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Round the junction of the rim and well on the back there are a series of holes in the enamel left by supports during firing.The plate has a dark blue ground. The design in the well is enamelled over a white layer in dark blue, translucent blue, turquoise, green, yellow, red, mulberry, and brown with silver foils (paillons) under the costume, and in black, opaque white, flesh-pink, and opaque white, enhanced with gilding. The sides are decorated in gold over the dark blue ground. The motifs on the rim are executed in translucent enamels over foils and in flesh-pink, white and grey over a white ground, reserved in a dark blue ground with gilt ornament. The reverse is enamelled  in grisaille and with flesh pink, and gilding. \nThe well is decorated with Joseph's brother's showing Jacob that their money has been returned to them in their sacks of grain. The action takes place out of doors, with two buildings in the background to right, a landscape with a stream on the left, and a path and two bushes in the foreground. A woman holding a baby in her arms and another woman stand on the right with a small sack in front of them. Benjamin stands beside his father, Jacob, who is seated in a chair. To the left, there is a sack lying sideways on the ground, and two more upright, which are being searched by two of the brothers. Six more of them stand behind them, one raising his arms in a gesture of surprise. In the sky above, in gold, is \".G.XLII\"  with below it, gold rays streaming down towards Benjamin. The sides are decorated with gold foliated scrolls on a dark blue ground, and on the rim, two different male and two different female masks, separated by tritons with tablets over their scrolling tails flanking jewels, with gold foliated sprays on a black ground. The edge is white.\nThe reverse is  painted in grisaille and flesh pink with two female terms and one male [?] term and three torches without flames linked by strapwork. The dark blue ground is decorated with gold sprays and foliate scrolls. On the rim there is a wreath of gold leaves and berries between pairs of gold bands. On the back, \"I.C\" in black on white strapwork below one of the torches."}],"exhibitions":[{"@link":{"catalogue":"2569","type":"reference"},"admin":{"id":"exhibition-2249","uid":"adlib-exhibition-2249","uuid":"547b6a0d-a51d-3449-bcac-f9bc675d6f4b"},"summary_title":"Mus\u00e9e r\u00e9trospectif"},{"@link":{"catalogue":"3060, one of four plates","type":"reference"},"admin":{"id":"exhibition-2250","uid":"adlib-exhibition-2250","uuid":"84fa0414-bb62-3cb1-bc3b-7b3c7527322b"},"summary_title":"Exposition Universelle de 1867"}],"identifier":[{"accession_number":"M.115B-1961","primary":true,"type":"accession number","value":"M.115B-1961"},{"priref":"156461","type":"priref","value":"156461"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156461","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/156461"}],"inscription":[{"location":"on front in sky","method":"painted in gold","transcription":[{"value":".G.XLII"}],"type":"inscription"},{"location":"on back on white strapwork below one of the torches","method":"painted in black","transcription":[{"value":".I . C."}],"type":"initials"},{"description":[{"value":"rectangular paper label with cut corners"}],"location":"on back of rim","method":"printed in black and hand-written in faded black ink","transcription":[{"value":"UNION\/CENTRALE\u2019 printed in black, with between the words in faded black ink, 124\/2788"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"The typed inventory of Louis Clarke\u2019s house, Leckhampton made by Sotheby's in October 1948, bears a handwritten note that this and C.115A-1961 were \u2018Formerly in Coll. of Gustave Rothschild\u2019 which was inherited by Sir Philip Sassoon and the Countess of Rocksavage.  The Museum\u2019s copy of the Christie\u2019s catalogue of their sale held on 26 November 1919 bears a note below lot 63, a set of four plates. \u2018Two of these now in Mallet bequest to Ashmolean, the other two to L.C. G.C\u2019 (indistinctly)."}]}],"creation":[{"date":[{"earliest":1585,"from":{"earliest":1585,"era":["CE"],"latest":1585,"precision":"circa","value":"1585"},"latest":1600,"range":true,"to":{"earliest":1600,"era":["CE"],"latest":1600,"value":"1600"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-180599","uid":"adlib-agent-180599","uuid":"01cc9b0b-f6a4-3faa-b356-ba4da3ba8987"},"summary_title":"Court dit Vigier, Jean I"},{"@link":{"qualifier":"possibly","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-186766","uid":"adlib-agent-186766","uuid":"9842ea2f-a073-3f9e-a28e-a1ca7001b3df"},"summary_title":"Court dit Vigier, Jean II"}],"note":[{"value":"The Biblical story of Joseph told in Genesis, was a common theme for the decoration of domestic objects in France in the second half of the 16th century. Limoges enamellers decorated caskets, ewers, dishes, and small plates with Joseph scenes. Although no complete sets are known, this plate was probably one of a set of twelve each decorated with a different event in the story, beginning when Joseph was already the slave of Potifar in Egypt, and extending from his rejection of the enticements of Potiphar\u2019s wife (Genesis 39.7) to his reconciliation with his brothers (Genesis 45.14-16). Ten of the scenes were closely based on Bernard Salomon's woodcut illustrations to Claude Paradin\u2019s 'Quadrins historiques de la Bible', first published by Jean de Tournes in Lyon in 1553. An augmented edition appeared in 1555, reprinted in 1558 and 1560, and another augmented edition in 1583. Each page had the biblical reference at the top, a woodcut, and an explanatory verse below. Another work of the same type, Guillaume Gu\u00e9roult\u2019s 'Figures de la Bible illustr\u00e9es de huictains francoys . . . (Guillaume Roville), Lyons, 1564 (2nd edn, 1565), with illustrations by Pierre Vase\/Eskrich was used for the 7th and 10th plates in the series, and the 12th has aspects from the woodcuts in both publications. These books can be seen online in the website Gallica of the Biblioth\u00e8que nationale. The story of Joseph was also recounted at length by the Jewish historian, Flavius Josephus (c. 37 BC - after 100 AD), in his Antiquities of the Jews, Book II, II\u2013VII. This work was widely read in sixteenth-century France, and the Lyon edition of 1562, 'l\u2019Histoire de Fl. Josephe, Sacrificateur Hebrieu', translated by Fran\u00e7ois Bourgoing, and printed by Jean Temporal for Jean de Tournes, illustrates the part of Joseph\u2019s story which appears on the Limoges plates with Salomon\u2019s twelve woodcuts for those scenes, but without the biblical reference. It is therefore possible that the enameller could have used that rather than 'Quadrins historique de la Bible'. \n\nThis subject, the ninth in the sequence, was taken from the Book of Genesis 42  Joseph\u2019s brothers returned home to their father Jacob, having left Simeon behind in Egypt as a hostage. When they unpacked their sacks of grain, they discover that their money has been returned to them in their sacks.  The scene was after the woodcut titled GENESE XLII\u2019 by Bernard Salomon in Claude Paradin\u2019s, Quadrins Historique de la Bible, Lyon (Jean de Tournes), 1553 or a later edition. The plate was misidentified in the catalogue of the 1865 Mus\u00e9e retorspectif as Joseph selling corn to his brothers, and later as the Betrayal of Benjamin, and as the Finding of the Cup in Benjamin's Sack, which occur later in the story.Another plate decorated with this subject formerly belonged to Baron Ferdinand Anselm de Rothschild (1839-98), and is part of the Waddesdon Bequest in the British Museum (WB34) (see Documentation)\n\nThe plate has a blue ground, like those in a part set of six plates in the Louvre, which were acquired in 1794 having been seized for the state in 1793 from the collection of Louis-Hercule-Timol\u00e9on, duc de Brissac (1734-1792) then in the h\u00f4tel Talleyrand-P\u00e9ricord. The plates in that group however, are a little larger than this plate, 20.2 cm in diameter, and have different border designs on the rim, so although this subject is missing from that set (if it originally had twelve plates), the plate seems unlikely to have been part of it.\n\nThe overall appearance of these plates, the border on the fronts,  and the style of grisaille decoration on the reverses, is comparable to a set of plates decorated with scenes from the Life of the Virgin signed' I.C.' . These have the de Vic arms below on the rims, probably for M\u00e9ry de Vic (d. 1622), who had been resident in Limoges as intendant during 1588 and 1589, while on a mission to restore order in the region for Henry III, and after his assassination in August 1589, had transferred his allegiance to Henry IV. It seems likely that the plates were made about that time, and if not, before 1603 when a change was made to the de Vic arms.\n\nThe initials \u2018'I\u2022C.\u2019 occur on a great many Limoges enamels made during the second half of the 16th and early seventeenth century. The plate therefore seems likely to have been a workshop mark used successively by members of the Court family. These were Jehan\/Jean Court dit Vigier I (d. 1592), whose earliest known signed work was dated 1555, and his son, Jean Court dit Vigier II (b. c.1575; d. between 1631-5); a Jehan\/Jean de Court who witnessed the latter's wedding in 1598, and was therefore probably a relative (if he were an enameller which is not certain), and a related enameller, Jehan\/Jean Court dit Vigier le jeune who married in 1613, and  died between 1627-31. (See Documentation, Beyssi-Cassan, 2006)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-126849","uid":"adlib-term-126849","uuid":"12adb53f-3133-3826-9950-cb457b8a568d"},"summary_title":"16th Century, Late-17th Century, Early"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Tapestry, the property of Sir Philip Sassoon, BT., M.P., C.M.G., and the Countess of Rocksavage of 25 Park Lane, p. 8, part of lot 63; Walter Walter S. Burns, Esq., North Mymms Park, Herts; Mrs Walter Burns; Christie's, 28 June 1935, Catalogue of highly important enamels, faience and majolica and works of art, the property of Mrs Walter Burns (from the Collection of the late Walter S. Burns, Esq.) . . . . , lot 11, III; Louis C.G. Clarke, MA, LL.D., Leckhampton, Cambridge."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same type"}],"type":"reference"},"admin":{"id":"object-139825","uid":"adlib-object-139825","uuid":"5137a070-788b-3e5c-a053-2a914d03ecdb"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"},{"@link":{"cascade":true,"role":[{"value":"same type"}],"type":"reference"},"admin":{"id":"object-139826","uid":"adlib-object-139826","uuid":"2161a683-841c-3ebb-ad57-f0bb7ae8697c"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-139825","uid":"adlib-object-139825","uuid":"5137a070-788b-3e5c-a053-2a914d03ecdb"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 225, no. 2569, as Joseph selling corn to his brothers and incorrectly as lent by Baron Alphonse de Rothschild instead of Baron James de Rothschild.","page":"225","type":"reference"},"admin":{"id":"publication-8967","uid":"adlib-publication-8967","uuid":"58e5940f-3893-32da-bdc1-20dee5f88c70"},"summary_title":"Exposition de 1865. Palais de l\u2019Industrie, Mus\u00e9e R\u00e9trospectif. Catalogue des objets d\u2019art et de curiosit\u00e9 expos\u00e9s au Mus\u00e9e R\u00e9trospectif ouvert au Palais de l\u2019Industrie en 1865"},{"@link":{"notes":"Publ. p. 8, part of lot 63.","page":"8","type":"reference"},"admin":{"id":"publication-3368","uid":"adlib-publication-3368","uuid":"25bf3f5d-bed3-3ace-8564-2a821cb84557"},"summary_title":"Catalogue of objects of art, porcelain and faience and fine French tapestry, the property of Sir Philip Sassoon Bart, MP, CMG and the Countess of Rocksavage of 25 Park Lane"},{"@link":{"type":"reference"},"admin":{"id":"publication-7027","uid":"adlib-publication-7027","uuid":"dedd6fca-e6f1-3dc8-981d-826b32b77670"},"summary_title":"Catalogue of highly important enamels, faience and majolica and works of art, the property of Mrs. Walter Burns (from the Collection of the late Walter S. Burns, Esq."},{"@link":{"notes":"Publ. p. 136-7, p. 156, fig. 5, p. 170, fig. 34, and Table of Plates, 9.1.","page":"136-7","type":"reference"},"admin":{"id":"publication-200003208","uid":"adlib-publication-200003208","uuid":"a080bc54-7f92-3d57-af8d-e44304d0a9af"},"summary_title":"L\u2019histoire de Joseph sur des assiettes en \u00e9mail peint de Limoges par l\u2019atelier portant la marque de fabrique \u201cI.C."},{"@link":{"type":"reference"},"admin":{"id":"publication-6647","uid":"adlib-publication-6647","uuid":"10f62349-c65f-3fee-a7e2-796d58c9e42c"},"summary_title":"Quadrins Historique de la Bible"},{"@link":{"type":"reference"},"admin":{"id":"publication-7342","uid":"adlib-publication-7342","uuid":"d9fb0bb5-2b35-34f7-88f4-b60331f55697"},"summary_title":"Bernard Salomon Illustrateur Lyonnais"},{"@link":{"notes":"Cf. pp. 350-7, N 1355-1360, a set of six plates with blue grounds and scenes from the life of Joseph of which N.1359 has a comparable design on the back of herms and strapwork. This group lack the subject on the Fitzwilliam's plate, but it is doubtful if it could have belonged to that set because the plates are a little larger, 20.2 cm. Baratte dated the plates c. 1600.","page":"350-7","type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. p. 19, no. 34, and pl. XIII (viewable online), which is probably by a different hand","page":"29","type":"reference"},"admin":{"id":"publication-7028","uid":"adlib-publication-7028","uuid":"d8cc0720-fd6f-3620-8509-30e3224a9e73"},"summary_title":"The Waddesdon Bequest; Catalogue of the Works of Art bequeathed to the British Museum  by Baron Ferdinand Rothschild M.P. 1898"},{"@link":{"notes":"Cf. in Philippe Verdier, 'Limoges enamels', pp. 382-4, (1931.300) a plate decorated en grisaille with Joseph and Potifar's Wife, which has a similar design on the back, signed \u2018.I.C.\u2019 on the strapwork, in the Taft Museum, Cincinnati.","page":"382- 4","type":"reference"},"admin":{"id":"publication-6115","uid":"adlib-publication-6115","uuid":"7f9f63c9-e1fa-338a-997e-e710ead545a7"},"summary_title":"The Taft Museum, European Decorative Arts"},{"@link":{"notes":"Cf. pp. 64-7, no. 12, a plate with Joseph receiving his Brothers after their return to Egypt in G. XLIII with a dark blue ground, and almost similar design on the reverse, This plate was formerly in the F. von Parpart collection, sold Rudolph Lepke, Berlin, 13.3.1912, lot 70.","page":"64-7","type":"reference"},"admin":{"id":"publication-6646","uid":"adlib-publication-6646","uuid":"bfa1def3-4b7b-3cb9-8f6f-39df95e8cd3d"},"summary_title":"Emaux de Limoges de la Renaissance provenant de la collection de M. Hubert de Givenchy"},{"@link":{"notes":"Ref. pp. 378-80, nos. 5 , 6 and 7, for biographical information for the Court dit Vigier family","page":"378-80","type":"reference"},"admin":{"id":"publication-6116","uid":"adlib-publication-6116","uuid":"bbff1ced-945e-3b6f-8556-b6eedf278dea"},"summary_title":"Le m\u00e9tier d\u2019\u00e9mailleur \u00e0 Limoges, XVIe-XVIIe si\u00e8cle"},{"@link":{"notes":"Cf. p. 228-9, lot 533, the plate from the Givenchy Collection, attributed to Jean Court, c. 1600.","page":"228-9","type":"reference"},"admin":{"id":"publication-6431","uid":"adlib-publication-6431","uuid":"33b5e1a9-43d8-3747-bc67-a541758ebd9e"},"summary_title":"Collection Yves Saint Laurent et Pierre Berg\u00e9, Sculptures, Objets d'Art, Art d'Asie, Arch\u00e9ologie et Mobilier"},{"@link":{"notes":"Ref. p. 311, for a list of plates with Joseph subjects. The Fitzwilliam's plate with its old title, The Finding of Silver in Benjamin's Sack is listed as M.1. For two other subjects, see pp. 302-06, no. 80, Joseph Storing Grain, and pp. 307-10, no. 81, Joseph Taken Prisoner. The author dates these from 1675-1600.","page":"311","type":"reference"},"admin":{"id":"publication-7299","uid":"adlib-publication-7299","uuid":"6f4a68e9-f500-30d4-b9dd-88b93e40816a"},"summary_title":"The Wallace Collection, Catalogue of Glass and Limoges Painted Enamels"},{"@link":{"notes":"Ref. Sir Philip Sassoon preferred French eighteenth-century art to the Renaissance objects, such as maiolica and Limoges enamels which had appealed to his grandfather, Baron Gustave de Rothschild (d. 1911) in Paris.","page":"151-70","type":"reference"},"admin":{"id":"publication-200003308","uid":"adlib-publication-200003308","uuid":"cd2bb49e-c01c-386e-b0e0-d4d005c862a4"},"summary_title":"Sir Philip Sassoon at 25 Park Lane: the collection of an early twentieth-century connoisseur and aesthete"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"},{"@link":{"type":"reference"},"admin":{"id":"term-10600","uid":"adlib-term-10600","uuid":"02211e31-dcc2-3d71-afd8-d51e21c5dc5f"},"summary_title":"Mannerism"}],"subjects":[{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-76645","uid":"adlib-term-76645","uuid":"958ceb8e-13a9-3ead-997f-4efff80521db"},"summary_title":"sack"},{"@link":{"relation":"animal","type":"reference"},"admin":{"id":"term-106792","uid":"adlib-term-106792","uuid":"9dad6dce-12d1-35e5-82ba-35b95d0e469a"},"summary_title":"hound"},{"@link":{"relation":"activity","type":"reference"},"admin":{"id":"term-108427","uid":"adlib-term-108427","uuid":"0b4ca4e3-9619-3d47-a7d7-b73bb5d87b0d"},"summary_title":"finding"},{"@link":{"type":"literal"},"name":[{"value":"sack"}],"summary_title":"sack"},{"@link":{"type":"literal"},"name":[{"value":"hound"}],"summary_title":"hound"},{"@link":{"type":"literal"},"name":[{"value":"finding"}],"summary_title":"finding"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"the well has a partly foiled and partly white ground, decorated with dark blue, translucent blue, turquoise, green, yellow, red, and mulberry, flesh-pink, brown, grey, opaque white, and black enamels, and gold. The sides are decorated in gold on a dark blue ground. The motifs on the rim are executed in translucent enamels over foils and in flesh-pink, white and grey over a white ground, reserved in a dark blue ground with gilt ornament. The reverse has a dark blue ground, painted in grisaille and with flesh pink, and gold. Round the junction of the rim and well on the back there are a series of holes in the enamel."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28810","uid":"adlib-term-28810","uuid":"c6a00cef-33f7-3107-8666-d791bd49707c"},"summary_title":"raising (metal forming process)"}}],"title":[{"value":"Joseph's brothers find their money returned to them in their sacks"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-139826","_score":19.10273,"_source":{"admin":{"added":1592999766000,"created":1312637261000,"flag":"Standard Record","id":"object-139826","indexed":1747160557257,"modified":1730835776000,"processed":1747159409017,"source":"adlib","stream":"fitz-online","uid":"adlib-object-139826","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139826","uuid":"2161a683-841c-3ebb-ad57-f0bb7ae8697c","version":11},"agents":[{"@link":{"note":[{"value":"Baron James de Rothschild (1792-1868), Paris"}],"type":"reference"},"admin":{"id":"agent-207863","uid":"adlib-agent-207863","uuid":"d865ee7e-3e31-3ccf-bd4d-f4ee11e387b0"},"summary_title":"Rothschild, James"},{"@link":{"note":[{"value":"Baron Gustave de Rothschild (1829-1911), Paris"}],"type":"reference"},"admin":{"id":"agent-179479","uid":"adlib-agent-179479","uuid":"bcd7b9cc-879f-37ac-90a7-2097d525fb8b"},"summary_title":"Rothschild, Gustave de, Baron"},{"@link":{"note":[{"value":"Walter S. Burns (d. 1929), North Mymms Park, Hertfordshire"}],"type":"reference"},"admin":{"id":"agent-186769","uid":"adlib-agent-186769","uuid":"bc49184a-4c43-3831-947d-991df2f95da6"},"summary_title":"Burns, Walter S."},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-8649","uid":"adlib-agent-8649","uuid":"b3d510e7-0636-3578-92af-db3b410163da"},"summary_title":"Joseph"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-160746","uid":"adlib-agent-160746","uuid":"f434c5bd-54dd-3e7b-af94-ae075d6c8473"},"summary_title":"Pharoah"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-10447","uid":"adlib-agent-10447","uuid":"245a8fdb-51ba-3c70-9445-c5772e95db78"},"summary_title":"Benjamin"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"translucent blue, turquoise, green, yellow, mulberry, red, flesh pink, opaque white and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"name":"Decorating","techniques":[{"note":[{"value":"translucent blue, turquoise, green, yellow, mulberry, red, flesh pink, opaque white and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28662","uid":"adlib-term-28662","uuid":"dd47e505-ccda-3f2b-b576-6104109430e8"},"summary_title":"enamelling"}}]}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-110523","uid":"adlib-term-110523","uuid":"d1291b77-5525-36c4-9cec-9f651a7a76a9"},"summary_title":"bible"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Copper, the front enamelled in polychrome, partly over silver paillons, and gilded with Joseph reconciled to his brothers embracing Benjamin, and the back in grisaille with a radiating design of terms and torches linked by strapwork. Signed \"I.C.\" in black on white strapwork below one of the torches."},{"value":"Circular copper plate with slightly raised applied edge, narrow sloping rim, shallow curved sides (cavetto), and almost flat centre. On the reverse, there are a series of irregularly placed small holes in the enamel at the junction of the rim and well. The plate has a manganese-black ground. The polychrome design in the well is enamelled over a white layer in translucent bright blue, turquoise, green, yellow, mulberry, and red, with silver foils under the costume and carpet, and in black, opaque white and flesh pink, enhanced by gilding. The reverse is painted in grisaille with flesh pink, and gilding. The well is decorated with Joseph reconciled to his brothers embracing Benjamin. The action takes place in a townscape with on the right, a tower with a buttress; in the middle an arcade with a domed circular building behind it, and on the left a building with a balcony over the doorway. In the foreground there is a blue pavement with tiles decorated in gold with a circular motifs and stylized flower heads. Joseph stands on the right embracing one of his brothers, probably Benjamin, the other ten kneel in the centre. A purple greyhound crouches in the foreground. On the left, Pharaoh sits or stands on a balcony with a red rug hanging from it, and below there are two small standing figures in a doorway and two more approaching them The sky is inscribed in gold \"G.XLV.\" The sides are decorated with gold foliated scrolls with two narrow bold bands below. Above, a band of copper is visible through the enamel. The rim is decorated with two different female masks with draped fabric headdresses, and two different male masks with large ears and earrings, separated by pairs of tritons with tablets on their tails flanking turquoise two-handled vases, with sprays of gold foliage in the background and a very narrow gold band next to the white rim.\nThe reverse is painted in grisaille and flesh-pink with three terms and three flaming torches linked by scrolling strapwork on a black ground decorated with gold ara\\'acbesques and scrolls. On the rim between pairs of gold bands there is a wreath of gold laurel leaves and berries. On the strapwork are the initials '\"I.C\""}],"exhibitions":[{"@link":{"catalogue":"2568","type":"reference"},"admin":{"id":"exhibition-2249","uid":"adlib-exhibition-2249","uuid":"547b6a0d-a51d-3449-bcac-f9bc675d6f4b"},"summary_title":"Mus\u00e9e r\u00e9trospectif"},{"@link":{"catalogue":"3060 one of four plates","type":"reference"},"admin":{"id":"exhibition-2250","uid":"adlib-exhibition-2250","uuid":"84fa0414-bb62-3cb1-bc3b-7b3c7527322b"},"summary_title":"Exposition Universelle de 1867"}],"identifier":[{"accession_number":"M.115A-1961","primary":true,"type":"accession number","value":"M.115A-1961"},{"priref":"139826","type":"priref","value":"139826"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139826","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139826"}],"inscription":[{"location":"on front in sky","method":"painted in gold","transcription":[{"value":".G.XLV."}],"type":"inscription"},{"location":"on back on white strapwork below one of the torches","method":"painted in black","transcription":[{"value":".I .C."}],"type":"initials"},{"description":[{"value":"rectangular with cut corners, printed in black with a line border"}],"location":"on back","method":"printed in black and hand-written in black ink","transcription":[{"value":"UNION\/ CENTRALE with between the words in black ink 124\/2787"}],"type":"label"},{"description":[{"value":"circular paper label"}],"location":"on back","method":"printed in blue and hand-written in pencil","transcription":[{"value":"11\/4"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Louis Clarke died on 13 December 1960"}]}],"creation":[{"date":[{"earliest":1585,"from":{"earliest":1585,"era":["CE"],"latest":1585,"precision":"circa","value":"1585"},"latest":1600,"note":[{"value":"the date is presumably after 1564 when 'Figures de la Bible' was published; there is a lack of dated examples of late 16th century polychrome enamelling over paillons, but it is generally regarded as coming into fashion after c. 1575\/80 and continuing into the seventeenth century"}],"range":true,"to":{"earliest":1600,"era":["CE"],"latest":1600,"precision":"circa","value":"1600"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-180599","uid":"adlib-agent-180599","uuid":"01cc9b0b-f6a4-3faa-b356-ba4da3ba8987"},"summary_title":"Court dit Vigier, Jean I"},{"@link":{"qualifier":"possibly","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-186766","uid":"adlib-agent-186766","uuid":"9842ea2f-a073-3f9e-a28e-a1ca7001b3df"},"summary_title":"Court dit Vigier, Jean II"}],"note":[{"value":"The Biblical story of Joseph told in Genesis, was a common theme for the decoration of domestic objects in France in the second half of the 16th century. Limoges enamellers decorated caskets, ewers, dishes, and small plates with Joseph scenes. Although no complete sets are known, this plate was probably one of a set of twelve each decorated with a different event in the story, beginning when Joseph was already the slave of Potifar in Egypt, and extending from his rejection of the enticements of Potiphar\u2019s wife (Genesis 39.7) to his reconciliation with his brothers (Genesis 45.14-16). Ten of the scenes were closely based on Bernard Salomon's woodcut illustrations to Claude Paradin\u2019s 'Quadrins historiques de la Bible', first published by Jean de Tournes in Lyon in 1553. An augmented edition appeared in 1555, reprinted in 1558 and 1560, and another augmented edition in 1583. Each page had the biblical reference at the top, a woodcut, and an explanatory verse below. Another work of the same type, Guillaume Gu\u00e9roult\u2019s 'Figures de la Bible illustr\u00e9es de huictains francoys . . . (Guillaume Roville), Lyons, 1564 (2nd edn, 1565), with illustrations by Pierre Eskrich was used for the 7th and 10th plates in the series, and the 12th has aspects from the woodcuts in both publications. These books can be viewed online in the Gallica website of the Biblioth\u00e8que nationale.\n\nThis plate is decorated with the last scene in the series which occurs in Genesis 45. Joseph is shown with his brothers, rejoicing and weeping over them, and is embracing one, probably Benjamin, as mentioned in the Bible story. The scene was copied  from the woodcut titled \u2018GENESE XLV\u2019.by Bernard Salomon in Claude Paradin\u2019s, Quadrins Historique de la Bible, Lyon, 1553, or a later edition. However, the tower on the right, with its arched buttress, was taken from Pierre Eskrich's woodcut in Guillaume Gu\u00e9roult\u2019s 'Figures de la Bible illustr\u00e9es de huictains francoys . . .' (Guillaume Roville), Lyons, 1564 or 1565. In Quadrins historiques ... , the previous scene shows Joseph enthroned revealing his identity to the brothers, but the scene on the plate has usually been described as if it were that.  At least two more and possibly further plates decorated with this subject are known: a 20 cm plate also initialled I.C. on the back, was in the Rev. A.H.S. Barwell\u2019s bequest to the British Museum  (1913,1220.59), and another, 19.8 cm in diameter bequeathed by William G. Mather to the Cleveland Museum of Art, Ohio (1951.326), possibly the plate decorated with this subject formerly in the Marlborough, Spitzer, and J.E. Taylor Collections. Although this plate was in the same collection as M.115B-1961 in the nineteenth century, it is unlikely to have been from the same set originally, because it has a different ground colour.\n\nThe overall appearance of these plates, the border on the fronts,  and the style of grisaille decoration on the reverses, is comparable to a set of plates decorated with scenes from the Life of the Virgin signed' I.C.' . These have the de Vic arms below on the rims, probably for M\u00e9ry de Vic (d. 1622), who had been resident in Limoges as intendant during 1588 and 1589, while on a mission to restore order in the region for Henry III, and after his assassination in August 1589, had transferred his allegiance to Henry IV. It seems possible that the plates were made about that time, and if not, before 1603 when a change was made to the de Vic arms. \n\nThe initials \u2018I\u2022C\u2019 occur on a great many enamels made during the second half of the 16th and early 17th century. It therefore seems likely to have been a workshop mark used succesively by  members of the Court family. These were Jehan or Jean Court dit Vigier I (d. 1592) and his son, Jean Court dit Vigier II (b. c.1575-d. between 1631-5);  and a relative, Jehan Court le jeune who married in 1613, and  died between 1627-31, may also have used the mark, but was probably too young to have decorated the 'Joseph Plates'. (See Documentation, Beyssi-Cassan, 2006)"}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-126849","uid":"adlib-term-126849","uuid":"12adb53f-3133-3826-9950-cb457b8a568d"},"summary_title":"16th Century, Late-17th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-132649","uid":"adlib-term-132649","uuid":"059150e1-460a-3bf6-947f-a61ea03afc79"},"summary_title":"Henry III of France"},{"@link":{"type":"reference"},"admin":{"id":"term-132648","uid":"adlib-term-132648","uuid":"1c7f979e-d0e3-379b-8d64-a83e1fef8ced"},"summary_title":"Henry IV of France"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Burns, Esq.,, North Mymms Park, Herts; Mrs Walter Burns; sold Christie's, 28 June 1935, Catalogue of highly important enamels, faience and majolica and works of art, the property of Mrs. Walter Burns (from the Collection of the late Walter S. Burns, Esq.) p. 5, lot 11, part III. Louis C.G. Clarke, MA, LL.D. 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The plate has a dark mulberry-brown (manganese) ground appearing black. The polychrome design in the well is enamelled over a white layer in translucent bright blue, turquoise, green, yellow, mulberrym and red, with silver foils under the costume and carpet, and in black, opaque white and flesh pink, enhanced by gilding. The reverse is painted in grisaille with flesh pink, and gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28810","uid":"adlib-term-28810","uuid":"c6a00cef-33f7-3107-8666-d791bd49707c"},"summary_title":"raising (metal forming process)"}}],"title":[{"value":"Joseph reconciled to his brothers embraces Benjamin"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-139825","_score":19.10273,"_source":{"admin":{"added":1592999766000,"created":1312637261000,"flag":"Standard Record","id":"object-139825","indexed":1755194554802,"modified":1711456398000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-139825","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139825","uuid":"5137a070-788b-3e5c-a053-2a914d03ecdb","version":11},"agents":[{"@link":{"note":[{"value":"Thomas Hope (1769 1831), The Deepdene, Dorking"}],"type":"reference"},"admin":{"id":"agent-179470","uid":"adlib-agent-179470","uuid":"aa1c96e4-5653-35d8-9522-fce5830d83f2"},"summary_title":"Hope, Henry"},{"@link":{"note":[{"value":"Henry Pelham Archibald Douglas Pelham-Clinton, 7th Duke of Newcastle (1864\u20131928), Clumber Park, near Worksop"}],"type":"reference"},"admin":{"id":"agent-179469","uid":"adlib-agent-179469","uuid":"03cf5536-b5a1-3d4c-bf6d-0f8195e69407"},"summary_title":"Pelham-Clinton, Henry Pelham Archibald Douglas"},{"@link":{"type":"reference"},"admin":{"id":"agent-179468","uid":"adlib-agent-179468","uuid":"342aefad-6df9-3102-b3a7-566050b046bf"},"summary_title":"Lockett, George A"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-8649","uid":"adlib-agent-8649","uuid":"b3d510e7-0636-3578-92af-db3b410163da"},"summary_title":"Joseph"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"},{"@link":{"type":"reference"},"admin":{"id":"term-125750","uid":"adlib-term-125750","uuid":"2b10ac09-63c3-34ed-87d5-487058c1c344"},"summary_title":"Limoges painted enamels"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. 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The plate has a black ground. The central design is enamelled over a white ground in  translucent blue, turquoise, green, yellow, and mulberry enamels over silver foils, and opaque white, flesh-pink and black highlighted with gold. The cavetto has a black ground painted in gold. The rim has a black ground except for the foiled areas and the flesh areas which have a white preparation. The edge is white. The reverse is enamelled in grisaille with dark salmon-pink on a black ground painted in gold The underside of the rim has a black ground painted in gold.\nThe central design shows Joseph riding in Pharaoh's Chariot known as The Triumph of Joseph. Joseph, is seated a chariot on the right, with a crowd of Egyptians in front of him. In the background there are three buildings: on the right, a circular domed building with Corinthian columns round its circumference; in the middle, a smaller low building with a sloping roof, and on the left, a rectangular building with a triangular gable and arcaded lower storey. \"G.XLI\" is inscribed in gold on the sky. The sides are decorated with gold foliated scrolls between horizontal bands. On the rim are two different female masks wearing fabric headdresses, and two different crowned male masks, separated by vases flanked by pairs of tritons with tablets over their curly tails, with sprays of gold foliage in the spaces.\nThe reverse is enamelled en grisaille. In the centre there is a white flowerhead comprising a rosette, a broad circle and twelve petals, Around this are two dark salmon-pink masks without hair and two with hair, with drapery issuing from their mouths, confined by broad strapwork and fruit on stems. The black ground is decorated with gold arabesques, and on the rim, thee is a wreath of gold leaves and berries between gold bands. The mark \"I.C.\" is painted in black on a white circle surrounding the central rosette."}],"identifier":[{"accession_number":"M.114-1961","primary":true,"type":"accession number","value":"M.114-1961"},{"priref":"139825","type":"priref","value":"139825"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139825","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/139825"}],"inscription":[{"location":"on strapwork on the back","method":"painted in black enamel","transcription":[{"value":"I\u2022C"}],"type":"initial"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1960,"latest":1960,"value":"1960"}],"method":{"value":"bequeathed"},"note":[{"value":"There is no doubt that this plate was the one in the Duke of Newcastle, and Lockett collections because the Museum\u2019s copy of Christie\u2019s catalogue of the former\u2019s sale on 7 July 1921 is inscribed alongside lot 110, \u2018Lockett Sale\/1942\/now property of L.C.G. Clarke\u2019"}]}],"creation":[{"date":[{"earliest":1585,"from":{"earliest":1585,"era":["CE"],"latest":1585,"precision":"circa","value":"1585"},"latest":1600,"note":[{"value":"as some of the scenes on the twelve plates with Joseph scenes were from Figures de la Bibles, they were presumably made after 1564, although the first identified with a scene from that book was no. 7 in the sequence."}],"range":true,"to":{"earliest":1600,"era":["CE"],"latest":1600,"value":"1600"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-180599","uid":"adlib-agent-180599","uuid":"01cc9b0b-f6a4-3faa-b356-ba4da3ba8987"},"summary_title":"Court dit Vigier, Jean I"},{"@link":{"qualifier":"possibly","role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-186766","uid":"adlib-agent-186766","uuid":"9842ea2f-a073-3f9e-a28e-a1ca7001b3df"},"summary_title":"Court dit Vigier, Jean II"}],"note":[{"value":"The Biblical story of Joseph told in Genesis, was a common theme for the decoration of domestic objects in France in the second half of the 16th century. Limoges enamellers decorated caskets, ewers, dishes, and small plates with Joseph scenes. Although no complete sets are known, this plate was probably one of a set of twelve each decorated with a different event in the story, beginning when Joseph was already the slave of Potifar in Egypt, and extending from his rejection of the enticements of Potiphar\u2019s wife (Genesis 39.7) to his reconciliation with his brothers (Genesis 45.14-16). Ten of the scenes were closely based on Bernard Salomon's woodcut illustrations to Claude Paradin\u2019s 'Quadrins historiques de la Bible', first published by Jean de Tournes in Lyon in 1553. An augmented edition appeared in 1555, reprinted in 1558 and 1560, and another augmented edition in 1583. Each page had the biblical reference at the top, a woodcut, and an explanatory verse below. Another work of the same type, Guillaume Gu\u00e9roult\u2019s 'Figures de la Bible illustr\u00e9es de huictains francoys . . . (Guillaume Roville), Lyons, 1564 (2nd edn, 1565), with illustrations by Pierre Eskrich was used for the 7th and 10th plates in the series, and the 12th has aspects from the woodcuts in both publications. This indicates that the series of plates were made after  1564\/65.These books can be viewed online in the Gallica website of the Biblioth\u00e8que nationale.\n\nThis plate is decorated with the fifth scene in the sequence. The Triumph of Joseph, described  in Genesis, Chapter 41, 43: \u2018And he [Pharaoh] made him to ride in the second chariot which he had; and they cried before him, Bow the knee: and he made him ruler over all the land of Egypt\u2019. The Biblical reference \u2018.G.XLI\u2019  is given above the scene which was copied from a woodcut illustration entitled \u2018GENESE XLI\u2019 by Bernard Salomon in Claude Paradin, 'Quadrins Historique de la Bible', Lyon, 1553 or a later edition., . (The 1558 edn is in the Cambridge University Library Keynes, E.3.4, and in the Fitzwilliam Museum Dept. of MSS and Printed Books). At least two more plates are known decorated with this subject, one with a blue ground, in the Mus\u00e9e du Louvre (see Documentation, Baratte, 2000), and one with a manganese-black ground which descended in the family of Lionel de Rothschild (1808-79) and was sold by Sotheby's London in 2003 (see Documentation).\n\nThe overall appearance of these plates, the border on the fronts,  and the style of grisaille decoration on the reverses, is comparable to a set of plates decorated with scenes from the Life of the Virgin signed' I.C.' . These have the de Vic arms below on the rims, probably for M\u00e9ry de Vic (d. 1622), who had been resident in Limoges as intendant during 1588 and 1589, while on a mission to restore order in the region for Henry III, and after his assassination in August 1589, had transferred his allegiance to Henry IV. It seems possible that the plates were made about that time, and if not, before 1603 when a change was made to the de Vic arms. In that year, Henry IV granted to Dominic de Vic, a distinguished soldier, administrator and diplomat (d. 1610), and his brother, M\u00e9ry, the right to add to their arms 'un \u00e9cusson d\u2019azure charg\u00e9 d\u2019une fleur de lys d\u2019or et d\u2019une bordure du m\u00eame' (a blue shield charged with a gold fleur de lys and a border of the same). \n\nThe mark \u2018I\u2022C\u2019 seems likely to have been a workshop mark used succesively by  Jehan or Jean Court dit Vigier I (d. 1592) and his son, Jean Court dit Vigier II (b. c.1575-d. between 1631-5). The issue is complicated by the presence of another Jehan\/Jean de Court who witnessed the latter's wedding in 1598, and was therefore probably a relative, and possibly an enameller, and of another enameller, Jehan\/Jean Court dit Vigier le jeune who married in 1613, and  died between 1627-31, but seems likely to have been too young to have been the decorator of the Joseph Plates. (See Documentation, Beyssi-Cassan, 2006)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-126849","uid":"adlib-term-126849","uuid":"12adb53f-3133-3826-9950-cb457b8a568d"},"summary_title":"16th Century, Late-17th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-132649","uid":"adlib-term-132649","uuid":"059150e1-460a-3bf6-947f-a61ea03afc79"},"summary_title":"Henry III of France"},{"@link":{"type":"reference"},"admin":{"id":"term-132648","uid":"adlib-term-132648","uuid":"1c7f979e-d0e3-379b-8d64-a83e1fef8ced"},"summary_title":"Henry IV of France"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-15498","uid":"adlib-term-15498","uuid":"61725bf5-360f-3837-8aab-3c90b956a537"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Haute Vienne"}],"summary_title":"Haute 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Hope (d. 1887); her daughter Henrietta Adele Hope (1843-1913), 6th Duchess of Newcastle; her son, Henry Pelham Archibald Douglas Pelham-Clinton (1864-1928), 7th Duke of Newcastle Christie\u2019s, 7 July 1921, Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of his grace the Duke of Newcastle, and removed from Clumber, Worksop, p. 19, lot 110, illustrated; sold for \u00a3780. George A. Lockett; sold Christie\u2019s, 12 June 1942, The Choice Collection of objects of Art and Furniture formed by the late George A. Lockett, Esq., p. 22, lot 203, illustrated; Mallett & Sons, London; purchased in September 1942 by Louis C.G. Clarke, MA, Cambridge."}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same type"}],"type":"reference"},"admin":{"id":"object-139826","uid":"adlib-object-139826","uuid":"2161a683-841c-3ebb-ad57-f0bb7ae8697c"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"},{"@link":{"cascade":true,"role":[{"value":"same type"}],"type":"reference"},"admin":{"id":"object-156461","uid":"adlib-object-156461","uuid":"a5821ff5-0e9f-3506-b562-6073ee63e047"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Publ. p. 19, lot 110. Cf. lot 111 a plate decorated with Pharoah's Dream is now in the Herzog  Anton-Ulrich Museum, Braunschweig.","page":"19","type":"reference"},"admin":{"id":"publication-3407","uid":"adlib-publication-3407","uuid":"19cc80c0-e6e7-3fd0-9660-ce60875a0f41"},"summary_title":"Catalogue of fine old English silver-gilt plate, Limoges enamels, old Italian majolica and porcelain, the property of His Grace the Duke of Newcastle, and removed from Clumber, Worksop"},{"@link":{"notes":"Publ. p. 22, lot 203, illustrated","page":"22","type":"reference"},"admin":{"id":"publication-3221","uid":"adlib-publication-3221","uuid":"d6ca23eb-f1e5-32c4-b618-396e4ae4ca33"},"summary_title":"The choice collection of objects of art and furniture formed by the late George A. Lockett Esq."},{"@link":{"notes":"Publ. p. 161, fig. 15, and Table of Plates, no. 5.2. Higgott and Poole, provide the most detailed description of the 'Joseph plates' with a list of the known examples.","page":"161","type":"reference"},"admin":{"id":"publication-200003208","uid":"adlib-publication-200003208","uuid":"a080bc54-7f92-3d57-af8d-e44304d0a9af"},"summary_title":"L\u2019histoire de Joseph sur des assiettes en \u00e9mail peint de Limoges par l\u2019atelier portant la marque de fabrique \u201cI.C."},{"@link":{"notes":"Cf. p. 355, N 1359, a plate decorated with this subject on a blue ground, differing in details of the figures, and having clouds above, and with a different design on the reverse, very close to the Fitzwilliam Museum's plate C.115-1961 and similarly initialled '.I.C'. The execution of this plate is superior to the Fitzwilliam's particularly in the gilded details. Cf. p. 331, R315, a grisaille dish, with a similar design of masks and thick strapwork on the reverse, also initialled .I.C on the front.","page":"355","type":"reference"},"admin":{"id":"publication-6073","uid":"adlib-publication-6073","uuid":"273632b3-da99-366e-9c3b-efd466467b8e"},"summary_title":"Les \u00e9maux peints de Limoges. Mus\u00e9e du Louvre, D\u00e9partement des objets d'art"},{"@link":{"notes":"Cf. pp. 26-9, lot 15, part III, a comparable plate, one of a group of seven plates which had belonged to Lionel de Rothschild (1808-79) and his son Nathaniel Rothschild, 1st Lord Rothschild (1840-1915) They descended to Nathaniel Charles Rothschild (1877-1923) and to Victor, 3rd Lord Rothschild (1910-90), and were for a time on loan at Waddesdon Manor.","page":"26-9","type":"reference"},"admin":{"id":"publication-6195","uid":"adlib-publication-6195","uuid":"f4eed033-ca63-353d-b9ef-ac0aaf092f02"},"summary_title":"Treasures from the Rothschild Collection"},{"@link":{"notes":"Ref. pp. 13-33 and 291-3 for Quadrins historique de la Bible; for Pierre Eskrich see pp. 38-44","page":"130-33 and 291-3","type":"reference"},"admin":{"id":"publication-7342","uid":"adlib-publication-7342","uuid":"d9fb0bb5-2b35-34f7-88f4-b60331f55697"},"summary_title":"Bernard Salomon Illustrateur Lyonnais"},{"@link":{"notes":"Ref. p. 311 for a list of Joseph subjects on plates. The Fitzwilliam's Triumph of Joseph is listed as E.3. Cf. pp. 302-06, no. 80, Joseph storing Grain and pp. 307-10, Joseph taken to Prison. The author dates these to c. 1575-1600.","page":"p. 311","type":"reference"},"admin":{"id":"publication-7299","uid":"adlib-publication-7299","uuid":"6f4a68e9-f500-30d4-b9dd-88b93e40816a"},"summary_title":"The Wallace Collection, Catalogue of Glass and Limoges Painted Enamels"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10618","uid":"adlib-term-10618","uuid":"9ebc0ae1-8cf8-312b-832c-9cf44da02136"},"summary_title":"Renaissance"},{"@link":{"type":"reference"},"admin":{"id":"term-10600","uid":"adlib-term-10600","uuid":"02211e31-dcc2-3d71-afd8-d51e21c5dc5f"},"summary_title":"Mannerism"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-120387","uid":"adlib-term-120387","uuid":"94d60187-0df2-31f4-b2e2-03ad2656fc88"},"summary_title":"Triumph of Joseph"},{"@link":{"relation":"object name","type":"reference"},"admin":{"id":"term-107505","uid":"adlib-term-107505","uuid":"c3d7bf9c-773c-34aa-80e1-8d38aa516639"},"summary_title":"chariot"},{"@link":{"relation":"named event","type":"reference"},"admin":{"id":"term-125812","uid":"adlib-term-125812","uuid":"e8032ba6-fb44-3ca2-85f5-12d79793ce2a"},"summary_title":"The Triumph of Joseph"},{"@link":{"type":"literal"},"name":[{"value":"chariot"}],"summary_title":"chariot"},{"@link":{"type":"literal"},"name":[{"value":"The Triumph of Joseph"}],"summary_title":"The Triumph of Joseph"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-34935","uid":"adlib-term-34935","uuid":"b6750733-fe79-33fc-b39a-c296fcd223b4"},"summary_title":"plate"}},"summary_title":"plate","techniques":[{"description":[{"value":"copper, enamelled in polychrome and grisaille, and gilded. The design in the well is outlined in black and executed in translucent blue, turquoise, green, yellow, and mulberry enamels over silver foils, and flesh pink, opaque white, grey and black enamels over a white preparation, highlighted with gold. The cavetto has a black ground painted in gold. The rim has a black ground except for the foiled areas and the flesh areas which have a white preparation. The edge is white. The reverse is enamelled in grisaille with dark salmon-pink, on a black ground painted in gold The underside of the rim has a black ground painted in gold."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28810","uid":"adlib-term-28810","uuid":"c6a00cef-33f7-3107-8666-d791bd49707c"},"summary_title":"raising (metal forming process)"}}],"title":[{"value":"The Triumph of Joseph"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":3,"total":3}]