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Glaisher"}],"component":[{"materials":[{"note":[{"value":"reddish-brown and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-132615","uid":"adlib-term-132615","uuid":"50475cf7-0163-3d56-a259-b8d1e8b82f44"},"summary_title":"underglaze black"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in two parts with separately moulded right arm, and covered with a blue-tinged lead-glaze and painted with black and reddish brown enamels."},{"date":[{"earliest":2011,"latest":2011,"value":"2011-11-08"}],"value":"Wesley stands with his left hand at his breast and his right raised in blessing. The figure is well coloured, but with the head and hands unpainted, save for the lips, eyes and eyebrows. He wears a floor-length black robe, with white bands at his neck and a wide brown sash belt. The deeply-waisted square base is painted in marbled brown. The underside is open. The back is moulded and decorated."}],"identifier":[{"accession_number":"C.974-1928","primary":true,"type":"accession number","value":"C.974-1928"},{"priref":"76481","type":"priref","value":"76481"},{"date":[{"earliest":1919,"latest":1919,"value":"1919"}],"source":"Glaisher MS catalogue, Volume: 22","type":"old object number","value":"4101"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76481"}],"inscription":[{"description":[{"value":"Rectangular paper label, handwritten in black script:"}],"location":"inside base, on the back","method":"painted in black ink","transcription":[{"value":"No. 4101 Standing figure of John Wesley upon a streaky red base b. at Christies, Feb 11 1919\u2019"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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Methodism was thus strong amongst those who made Victorian Staffordshire figures, for whom John Wesley would have been one of the most important people of the preceding century."},{"value":"Rackham (1935) lists this figure as by an unidentified nineteenth century Staffordshire potter. Like most Staffordshire figures, it is unmarked, and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time. Dr Glaisher also bequeathed a Rockingham porcelain figure of Wesley (C.3159-1928)  preaching, c.1825-42, which, though holding a book in its left hand, is very similar to this figure and perhaps helps to date it. Underglaze black has been identified on the figures of several preachers made in the 1840s. There are also other  Staffordshire religious figures modelled in a comparable pre-Victorian style which have been dated as late as 1851 (see, for example, C.995-1928)."},{"value":"The source of this figure may be a Minton design. The first Minton design book includes drawings of both Charles and John Wesley, in the same clerical dress as that worn by this figure. 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W. L. Glaisher"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in three parts, perhaps with separately moulded head. The pearlware glaze is quite thick, with fine blue flecks. Not painted."},{"value":"The Claimant stands against a rough hewn wall; his left hand holds a bird and his right a shot-gun, the butt of which rests on the ground. The figure plain white. He wears a long jacket, a waistcoat, a watch chain, a shirt with bow tie, and a top hat. He has a trimmed beard. The oval base is concave and glazed and inscribed \u2018SIR R TICHBORNE\u2019 in raised capitals.  The back is moulded with a vent hole 13.5 cm from the bottom."}],"identifier":[{"accession_number":"C.999-1928","primary":true,"type":"accession number","value":"C.999-1928"},{"priref":"76512","type":"priref","value":"76512"},{"source":"Glaisher MS catalogue, Volume.18","type":"old object number","value":"3711"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76512","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76512"}],"inscription":[{"description":[{"value":"\u2018SIR R TICHBORNE\u2019 in raised capitals"}],"location":"front of base","method":"moulding","transcription":[{"value":"SIR R TICHBORNE"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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So, whilst they probably come from the same factory, they must come from different moulds."},{"value":"Arthur Orton (20 March 1834 \u2013 1 April 1898), was the celebrated Tichborne Claimant, who claimed to be Sir Roger Tichborne, the heir to a wealthy landed family and a baronetcy."},{"value":"Rackham lists this figure as made by Sampson Smith at Longton, a factory noted in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851, and there is evidence to support this attribution. Firstly, it shares certain features with other figures that have been attributed to the factory: it is a large figure, supported by a stone wall; it is a simple three part moulding; and it has a plain oval base with title in raised gilt capitals. Secondly, this is one of two figures of Orton bequeathed to the Fitzwilliam collection by Dr Glaisher (see: C.999-1928). The other figure is one of eleven sparsely coloured  figures identified by Pugh as having been made with a brownish stain in the clay, which he attributes to Sampson Smith; he further notes that these figures may also be found without the stain and with a good bluish glaze (Pugh (1970), pp.14-15)."},{"value":"The figure shows the Claimant dressed as a fashionable man of substance, his claim to land and title indicated by the shotgun and bird. The image is recognisable from contemporaneous photographs and caricatures (which show that in life he was even more portly).  The case was a national sensation and newspapers published special editions with news of the latest events in the court, and he was therefore a likely choice of figure for which the Staffordshire potters would find a ready market. 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Painted with black, grey, blue, red, pink, green yellow and flesh-pink enamels, and gilt."},{"value":"Jenny Lind sits with her hands clasped around a pillar which supports a stone cross; she looks away from the cross, over her left shoulder. The rectangular base is rounded to the back and one side and decorated with an impressed pattern and gilt touches; the front is moulded in rococo style and bears the title \u2018Jenny Lind as Alice in Meyerbeer\u2019s Opera\u2019 in gilt script, on a ribbon. The figure is well coloured. The cross is grey, outlined in black, and a pink and green vine winds up the pillar. Jenny Lind wears a low blue bodice with pink cuffs, a tartan sash with red tasselled edge, and a flowered yellow skirt. Her black hair is tied back in a bun. The underside is concave and glazed. 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In  May 1847, she made her London debut in the role of Alice in Meyerbeer\u2019s opera, Roberto il diavolo (Robert the Devil) at the Theatre Royal, Haymarket, to immense popular acclaim  \u2013 it is said that Queen Victoria threw her a bouquet rom the Royal Box. In later life she raised substantial funds for good causes, such as Florence Nightingale\u2019s Nursing Fund and The Railway Servants\u2019 Benevolent Fund."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and typically have a flat, undecorated back and plain oval base, and are made without subsidiary mouldings. Meanwhile there were many other, sometimes smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source for this figure is a coloured lithograph of Jenny Lind as Alice in Meyerbeer\u2019s Opera, Roberto il Diavolo, by T. Packer, which shows Lind in the same pose and dress. An engraving in The London Illustrated News of 8th May 1847 also shows her in a similar pose, but recoiling in fear from a male character who points aggressively at her (see Pugh (1970), pp.74 and 455).  The existence of several differently moulded Jenny Lind figures based on these illustrations indicates their popularity, and that they were made by a number of different manufacturers. 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Painted in cobalt blue and black underglaze and in black, grey, red green, purple and flesh pink enamels, and gilt."},{"value":"The rectangular base is rounded to the back and its corners cut off to the front. The name \u2018WELLINGTON\u2019 is inscribed on the front of the base, in raised and gilded capitals, on a raised plaque. Wellington stands in contemplative pose, carrying a scroll of papers in his left hand and white gloves in his right, which rests on his hip. The figure is well coloured. He wears: a blue frock-coat, trimmed with gold; a red-trimmed waistcoat, delicately painted with green and purple motifs; a gilded cravat; trousers, painted in feathered stripes of purple; and shiny black shoes. A gold, star-shaped order hangs on a gold chain around his neck. The face is finely moulded and painted; the hair and sideburns are grey. The underside is concave and glazed, with a central vent hole. The back is moulded and coloured, though without detailed decoration."}],"identifier":[{"accession_number":"C.1001-1928","primary":true,"type":"accession number","value":"C.1001-1928"},{"priref":"71118","type":"priref","value":"71118"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71118","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71118"}],"inscription":[{"description":[{"value":"\u2018WELLINGTON\u2019 is inscribed in raised and gilded capitals, on a raised plaque."}],"location":"front of base","method":"moulded and painted in gilt","transcription":[{"value":"WELLINGTON"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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It is possible that this figure was made as a pair with one of Peel (see Pugh, pp.219,232). The Corn Laws were repealed in 1846 and Wellington is here a grey-haired statesman, which suggests that the date of the figure may be c.1845-1850."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019. But Samson Smith began only around 1851, and figures manufactured there more usually had a broad, simplified moulding, without subsidiary parts, a flat back and an oval base.  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Also, a similar 18.5 inch figure of Wellington (p.214, Fig.20), with a slightly different base, a gilt script inscription, and with the right foot turned out; there are also differences to the decoration, and the trousers are unpainted.","page":"215","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. Fig.372: a very similar figure, though 18.5 inches and with a slightly different base, a gilt script inscription, and with the right foot turned out; there are also differences to the decoration, and the trousers are unpainted.","page":"147","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-132672","uid":"adlib-term-132672","uuid":"7e67cdf7-735d-34e2-943b-31a25cf61e07"},"summary_title":"Waterloo, Battle of"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts, with separately moulded left arm, and pearlware glazed. Painted in cobalt blue and black underglaze and in black, grey, red green, purple and flesh pink enamels, and gilt. The underside is concave and glazed, with a central vent hole. The back is moulded and coloured, though without detailed decoration."}],"note":[{"value":"in three parts, with subsidiary part"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120085","uid":"adlib-term-120085","uuid":"68c62b7c-aaf4-38a5-a1be-4d6c615c0714"},"summary_title":"press-moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"The Duke of Wellington (standing)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71201","_score":15.283876,"_source":{"admin":{"added":1592999553000,"created":1312637261000,"flag":"Standard Record","id":"object-71201","indexed":1755194540413,"modified":1714466023000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71201","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71201","uuid":"0d06a2c9-c8aa-31a5-b85c-01fbbffe54b7","version":6},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-187981","uid":"adlib-agent-187981","uuid":"98e75b96-472a-3a44-9f21-b4d17a24c7f0"},"summary_title":"Moody, Dwight Lyman"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-187980","uid":"adlib-agent-187980","uuid":"421621cc-1e3b-339f-9d6d-396eae5c8871"},"summary_title":"Sankey, Ira D"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. 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The oval base is lettered \u2018SANKEY\u2019 in relief, black script, capitals; a pink line runs across the front beneath the title. The figure is sparsely coloured. He wears a long coat, edged in blue; a yellow waistcoat decorated in brown; and a black bow tie. His cuffs are lined in blue and gilt, his shirt buttons are gilt. He has black hair, moustache and mutton chop whiskers, and wears black shoes. The pillar is orange brown and the book is outlined in blue and yellow, with black lines to suggest text. The underside is concave and glazed. The upper back is moulded, with a vent hole 9.5 cm from the bottom."}],"identifier":[{"accession_number":"C.1032-1928","primary":true,"type":"accession number","value":"C.1032-1928"},{"priref":"71201","type":"priref","value":"71201"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71201","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71201"}],"inscription":[{"description":[{"value":"relief, black script, capitals"}],"location":"front of base","method":"moulded and painted","transcription":[{"value":"SANKEY"}],"type":"name"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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It is said that a crowd of 20,000 attended their Edinburgh meeting, held on the slopes of \u2018Arthur's Seat\u2019, and they raised \u00a310,000 for the building of a Mission in the Royal Mile. This figure was probably made at the time of the 1873-75 visit."},{"value":"Rackham (1935) lists this figure as of a type chiefly made by Sampson Smith at Sutherland Works, Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851. The firm continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures are rarely marked, but in 1948 a number of original moulds were found on site, and one of these was a mould for a 17 inch figure of Moody. The moulding of the companion figure of Moody  is very similar, so it seems likely that this figure and its pair were also made by Samson Smith."},{"value":"The Fitzwilliam collection also includes another Staffordshire figure of Moody (C.1021-1928), in similar pose, but 13 \u00bc in, more sparsely coloured and with some differences in the moulding; it is unlikely to have been  made by Sampson Smith."},{"value":"This figure is a pair ro a figure of Sankey, which is also in the collection."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Also Plate D5, Figs 9(a) and 10(a) :  a similar pair of figures but with separately moulded front leg to each figure, and 29cm (11 \u00bd in).","page":"379","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"a very similar pair of Sankey and Moody figures.","page":"16","type":"reference"},"admin":{"id":"publication-7216","uid":"adlib-publication-7216","uuid":"ae90609c-35b0-3a71-843a-73dea97c1dec"},"summary_title":"Staffordshire Figures"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted with black, brown, blue, red, yellow, pink and flesh-pink enamels, and gilt. The underside is concave and glazed. The upper back is moulded, with a vent hole 10.5cm from the bottom."}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"title":[{"value":"Dwight Lyman Moody (9 \u00be in)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71188","_score":15.283876,"_source":{"admin":{"added":1592996598000,"created":1312637261000,"flag":"Standard Record","id":"object-71188","indexed":1755194540482,"modified":1714466021000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71188","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188","uuid":"245e21c1-21e7-34b2-9137-78e50f4517f1","version":7},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-188293","uid":"adlib-agent-188293","uuid":"b3ee073a-15a5-393e-9732-7189d5b56784"},"summary_title":"Dundas, Deans, Sir"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-188292","uid":"adlib-agent-188292","uuid":"b1608435-9b8e-3496-8ea0-2120355d736b"},"summary_title":"Napier, Charles, Admiral, Sir"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"black, brown, grey, red and flesh-pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in three parts and pearlware glazed. Painted with black, brown, grey, red and flesh-pink enamels, and gilt."},{"date":[{"earliest":2011,"latest":2011,"value":"2011-11-01"}],"value":"Sir Charles Napier stands at ease. The figure is mainly white, with features picked out in enamels and gilt. He wears naval uniform, with two medals, epaulets, sash, belt and buttons, all moulded and painted in gilt and brown. He carries a black hat in his right hand; his left holds a cloak, which drapes towards his foot. He carries a sword, with brown hilt and grey scabbard with black bands. He wears side whiskers, and his eyebrows are finely painted. The oval-to-egg shaped base is rounded to the top. A gilt line runs across its front, which also bears a ribbon with the name ' C. NAPIER' in relief, gilt capitals. The underside is concave and glazed. The back of the upper body and the right leg are moulded, with a round vent hole 11cm from the bottom."}],"identifier":[{"accession_number":"C.1025-1928","primary":true,"type":"accession number","value":"C.1025-1928"},{"priref":"71188","type":"priref","value":"71188"},{"source":"Glaisher MS catalogue, Volume: ?","type":"old object number","value":"R5115"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71188"}],"inscription":[{"description":[{"value":"A gilt line runs across the front of the base, which also bears a ribbon with the name \u2018C. NAPIER\u2019 , in relief, gilt capitals"}],"location":"ribbon on front of base","method":"moulding and painting","transcription":[{"value":"C NAPIER"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1854,"from":{"earliest":1854,"latest":1854,"precision":"circa","value":"1854"},"latest":1856,"range":true,"to":{"earliest":1856,"latest":1856,"precision":"circa","value":"1856"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"A similar figure, but with slightly different moulding and with a cannon and shot beside Napier\u2019s feet, has been found incised \u2018John Carr, 1857\u2019 (Pugh p.339). It is likely the name refers to a modeller, as there is no Carr factory known to have operated in the area at this time."},{"value":"Admiral Sir Charles John Napier (1786-1860) commanded the Baltic Fleet in the Crimean War (1854-56), but after a quarrel with the First Lord of the Admiralty, was replaced by Sir James Deans Dundas. The pairing of this figure with a similarly moulded figure of Dundas suggests that both were made at around this time. Later, as a Member of Parliament, Napier campaigned for the proper training of officers, decent living conditions for seamen and for the abolition of flogging and the press gang."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and typically have a flat back and  plain oval base. Meanwhile  there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source of this figure may be an engraving in Cassells Illustrated Family Paper, 7 October, 1854, which shows Napier, with Sir Edmund Lyons and Sir James Deans Dundas, in front of a naval group. Sir Charles Napier was a popular hero of the time. The figure was made in several variations, by different manufacturers, and there were also similarly moulded medals."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria I"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Vol. I, p.132, no. 1025","page":"132","type":"reference"},"admin":{"id":"publication-1031","uid":"adlib-publication-1031","uuid":"a5cc6cb3-2b6f-390a-af51-7e9d123e55ed"},"summary_title":"Catalogue of the Glaisher Collection of Pottery and Porcelain in the Fitzwilliam Museum Cambridge"},{"@link":{"notes":"Cf. Plate C42, Fig.104: a similarly moulded figure, but not quite the same (eg the sash is curved, the hair fuller); also 36.75cm (14 \u00bd in) high, and with additional enamels to jacket, trimmings, cloak and ground. Figs. 101-102 and 105 also show similar figures of Sir Charles with variations; Fig. 102 is shown as a companion to  \u2018SIR DEANS DUNDAS\u2019.","page":"272","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. Fig.214: the same figure, but 12 \u00bd in high and with additional enamels, including blue coat, pink cloak, green belt and orange epaulets, standing on green\/brown ground. Harding also shows, Figs. 211P-215, figures of Napier in a variety of other standing poses, sometimes with a cannon or holding a telescope, or as a companion figure to \u2018SIR DEANS DUNDAS\u2019 (Fig.127). Harding also shows (Fig.216), a figure of Field Marshal Robert Cornelius Napier, standing by his horse, a companion piece to a similar figure of Garibaldi.","page":"91","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Cf. a coloured version","page":"p.55","type":"reference"},"admin":{"id":"publication-8448","uid":"adlib-publication-8448","uuid":"4ef2e26f-cb4d-3b92-9c93-840dff116ed8"},"summary_title":"A Potted History: Henry Willett's Ceramic Chronicle of Britain"},{"@link":{"notes":"Cf. a similar figure with small variations in the moulding (eg angle of hat) and additional enamels to coat, epaulets, cloak and ground.","page":"11","type":"reference"},"admin":{"id":"publication-7216","uid":"adlib-publication-7216","uuid":"ae90609c-35b0-3a71-843a-73dea97c1dec"},"summary_title":"Staffordshire Figures"},{"@link":{"notes":"Cf. Fig.47: a similar figure standing with a cannon, paired with a companion figure of Sir James Deans Dundas. Also, Fig.48, an engraving from Cassells Illustrated Family Paper, 7 October, 1854, showing Napier in similar dress and pose (though not identical), in front of a group of people with Sir E. Lyons and Sir James Deans Dundas.","page":"36","type":"reference"},"admin":{"id":"publication-7214","uid":"adlib-publication-7214","uuid":"5837e427-2875-313b-a414-8210d452c972"},"summary_title":"The Victorian Staffordshire Figure"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-108082","uid":"adlib-term-108082","uuid":"1c5310ee-4d1a-3a9a-98b3-45edd40b2c0e"},"summary_title":"Crimean War"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts and pearlware glazed. Painted with black, brown, grey, red and flesh-pink enamels, and gilt. The underside is concave and glazed. The back of the upper body and the right leg are moulded, with a round vent hole 11cm from the bottom"}],"note":[{"value":"in three parts"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130724","uid":"adlib-term-130724","uuid":"94dc0522-7bb7-3aa7-a884-0878f90b9d28"},"summary_title":"press moulding"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-122641","uid":"adlib-term-122641","uuid":"d5fb75d8-097d-3fd7-8e70-87e9d96d77f7"},"summary_title":"glazing"}}],"title":[{"value":"Admiral Sir Charles Napier (1786-1860)"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-71145","_score":15.283876,"_source":{"admin":{"added":1592991039000,"created":1312637261000,"flag":"Standard Record","id":"object-71145","indexed":1755194540658,"modified":1714466017000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-71145","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71145","uuid":"64306277-ab49-3054-9ee7-3fc4dc0fec3a","version":6},"agents":[{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-187916","uid":"adlib-agent-187916","uuid":"8ac2bb78-1dcb-3938-9319-225c177aca48"},"summary_title":"Cook, Eliza"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-113184","uid":"adlib-term-113184","uuid":"25fc548d-d02f-39a6-a34f-d609393a0043"},"summary_title":"J. W. L. Glaisher"}],"component":[{"materials":[{"note":[{"value":"black, brown, blue, red, pink and flesh-pink"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-98112","uid":"adlib-term-98112","uuid":"32d115a4-d3ac-33b0-b126-2a3da0fdf139"},"summary_title":"portrait"}]},"department":{"value":"Applied Arts"},"description":[{"value":"White earthenware figure moulded in three parts, with separately moulded right arm, and lead glazed. Painted with black, brown, blue, red, pink and flesh-pink enamels, and gilt."},{"value":"Eliza stands with her head turned towards her left; her left hand holds up her skirt to show her petticoat. The rounded-rectangular base is inscribed \u2018ELIZA COOK\u2019 in indented gilt capitals with three strokes of gilt to each side. The figure is well coloured. Eliza wears a full, three-tier, blue skirt, with the edges painted a darker blue; a white bodice, open at the neck and decorated with red flowers; a pink jacket displaying gilt-lined white cuffs; and a red necklace with a star-shaped pendant. Her brown hair falls in ringlets to her shoulders, and is caught at the top by an orange band. The underside is concave and glazed with a vent hole towards the left back corner. The back is moulded, but only the upper half is painted."}],"identifier":[{"accession_number":"C.1017-1928","primary":true,"type":"accession number","value":"C.1017-1928"},{"priref":"71145","type":"priref","value":"71145"},{"date":[{"earliest":1917,"latest":1917,"value":"1917"}],"source":"Glaisher MS catalogue, Volume:22","type":"old object number","value":"4106"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71145","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71145"}],"inscription":[{"description":[{"value":"in indented gilt capitals with three strokes of gilt to each side."}],"location":"front of base","method":"indented and painted","transcription":[{"value":"'ELIZA COOK'"}],"type":"name"},{"description":[{"value":"rectangular paper label"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No.4106 Staffordshire figure of Eliza Cook the poetess b. in Bournemouth Jan 5 1917"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.w.l.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"}],"maker":[{"@link":{"qualifier":"perhaps","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187909","uid":"adlib-agent-187909","uuid":"6486c303-82d9-3df3-b999-4e32054a4264"},"summary_title":"Alpha factory"}],"note":[{"value":"Eliza Cook (1818-1889) was the daughter of a London tradesman and a radical poet and writer. Her weekly Eliza Cook's Journal, published from 1849 to 54, featured a mix of household and childcare hints, poetry and fiction, and essays supporting causes such as careers for women, public libraries, mechanics' institutions, and extended museum opening hours. First year circulation reached over 50,000 copies collected versions of its essays and other items were published. \nOn purchasing this figure, in 1917, Dr Glaisher wrote:  \u2018in my younger days Eliza Cook\u2019s poems enjoyed great popularity and I have heard her preferred to Tennyson who had not then reached the height of his fame\u2019."},{"value":"Following Pugh (1970) and Balston (1958), it seems more likely that this figure was made by the \u2018Alpha Factory\u2019, an as yet unidentified producer whose figures share a number of common features. Here these include: well moulded in the round; subsidiary moulding; and the title in indented gilt capitals bracketed by three strokes of gilt."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But there were many other manufacturers of figures working in Staffordshire at this time."},{"value":"The figure was probably made in the period 1849-54, whilst the journal was in publication, as it shows her with young features, and afterwards she was less publicly active."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Painted with black, brown, grey, blue, green, yellow, red, dark pink and flesh-pink enamels, and gilt."},{"value":"A man stands holding a shotgun in his left hand and a pistol in his right, a package under his right arm. He leans towards his left and is supported by a pile of three barrels. The lower part of the figure is well coloured; above, it is mainly white with gilt and enamel decoration. He wears: a white jacket and shirt, edged in gilt and open at the neck; yellow breeches, decorated with a fine pattern of green spots surrounded by tiny red spots; dark pink stockings, finely painted in light and dark pink; black boots with red-brown tops; a red-brown and green checked sash; and a wide-brimmed hat with feathers, two pink and one blue. The barrels are grey, with bands of blue and gilt. The base is rectangular, extended to the back right, with \u2018WILL WATCH\u2019 in raised gilt capitals above a gilt line to the front. The underside is concave and glazed. The back is moulded but undecorated, with a triangular vent hole 10 cm from the bottom."}],"identifier":[{"accession_number":"C.878-1984","primary":true,"type":"accession number","value":"C.878-1984"},{"priref":"76271","type":"priref","value":"76271"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76271","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76271"}],"inscription":[{"description":[{"value":"\u2018WILL WATCH\u2019 in raised gilt capitals above a gilt line"}],"location":"front of the base","method":"moulded and painted in gilt","transcription":[{"value":"WILL WATCH"}],"type":"title"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs J E Cameron 1984, from the collection of the late Col R G Turner"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-155987","uid":"adlib-agent-155987","uuid":"e436f445-fa38-38a0-bdfd-83e40b0508c9"},"summary_title":"Cameron, J.E., Mrs"}],"date":[{"earliest":1984,"latest":1984,"value":"1984"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1984-10-22"}]}],"creation":[{"date":[{"earliest":1850,"from":{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"},"latest":1865,"range":true,"to":{"earliest":1865,"era":["CE"],"latest":1865,"precision":"circa","value":"1865"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"The flattened but moulded back, combined with the use of underglaze blue on similar models, suggests this figure was made mid-period, perhaps.1850-1865. The painting of the stockings is unusual, and similar to that found on figures which may have been made by John and Rebecca Lloyd, but Lloyd figures were usually modelled and decorated in the round and the Lloyd factory closed around 1852. A larger factory making figures from the 1850s onwards was Sampson Smith; but although this is a large figure and a simple three-part moulding, like many Sampson Smith-attributed figures, the base and complex outline are untypical. So it is likely that this figure was made by another, perhaps smaller, manufacturer."},{"value":"\u2018Will Watch\u2019, a legendary Sussex smuggler, was the hero of several Victorian broadside ballads. Will died at sea in a fight with other smugglers and, as an 1820s ballad records, was buried in an unmarked grave: \u2018Where Will Watch, the bold smuggler\/ that famed lawless fellow\/ Once feared - now forget - \/ sleeps in peace with the dead\u2019. The figure is perhaps a theatrical portrait:  a performance of \u2018Will Watch\u2019 , by J H Amherst, took place at the Royalty Theatre, London, on 3 January 1925, and was no doubt repeated in later years."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white earthenware"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"11.5"},{"dimension":"Depth","units":"in","value":"4.5"},{"dimension":"Height","units":"cm","value":"39"},{"dimension":"Height","units":"in","value":"15.375"},{"dimension":"Width","units":"cm","value":"19.1"},{"dimension":"Width","units":"in","value":"7.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-47300","uid":"adlib-media-47300","uuid":"fc44097c-37dd-3b75-9dd3-5641f5586631"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926637460,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926637460,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926637460,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_878_1984_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926637460,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-47301","uid":"adlib-media-47301","uuid":"42f69166-ecdb-3e7c-ab69-7fdcd39788af"},"processed":{"large":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926611223,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa2\/mid_C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1702926611223,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa2\/C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1702926611223,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa2\/preview_C_878_1984_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1702926611223,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"},"type":"category"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130674","uid":"adlib-term-130674","uuid":"2728ba11-801b-318a-8f24-c6f4b99f08e3"},"summary_title":"Victorian Staffordshire figure"},"type":"category"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-130678","uid":"adlib-term-130678","uuid":"c683fbc6-ba3a-3ab1-b2f5-41493ff3588d"},"summary_title":"flat-backed figure"},"type":"category"}],"note":[{"type":"history note","value":"From the collection of the late Colonel R.G. Turner."}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf.  Pl. I 14, fig. 29: a very similar figure, 14 in, and similarly decorated but for the jacket and the top of the base, which are painted, and the inscription, which is on a small ribbon. Also, p.254, Plates C2 and C3: two apparently identical figures, similar to this though in different pose and differently decorated; one of these is titled \u2018Will Watch\u2019 and the other \u2018Jean Bart\u2019; an engraving of a statue of Jean Bart at Dunkirk (Plate C4) appears to be the source. Also, p.611, several other versions of the \u2018Will Watch\u2019 figure.","page":"pp. 251, 611,633","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. Fig.1121: a very similar figure, 14 in, and similarly decorated but for: the jacket, painted in underglaze blue: the top of the base, painted in a combed pattern of brown and green; and the inscription on a small ribbon. 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Painted underglaze in cobalt blue and in black, brown, green, yellow, orange, red, pink and flesh-pink enamels and gilt."},{"value":"Two children flank a Punch and Judy booth, where Judy is holding the baby. The figure is well coloured. The children have black hair and wear blue bodices. On the left, the girl wears a pale green skirt decorated with pink and red sprigs and spots; she has black shoes and carries an orange sash on her right arm. On the right, the boy wears a skirt edged in green and pink, an orange cloak, black boots and a hat with a pink feather; he holds a round orange container; a yellow mouth-organ hangs beneath his chin. Judy and the baby have white hair; she wears a blue bodice. There is gilt decoration on the clothes. The booth is white at the bottom and orange at the top, and trimmed with two pink-edged frills. The oval base is moulded to suggest rough ground on top. The sides and top of the base are painted mustard and brown, with an orange object lying in the centre. The underside is concave and glazed, with a central vent hole. 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Derived from the Italian comedia del arte, the first records of Mr Punch in England date from c.1660. Originally a marionette performance, by Victorian times \u2018Punch and Judy\u2019 had become a popular glove-puppet show, performed from a portable booth by a single puppeteer. These shows travelled from town to town, and were particularly popular at the seaside. Punch is a hook-nosed, hump-backed figure whose high pitched, squeaky voice is produced through the use of a \u2018swazzle\u2019 or squeaker. The plots vary, but typically involve Punch attacking the other characters, who generally include his wife  Judy, their baby, a hungry crocodile and a policeman, with a truncheon and a string of sausages amongst the props."},{"value":"The flat shape and undecorated back, combined with the use of underglaze blue, indicate that this model was probably made around 1850-65. There were many manufacturers of figures working in Staffordshire at this time.  Sampson Smith at Longton, one of the larger ones, is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019; production began around 1851, and figures were made in quantity into the early part of the twentieth century. Sampson Smith figures typically have a flat back, but the model may equally well have been made at another workshop."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-107658","uid":"adlib-term-107658","uuid":"824d3ecf-92c1-33aa-8d45-2f0239317270"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Staffordshire"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107611","uid":"adlib-term-107611","uuid":"790e5a19-a186-34d5-a16e-2d8dff9f6247"},"summary_title":"white 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Fig 1015: a very similar model, 8 \u00bd in, but differently decorated. Also a companion piece with Mr Punch in the booth.","page":"279","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Ref. lists Punch & Judy amongst typical Toby Jug subjects.","page":"39","type":"reference"},"admin":{"id":"publication-7239","uid":"adlib-publication-7239","uuid":"857e9745-a48f-3c6e-9927-ed50a101ae74"},"summary_title":"Staffordshire Portrait Figures of the Victorian Age"},{"@link":{"notes":"Ref. Fig.174: individual figures of Punch and Judy very similar to those in the Fitzwilliam collection, described as fine quality porcelain, c.1845.","page":"132","type":"reference"},"admin":{"id":"publication-7214","uid":"adlib-publication-7214","uuid":"5837e427-2875-313b-a414-8210d452c972"},"summary_title":"The Victorian Staffordshire Figure"},{"@link":{"type":"reference"},"admin":{"id":"publication-7217","uid":"adlib-publication-7217","uuid":"c1860f2b-473e-3562-a129-4344ff68ed22"},"summary_title":"Staffordshire Portrait Figures"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-113692","uid":"adlib-term-113692","uuid":"0bed487d-d8b3-3c68-82f9-4d206ada18ae"},"summary_title":"Punch and Judy show"},{"@link":{"type":"literal"},"name":[{"value":"Punch and Judy show"}],"summary_title":"Punch and Judy show"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-110220","uid":"adlib-term-110220","uuid":"e22d3544-a393-3f19-9be4-dc2632ca9942"},"summary_title":"figure group"}},"summary_title":"figure group","techniques":[{"description":[{"value":"White earthenware press-moulded in three parts and lead glazed. 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Painted in under-glaze blue and in black, green, orange, brown and flesh-pink enamels, and gilt."},{"value":"Shakespeare stands, leaning his left elbow on a column and crossing his left leg over his right; he holds a scroll in his left hand. The figure is well coloured. He wears a long flesh-pink coat with orange lining; a blue under-jacket decorated in gold; breeches which are finely painted in shades of green; a white shirt with broad collar; pale blue stockings and black shoes. His clothing is edged in gilt and there are gilt laces on his shoes. He is balding, with short black hair and a trimmed beard and moustache. The pillar has brown and flesh-pink bands. Black marks indicate writing on the scroll. The rectangular base has rounded corners and a vertical concavity to the front, in the centre of which is a gilt motif comprising a dot enclosed by two vertical bracket lines, with eight small gilt lines to either side. There is additional gilt decoration of four dots and a line on each side of the base front. The underside is concave and glazed. The back is partly moulded and coloured, with a vent hole 5 cm from the bottom."}],"identifier":[{"accession_number":"C.870-1984","primary":true,"type":"accession number","value":"C.870-1984"},{"priref":"76255","type":"priref","value":"76255"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76255","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76255"}],"inscription":[{"location":"on base","method":"underglaze in blue","transcription":[{"value":"'V' (or double leaf)"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs J.E.Cameron, from the collection of Col R.G.Turner, 1984"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-155987","uid":"adlib-agent-155987","uuid":"e436f445-fa38-38a0-bdfd-83e40b0508c9"},"summary_title":"Cameron, J.E., Mrs"}],"date":[{"earliest":1984,"latest":1984,"value":"1984"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1984-10-22"}]}],"creation":[{"date":[{"earliest":1840,"from":{"earliest":1840,"era":["CE"],"latest":1840,"precision":"circa","value":"1840"},"latest":1850,"range":true,"to":{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"}}],"maker":[{"@link":{"qualifier":"perhaps","role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-188266","uid":"adlib-agent-188266","uuid":"460ccab5-1f71-31b9-bc8b-562dcc63d9d1"},"summary_title":"John & Rebecca Lloyd"}],"note":[{"value":"This figure was probably made as a pair for a figure of John Milton, and made in several sizes The decoration is very similar to an 8 inch Milton figure, shown in Harding (1998), which has pink trousers painted in a similarly \u2018feathered\u2019 stripe pattern."},{"value":"William Shakespeare (1564-1616), England\u2019s greatest poet and playwright, was a popular figure for Victorian Staffordshire figures; Pugh shows at least ten. 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Figs 320P, 321P, 324P: three figures in very similar pose, though with differences in the moulding, decoration and base. Also, p.86, Fig.203: a figure of Milton, with very similar decoration, notably the pillar, breeches (though red) and under-jacket, a flesh-pink cloak and the same motifs on the base, but only 8 inches high.","page":"128-129","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"},{"@link":{"notes":"Cf. Fig.233: a black and white image of a 9 \u00bc in figure which appears very similarly decorated, notably the two-tone colouring of the breeches and the motif on the base. 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The back is flat, decorated to the top and marked with diagonal scoring to the clay below."}],"identifier":[{"accession_number":"C.869-1984","primary":true,"type":"accession number","value":"C.869-1984"},{"priref":"76252","type":"priref","value":"76252"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76252","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76252"}],"inscription":[{"description":[{"value":"Rectangular paper label"}],"location":"underside of base","method":"handwritten in blue ink","transcription":[{"value":"\u2018Conrad or Byron\u2019s corsair\u2019"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mrs J E Cameron, from the collection of the late Col R G Turner. 1984"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-155987","uid":"adlib-agent-155987","uuid":"e436f445-fa38-38a0-bdfd-83e40b0508c9"},"summary_title":"Cameron, J.E., Mrs"}],"date":[{"earliest":1984,"latest":1984,"value":"1984"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1984-10-22"}]}],"creation":[{"date":[{"earliest":1850,"from":{"earliest":1850,"era":["CE"],"latest":1850,"precision":"circa","value":"1850"},"latest":1870,"range":true,"to":{"earliest":1870,"era":["CE"],"latest":1870,"precision":"circa","value":"1870"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"An alternative source may be a performance by the English actor Edmund Kean (1789-1833) as Richard III, at the Brighton Theatre,c.1815. Pugh (1970) illustrates a 9 inch version which, whilst more elaborately modelled and decorated and in slightly more flamboyant pose, undoubtedly represents the same figure; this had been found with a paper label indicating its source was a print from the production. However, the original print has so far not been identified."},{"value":"The flattened, partially coloured back and the use of underglaze cobalt blue indicate a date of c.1850-1870. There were many manufacturers of figures working in Staffordshire at this time, but there are no typical features here to suggest that the figure can be attributed to a particular factory."},{"value":"This figure is almost certainly a literary or theatrical character. 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Harding notes identification as either \u2018Conrad\u2019 (pirate chief from Byson\u2019s \u2018The Corsair\u2019) or Edmund Kean ans Richard III, but  finds no evidence for either.","page":"368","type":"reference"},"admin":{"id":"publication-7227","uid":"adlib-publication-7227","uuid":"6dc55e19-7dee-3713-a8a4-c81f86e35351"},"summary_title":"Victorian Staffordshire Figures 1835-1875, Book One: portraits, naval & military, theatrical & literary characters"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107454","uid":"adlib-term-107454","uuid":"6ca0f2ab-c1f8-329d-8a45-8f1322f53a20"},"summary_title":"figure"}},"summary_title":"figure","techniques":[{"description":[{"value":"White earthenware moulded in three parts, with separately moulded arms and hat trim and small shards of clay added as decoration. Lead glazed. Painted underglaze in cobalt blue and with black, green, red, orange, yellow, pink and flesh-pink enamels, and gilt. 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Staffordshire statuette of William O\u2019Bryan, founder of the Bible Christians (lettered J Bryan on the base) b. in London March 15, 191 [label torn]'"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1840,"from":{"earliest":1840,"era":["CE"],"latest":1840,"precision":"circa","value":"1840"},"latest":1850,"range":true,"to":{"earliest":1850,"era":["CE"],"latest":1850,"value":"1850"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-187914","uid":"adlib-agent-187914","uuid":"3ff8e302-3ac3-3560-9a60-800ee4445118"},"summary_title":"Unidentified factory"}],"note":[{"value":"John Bryan (1770-1856) was a Wesleyan minister, born at Llanfyllin. He was minister of various Welsh and English circuits from 1801-1824. Later he became a grocer in Leeds, and subsequently at Caernarvon. He was known for his preaching and for his many converts. Pugh identifies a number of Welsh clerical figures made in the 1840s, and suggests that they were made for the Welsh market."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures, which were rarely marked, typically have a flat back and plain oval base. Meanwhile,  there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source may be a lithograph of a figure in similar pose, signed \u2018Eich Serchog, J.Bryan\u2019 (yours sincerely, J. 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Painted in underglaze black and in grey, red and flesh-pink enamels, and gilt. The underside is concave and glazed, with a central vent hole. 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Painted in underglaze blue and in black, brown, grey, blue, green, orange, yellow and flesh-pink enamels, and gilt."},{"value":"The Princess stands on the Prince\u2019s left, holding his arm. The oval base is inscribed \u2018PRINCE & PRINCESS\u2019 in raised, black painted, capitals. The figures are well coloured. He wears a long blue jacket; white trousers; a white waistcoat edged in pink; a brown spotted cravat; a gold watch-chain and black shoes. He carries a grey top hat in his right hand. She wears a white blouse and jacket, the latter edged in moulded feathers and a thin green line; and a full length skirt which is finely decorated with blue and green flowers, orange and gilt motifs, and a pink ribbon above the hem.  On her left arm she carries a yellow hat with a moulded floral decoration and an orange band. Both have mid-brown hair. The underside is concave and glazed, with a vent hole towards the centre front. The back is moulded, but only partly decorated."}],"identifier":[{"accession_number":"C.1013-1928","primary":true,"type":"accession number","value":"C.1013-1928"},{"priref":"71140","type":"priref","value":"71140"},{"date":[{"earliest":1908,"latest":1908,"value":"1908"}],"source":"Glaisher MS catalogue, Volume:  5","type":"old object number","value":"2797"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71140","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71140"}],"inscription":[{"location":"on underside","method":"painted in red enamel","transcription":[{"value":"a short curved line (or part of a \u2018c\u2019)"}],"type":"owner's mark"},{"description":[{"value":"raised capitals, painted in black enamel"}],"location":"front of base","method":"moulded and painted","transcription":[{"value":"PRINCE & PRINCESS"}],"type":"name"},{"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No 2797. Staffordshire group of the Prince & Princess of Wales (King Edward Vii and Queen Alexandra), circa 1863 b. in London June 1 1908"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Although it is unmarked, other than an impression on the back which yields no information, there exist several other examples which bear the mark \u2018Lloyd\/Shelton\u2019 on the reverse. Lloyd factory figures are notable for their delicate and well-fired use of colours and  gilt \u2013 seen here in the thinly applied blue of the dress and the gilt-lace-edged collar \u2013 and for their use of small shards or extrusions of clay to denote fur edging."},{"value":"This figure has a pair, its companion being a seated figure of Prince Albert."},{"value":"Victoria (1819-1901) was the longest reigning British monarch and the figurehead of a vast empire. She oversaw huge changes in British society and gave her name to an age. The daughter of the fourth son of George III, she came to the throne in 1837 and married her cousin, Prince Albert of Saxe-Coburg and Gotha, in 1840. 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The back is moulded, but decorated only above the waist."}],"identifier":[{"accession_number":"C.1003-1928","primary":true,"type":"accession number","value":"C.1003-1928"},{"priref":"71123","type":"priref","value":"71123"},{"date":[{"earliest":1910,"latest":1910,"value":"1910"}],"source":"Glaisher M\/S catalogue, Volume 10","type":"old object number","value":"3140"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71123","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71123"}],"inscription":[{"description":[{"value":"gilt script, with three gilt strokes to either side"}],"location":"front of base","method":"painted in gilt script","transcription":[{"value":"MD LIND"}],"type":"name"},{"description":[{"value":"rectangular paper label, faded ink"}],"location":"underside of base","method":"handwritten in black ink","transcription":[{"value":"No. 3140 Staffordshire figure of Jenny Lind. b. in Philadelphia [date illegible] 1910"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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Mendelssohn  wrote the soprano part in Elijah for her, and she sang with Verdi. She is believed to have inspired several Hans Christian Andersen stories, including The Ugly Duckling and The Emperor\u2019s Nightingale. She performed the role of Marie in Donizetti\u2019s two-act opera La figlia del reggimento (the daughter of the regiment) in 1847. This was shortly after her London debut as Alice in Meyerbeer\u2019s  Roberto il diavolo  \u2013 when, it is said, Queen Victoria threw her a bouquet from the Royal Box."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton. Sampson Smith is listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019 in Longton and seems to have begun making figures around 1851, moving to Sutherland Works in 1859. The firm continued to make figures in quantity into the early part of the twentieth century, and again from 1948 when a number of original moulds were found on site (see Haggar (1955), pp.102-107, 148). But Sampson Smith figures were rarely marked, and there were many other, often smaller, manufacturers of figures working in Staffordshire at this time."},{"value":"The source for this figure is the illustration on a music cover by John Branard for Jullien\u2019s Celebrated Polkas No.16, inscribed \u2018Jenny Lind in the character of Maria [sic] in Donizetti\u2019s opera La Figlia del Reggimento\u2019"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109672","uid":"adlib-term-109672","uuid":"a788e98b-c8a4-313c-9617-1a812228e864"},"summary_title":"19th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-120127","uid":"adlib-term-120127","uuid":"ee2ddbd4-503c-30f5-8cf9-3c2d121bd315"},"summary_title":"Victoria 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Pugh also shows: Fig.165: a spill vase with this and a male character beside a tree trunk; Fig.176: a similarly dressed figure, though without the raised arm and on a more ornate base, with a further John Branard music front depicting Jenny Lind as Maria; and a number of other figures of Jenny Lind (pp.452-456).","page":"454","type":"reference"},"admin":{"id":"publication-3585","uid":"adlib-publication-3585","uuid":"784308ef-9535-3132-970c-45af8a273a64"},"summary_title":"Staffordshire Portrait Figures and Allied Subjects of the Victorian Era"},{"@link":{"notes":"Cf. Figs. 1300-1303, 1330 and 1335: a range of figures of Jenny Lind in character, including a similarly dressed figure, though differently moulded and decorated, representing her role as Marie. 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Painted in underglaze blue, and in black, brown, green, pink, yellow and salmon pink enamels, and gilt."},{"value":"The oval base is inscribed \u2018Grace Darling\u2019 in gilt script. Grace and her father face each other in a boat, on choppy water, with a lighthouse and cottage on rocky cliffs behind. The model is well coloured. The small figures have blue jackets, and her skirt is decorated in pink and green. The boat and the lighthouse are salmon pink; the latter has a red-brown door, three moulded windows, and a white lantern top decorated in gold and topped by a pink ball. The house has a red-brown door and a pink roof; there is gilt on its two windows and chimney. The scene is outlined in shards of clay, painted pink, brown and green to suggest vegetation. The underside is concave and glazed. 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They rowed for over a mile through raging seas to reach them; Grace then tended the sick whilst her father returned for more survivors. Both received gallantry medals from the Royal Humane Society and the National Institution for the Preservation of Life from Shipwreck (now the RNLI); Queen Victoria sent \u00a350. Grace became a celebrity of her time, but died of tuberculosis at age 26."},{"value":"Oliver (1981) notes that a poor modern reproduction of this model is frequently found."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which continued to make figures in quantity into the early part of the twentieth century. Sampson Smith figures typically have a flat back and plain oval base, often with a gilt script title, but the earliest known Sampson Smith figures date from around 1851. 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Painted in underglaze blue, and in black, brown, green, pink, yellow and salmon pink enamels, and gilt. The underside is concave and glazed. 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The underside is concave and glazed."},{"value":"The oval base is inscribed \u2018SIR JOHN FRANKLIN\u2019, painted in partly-incised gilt capitals with three gilt strokes to either side. The figure is mainly white, with features picked out in enamels and gilt. Sir John stands in front of a brown painted rock, on brown painted ground.  He wears uniform, with medals, epaulets, gold buttons and bicorne (or cocked) hat; his collar and shoes are black. He carries a telescope which is coloured orange and grey with black bands. The back is moulded, with a vent hole 9cm from the bottom."}],"identifier":[{"accession_number":"C.1023A-1928","primary":true,"type":"accession number","value":"C.1023A-1928"},{"priref":"71185","type":"priref","value":"71185"},{"source":"Glaisher MS catalogue, Volume: 14","type":"old object number","value":"3421"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71185","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71185"}],"inscription":[{"description":[{"value":"partly-incised gilt capitals with three gilt strokes to either side"}],"location":"front of base","method":"painted in gold","transcription":[{"value":"SIR JOHN FRANKLIN"}],"type":"name"},{"description":[{"value":"rectangular paper label"}],"location":"underside of base","method":"hand-written in black ink","transcription":[{"value":"No. 3421. Staffordshire figure of Sir John Franklin (polar explorer) \u2013 circa 1850 \u2013 b. at Rye, Nov 14, 1911"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Here these include: well moulded in the round; a subsidiary moulding; and the title in partly incised capitals bracketed by three strokes of gilt."},{"value":"In 1845, Sir John lead an expedition to discover the North West Passage, a route connecting the Atlantic and Pacific Oceans, passing through the Canadian Arctic archipelago, but did not return. After many search parties, several of which were funded by Lady Franklin, traces of ships and provisions were found, but no survivors. The expedition has inspired a wide variety of artistic works, including a ballad  Lady Franklin\u2019s Lament, c.1852. It is likely seems likely that this pair of figures was made at around the same time."},{"value":"Rackham (1935) lists this figure as of a type made chiefly by Sampson Smith at Longton, a factory listed in contemporary directories as a \u2018manufacturer of figures in great variety\u2019, which began around 1851 and continued to make figures in quantity into the early part of the twentieth century. But Sampson Smith figures were rarely marked, and there were many other manufacturers of figures working in Staffordshire at this time."},{"value":"This figure of the English naval commander and Arctic explorer Sir John Franklin (1786-1847) is the pair to a figure of Lady Jane Franklin.  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