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The sides and neck are decorated with six bands of raised, geometrical patterns which incorporate natural forms such as flowers and are separated by strips of raised, shell-like vertical forms. The body is finely painted in olive-green, grey, blue and buff, following the patterns. The neck and foot are painted in solid bands of blue and brown, and the inside of the neck in blue. The interior is unpainted below the neck, and lightly glazed. The underside of the foot is hollow, turned and unglazed."}],"identifier":[{"accession_number":"C.8-1980","primary":true,"type":"accession number","value":"C.8-1980"},{"priref":"76171","type":"priref","value":"76171"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76171","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76171"}],"inscription":[{"description":[{"value":"impressed 'DOULTON LAMBETH' encircling four interlocking D's within a wavy-edged circle"}],"location":"on base","method":"impressed","transcription":[{"value":"DOULTON LAMBETH"}],"type":"mark"},{"location":"underside of base","method":"impressed","transcription":[{"value":"1881"}],"type":"date"},{"location":"underside of base","method":"incised","transcription":[{"value":"ES"}],"type":"mark"},{"description":[{"value":"'g o' with two square blocks beside the 'o'"}],"location":"underside of base","method":"impressed","transcription":[{"value":"g o"}],"type":"mark"},{"description":[{"value":"script initials, probably 'JA'"}],"location":"underside of base","method":"inscribed","transcription":[{"value":"J A"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"lifecycle":{"acquisition":[{"method":{"value":"bought"},"note":[{"value":"Entry date: 1980-03-10"}]}],"creation":[{"date":[{"earliest":1881,"era":["CE"],"latest":1881,"value":"1881"}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-188654","uid":"adlib-agent-188654","uuid":"1d8e687a-5fd0-3c17-a37e-ed6874b8b479"},"summary_title":"Doulton & Co."},{"@link":{"role":[{"value":"decorator"}],"type":"reference"},"admin":{"id":"agent-160928","uid":"adlib-agent-160928","uuid":"3cc9fbe7-e254-3fe9-a3d6-1a2ec53fa5b5"},"summary_title":"Simmance, Eliza"}],"note":[{"value":"Doulton and Co, founded by John Doulton at Vauxhall, c.1815, originally specialised in utility ceramics, with some production of stoneware jugs and ornamental bottles. Henry Doulton, his son, introduced decorative stoneware at the Lambeth Art Pottery in the mid 1860s, encouraged by John Sparkes, Head of Lambeth School of Art; in all, some 400 artists were employed there, many of them Lambeth students.  From 1872 the business expanded into faience and in the 1880s opened a factory at Burslem, Staffordshire, where bone china and other wares were made. In 1901, Edward VII granted the Royal warrant to the factory. Stoneware production at Lambeth reduced after 1914, and ceased in 1956."},{"value":"Eliza Simmance worked for Doulton\u2019s from 1873 until 1928. She worked with a variety of decorating techniques, often combining two or three of them in a single pot. She is particularly known for her finely incised and pate-sur-pate decoration, where several layers of slip are applied with a brush to build up a raised design. John Sparkes, Head of Lambeth School of Art, found her \u2018first amongst those who have thrown their whole energy into their work [\u2026with] so many ideas to spare\u2019, and her work \u2018so eminently graceful and well drawn as to emulate [\u2026] the work of the Italian ornamentists\u2019 (quoted in Eyre (1975), p.105).   She often worked with the assistance of younger artists."},{"value":"The decoration of this piece follows principles of geometric design set out by Owen Jones in his 'Grammar of Ornament', 1856, and the designs chosen may have been copied from his illustrations."},{"value":"The impression 'g o' is an assistant's mark, possibly for Kate Giblin (who is listed as a senior assistant in 1882) or for Jessie Gandy (who began as a junior assistant in 1881 and stayed until 1889. 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A brown line runs around the rim, the base of the neck and the top of the foot. The underside is concave and glazed, with the maker\u2019s name and date incised in script and incised tool marks."}],"identifier":[{"accession_number":"C.17-X","primary":true,"type":"accession number","value":"C.17-X"},{"priref":"186318","type":"priref","value":"186318"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/186318","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/186318"}],"inscription":[{"description":[{"value":"mark"}],"location":"underside of base","method":"incised in script","transcription":[{"value":"P27 R W Martin London 10-1875"}],"type":"mark"},{"description":[{"value":"museum mark, probably indicating Glaisher Collection"}],"location":"underside of base","method":"stamped in black","transcription":[{"value":"GLAISHER"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. 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In 1877, they opened their own pottery at Southall, Middlesex, and by 1882 were producing  some 5,000 pieces a year. Wallace had originally trained as a sculptor, exhibiting his work at the Royal Academy and elsewhere from c.1863. His younger brothers had learned their skills at Doulton\u2019s, Walter as a thrower and chemist, Edwin as a decorator. Modelled work is generally attributed to Wallace, but otherwise it is thought that the three learned from each other, exchanging skills and sharing roles. A fourth brother, Charles (1846-1910), sold the products \u2013 known as \u2018Martin-ware\u2019 \u2013 from a shop at Brownlow Street, London."},{"value":"This is early example of Martin ware, signed and numbered by Robert Wallace Martin. The decoration follows principles of geometric design set out by Owen Jones in his Grammar of Ornament, 1856, and developed by Christopher Dresser in The Principles of Decorative Design, 1873. 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