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The corners are filled with a carved pattern which mimics the oval trellis.\tThere are incised outlines to the main edges, and traces of tool markings and brown, blue and green colours on the sides. The top is flat and undecorated, except for the maker\u2019s name incised in script; it has a waisted and chamfered edge, 4cm deep. The bottom is roughly made with a large circular hole in the middle. The whole is discoloured and marked as if it has been stored outside."}],"identifier":[{"accession_number":"C.41B-1928","primary":true,"type":"accession number","value":"C.41B-1928"},{"priref":"77065","type":"priref","value":"77065"},{"date":[{"earliest":1924,"latest":1924,"value":"1924"}],"source":"Glaisher M\/S Vol.26","type":"old entry number","value":"4451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77065","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/77065"}],"inscription":[{"description":[{"value":"Incised in script on the topside: \u2018R W Martin, Southall, Middx\u2019"}],"location":"top of plinth","method":"incised in script","transcription":[{"value":"R W Martin, Southall, Middx"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L. 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They  designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"The owl, 103 cm high, is also in the Fitzwilliam collection."},{"value":"The plinth was made to support a punch bowl, made to resemble an owl, which modelled by (Robert) Wallace Martin at the Martin Brothers' pottery in Southall. It remained there until  it was sold to Dr Glaisher at the 1924 sale which followed Wallace\u2019s death the previous year. The condition of the plinth suggests that it may have been kept in the garden for some years."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109008","uid":"adlib-term-109008","uuid":"841b18bd-944d-3c9c-8d39-bdaabbcc28e1"},"summary_title":"20th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-14261","uid":"adlib-term-14261","uuid":"5079a5e6-5ae1-39a4-899d-9b7558106e32"},"summary_title":"Edwardian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113588","uid":"adlib-term-113588","uuid":"0692b7b4-b464-3e1d-9c27-b254afe273b1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Middlesex"}],"summary_title":"Middlesex","type":"region"}]],"summary_title":"Southall"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"36"},{"dimension":"Depth","units":"in","value":"14"},{"dimension":"Height","units":"cm","value":"30"},{"dimension":"Height","units":"in","value":"11.75"},{"dimension":"Width","units":"cm","value":"36"},{"dimension":"Width","units":"in","value":"14"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-49231","uid":"adlib-media-49231","uuid":"e143ba3a-1f0b-3882-890b-6db16905b8be"},"processed":{"large":{"format":"jpeg","location":"aa\/aa11\/GL_C_41A_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742583830705,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa11\/mid_GL_C_41A_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583830705,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa11\/GL_C_41A_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742583830705,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa11\/preview_GL_C_41A_1928_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583830705,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-49232","uid":"adlib-media-49232","uuid":"eaed2707-a57b-335e-b616-85fa0e1d8dcc"},"processed":{"large":{"format":"jpeg","location":"aa\/aa11\/GL_C_41A_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742583762011,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa11\/mid_GL_C_41A_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":362},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583762011,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa11\/GL_C_41A_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":550},{"dimension":"width","units":"pixels","value":760}]},"modified":1742583762011,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa11\/preview_GL_C_41A_1928_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":181},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583762011,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-49467","uid":"adlib-term-49467","uuid":"673f096a-c845-3892-8521-d139d2d6aefb"},"summary_title":"plinth"}}],"note":[{"type":"history note","value":"Robert Wallace Martin (d. 1923); sold Sotheby's, 24 October, 1924, 'Extensive collection of Martin ware; old English furniture: the whole remaining stock of finished pieces of the Martin factory, the property of R.W. 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Sold by order of the administrator', lot 68; the owl and plinth bought by Cyril Andrade for \u00a325 for Dr Glaisher FRS, Trinity College, Cambridge"}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-137205","uid":"adlib-object-137205","uuid":"e182b632-5bb3-3927-b68d-977e56b83ce5"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91377","uid":"adlib-term-91377","uuid":"6a6b5e14-608d-3da0-9ba2-b16d3351f9c3"},"summary_title":"punch bowl"}},"summary_title":"punch bowl"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-7362","uid":"adlib-publication-7362","uuid":"62b664e0-46c6-3459-b42d-8b41d41197c1"},"summary_title":"Extensive collection of Martin ware; old English furniture, 24th October 1924"},{"@link":{"notes":"Publ. text and illustration relating to the owl","page":"122-3","type":"reference"},"admin":{"id":"publication-1030","uid":"adlib-publication-1030","uuid":"9cf77d50-a614-3947-8d0e-919f695fe7b0"},"summary_title":"Fitzwilliam Museum Handbooks, English Pottery"},{"@link":{"notes":"Ref: pp.48-55: article  on the Martin Brothers Pottery by Cosmo Monkhouse, \u2018Some Original Ceramicists\u2019, The Magazine of Art, V, 1882, p.443;  and pp.104-112: Anon, \u2018Developments in Martinware\u2019 The Studio, XLII, 1908, pp.109-115]","page":"48-55, 109-115","type":"reference"},"admin":{"id":"publication-3498","uid":"adlib-publication-3498","uuid":"d5c03273-2573-365e-9668-869fccc4b9d0"},"summary_title":"English Art Pottery 1865-1915"},{"@link":{"type":"reference"},"admin":{"id":"publication-3496","uid":"adlib-publication-3496","uuid":"a63082e7-deb8-30a6-b744-534fd7a77e40"},"summary_title":"The Martin Brothers, Potters"},{"@link":{"type":"reference"},"admin":{"id":"publication-3495","uid":"adlib-publication-3495","uuid":"39579586-2410-312b-8a76-9245eed12060"},"summary_title":"A Catalogue of Martinware formed by Mr F.J. Nettleford, together with a short history of the firm of R. W. 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W. L. Glaisher"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"date":[{"earliest":2012,"latest":2012,"value":"2012-01-31"}],"value":"Salt-glazed stoneware jug with tool-marked and modelled surface."},{"value":"Thrown stoneware jug with bulbous body, short bottle neck and small loop handle, covered with mud-brown slip and salt-glazed. The body, which leans backwards, is decorated under the slip with horizontal scoring punctuated by small raised points in the clay, which gives the  jug has a gourd-like appearance. The neck has a projecting ring, above which it is scored to suggest a screw thread. The glaze is very light, giving a matt finish. The underside is concave, speckled in brown and unglazed,"}],"identifier":[{"accession_number":"C.1225-1928","primary":true,"type":"accession number","value":"C.1225-1928"},{"priref":"71622","type":"priref","value":"71622"},{"date":[{"earliest":1924,"latest":1924,"value":"1924"}],"source":"Glaisher MS Catalogue, Vol.26","type":"old object number","value":"4457"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71622","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71622"}],"inscription":[{"description":[{"value":"with a line  insised under the words; inscription partially obscured by specks of brown slip"}],"location":"underside of base","method":"incised in script","transcription":[{"value":"Martin Bros. 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In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"This gourd-like jug is one of a number of examples of Martin Brothers\u2019 work made to suggest a natural, growing object. Rather than decorating the pot with a naturalistic design, the potter has given the pot itself a naturalistic form, and used  muted brown slip and a matt glaze to emphasise it.  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The representation is naturalistic, but the bird has quizzical, human-like expression. Both head and body are finely modelled, with particular attention to the feathers, which are painted in shades of brown slip with additional marks in brown and black. The wings are folded behind, the ears are raised and the beak is open. The eyes, made as deep hollow orbs with the pupils cut out, are encircled by cream coloured radial feathers. The glaze on the body is thinly applied, giving a matt finish; the glaze on the face and head is thicker, and shiny. There are two holes drilled down through the base, behind the claws, to attach the owl to a stand."}],"identifier":[{"accession_number":"C.41 & A-1928","primary":true,"type":"accession number","value":"C.41 & A-1928"},{"priref":"137205","type":"priref","value":"137205"},{"source":"Glaisher MS Catalogue, vol. 26","type":"old object number","value":"4451"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/137205","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/137205"}],"inscription":[{"location":"round the neck","method":"incised and painted in black","transcription":[{"value":"'R.W. Martin. & Brothers.London & Southall. 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They  designed, made and decorated their own ornamental salt-glazed stoneware, originally using facilities at C.J.C.Bailey\u2019s Fulham Pottery and, briefly, at Shepherd\u2019s Bush. In 1877, they opened their own pottery at  Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"The Fitzwilliam collection also contains an example of the Martins\u2019 more common \u2018Wally Birds\u2019, an anthropomorphic bird with large beak and comically-wise expression, 13.2 cm (C.1226 & A-1928)."},{"value":"This owl probably resembles a punch bowl said to have been made by Robert Wallace Martin for the Bohemian Club of San Francisco, a literary club founded in 1972, which has an owl as its emblem. According to the ceramic historian J F Blackler, the first model for this developed a firing crack and was not dispatched, but another arrived safely only to be destroyed by the 1906 earthquake. 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