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Towards the base the sides curve  inwards towards a raised foot-ring. The whole surface is coated with matt glazes of mottled blue and pale-blue\/turquoise over mottled brown. The centre is mainly deep blue and brown, the upper surfaces mainly blues with brown specks, and the underside more thinly glazed with the brown dominant."}],"identifier":[{"accession_number":"C.42-2006","primary":true,"type":"accession number","value":"C.42-2006"},{"priref":"134027","type":"priref","value":"134027"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/134027","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/134027"}],"inscription":[{"description":[{"value":"ENGLAND is smaller and above RUSKIN"}],"location":"underside of base close to the footring","method":"impressed separately","transcription":[{"value":"RUSKIN   ENGLAND"}],"type":"factory mark"},{"location":"on base, below and to the left of ENGLAND","method":"impressed","transcription":[{"value":"1927"}],"type":"date mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by S.V. 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By1927 the market for lusterware was waning and demand shifting to simpler styles, and Ruskin introduced a range of new matt, semi-matt and crystalline glazes. The Pottery was able to sell these wares at lower prices, as they generally needed only two firings compared to the five often used for lustred pieces, and thus helped a move into the domestic market. On 29th July 1930, the Birmingham Gazette reported \u2018Mr Howson Taylor carried out no less than 1,500 experiments to obtain new and delicate shades of colouring [\u2026] each piece has a dominant note of broken colour, and these harmonise with home furnishings and costume\u2019."},{"value":"William Howson Taylor (1876-1935) came from a Staffordshire potting family and set up his pottery c.1898 with his father, Edward, a well known art educator and Principal of the Birmingham Municipal School of Art. Active supporters of the Arts & Crafts movement, the Taylors were friends of William Morris and Edward Burne-Jones and admirers of Ruskin. Wares were known as \u2018Ruskin Pottery\u2019 from c.1903 until 1933 (with the Ruskin family\u2019s agreement only from 1906), and first shown at the 1903 Arts & Crafts Exhibition.  Later they were exhibited widely, from Louisiana to Milan to Christ Church, New Zealand, and received many prizes including the Grand Prix at the International Exhibition in Brussels, in 1910."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109008","uid":"adlib-term-109008","uuid":"841b18bd-944d-3c9c-8d39-bdaabbcc28e1"},"summary_title":"20th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107684","uid":"adlib-term-107684","uuid":"d54f530a-3bb0-3a32-a207-4cf77fb9ccf8"},"summary_title":"George V"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-121778","uid":"adlib-term-121778","uuid":"b761aa52-3446-3ea6-b3f7-ef9bc04dc048"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Smethwick"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"23.2"},{"dimension":"Diameter","units":"in","value":"9.125"},{"dimension":"Height","units":"cm","value":"8.5"},{"dimension":"Height","units":"in","value":"3.375"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}}],"note":[{"type":"history note","value":"Unknown before testator, Hove, Sussex"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same maker"}],"type":"reference"},"admin":{"id":"object-134026","uid":"adlib-object-134026","uuid":"d5ae6e19-7f4e-35c7-9357-96bdbcb3191a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf p. 128 a similarly shaped bowl, also dated 1927, though 16 in and with a crackled ash glaze; and p.151, no 186, a similarly shaped bowl shown in the 1905\/6 Ruskin Pottery catalogue of shapes. 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The vase is tall and slim and stands on a circular projecting foot. The sides curve outwards very slightly and then inwards to the rounded shoulder from which rises a short, narrow neck with an everted rim. The underside is flat and glazed, with a slightly raised, unglazed, foot-rim. There are three spur marks just inside the rim."}],"identifier":[{"accession_number":"C.41-2006","primary":true,"type":"accession number","value":"C.41-2006"},{"priref":"134026","type":"priref","value":"134026"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/134026","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/134026"}],"inscription":[{"description":[{"value":"ENGLAND is below and to the right of RUSKIN"}],"location":"on base","method":"impressed separately","transcription":[{"value":"RUSKIN    ENGLAND"}],"type":"factory mark"},{"location":"on base, below ENGLAND","method":"impressed","transcription":[{"value":"1924"}],"type":"date mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bequeathed by S.V. 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The unusual shape of this vase, however, suggests it is an individual piece."},{"value":"William Howson Taylor (1876-1935) came from a Staffordshire potting family and set up his pottery c.1898 with his father, Edward, a well known art educator and Principal of the Birmingham Municipal School of Art. Active supporters of the Arts & Crafts movement, the Taylors were friends of William Morris and Edward Burne-Jones and admirers of Ruskin. Wares were known as \u2018Ruskin Pottery\u2019 from c.1903 until 1933 (with the Ruskin family\u2019s agreement only from 1906), and first shown at the 1903 Arts & Crafts Exhibition.  Later they were exhibited widely, from Louisiana to Milan to Christ Church, New Zealand, and received many prizes including the Grand Prix at the International Exhibition in Brussels, in 1910.   .   A staff of around 20 included William Forrester, trained at Ruskin as a thrower, and from 1898-1912, Emily Boswell (decorator). Taylor favoured local clays and became known for his experimental lustre, flamb\u00e9 and souffl\u00e9 glazes, all of which were leadless.    His fascination with the effects of glazes on simple oriental-shaped pots is apparent in this example. A booklet he published in 1924 lists thirteen lustre colours, including turquoise; and a similar glaze to this one is shown in the brochure for the 1924 Wembley Exhibition, at which the Ruskin Pottery featured \u2018new footed shapes and mottled lustre effects\u2019."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-109008","uid":"adlib-term-109008","uuid":"841b18bd-944d-3c9c-8d39-bdaabbcc28e1"},"summary_title":"20th Century, Early"},{"@link":{"type":"reference"},"admin":{"id":"term-107684","uid":"adlib-term-107684","uuid":"d54f530a-3bb0-3a32-a207-4cf77fb9ccf8"},"summary_title":"George V"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-121778","uid":"adlib-term-121778","uuid":"b761aa52-3446-3ea6-b3f7-ef9bc04dc048"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Staffordshire"}],"summary_title":"Staffordshire","type":"region"}]],"summary_title":"Smethwick"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42825","uid":"adlib-term-42825","uuid":"858e5d17-b554-33d6-936f-25b16f72f39d"},"summary_title":"stoneware"}}],"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"20.9"},{"dimension":"Width","units":"cm","value":"6.7"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}}],"note":[{"type":"history note","value":"Unknown before testator, Hove, Sussex"}],"objects":[{"@link":{"cascade":true,"role":[{"value":"same maker"}],"type":"reference"},"admin":{"id":"object-134027","uid":"adlib-object-134027","uuid":"374dba82-0a2f-368c-9444-ad4089173dc4"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-107667","uid":"adlib-term-107667","uuid":"1b81c806-cfb7-3291-9803-525db5f75e09"},"summary_title":"bowl"}},"summary_title":"bowl"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. p.73 (bottom):  a vase with similar turquoise glaze shown at the 1924 Wembley Exhibition; pp.78 (top),95 (top left): vase and scent bottle with very similar glaze, c.1918; p. 72,81, 1913 catalogue introduction including description of Ruskijn souffl\u00e9, lustre and flamb\u00e9  wares and statement of the business\u2019s experimental principles.","page":"72,73,78,81,95","type":"reference"},"admin":{"id":"publication-7566","uid":"adlib-publication-7566","uuid":"d8549e2b-7be7-3815-8038-87dd8d256bcc"},"summary_title":"Ruskin Pottery: the pottery of Edward Richard Taylor and William Howson Taylor, 1898-1935"},{"@link":{"notes":"Cf. examples of Ruskin ware and extensive notes on William Howson Taylor, including his own descriptions of  glaze types, published in 1917 and 1924; also bibliography.","page":"254-61","type":"reference"},"admin":{"id":"publication-3367","uid":"adlib-publication-3367","uuid":"d690c068-f9ae-39f7-b781-c471ea3065c7"},"summary_title":"Encyclopaedia of British Art Pottery 1870-1920"},{"@link":{"notes":"Ref. 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The jug is covered with applied reliefs: three large, narrative medallions to the sides, surrounded by wreaths of hops and saffron and with coins, castles and an \u2018S\u2019 emblem in between. The central medallion is inscribed \u2018ESSEX\u2019, the one on its left \u2018LIVE AND LOVE\u2019. Seven heraldic shields and two coins are mounted on projections around the shoulders; five castles and churches are applied around the neck. The handle is decorated with oysters and shields, and the neck rim with wheat. \u2018THE ESSEX JUG\u2019 is incised around the collar of the base. Each side of the handle is deeply incised. The underside is recessed and glazed."}],"exhibitions":[{"@link":{"type":"reference"},"admin":{"id":"exhibition-2272","uid":"adlib-exhibition-2272","uuid":"9eab8be7-107a-3fc6-bc61-56ce5a3dcbe8"},"summary_title":"Variations of Ceramic Themes, Big is Beautiful?"}],"identifier":[{"accession_number":"C.99-1928","primary":true,"type":"accession number","value":"C.99-1928"},{"priref":"76503","type":"priref","value":"76503"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76503","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/76503"}],"inscription":[{"location":"underside of base","method":"Rectangular paper label, inscribed in black ink","transcription":[{"value":"No. 783 \/ The Essex Jug \/ Made for me by Bingham at Castle Hedingham about 1896"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr. J.W.L. 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L., Dr"}],"date":[{"earliest":1928,"latest":1928,"value":"1928"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1928-12-07"}]}],"creation":[{"date":[{"earliest":1896,"era":["CE"],"latest":1896,"note":[{"value":"(noted on Dr Glaisher's label)"}],"precision":"circa","value":"1896"}],"maker":[{"@link":{"role":[{"value":"potter"}],"type":"reference"},"admin":{"id":"agent-163445","uid":"adlib-agent-163445","uuid":"0ea027ba-c1d5-37c4-9672-a38845c5e0eb"},"summary_title":"Bingham, Edward"},{"@link":{"type":"reference"},"admin":{"id":"agent-190491","uid":"adlib-agent-190491","uuid":"b4b8a6c4-919f-3d5f-9b02-af0e0c8addff"},"summary_title":"Castle Hedingham Pottery"}],"note":[{"value":"'The Essex Jug' was made in different sizes, and various shades of brown; the decoration is not identical. Bingham used well-fired clay and plaster moulds for his relief designs, which were sometimes coloured. The central medallion shows \u2018Essex\u2019 displaying herself to \u2018curiosity\u2019 and \u2018agriculture\u2019. The side medallion to the right of this shows Boadicea\u2019s victory over the Roman Legion, and the medallion on the left a procession linked to the Dunmow Flitch trials. This ancient tradition, mentioned in Chaucer\u2019s \u2018Wife of Bath\u2019s Tale\u2019, awards a flitch of bacon to married couples who can prove they have 'not wisht themselves unmarried again' for more than twelve months. Great Dunmow, home of the trials, is 17 miles from Castle Hedingham. The smaller reliefs represent well known Essex buildings, the arms of various towns and Essex families, and Roman coins."},{"value":"Edward Bingham (1829- 1914) was the son of a Lambeth potter who mainly produced  functional wares. The business moved first to Gestingthorpe, Essex, and then in 1837 to Castle Hedingham. From c.1864 Edward Bingham produced ornamental ware, drawing on mediaeval and Tudor styles and notable for its size and exuberant relief decoration, which often includes modeled animals, birds or faces.  He used the local terracotta and, later, clay from Devon.  Until the mid 1870s, most Hedingham ware was unglazed, and Bingham supplemented income through various other work, variously as a shoe-maker, teacher, sub-postmaster and ironmonger. The pottery was most successful between c.1875-85, with up to 13 kilns operating, but afterwards trade flagged and in 1901 the business was sold, though it continued to operate as \u2018The Essex Art Pottery\u2019 until 1905. Bingham continued to make pots there, and then for a few months in a temporary workshop, before emigrating to join his family in North America in 1906."},{"value":"This jug was made for Dr Glaisher, who also bought several other pieces including another jug like it from the potter himself, c.1896. He later bought a modeled crocodile figure (Fitzwilliam collection, C.98-1928) and some twenty other pieces on two visits to the closed pottery, and one to a London showroom, in July 1907. 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