still in business today, though Dudson Staffordshire figures were only produced between around 1815 and 1865. The small red-brown marks on the undersides may assist future identification."},{"value":"This figure is one of a pair,  the companion being a similarly posed Scottish shepherdess with two sheep. 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Plate E74, Fig.147: figures of Rob Roy and Helen Macgregor have some similarities with these, though both carry shields.","page":"449","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-132680","uid":"adlib-term-132680","uuid":"0f9a8d31-d844-3beb-b815-d54552d64b9a"},"summary_title":"shepherd"},{"@link":{"type":"reference"},"admin":{"id":"term-109199","uid":"adlib-term-109199","uuid":"2a761157-5266-399e-8576-a06da710bb9a"},"summary_title":"Scotland"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware, press-moulded in three parts and lead glazed. 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The back is flat and undecorated, with the clay combed horizontally and a vent hole 12.5 cm from the bottom."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Scottish shepherd"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82238","_score":15.435759,"_source":{"admin":{"added":1592999705000,"created":1312637261000,"flag":"Standard Record","id":"object-82238","indexed":1755194543638,"modified":1714400638000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82238","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82238","uuid":"08253b56-4f2f-3c19-8789-bc3665780cca","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-21023","uid":"adlib-agent-21023","uuid":"be67191c-7958-3bfc-b306-2cdf5f376821"},"summary_title":"Byron"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-188450","uid":"adlib-agent-188450","uuid":"1917dc14-ce69-32a6-9f53-8261eef2d4ea"},"summary_title":"Zuleika"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"component":[{"materials":[{"note":[{"value":"black, grey, brown, green, yellow, maroon, pink and flesh-pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110416","uid":"adlib-term-110416","uuid":"7347190c-472e-3638-b3f2-acd96e09c0cf"},"summary_title":"underglaze cobalt-blue"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware moulded in several parts and lead-glazed, with tiny shards of clay as decoration. Painted underglaze in cobalt blue and with black, grey, brown, green, yellow, maroon, pink and flesh-pink enamels, and gilt."},{"value":"A woman in Middle Eastern dress lounges on a couch with her feet up, resting against the arm and playing a stringed instrument. The figure is well coloured. She wears a long green, fur trimmed coat over pink and grey striped harem pants and a mustard yellow dress, trimmed in pink; a pink sash; and a light pink turban. Her bodice and sleeves are edged in thick gilt and the turban bears a gilt crescent at the front. Her shoes are black and pointed; her hair is brown; her features are finely painted. The table base has six legs, above which is a thick gilt line; the front is decorated with gilt leaf motifs; the top is moulded to form a couch, with a raised arm to the right. The couch is a deep blue. The underside, which forms two concave tunnels, has a vent hole and is glazed. The figure is moulded and decorated in the round."}],"identifier":[{"accession_number":"C.880-1984","primary":true,"type":"accession number","value":"C.880-1984"},{"priref":"82238","type":"priref","value":"82238"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82238","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82238"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs J E Cameron 1984, from the collection of the late Col R G Turner"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-155987","uid":"adlib-agent-155987","uuid":"e436f445-fa38-38a0-bdfd-83e40b0508c9"},"summary_title":"Cameron, J.E., Mrs"}],"date":[{"earliest":1984,"latest":1984,"value":"1984"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1984-10-22"}]}],"creation":[{"date":[{"earliest":1840,"era":["CE"],"latest":1840,"precision":"circa","value":"1840"}],"maker":[{"@link":{"qualifier":"perhaps","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-188266","uid":"adlib-agent-188266","uuid":"460ccab5-1f71-31b9-bc8b-562dcc63d9d1"},"summary_title":"John & Rebecca Lloyd"}],"note":[{"value":"The figure may represent Zuleika, the heroine, of Byron\u2019s poem \u2018The Bride of Abydos\u2019.  Anthony Oliver has argued that several characters in Middle Eastern dress, made prior to the Crimean War, derive from this poem, which was published in 1813. The poem was first dramatised in 1918, with Edmund Kean as the hero Selim. It was  successfully revived at Sheffield in 1840 and at Astley\u2019s, Drury Lane in May 1947. It also appeared as a toy theatre production, and the first illustrated edition of the poem was published in 1838."},{"value":"The table base and the figure moulded in the round suggest a production date of around 1840. The figure shares a number of features with others that have been attributed to John and Rebecca Lloyd, who made both earthenware and porcelain figures at Shelton between 1834 and 1852 (see Oliver (1981), p.109). These include the complex moulding, the addition of tiny shards of clay for fur around the coat, generous gilding and the thick gilt line across the base, and the well-fired use of enamel colours particularly associated with the Lloyd factory, notably the sage green coat and the pink turban.  There are also similarities with the moulding and decoration of male and female standing figures in Middle Eastern dress shown in Pugh (1970) and Oliver (1981), both of which are impressed \u2018Lloyd Shelton\u2019."},{"value":"There is a pair to this figure, a similarly dressed and decorated man, with a shisha\/hookah pipe. The dress and pose of these figures suggest they are theatrical."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"7.7"},{"dimension":"Depth","units":"in","value":"3"},{"dimension":"Height","units":"cm","value":"12.8"},{"dimension":"Height","units":"in","value":"5"},{"dimension":"Width","units":"cm","value":"12.8"},{"dimension":"Width","units":"in","value":"5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-53478","uid":"adlib-media-53478","uuid":"aa26e183-8a9f-327a-96ad-2e386fed3967"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_80_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926358489,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_80_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926358489,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_80_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926358489,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_80_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926358489,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-53479","uid":"adlib-media-53479","uuid":"031a72d3-0ca1-3237-ae43-3944e1c2bd2e"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_80_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926440457,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_80_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926440457,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_80_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1702926440457,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_80_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926440457,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"},"type":"category"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130674","uid":"adlib-term-130674","uuid":"2728ba11-801b-318a-8f24-c6f4b99f08e3"},"summary_title":"Victorian Staffordshire figure"},"type":"category"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130678","uid":"adlib-term-130678","uuid":"c683fbc6-ba3a-3ab1-b2f5-41493ff3588d"},"summary_title":"flat-backed figure"},"type":"category"}],"note":[{"type":"history note","value":"From the collection of the late Colonel R.G. Turner."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. Fig 1229C: a similarly moulded 5 inch figure with the same gilt decoration to the legs of the couch; otherwise the colouring is different: the cloak painted in underglaze blue; the hat and the cloak edging are green; the top of the couch is in variegated pink. Also a similarly dressed and decorated pair to this figure: a man relining on a couch, with a shisha pipe. Harding identifies the pair as Artabanes and Mandane from the Opera Artaxerxes, by Thomas Augustine Arne.","page":"92","type":"reference"},"admin":{"id":"publication-7229","uid":"adlib-publication-7229","uuid":"4a22be48-1439-3797-9496-05bc530ca185"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Second Addendum"},{"@link":{"notes":"Cf. Plate E141, Fig.296: a 13 \u00bc inch standing female figure in Middle Eastern dress, who holds a similar instrument to that held by the Fitzwilliam figure; there are also some similarities in the decoration. The figure is impressed Lloyd Shelton. Also, pp.432-3, 490-1: a number of other figures in Middle Eastern dress, c.1840. Pugh identifies these as characters from Byron\u2019s \u2018The Bride of Abydos\u2019.","page":"477","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Ref: discusses the relevance of Byron\u2019s \u2018The Bride of Abydos\u2019 to Victorian Staffordshire figures of the 1840s, and gives the text of the poem.","page":"93-106","type":"reference"},"admin":{"id":"publication-7214","uid":"adlib-publication-7214","uuid":"5837e427-2875-313b-a414-8210d452c972"},"summary_title":"The Victorian Staffordshire Figure"},{"@link":{"notes":"Ref. a 14 inch standing figure of a Middle-Eastern man, impressed \u2018Lloyd Shelton\u2019, dated c.1835. This appears to be a pair to the figure in Pugh, though on a different base. Also, pp.109-129, information on Lloyd Shelton figures.","page":"118","type":"reference"},"admin":{"id":"publication-7296","uid":"adlib-publication-7296","uuid":"ebd8a711-3a9e-3a56-ac62-2432cac6fe69"},"summary_title":"Staffordshire Pottery: The Tribal Art of England"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-145","uid":"adlib-term-145","uuid":"6bddd4fb-936e-3ca1-bfe3-1ed68f4a13ea"},"summary_title":"poetry"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-67570","uid":"adlib-term-67570","uuid":"4eb45990-2f34-3650-beff-c2c56ea7274c"},"summary_title":"couch"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-92253","uid":"adlib-term-92253","uuid":"cc2aaa48-cf8a-3f2d-aaf7-278be91b9d3b"},"summary_title":"musical instrument"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-23596","uid":"adlib-term-23596","uuid":"f5fe6ab7-fea6-31d5-8f77-1ad5f40613cc"},"summary_title":"music"},{"@link":{"type":"literal"},"name":[{"value":"couch"}],"summary_title":"couch"},{"@link":{"type":"literal"},"name":[{"value":"musical instrument"}],"summary_title":"musical instrument"},{"@link":{"type":"literal"},"name":[{"value":"music"}],"summary_title":"music"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in several parts and lead-glazed, with tiny shards of clay as decoration. Painted underglaze in cobalt blue and with black, grey, brown, green, yellow, maroon, pink and flesh-pink enamels, and gilt. The underside, which forms two concave tunnels, has a vent hole and is glazed. The figure is moulded and decorated in the round."}],"note":[{"value":"in several parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Femal musician reclining on a couch"},{"type":"possible title","value":"Zuleika, in Byron's 'The Bride of Abydos'"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71140","_score":15.435759,"_source":{"admin":{"added":1592991039000,"created":1312637261000,"flag":"Standard Record","id":"object-71140","indexed":1768240989433,"modified":1714466016000,"processed":1768240984515,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71140","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71140","uuid":"efea3e20-d5e4-3892-9ba0-6e6931b6a5d5","version":7},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-153596","uid":"adlib-agent-153596","uuid":"3866fb9c-0a8d-334b-b1e0-143c513f0eff"},"summary_title":"Queen Victoria"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-187913","uid":"adlib-agent-187913","uuid":"5453c727-d940-39ff-90b5-0050a76c2497"},"summary_title":"Prince Albert Edward"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153602","uid":"adlib-agent-153602","uuid":"5338fb95-37cf-36e1-8ce8-8be57779282f"},"summary_title":"Prince of Wales"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-167399","uid":"adlib-agent-167399","uuid":"5bcafb25-0bd3-36ad-9878-d98c9e13c293"},"summary_title":"Edward VII (1901-10)"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-153594","uid":"adlib-agent-153594","uuid":"4af550ba-09f9-3d11-982d-9270bcf5cff7"},"summary_title":"Princess Alexandra"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"black, brown, grey, blue, green, orange, yellow and flesh-pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110416","uid":"adlib-term-110416","uuid":"7347190c-472e-3638-b3f2-acd96e09c0cf"},"summary_title":"underglaze cobalt-blue"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure group moulded in three parts and pearlware glazed. Painted in underglaze blue and in black, brown, grey, blue, green, orange, yellow and flesh-pink enamels, and gilt."},{"value":"The Princess stands on the Prince\u2019s left, holding his arm. The oval base is inscribed \u2018PRINCE & PRINCESS\u2019 in raised, black painted, capitals. The figures are well coloured. He wears a long blue jacket; white trousers; a white waistcoat edged in pink; a brown spotted cravat; a gold watch-chain and black shoes. He carries a grey top hat in his right hand. She wears a white blouse and jacket, the latter edged in moulded feathers and a thin green line; and a full length skirt which is finely decorated with blue and green flowers, orange and gilt motifs, and a pink ribbon above the hem.  On her left arm she carries a yellow hat with a moulded floral decoration and an orange band. Both have mid-brown hair. The underside is concave and glazed, with a vent hole towards the centre front. The back is moulded, but only partly decorated."}],"identifier":[{"accession_number":"C.1013-1928","primary":true,"type":"accession number","value":"C.1013-1928"},{"priref":"71140","type":"priref","value":"71140"},{"date":[{"earliest":1908,"latest":1908,"value":"1908"}],"source":"Glaisher MS catalogue, Volume:  5","type":"old object number","value":"2797"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71140","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71140"}],"inscription":[{"location":"on underside","method":"painted in red enamel","transcription":[{"value":"a short curved line (or part of a \u2018c\u2019)"}],"type":"owner's mark"},{"description":[{"value":"raised capitals, painted in black enamel"}],"location":"front of base","method":"moulded and painted","transcription":[{"value":"PRINCE & PRINCESS"}],"type":"name"},{"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No 2797. Staffordshire group of the Prince & Princess of Wales (King Edward Vii and Queen Alexandra), circa 1863 b. in London June 1 1908"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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The back is moulded, but decorated only above the waist."}],"identifier":[{"accession_number":"C.1003-1928","primary":true,"type":"accession number","value":"C.1003-1928"},{"priref":"71123","type":"priref","value":"71123"},{"date":[{"earliest":1910,"latest":1910,"value":"1910"}],"source":"Glaisher M\/S catalogue, Volume 10","type":"old object number","value":"3140"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71123","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71123"}],"inscription":[{"description":[{"value":"gilt script, with three gilt strokes to either side"}],"location":"front of base","method":"painted in gilt script","transcription":[{"value":"MD LIND"}],"type":"name"},{"description":[{"value":"rectangular paper label, faded ink"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No. 3140 Staffordshire figure of Jenny Lind. b. in Philadelphia [date illegible] 1910"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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Mendelssohn  wrote the soprano part in Elijah for her, and she sang with Verdi. She is believed to have inspired several Hans Christian Andersen stories, including The Ugly Duckling and The Emperor\u2019s Nightingale. She performed the role of Marie in Donizetti\u2019s two-act opera La figlia del reggimento (the daughter of the regiment) in 1847. This was shortly after her London debut as Alice in Meyerbeer\u2019s  Roberto il diavolo  \u2013 when, it is said, Queen Victoria threw her a bouquet from the Royal Box."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851, moving to Sutherland Works in 1859. The firm continued to make figures in quantity into the early part of the twentieth century, and again from 1948 when a number of original moulds were found on site (see Haggar (1955), pp.102-107, 148). But Sampson Smith figures were rarely marked, and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source for this figure is the illustration on a music cover by John Branard for Jullien\u2019s Celebrated Polkas No.16, inscribed \u2018Jenny Lind in the character of Maria [sic] in Donizetti\u2019s opera La Figlia del Reggimento\u2019"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Pugh also shows: Fig.165: a spill vase with this and a male character beside a tree trunk; Fig.176: a similarly dressed figure, though without the raised arm and on a more ornate base, with a further John Branard music front depicting Jenny Lind as Maria; and a number of other figures of Jenny Lind (pp.452-456).","page":"454","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. Figs. 1300-1303, 1330 and 1335: a range of figures of Jenny Lind in character, including a similarly dressed figure, though differently moulded and decorated, representing her role as Marie. 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They rowed for over a mile through raging seas to reach them; Grace then tended the sick whilst her father returned for more survivors. Both received gallantry medals from the Royal Humane Society and the National Institution for the Preservation of Life from Shipwreck (now the RNLI); Queen Victoria sent \u00a350. Grace became a celebrity of her time, but died of tuberculosis at age 26."},{"value":"Oliver (1981) notes that a poor modern reproduction of this model is frequently found."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures typically have a flat back and plain oval base, often with a gilt script title, but the earliest known Sampson Smith figures date from around 1851. 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