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The cup is of a truncated conical form with a harp-shaped handle. The circular saucer has a flat base and deep sloping sides.There is a small hole for suspension in the base of the saucer. Both pieces have a bleu lapis ground. On the cup there are two heart-shaped reserves framed by trellis work, flowers and foliage in gold, and painted in polychrome with two flying birds. In the reserve on the side away from a right-handed drinker, one bird carries a branch in its beak. The saucer has a circular reserve, similarly framed and painted in polychrome with two flying birds. There are dentilated gilt bands round the rim of the saucer, round the foot and rim of the cup, and lines of gilding down the sides of the handle, and paired stylized leaves, a flowerhead, and groups of dots down its back"}],"identifier":[{"accession_number":"C.10.2 & A-1961","primary":true,"type":"accession number","value":"C.10.2 & A-1961"},{"priref":"82538","type":"priref","value":"82538"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82538","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82538"}],"inscription":[{"location":"on base of cup in the middle","method":"thickly painted in blue","transcription":[{"value":"interlaced Ls enclosing A"}],"type":"factory mark"},{"location":"on base of cup near the edge","method":"thinly painted in blue enamel","transcription":[{"value":"y"}],"type":"mark"},{"description":[{"value":"the blue has smudged"}],"location":"on base of saucer in the middle","method":"thickly painted in blue","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"location":"on base of cup and saucer near their edges","method":"incised","transcription":[{"value":"4"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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(See Eriksen and de Bellaigue, 1987, p. 154, chart, no. 135, and p. 167, no. 135. But there is no evidence to confirm this. After 1758 a Y or y was used by Edme-Fran\u00e7ois Bouillat, usually to the right of the factory mark."},{"value":"The incised mark '4' occurs frequently from 1753 on Vincennes and S\u00e8vres porcelain in either an open or a closed form, (here it is almost closed). It also occurs on C.14 & A & B-1961, covered cup and saucer, 1756 and C.20.2-1961, jug, 1759."},{"value":"This form was made from at least 1752 when it was mentioned in the factory's stock inventory taken in October. It was made in two sizes, and some examples have a cover.  The second size had been introduced by July 7 1753 when mentioned in the glost firing records. Earlier the same form appears to have been known as a gobelet \u00e0 cuvier, i.e. tub-shaped. The sales records in 1753 record 'Goblet a la reine lapis oiseaux color\u00e9' with saucers being sold at 36, 48 and 60 livres. This example bears the date letter A assigned in 1845 to 1753, more recently to late 1753\/1754. 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See p. 317 and nos. 90 and 113, the script y is normally attributed to Edm\u00e9-Fran\u00e7ois Bouillat - Bouillat p\u00e8re - a flower painter working at S\u00e8vres 1758-1810. But note his dates.\nThis piece is mentioned on p 68 under no. 20 which also has a 4. It also occurs on two cylindrical pots of 1757, no. 26.","page":"p. 317","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. For the shape see, pp. 108-9, especially 293. 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The base of both pieces is unglazed. The cup is of a truncated cone shape with a flat base, and harp-shaped handle. The circular saucer has deep sloping sides, a flat centre, amd a small hole for suspension in the base. Both pieces have a bleu lapis ground. On the cup there are two heart-shaped reserves framed by gold trellis work, flowers and foliage with finely tooled details, and painted in polychrome with two flying birds, one of which in one reserve, carries a branch in its beak. The saucer has a circular reserve, similarly framed and painted in polychrome with two flying birds, one carrying a branch in its beak. There are dentilated gold bands round the rim of the saucer, round the foot and rim of the cup, and lines of gilding down the sides of the handle, which also has paired leaves, a flower head, a husk, and several dots down its back. A pair with C.10.2 & A-1961"}],"identifier":[{"accession_number":"C.10.1 & A-1961","primary":true,"type":"accession number","value":"C.10.1 & A-1961"},{"priref":"71114","type":"priref","value":"71114"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71114","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/71114"}],"inscription":[{"description":[{"value":"the A has lost its lower half on the saucer"}],"location":"on base of cup and saucer","method":"painted in blue on unglazed surface","transcription":[{"value":"interlaced L's enclosing A"}],"type":"factory mark"},{"location":"near edge on base of cup and saucer","method":"in blue enamel","transcription":[{"value":"y"}],"type":"painter's mark"},{"location":"near edge on base of cup and saucer","method":"incised","transcription":[{"value":"4"}],"type":"incised mark"},{"description":[{"value":"underlined"}],"location":"on base","method":"hand-written in black ink now faded","transcription":[{"value":"\/-\/ni  or \/-\/mi"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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The cup was probably used as a breakfast cup and the factory's records indicate that they were made in large numbers. Many examples decorated with a bleu lapis ground and reserves decorated with coloured birds  are mentioned at various prices in the sales records of  1753 to 1754 when this set was decorated. The prices mentioned were 36, 42, and 48 livres, with one purchased for the duc de Duras at 60 livres. When size was mentioned,  the first size cost 48 livres and the second  42 livres. \n\nIt has been suggested that the y which usually occurs well away from the factory mark on pieces dating from about 1752-8, might be the mark of Pierre-Fran\u00e7ois Yvernel who worked for the factory from 1750-9. (See Eriksen and de Bellaigue, 1987, p. 154, chart, no. 135, and p. 167, no. 135. But there is no evidence to confirm this. After 1758 a Y or y was used by Edme-Fran\u00e7ois Bouillat, usually to the right of the factory mark.\n\nThe incised mark '4' occurs on Vincennes and S\u00e8vres porcelain in either an open or a closed form, (here it is almost closed) frequently from 1753. 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