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Its front paws are neatly placed between its hind paws, and its tail hangs down behind. It wears a collar with a chain which winds down the hound's right side and between its front paws, then loops up to a ring on the front of the pedestal. The dog\u2019s eyes, nose, collar and chain are pale brownish-ochre; its body is white. The pedestal, roughly a cube, is mid-green, and sits on a wider mid-blue base. The underside is unglazed, with a large central aperture opening into the hollow centre of the figure."}],"identifier":[{"accession_number":"C.18-1995","primary":true,"type":"accession number","value":"C.18-1995"},{"priref":"72705","type":"priref","value":"72705"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72705","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72705"}],"inscription":[{"location":"on viewer's right of pedestal","method":"incised","transcription":[{"value":"GILBERT BAYES\/1935"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1995,"latest":1995,"value":"1995"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1995-10-09"}]}],"creation":[{"date":[{"earliest":1935,"era":["CE"],"latest":1935,"note":[{"value":"Dated on pedestal; see inscription."}],"value":"1935"}],"maker":[{"@link":{"role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-188654","uid":"adlib-agent-188654","uuid":"1d8e687a-5fd0-3c17-a37e-ed6874b8b479"},"summary_title":"Doulton & Co."},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-8749","uid":"adlib-agent-8749","uuid":"308f90b8-b2f1-35a1-9de8-c785f03594ae"},"summary_title":"Bayes, Gilbert"}],"note":[{"value":"Doulton and Co, founded c.1815, originally made utility ceramics, with some stoneware jugs and ornamental bottles. Henry Doulton introduced decorative stoneware and architectural terracotta at Lambeth in the mid 1860s, encouraging designers, modellers and decorators to use a wide range of techniques and decorative treatments in producing both unique, artist-signed, and limited edition pieces. From 1872 the business expanded into faience and in the 1880s opened a factory at Burslem, Staffordshire, where bone china and other wares were made. In 1901, Edward VII granted the Royal warrant to the factory. Stoneware production at Lambeth reduced after 1914, and ceased in 1956."},{"value":"The sculptor Gilbert William Bayes RA (1872 \u2013 1953) was born in London, into a family of artists. He was associated with Doulton\u2019s Lambeth Pottery for over thirty years, making coloured, salt-glazed stoneware for architectural use, and became President of the Royal Society of Sculptors (1939-44).  His \u2018Pottery through the Ages\u2019 ceramic frieze, originally on the fa\u00e7ade of Doulton\u2019s Albert Embankment headquarters, is now in the Victoria and Albert Museum\u2019s \u2018The Gilbert Bayes Sculpture Gallery\u2019. This large animal figure, found in several different sizes and colours, is thought to have been made as a washing line finial for St Pancras Housing Association estates, for which Bayes also made sculptural panels."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109008","uid":"adlib-term-109008","uuid":"841b18bd-944d-3c9c-8d39-bdaabbcc28e1"},"summary_title":"20th Century, 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The vase is barrel shaped, slightly tapering to a short flaring neck. The upper and lower body and inside and outside of the neck are painted with thinly applied under-glaze blue, giving a blue\/green watery appearance. Around the middle of the body is a 13cm high panel, edged with applied clay beading interspersed with tiny shells and filled with a painted design of six blue dolphins swimming amid green seaweed, all on a pinkish-white ground. 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Henry Doulton introduced decorative stoneware and architectural terracotta at Lambeth in the mid 1860s; over the next 50 years, he employed some  400 artists, many of them Lambeth School of Art students. Doulton championed individuality, innovation and versatility, and his modellers and decorators used a wide range of techniques and decorative treatments in producing both unique, artist-signed, and limited edition pieces. From 1872 the business expanded into faience and in the 1880s opened a factory at Burslem, Staffordshire, where bone china and other wares were made. In 1901, Edward VII granted the Royal warrant to the factory. Stoneware production at Lambeth reduced after 1914, and ceased in 1956."},{"value":"Eliza Simmance worked for Doulton\u2019s from 1873 until 1928. She used a variety of decorating techniques, often combining two or three of them in a single pot. She is particularly known for her finely incised and pate-sur-pate decoration, where several layers of slip are applied with a brush to build up a raised design. John Sparkes, Head of Lambeth School of Art, found her \u2018first amongst those who have thrown their whole energy into their work [\u2026with] so many ideas to spare\u2019, and her work \u2018so eminently graceful and well drawn as to emulate [\u2026] the work of the Italian ornamentists\u2019 (quoted in Eyre (1975), p.105).   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Henry Doulton, his son, introduced decorative stoneware and architectural terracotta at Lambeth in the mid 1860s; over the next 50 years, he employed some  400 artists, many of them Lambeth School of Art students. Doulton championed individuality, innovation and versatility, and his modellers and decorators used a wide range of techniques and decorative treatments in producing both unique, artist-signed, and limited edition pieces. From 1872 the business expanded into faience and in the 1880s opened a factory at Burslem, Staffordshire, where bone china and other wares were made. In 1901, Edward VII granted the Royal warrant to the factory. Stoneware production at Lambeth reduced after 1914, and ceased in 1956."},{"value":"Emily E. Stormer worked as a stoneware artist at Doulton from 1877- 1895;  Rosina Brown was employed from 1979-1901, first as an assistant and later as a decorator; Letitia Rosevear is listed as a senior assistant from c.1882.  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