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Cylindrical cup with double curved handle. Circular saucer with a flat centre, deep sloping side, and a suspension hole in the footrim. The front of the cup is painted in polychrome with a tall, narrow-necked jar, standing on grass with a wheelbarrow and trees behind, and a basket of grapes and apples on the right. On the jar is a letter C made up of small blue flowers. On each side there are three diagonally placed sprays of alternately yellow and blue flowers. Above and below there are maroon bands entwined with curving gold lines. There is a dentilated gold band round the rim, a plain gold band round the foot, and gold lines down the sides of the handle, which also has stylised gold leaves alternating with spots down its back. The saucer is decorated with a posy of blue flowers with green leaves, surrounded by a dark crimson band entwined with curved gold lines. The sides are decorated with diagonally placed sprays of alternately yellow and blue flowers, with above a dark crimson band entwined with curved gold lines. The rim is encircled by a dentilated gold band."}],"identifier":[{"accession_number":"C.194 & A-1918","primary":true,"type":"accession number","value":"C.194 & A-1918"},{"priref":"86623","type":"priref","value":"86623"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/86623"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing KK"}],"type":"factory mark"},{"location":"on base of kup and saucer","method":"painted in blue enamel","transcription":[{"value":"V."}],"type":"painter's mark"},{"description":[{"value":"41 with the 1 slanting to the right"}],"location":"on base of cup","method":"incised underglaze","transcription":[{"value":"41"}],"type":"incised mark"},{"description":[{"value":"3 a dash, longer than shown above, 1 slanting, possibly 31 or 37"}],"location":"on base of saucer","method":"incised underglaze","transcription":[{"value":"3-1 or 37"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Ralph Griffin, MA, FSA"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166982","uid":"adlib-agent-166982","uuid":"379e05a8-af03-3c3f-8302-1ff6e68b6c8b"},"summary_title":"Griffin, Ralph"}],"date":[{"earliest":1918,"latest":1918,"value":"1918"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1918-08-28"}]}],"creation":[{"date":[{"earliest":1787,"era":["CE"],"latest":1787,"note":[{"value":"Both pieces bear the date letter for 1787"}],"value":"1787"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-175457","uid":"adlib-agent-175457","uuid":"6e9d1bf1-1dae-33ad-bff1-1da53a119152"},"summary_title":"Noualher, Antoinette-Marie"}],"note":[{"value":"Cups decorated with initials were a new venture initiated by the comte d\u2019Angiviller in the summer of 1784, after he had seen Clignancourt cups decorated in this way. Between then and 1789 over 1000 were produced. Sir Geoffrey de Bellaigue cites over 80 in 1784, over 400 in 1785,nearly 500 in 1786, about 160 in 1787 and fewer than 20 in 1788. (See Documentation, Bellaigue, 1980)."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Savill, 1988, Bellaigue 2009)  This is a gobelet litron of the second size with Savill's handle B."},{"value":"The incised mark on the cup, 41, is recorded on cups and saucers in the 1780s and 1790s, and on two vases of 1779 and 1780 respectively. It also occurs on C.56-1961, a cup of 1784, also on a saucer of 1780 in the Royal Collection"},{"value":"The painter's mark does not occur in MS Vj\u20192 but has been deduced from payments in the Artistis Lists of payments as that of Mme Antoinette-Marie Noualher (n\u00e9e Huet) , working from c. 1762-98. An almost similar mark was used by her daughter from c. 1790-98, and possibly earlier in the late 1780s, who about 1796 became Mme Weydinger."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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yellow, dark pink, purple, brown, grey, and black enamels, and gilding. Cylindrical cup with ear-shaped handle. Circular saucer with convex central area and deep, sloping sides. Both pieces have a suspension hole in the footrim.                                                                       Both pieces have a white ground. The front of the cup is painted in polychrome with a trophy comprising a guitar tied with a bow of dark pink ribbon, a recorder, and another wind instruments, an arrow, an houlette decked with a dark pink ribbon and garland of leaves, surrounded by a chased gold frame of approximately three-quarters of a circle tooled panels of trellis alternating with smaller plain areas . On each side of the frame there is a gold lozenge enclosing four spots in dotted circles from which are suspended trailing sprays of gilt leaves which cross over under the handle. Round the top of the cup there is a sable d'or border between bands of gilding and there is a further band of gilding round the foot. There are gold lines down the sides of the handle and four horizontal bands of vertical strokes down its back.                                                                                          The centre of the saucer is painted  with a gardening trophy comprising a basket of grapes, a hoe, a stick, and a horn surrounded by a band of gilding. The sides are decorated with three gold lozenges similar to those on the cup, linked by trailing sprays of gilt leaves. The border is en suite with that of the cup."}],"identifier":[{"accession_number":"C.2 & A-X","primary":true,"type":"accession number","value":"C.2 & A-X"},{"priref":"72980","type":"priref","value":"72980"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72980","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/72980"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing M"}],"type":"factory mark"},{"description":[{"value":"an anchor"}],"location":"on base of both pieces","method":"painted in blue enamel","type":"painter's mark"},{"location":"on the cup","method":"incised","transcription":[{"value":"script J6 or I6 or 9C"}],"type":"incised mark"},{"location":"on the saucer","method":"incised","transcription":[{"value":"6 or 9"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Donor and date of acquisition unknown"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149652","uid":"adlib-agent-149652","uuid":"0d4f90dc-b166-3d4b-b0db-25f4118b6e98"},"summary_title":"Unknown"}],"method":{"value":"unknown"}}],"creation":[{"date":[{"earliest":1765,"era":["CE"],"latest":1765,"value":"1765"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-20788","uid":"adlib-agent-20788","uuid":"67caff28-28b1-35ff-b568-b398a88d7c1a"},"summary_title":"Buteux, Charles"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 in diameter in pouces and lignes, which was larger than the largest of the porcelain cups.The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms. A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis) They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue, 2009)"},{"value":"This is a gobelet litron of the second size which was in production by 1753 with Savill's handle shape C, and tooling pattern 5. The trophies are typical of the gaily coloured ones painted by Charles Buteux. Unsuccessful as a figure painter in his early years at the factory, he became ts most prolific painter of trophies and attributes."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.   Both pieces have an opaque, bright yellow ground strewn with small five-petalled flowers and bordered by brown bands, zig-zags and dots. The borders at the top of the cup and round the inside edge of the saucer have a reserved white ground decorated with circular blue medallions, each painted with a spray of white flowers and encircled by a gold band (four on the cup and eight on the saucer). Between each of the medallions there is spray of blue flowers and foliage enclosed in an oval of gold dots, linked to the blue medallions by garlands of red flowers and foliage. There are gold bands on both sides of the borders, dentilated on the interior of the cup and exterior of the saucer. The handle has gold lines down its sides, and a stylised leaf, husks and dots down its back."}],"identifier":[{"accession_number":"C.59 & A-1961","primary":true,"type":"accession number","value":"C.59 & A-1961"},{"priref":"75591","type":"priref","value":"75591"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75591"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing ii"}],"type":"factory mark"},{"description":[{"value":"in script"}],"location":"on base of cup and saucer below factory mark","method":"painted in blue enamel","transcription":[{"value":"mb"}],"type":"painter's mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"47"}],"type":"incised mark"},{"location":"on base of cup","method":"incised","transcription":[{"value":"44"}],"type":"incised mark"},{"location":"on base of saucer","method":"incised","transcription":[{"value":"49"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988,  Bellaigue 2009)\n\nThis is a gobelet litron and soucoupe of the third size with Savill's handle shape B. Yellow grounds were not very common prior to 1775 after which they became increasingly fashionable, especially after 1787."},{"value":"The painter's mark is not precisely like any listed by Brunet, 1953 (see documentation), but it is fairly close to alternative fig. 18 in Desir\u00e9 Riocreux's chart, see Jacquemart and Blant, 1862 (in documentation), attributed to Mme Bunel, n\u00e9e Buteux, painter of 'bouquets detach\u00e9s', who was working at the factory 1778-1816 according to Mlle Brunet, who gave the other mark illustrated by Riocreux MB. 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A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Bellaigue 2009, Savill, 1988)\nThis is a gobelet litron of the second size with Savill's handle B. This size was usually supplied separately rather than in a tea set."},{"value":"The painting was formerly attributed to Jean-Pierre Fumez, but his mark was fz. The mark fx was used by Mme Fran\u00e7oise-Philippine (n\u00e9e Le Grand), a flower painter working at S\u00e8vres, ? 1780-99 ? 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Cylindrical cup with arched and incurved handle. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of the saucer.                                                                                                                            Both pieces are white. The cup has an oval medallion on the front painted in polychrome with a fishing scene and framed by gold, red and blue bands with S-shaped sprays of gold leaves over them. On either side of it there is a smaller circular medallion, one painted with a seated girl holding a fishing rod, and the other with a boy fishing both framed by a gold band and a red band dotted with gold. The medallions are linked by swags of gold leaves. Between the upper edges of the medallions there is a zone with a pink ground which is straight along the top and on its lower edge, between the medallions has pairs of blue and gold C-scrolls with a pendant between them. Below each pair of scrolls there is a crimson rose and a crimson rose bud. Round the top and bottom of the cup there is a border composed of red and blue bands with S-shaped sprays of leaves over them. There is a gold band round the foot and rim; gold lines down the sides of the handle and a leaf and four inverted tear-drop shaped strokes down its back. The saucer has a circular medallion in the centre painted in polychrome with a lady and gentleman and a house beside a river. The sides have four smaller circular medallions, each painted with a different scene: a woman riding a horse; a small ship; a man playing a trumpet; and a woman holding a distaff. The remainder of the decoration is en suite with the cup."}],"identifier":[{"accession_number":"C.49 & A-1961","primary":true,"type":"accession number","value":"C.49 & A-1961"},{"priref":"75270","type":"priref","value":"75270"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75270","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75270"}],"inscription":[{"description":[{"value":"interlaced L's"}],"location":"on base of cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"horizontal line with three evenly spaced dots above"}],"location":"on base of cup and saucer, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"date mark for the year 1778"}],"location":"on base of cup and saucer, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"AA"}],"type":"date"},{"location":"on base of cup by edge","method":"incised","transcription":[{"value":"36"}],"type":"incised mark"},{"location":"on base of cup by edge to right of 36","method":"incised faintly","transcription":[{"value":"2 \\ (or 7)"}],"type":"incised mark"},{"location":"on base of saucer by footring","method":"incised","transcription":[{"value":"45"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"This cup and saucer was probably bought by L.C.G. Clarke from H.E. Backer in 1944. See letter dated 15December, 1944 from Backer to Clarke and attached photograph in object's file."}]}],"creation":[{"date":[{"earliest":1778,"era":["CE"],"latest":1778,"note":[{"value":"date letter AA for 1778"}],"value":"1778"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-140351","uid":"adlib-agent-140351","uuid":"c7d542ac-aafe-3e9f-9375-9cd93cfe24b6"},"summary_title":"Vielliard, Andr\u00e9-Vincent"}],"note":[{"value":"Andr\u00e9 Vincent Vielliard, p\u00e8re (1717-90), worked at the factory from 1752-90. Small landscapes with figures were characteristic of his work in the 1770s."},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux and d'Albis, 1991, Savill, 1988, Bellaigue 2009) This is a gobelet litron of the third size, with Savill's handle shape B (see Documentation). When offered for sale in December 1944 it was accompanied by another cup and saucer and a teapot Calabre with matching borders and different scenes in the medallions."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis XVI"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"note":[{"value":"presumed 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Its ground matches the cup, but the oiel-de-perdrix are of graduated size radiating from the centre.The sides are decorated with three large and three small oval reserves painted en suite with those on the cup. 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Cylindrical cup with double-curved handle, the upper part of the back of which is decorated with small knobs. Circular saucer with flat central area and deep, sloping sides. There is a suspension hole in the footring of both pieces. The cup has a bleu nouveau ground with an approximately oval reserve framed by a wide chased gilt band and painted in polychrome with a basket of flowers standing on a marble table. The ground is decorated with two oval wreaths of gilt flowers and leaves enclosed in oval scrolled frames linked to each other and to the reserve by projecting scrolls. There is a gilt band round the foot, and round the rim, a wide undulating gilt band, dentilated on the interior. The handle is entirely gilt. The centre of the saucer is painted in polychrome with a tall basket of flowers, with a bow of pink ribbon on its handle. Two roses and a yellow flower lie beside the basket, which stands on a marble table. The sides have a bleu nouveau ground decorated with six circular wreaths of gilt flowers and leaves enclosed in scrolled frames linked by projecting scrolls with pendant husks at the junctions. There is a wide, chased gilt band round the lower edge of the sides and a wide, undulating gilt band round the rim, dentilated on the exterior."}],"identifier":[{"accession_number":"C.48 & A-1961","primary":true,"type":"accession number","value":"C.48 & A-1961"},{"priref":"75238","type":"priref","value":"75238"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75238","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75238"}],"inscription":[{"description":[{"value":"interlaced L's enclosing V"}],"location":"on the base of the cup and saucer","method":"painted in blue enamel","type":"factory mark"},{"description":[{"value":"the X is now obscured by a label"}],"location":"on the base of the cup, below factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"a horizontal line, and a line above with an arch in the middle"}],"location":"on the base of the cup and saucer, above factory mark","method":"painted in gold","type":"gilder's mark"},{"location":"on the base of the saucer, below factory mark","method":"painted in gold","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"in script letters"}],"location":"on base of cup","method":"incised","transcription":[{"value":"OL"}],"type":"mark"},{"description":[{"value":"in script"}],"location":"on base of saucer","method":"incised","transcription":[{"value":"CL"}],"type":"mark"},{"description":[{"value":"large circular paper label with a red circle near the edge"}],"location":"on the base of the cup","method":"printed in red and black, and hand-written in black ink","transcription":[{"value":"FOLEY (in ink)\/HEIRLOOM, (printed in red)\/Gilder=Grison (hand-written)\/SEVRES (printed in black)\/1774\/RUXLEY LODGE (hand-written)"}],"type":"label"},{"description":[{"value":"rectangular paper label wtih rounded corners"}],"location":"on base of saucer","method":"printed in black, and hand-written in faded black ink","transcription":[{"value":"SEVRES (printed in black) Painter Noel\/Date\/1774 (hand-written)"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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It was either renamed or replaced by beau bleu from 1768 (see Documentation, Savill, 1988, vol. III)"},{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier (records are lacking).The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Bellaigue 2009, Savill, 1988) This is a gobelet litron of the second size, with Savill's handle D. A richly decorated cup and saucer like this might have been purchased as an ornament rather than for use."},{"value":"When purchased by L.C.G. Clarke Clarke, the x mark was interpreted as that of Jean-Charles Grison l\u2019ain\u00e9, whose mark resembles back to back Cs, and was working 1772-74. (Peters, 2005, vol. I, p.47.)   but seems more like to be the mark of Micaud, who was mainly a flower-painter.  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Cylindrical cup with loop handle. Circular saucer with flat central area, deep sloping sides, and a suspension hole in the footring. The cup is striped with wavy diagonal green and dark blue (bleu lapis) ribbons, edged with gold lines and dots, alternating with reserved white stripes, each decorated sprays of polychrome flowers. There is a band of gilding round the base and a dentilated band round the rim. There are gold lines down the sides of the handle and a leaf, and teardrops of graduated size down its back. The saucer is striped en suite with the cup, but has two sprays of flowers on each white stripe. The ribbons run across the saucer from side to side, curving on two sides to form arcs. There is a dentilated gold band round the rim."}],"identifier":[{"accession_number":"C.3 & A-1951","primary":true,"type":"accession number","value":"C.3 & A-1951"},{"priref":"82563","type":"priref","value":"82563"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82563","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82563"}],"inscription":[{"location":"on base of cup","method":"in blue enamel","transcription":[{"value":"interlaced Ls"}],"type":"factory mark"},{"location":"on base of saucer","method":"in blue enamel","transcription":[{"value":"interlaced Ls with feathering"}],"type":"factory mark"},{"description":[{"value":"illegible"}],"location":"on base of cup","method":"incised","type":"incised mark"},{"description":[{"value":"indistinct"}],"location":"on base of saucer","method":"incised","transcription":[{"value":"\/uc"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1951,"latest":1951,"value":"1951-01-06"}],"method":{"value":"given"},"note":[{"value":"See receipt dated 23 January 1951 in the Friends' records for 1951 housed with the Museums' archives"}]}],"creation":[{"date":[{"earliest":1755,"from":{"earliest":1755,"era":["CE"],"latest":1755,"precision":"circa","value":"1755"},"latest":1756,"range":true,"to":{"earliest":1756,"era":["CE"],"latest":1756,"precision":"circa","value":"1756"}}],"maker":[{"@link":{"qualifier":"uncertain","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"},{"@link":{"qualifier":"uncertain","role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"The gobelet litron was named after a cubic measure, the litron, which was normally made of wood, and was used for dry stuffs, such as corn and peas. Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made earlier judging by white examples with simple floral decoration .The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Bellaigue 2009, Savill, 1988)."},{"value":"This is a gobelet litron of the third size with Savill's handle shape B. It was accessioned as  Vincennes,  but as green grounds were not introduced until 1756 and it is unlikely that this combination of blue and green would have been executed before the factory moved to S\u00e8vres in the autumn, and in fact, the decoration may have been executed much later. Variants of this slanting diagonal ribbon and floral stripe design were fashionable between 1756 to 1759 especially with green ribbons, but also with bleu lapis, and rose. See C.2 & A-1948 a teapot with diagonal ribbons and flowers."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106496","uid":"adlib-term-106496","uuid":"bd563695-7339-3178-a8c4-251899070993"},"summary_title":"18th Century, Mid"},{"@link":{"type":"reference"},"admin":{"id":"term-15538","uid":"adlib-term-15538","uuid":"e4001da7-ed48-3271-a6fb-c7f54095a1ad"},"summary_title":"Louis XV"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113744","uid":"adlib-term-113744","uuid":"da105475-9705-3ee7-94ad-24892e6217d4"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"Val-de-Marne"}],"summary_title":"Val-de-Marne","type":"region"}]],"summary_title":"Vincennes"},{"@link":{"type":"reference"},"admin":{"id":"term-113750","uid":"adlib-term-113750","uuid":"9c94e435-9cde-38f2-b190-3a9ff2a77005"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"France"}],"summary_title":"France","type":"country"},{"@link":{"type":"literal"},"name":[{"value":"\u00cele-de France"}],"summary_title":"\u00cele-de France","type":"region"}]],"summary_title":"S\u00e8vres"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91165","uid":"adlib-term-91165","uuid":"d22ea1ae-0f87-36a8-8ece-86eb0f380b42"},"summary_title":"cup"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-91594","uid":"adlib-term-91594","uuid":"d3814795-e106-33f3-98a0-da73b4855bb6"},"summary_title":"saucer"},"type":"object name"},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113690","uid":"adlib-term-113690","uuid":"207e9fd2-c0ad-3831-8ed1-f68ea34e9a50"},"summary_title":"teaware"},"type":"category"},{"type":"factory name","value":"gobelet litron et soucoupe"}],"note":[{"type":"history note","value":"H.E. Backer, 1 Elm Tree Road, St John's Wood, London, NW8 from whom purchased for \u00a335 by the Friends of the Fitzwilliam  Museum"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"type":"reference"},"admin":{"id":"publication-7490","uid":"adlib-publication-7490","uuid":"9e6a9b2c-dc24-35e2-b78a-48be9ee638c9"},"summary_title":"Dictionnaire universel de commerce"},{"@link":{"notes":"Ref. For the gobelet litron shape, see p. 132, no. 46","page":"p. 132","type":"reference"},"admin":{"id":"publication-3637","uid":"adlib-publication-3637","uuid":"5eb27a85-d31c-3b6f-b09e-8e02f712649c"},"summary_title":"The James A. de Rothschild Collection at Waddesdon Manor, S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. 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See p. 793, 196.1 for a reproduction of the drawing dated 1 February 1753 in the archives at S\u00e8vres","page":"792-3","type":"reference"},"admin":{"id":"publication-6636","uid":"adlib-publication-6636","uuid":"8a6e2d82-65e4-3d44-a739-2e4c393fd9c6"},"summary_title":"French Porcelain in the Collection of Her Majesty the Queen"},{"@link":{"notes":"Cf. pp. 84-5, no. 19, a cup of a different shape and a saucer with green ribbon stripes and flowers of c. 1757-9","page":"84-5","type":"reference"},"admin":{"id":"publication-5924","uid":"adlib-publication-5924","uuid":"a04146c2-58f7-3893-a341-612f88ee0acc"},"summary_title":"The French Royal Porcelain S\u00e8vres, The Marton Museum Collection Samobor\/Francuski kraljevski porculan, Kolkcija Muzeja Marton Samobor"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-108883","uid":"adlib-term-108883","uuid":"16f29f09-96ec-3bf8-a360-d2b3c53cc947"},"summary_title":"flower sprays"},{"@link":{"type":"literal"},"name":[{"value":"flower sprays"}],"summary_title":"flower sprays"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107532","uid":"adlib-term-107532","uuid":"f00fbddb-30d4-39ff-bcf3-a87fbac64158"},"summary_title":"cup and saucer"}},"summary_title":"cup and saucer","techniques":[{"description":[{"value":"soft-paste porcelain, thrown, lead-glazed decorated in underglaze blue, in blue, green, yellow dark pink, and brownish-orange enamels and gilding."}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120082","uid":"adlib-term-120082","uuid":"ea83ed85-6b07-3e7e-83fc-440cfda22f7e"},"summary_title":"throwing"}}],"title":[{"value":"Gobelet litron et soucoupe"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-82551","_score":16.4823,"_source":{"admin":{"added":1592999705000,"created":1312637261000,"flag":"Standard Record","id":"object-82551","indexed":1755194543933,"modified":1714475174000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-82551","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82551","uuid":"49c7cc82-9df8-34b0-b619-9ed124a6efbb","version":10},"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-107444","uid":"adlib-term-107444","uuid":"571df7cf-e062-3968-ae5e-bec9d5a82f92"},"summary_title":"C. 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Marlay"}],"component":[{"materials":[{"note":[{"value":"bleu celeste"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}},{"note":[{"value":"blue, shades of green, a little yellow, pale and dark pink, and purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"blue, shades of green, a little yellow, pale and dark pink, and purple"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"note":[{"value":"of gilding"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26923","uid":"adlib-term-26923","uuid":"8637c49a-c93f-3442-86fb-0fa05cb5345b"},"summary_title":"tooling"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"12.5"},{"dimension":"Height","units":"cm","value":"3"}]},"name":"Saucer"},{"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"5.5"}]},"name":"Cup Rim"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"5.9"},{"dimension":"Width","units":"cm","value":"7.5"}]},"name":"Cup"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-115","uid":"adlib-term-115","uuid":"94d65983-dea2-361b-b187-a968c98ab1d8"},"summary_title":"Nature"}]},"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain cup and saucer decorated with a bleu celeste ground, floral sprays in enamels, and gilding."},{"value":"Soft-paste porcelain decorated with a bleu c\u00e9leste ground, painting in blue, shades of green, a little yellow, pale and dark pink, and purple enamels, and gilding. Cylindrical cup with arched and incurved handle. Circular saucer with flat central area and sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a bleu c\u00e9leste ground. The cup has an oval reserve  painted in polychrome with a spray of flowers, surrounded by a gilt frame of palms, scrolls and floral sprays, extending over the ground to right and left,. There is a band of gilding round the foot, a dentilated band round the rim, and lines of gilding down the sides of the handle, which also has a leaf at the top, and groups of three tiny leaves alternating with spots down its back. The saucer has a central reserve painted with a different spray of flowers, framed by palms, floral sprays, and scrolls enclosing a diaper pattern and striations respectively. There is a dentilated gold band round the rim."}],"identifier":[{"accession_number":"MAR.C.33 & A-1912","primary":true,"type":"accession number","value":"MAR.C.33 & A-1912"},{"priref":"82551","type":"priref","value":"82551"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82551","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82551"}],"inscription":[{"description":[{"value":"interlaced L's"}],"location":"on the cup","method":"in greyish-blue enamel","type":"factory mark"},{"location":"on  the cup above factory mark","method":"painted in greyish-blue enamel","transcription":[{"value":"cp"}],"type":"painter's mark"},{"location":"on the cup below factory mark","method":"painted in greyish-blue enamel","transcription":[{"value":"V with a D attached to the right side"}],"type":"gilder's mark"},{"description":[{"value":"interlaced L's enclosing B"}],"location":"on saucer","method":"in blue enamel","type":"factory mark"},{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"H"}],"type":"painter's mark"},{"location":"on base of cup by footring","method":"incised","transcription":[{"value":"C"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"C.B. 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Cylindrical cup with double-curved handle. Circular saucer with flat central area and sloping sides. There is a suspension hole in the footring of the saucer. Both pieces have a bright yellow ground decorated with continuous landscapes in violet enamel, with above and below borders of crimson zig-zags, curving gilt lines and blue dots on a reserved white ground. The cup has one large and two small circular reserves, painted in polychrome with landscapes, each framed by a gilt band and a blue band dotted with gold. The large reserve has a windmill beside a house in the background and a seated man in the foreground. There are two gold bands round the foot and rim, gold lines down the sides of the handle and three stylised leaves separated by dots down its back. The saucer has a circular reserve in the centre and three small circular reserves on the sides, each painted with a landscape with buildings and framed with a gilt band and a blue band dotted with gold. There are two gilt bands round the rim."}],"identifier":[{"accession_number":"C.61 & A-1961","primary":true,"type":"accession number","value":"C.61 & A-1961"},{"priref":"75632","type":"priref","value":"75632"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75632"}],"inscription":[{"location":"on base of both pieces","method":"painted in blue enamel","transcription":[{"value":"interlaced L's"}],"type":"factory mark"},{"description":[{"value":"horizontal line with three dots evenly dispersed above"}],"location":"on base of both pieces, below the factory mark","method":"painted in blue enamel","type":"painter's mark"},{"location":"on base of both pieces, below painter's mark","method":"painted in blue enamel","transcription":[{"value":"KK"}],"type":"date"},{"location":"on base of the cup by the edge","method":"incised","transcription":[{"value":"41"}],"type":"incised mark"},{"location":"on base of the cup","method":"incised","transcription":[{"value":"11"}],"type":"mark"},{"description":[{"value":"indistinct perhaps 40 or 49"}],"location":"on base of the saucer to left of suspension hole","method":"incised","type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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Its size in Paris had been defined in 1670 as the equivalent of 9.45 cm high and 10.15 cm in diameter in pouces and lignes, which was larger than the largest of the porcelain cups. The first size of gobelet litron had been introduced at Vincennes before October 1752 when it was mentioned in an inventory of stock, but was probably being made a few years earlier.The second and third sizes followed in 1753, and the fourth and fifth in 1757. They could be fitted with one of seven different handle forms . A drawing in the archives at S\u00e8vres is dated 19 February 1753 (MNS, R1, liasse 2, dossier 2, No. 6bis)  They were supplied singly, singly with a plateau carr\u00e9, in \u2019harlequin\u2019 sets, or as part of matching dejeuner. (See Documentation, Pr\u00e9aux 1991, Savill, 1988,  Bellaigue 2009). This is a gobelet litron et soucoupe of the third size with Savill's handle B."},{"value":"The incised mark 41 occurs mainly on cups and saucer after 1780"},{"value":"Yellow grounds were not very common at S\u00e8vres prior to 1775, after which they were popular, especially after 1787. Vielliard p\u00e8re, seems to have been made a speciality of painting landscapes on coloured grounds at the end of the 1780s, but there is a possiblity that this cup and saucer may have been painted by his son Andr\u00e9-Vincent Vielliard, fils, who worked at the factory from 1783-93, and adopted a style similar to his father. Roth & Corbeiller (see Documentation 2000), note that on 30 June 1787 Vielliard fils, was recorded as having been paid for painting two cups and saucers with yellow ground, landscapes, and friezes, at 9 livres each set (AMNS, Vj'4, fol. 261). They suggest that this cup and saucer may be one of those two, the other being a similar set in the Wadsworth Athenaeum at Hartford, Connecticut."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106779","uid":"adlib-term-106779","uuid":"f0706fcd-d94c-3987-bcb5-f7f794332b6a"},"summary_title":"18th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-14265","uid":"adlib-term-14265","uuid":"b9f6d73e-26ce-3588-a519-976c2cc93f7f"},"summary_title":"Louis 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