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Lustre double gourd shaped vase by Bernard Moore, b. at Stoke upon Trent March 24, 1920"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Dr J.W.L.Glaisher Bequest, 1928"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-152564","uid":"adlib-agent-152564","uuid":"c20df94d-f096-3e0b-a9b5-6ddd12161fb7"},"summary_title":"Glaisher, J. W. 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Buff earthenware, slip-coated, glazed and painted in blue, yellow, sage green, flesh-pink and black enamel colours. A head and shoulders painted portrait of a woman, drawn in black, set on a deep blue ground.  She wears a turban-style head-dress, which unwinds to fall over her right shoulder conceals most of her light brown hair, and a sage green bodice, and holds a needle in her raised left hand. At the top, right-hand side of the tile is a white ribbon label inscribed 'PENELOPE'. 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It was not unusual for designs to be adapted for different commissions, and Burne-Jones also used this series in designing an embroidered frieze and stained glass roundels: \u2018Penelope\u2019 appears as the central roundel of a stained glass panel shown at the Exhibition of Stained Glass at South Kensington in 1864 and now in the V&A collection, and in another roundel held by the collection of the Birmingham Museum and Art Gallery. According to Homeric legend, Penelope, the wife of Odysseus, was the model of domestic virtue. Tradition has it that this tile and that of Saint Cecilia (C.2-1922), were painted by the Kate Faulkner (d. 1895), who worked for William Morris (1834-96) and others as a painter and designer, as did her sister Lucy (see Robinson). 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Suggests the attribution of these tiles to Kate Faulkner may have originated with Sidney Cockerell (who acted as private secretary to William Morris, before becoming Director of the Fitzwilliam Museum from 1908-1937), and a likeness to Jane Morris.","page":"pp. 76-7, 89","type":"reference"},"admin":{"id":"publication-1518","uid":"adlib-publication-1518","uuid":"315af46e-ff84-3d40-9b3d-c672c35c37ff"},"summary_title":"Morris & Company in Cambridge"},{"@link":{"notes":"Publ. Gives information that there were stained glass roundels in the drawing room of the vicarage at Onecote, Staffs in 1863 (now removed) of this and 'Penelope' design, p. 207, no. 173","page":"p. 207","type":"reference"},"admin":{"id":"publication-1519","uid":"adlib-publication-1519","uuid":"918915af-11be-32ca-917e-e1e023097bb7"},"summary_title":"William Morris and the Middle Ages"},{"@link":{"notes":"Publ. p. 17, no. 60 with Penelope","page":"p. 17","type":"reference"},"admin":{"id":"publication-1520","uid":"adlib-publication-1520","uuid":"47421431-9c7e-3133-9285-577a74dc30d5"},"summary_title":"Morris & Company Tiles"},{"@link":{"notes":"Publ. Plates 24a and 24b, Penelope and Sancta Cecelia, alongside a roundel of Chaucer by William Morris, produced on a square tile, also 1860s, and  a square Sancta Cecelia of later date.","page":"56","type":"reference"},"admin":{"id":"publication-7539","uid":"adlib-publication-7539","uuid":"e10bc805-e77d-3ce5-8512-db3843148df0"},"summary_title":"William Morris Tiles : The tile designs of Morris and his fellow-workers"},{"@link":{"type":"reference"},"admin":{"id":"publication-1521","uid":"adlib-publication-1521","uuid":"8e99d3fd-364c-352e-af80-7fc501dbbe74"},"summary_title":"Drawings and Designs by Sir Edward Burne-Jones"},{"@link":{"type":"reference"},"admin":{"id":"publication-1522","uid":"adlib-publication-1522","uuid":"414c7807-0723-3957-813a-374a6fedd2b8"},"summary_title":"The Stained Glass of William Morris and his Circle"},{"@link":{"type":"reference"},"admin":{"id":"publication-7463","uid":"adlib-publication-7463","uuid":"c6dae21a-28d3-3eb3-9733-266a7f193f49"},"summary_title":"Arts & Crafts Movement: Artists, Craftsmen & Designers 1890-1930, exh cat."},{"@link":{"notes":"Publ. pp. 254-5, no. 61","page":"254-5","type":"reference"},"admin":{"id":"publication-8735","uid":"adlib-publication-8735","uuid":"ea144f49-c16b-37d3-9f86-6b6c22ccb911"},"summary_title":"William Morris y compa\u00f1\u00eda: el movimiento Arts & Crafts en Gran Breta\u00f1a"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-12611","uid":"adlib-term-12611","uuid":"834b65f7-cfad-3dec-bca8-253a9e8b4281"},"summary_title":"Arts and Crafts (movement)"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-23596","uid":"adlib-term-23596","uuid":"f5fe6ab7-fea6-31d5-8f77-1ad5f40613cc"},"summary_title":"music"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30982","uid":"adlib-term-30982","uuid":"952a2227-ce0e-31a3-a0d9-40085991be5b"},"summary_title":"tile"}},"summary_title":"tile","title":[{"value":"Sancta Cecilia"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":3,"total":3}]