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Lozenge-shaped with deep, sloping sides, pierced to resemble stylised leaves with an anthemion in the centre of each side. The rim is scalloped and the lower part of the outer edge of the footring is moulded to resemble basketwork. There is a suspension hole in the footring. The ground is bleu celeste decorated with garlands of gilt husks. In the centre there is an oval reserve framed by a band of chased gilding, and painted in polychrome enamels with a bouquet of flowers. The interior and exterior of the sides have a bleu celeste ground alternating with reserved white zones outlined with gold.\n\nOne of a pair with C.41A-1961."}],"identifier":[{"accession_number":"C.41B-1961","primary":true,"type":"accession number","value":"C.41B-1961"},{"priref":"93587","type":"priref","value":"93587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93587"}],"inscription":[{"description":[{"value":"in script with S sideways"}],"location":"on base right up against the footring","method":"incised","transcription":[{"value":"cs"}],"type":"incised mark"},{"description":[{"value":"narrow rectangular white paper label"}],"location":"on base","method":"hand-written in ink","transcription":[{"value":"Collection of\/Viscount Harcourt"}],"type":"label"},{"description":[{"value":"oval white paper label"}],"location":"on base","method":"in ink and print","transcription":[{"value":"FROM THE\/CH\u00c9R\u00c9MET\u00c8FF S\u00c8VRES\/COLLECTION.\nMrs Burns\nASHER WERTHEIMER,\/158, NEW BOND STREET,\/LONDON."}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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The house became Brooks Club."}]}],"creation":[{"date":[{"earliest":1769,"era":["CE"],"latest":1769,"note":[{"value":"The tray bears the date letter for 1769"}],"value":"1769"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"qualifier":"possibly","role":[{"value":"r\u00e9pareur"}],"type":"reference"},"admin":{"id":"agent-162415","uid":"adlib-agent-162415","uuid":"baae0116-646d-3d9d-b238-79fa655e11e6"},"summary_title":"Censier, Charles"}],"note":[{"value":"David Peters (Documentation 2005) has posited that the bulk of this service, mainly for dessert, was purchased on 5 November 1768 by an unnamed buyer, whom he considered may have been the Monsieur de Cotensky who on on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces which were items not included in the order of 5 November 1768. Monsieur de Cotensky was possibly Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774. There were two corbeilles losanges at 216 livres in the November 1768 order, which as the Fitzwilliam's are dated 1769 raises a question of whether they are the same ones, particularly as there are two in the Dodge Collection (71.222, 71,223), which have similar gilding, and reserves painted with birds after Buffon. Those however, were painted by Aloncle. In the exhibition of S\u00e8vres from the Sheremeteff collection held  by Asher Wertheimer in Bond Street, two plateaux-corbeilles losanges ajour\u00e9es were nos. 10 and 11, said to be painted by Dodin, and a further two, nos. 12 and 13 by Le Bel. It seems possible that the last two were the two now in the Fitzwilliam and that the identification of the painter who signed L. as Le Bel was in error for Lev\u00e9, although the catalogue appears to indicate that all the pieces in this service in the list were painted with birds."},{"value":"The plateau -corbeille lozange was introduced in 1755"},{"value":"This plateau-corbeille losange ajour\u00e9e, and its pair (C.41A-1961) with two compotiers ronds C.37A & B-1961, are all decorated with swags of husks or wheat ear, and probably formed part of a service decorated with birds from Buffon or  flowers, which in the 19th century belonged to Count A.D. 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label), 69 & 71 Brook Street, London; Mary Ethel, Viscountess Harcourt (n\u00e9e Burns); sold Christie's, London, 22 June 1927, Old English and Continental porcelain, decorative objects and old French furniture, lot 19 CHECK SALE CATALOGUE;. 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This plateau corbeille and its pair were probably nos. 12 and 13.","page":"pp. 45-49","type":"reference"},"admin":{"id":"publication-7502","uid":"adlib-publication-7502","uuid":"a283b128-59e7-32fd-a686-0db830fd0b8d"},"summary_title":"Notes on the Historic Ch\u00e9r\u00e9m\u00e8teff Collection of old Turquoise S\u00e8vres Porcelain"},{"@link":{"type":"reference"},"admin":{"id":"publication-1970","uid":"adlib-publication-1970","uuid":"2b9703ad-8c20-31c6-894a-c7fea3ad953e"},"summary_title":"Fitzwilliam Museum, Cambridge. 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Vol. III, pp. 1096-7 for the incised mark cs possibly for one of three members of the Censier family","page":"1096-7","type":"reference"},"admin":{"id":"publication-2709","uid":"adlib-publication-2709","uuid":"e4899c4a-b889-3004-9341-697b98920a9f"},"summary_title":"The Wallace Collection, Catalogue of S\u00e8vres Porcelain"},{"@link":{"notes":"Ref. pp. 7, 9 for the use of the plateau lozenge as a stand for a sauceboat","page":"7, 9","type":"reference"},"admin":{"id":"publication-200002027","uid":"adlib-publication-200002027","uuid":"44cc60eb-f865-3cb3-b96c-c3869a4fc697"},"summary_title":"Identification of Plates and Services in the S\u00e8vres Sales Registers"},{"@link":{"notes":"Cf. Two plateau losange with bleu celeste ground and birds in the central reserve, painted by Aloncle, accession numbers 71.222 and 71.223, both formerly in the Ch\u00e9r\u00e9meteff Collection until c. 1906 when exhibited in London by Asher Wertheimer. These plateaux have the same gilded decoration as the Fitzwilliam's examples with floral bouquets in the centre. The author, Clare Corbeiller cites Peters, as her source for the use of plateaux lozenges as stands for sauceboats in addition to their use with a cup but is not referring to the basket-like variety.","page":"194-5","type":"reference"},"admin":{"id":"publication-5305","uid":"adlib-publication-5305","uuid":"da091c04-392c-3f11-add1-632cea602e03"},"summary_title":"The Dodge Collection of Eighteenth-Century French and English Art in the Detroit Institute of Arts"},{"@link":{"notes":"Ref.Vol. II, pp. 401-02, for the bleu c\u00e9leste ground service formerly in the Ch\u00e9r\u00e9m\u00e8eff Collection, which Peters considers is likely to have been a service, mainly for dessert, sold on 5 November 1768 to an unnamed buyer, who may have been a Monsieur de Cotensky who on 9 March 1769 purchased 24 plates and 2 ice buckets, pieces missing from the earlier order. Cotensky may have been Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d'affaires to France from 24 December 1767 to January 1774. The Fitzwilliam's pair of plateau -corbeille losange ajour\u00e9 mentioned on p. 402 as possibly from the same service, but see the two with bird decoraton in the Dodge Collection.","page":"Vol. II, 401-02","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-9010","uid":"adlib-term-9010","uuid":"ecd03def-5d2a-3b43-bb92-76be16fbabf6"},"summary_title":"Rococo"}],"subjects":[{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-106795","uid":"adlib-term-106795","uuid":"619c7689-2029-3c57-b0e2-12f5b54bedb8"},"summary_title":"flower"},{"@link":{"relation":"plant","type":"reference"},"admin":{"id":"term-51570","uid":"adlib-term-51570","uuid":"60c9a2b0-88e3-31c4-a903-cb3bfbb73411"},"summary_title":"rose"},{"@link":{"type":"literal"},"name":[{"value":"flower"}],"summary_title":"flower"},{"@link":{"type":"literal"},"name":[{"value":"rose"}],"summary_title":"rose"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-89196","uid":"adlib-term-89196","uuid":"daa8a4b5-42b3-3b6b-bbb3-b5e1703fc2c4"},"summary_title":"tray"}},"summary_title":"tray","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120062","uid":"adlib-term-120062","uuid":"d05176fb-17b8-3888-bba1-6c5e6c77d206"},"summary_title":"lead-glazing"}}],"title":[{"value":"Plateau-corbeille losange \u00e0jour\u00e9"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-93574","_score":19.867615,"_source":{"admin":{"added":1592996782000,"created":1312637261000,"flag":"Standard Record","id":"object-93574","indexed":1755194544210,"modified":1714467885000,"processed":1755194515997,"source":"adlib","stream":"fitz-online","uid":"adlib-object-93574","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93574","uuid":"24509907-9b25-3acb-bc01-d57b7d1fcb32","version":8},"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-189080","uid":"adlib-agent-189080","uuid":"c18513c4-e739-3754-baf1-bca45a83f90e"},"summary_title":"Dhainaut, Madame"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-37642","uid":"adlib-term-37642","uuid":"8f36efe3-4fe1-3da2-9944-000db5687ad7"},"summary_title":"porcelain"},{"@link":{"type":"reference"},"admin":{"id":"term-37637","uid":"adlib-term-37637","uuid":"89b09133-dc0a-3a88-bd40-5aef1ad30ecb"},"summary_title":"soft-paste porcelain"}],"collection":[{"@link":{"type":"reference"},"admin":{"id":"term-117089","uid":"adlib-term-117089","uuid":"70d59fbc-64f7-304e-a336-bf6d65a433a8"},"summary_title":"Louis C. G. Clarke"}],"component":[{"materials":[{"note":[{"value":"bleu c\u00e9leste"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-113756","uid":"adlib-term-113756","uuid":"79bc070a-703b-3bad-a71d-db930b9fccf0"},"summary_title":"ground colour"}},{"note":[{"value":"greyish-blue, several shades of green, yellow, pale purple, grey, brown, and black"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107563","uid":"adlib-term-107563","uuid":"38dcd825-1de1-3222-82c6-15a95729b5ff"},"summary_title":"enamels"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-39593","uid":"adlib-term-39593","uuid":"e3e2a3f8-2433-3f63-9bcf-e776644d312d"},"summary_title":"gold"}}],"name":"Decoration","techniques":[{"note":[{"value":"bleu c\u00e9leste"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-120423","uid":"adlib-term-120423","uuid":"49c03045-1936-389b-82bc-13662efdec88"},"summary_title":"ground laying"}},{"note":[{"value":"in greyish-blue, several shades of green, yellow, pale purple, grey, brown, and black enamels"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-28681","uid":"adlib-term-28681","uuid":"c1f659e2-1209-31cf-8ff4-154e11452559"},"summary_title":"gilding"}}]},{"name":"Gilding","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-26923","uid":"adlib-term-26923","uuid":"8637c49a-c93f-3442-86fb-0fa05cb5345b"},"summary_title":"tooling"}}]}],"department":{"value":"Applied Arts"},"description":[{"value":"soft-paste porcelain dish, decorated with a bleu c\u00e9leste ground, a reserve painted in enamels, with a bird and a tree in landscape (Canard de perie), and gilding"},{"value":"Soft-paste porcelain decorated with a bleu c\u00e9leste ground, painting in greyish-blue, several shades of green, yellow, pale purple, grey, brown, and black enamels, and gilding. Circular with deep, curved sides, the rim divided by indentations into eight segments. There is a suspension hole in the footring.The dish has a bleu c\u00e9leste ground with a central, circular reserve framed by an inner band of gilding tooled with scrolling leaves, and an outer garland of large husks. The reserve is painted in polychrome with a duck standing on the right of a tree in a landscape with a pond or river on the right. Its name 'Canard de perie' is inscribed in black enamel on the base. There is a band of gilding round the rim, dentilated on the exterior."}],"exhibitions":[{"@link":{"catalogue":"274 (part of)","type":"reference"},"admin":{"id":"exhibition-2062","uid":"adlib-exhibition-2062","uuid":"57bd263b-1e27-33a8-aa9e-8438eadc978f"},"summary_title":"Exhibition (1937) of Old English Furniture Needlework, Silver, Old Chinese, S\u00e8vres and English Porcelains and Objects of Art"}],"identifier":[{"accession_number":"C.37B-1961","primary":true,"type":"accession number","value":"C.37B-1961"},{"priref":"93574","type":"priref","value":"93574"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93574","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93574"}],"inscription":[{"location":"on the base","method":"painted in blue enamel","transcription":[{"value":"interlaced L's enclosing P"}],"type":"factory mark"},{"description":[{"value":"resembling a dagger"}],"location":"on the base, beneath the factory mark","method":"painted in blue enamel","transcription":[{"value":"X"}],"type":"painter's mark"},{"description":[{"value":"very difficult to see"}],"location":"on base","method":"incised","transcription":[{"value":"V or possibly BV"}],"type":"incised mark"},{"location":"on base above the factory mark","method":"inscribed in black cursive script","transcription":[{"value":"Canard de perie"}],"type":"inscription"},{"description":[{"value":"rectangular white paper label now pale buff"}],"location":"on base below factory mark","method":"printed in black and hand-written in black","transcription":[{"value":"Painter Evans\/1768 handwritten, SEVRES printed"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Research is necessary to establish if this compotier and its companion were part of the Ch\u00e9r\u00e9m\u00e8ff collection exhibited in London by Wertheimer in 1906, as were the pieces with comparable garlands of husks in the Dodge Collection."}]}],"creation":[{"date":[{"earliest":1768,"era":["CE"],"latest":1768,"note":[{"value":"date letter for 1768"}],"value":"1768"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"},{"@link":{"role":[{"value":"painter"}],"type":"reference"},"admin":{"id":"agent-42675","uid":"adlib-agent-42675","uuid":"804a9ad0-e699-3b78-b203-384e376a5d1e"},"summary_title":"Evans, Etienne"},{"@link":{"qualifier":"after","type":"reference"},"admin":{"id":"agent-40851","uid":"adlib-agent-40851","uuid":"8a697505-9fa8-3510-a173-075266f8abda"},"summary_title":"Edwards, George"}],"note":[{"value":"Bird decoration after George Edwards was first used at S\u00e8vres on the service commissioned by the 3rd Duke of Richmond (1735-1806) in November 1765, and made in 1766 (with one exception of 1765). This was probably followed by the Razumosvsky Service of 1767 (except one piece 1766).  At least five other services or groups of pieces are known between 1767-1770 which have comparable decoration and  the names of the birds inscribed on the bases. They can be distinguished by the different designs of their gilding. This compotier and its pair probably belonged to a service with gold husks around the reserves which in the late 19th century belonged to Count A.D. Sheremetev (or Ch\u00e9r\u00e9m\u00e8teff), of St Petersburg. Part of the service, not including the compotiers ronds, was displayed in London by Asher Wertheimer in Bond Streeet, with other S\u00e8vres from the Sheremetev collection in 1906 (see Documentation). David Peters identified the service as one purchased on 5 November 1768 by an unnamed buyer, whom he considered was probably the M. de Cotensky who bought  twenty-four plates and two seaux \u00e0 glace on 9 March 1769, pieces not included in the earlier anonymous order. Peters identified Cotensky as probably Nikolai Konstantinovich Chotinski, Russian charg\u00e9 d\u2019affaires to France from 24 December 1767 to January 1774, and again from 28 August 1780 to 25 April 1782. This would account for the presence of the service in Russia. This hypothesis is supported by the presence of two seaux \u00e0 glace of similar format and with the same gilding design, with the date letter for 1769, in the Dodge Collection, at the Detroit Institue of Arts. The service ordered in November 1768  included 8 compotiers at 45 livres and 8 compotiers at 51 livres."},{"value":"George Edwards, 'A Natural History of Birds', was published in London in four volumes in 1743, 1747, 1750 and 1751. A French edition was published in 1745, 1747, and vols 3 and 4 in 1751.The 'Canard de perse; on C.37B-1961 was after pl. 100, which Edwards describes as 'The little Black and White Duck', and in the French edition, 'Histoire Naturelle de Divers Oiseaux', also 1747, it is called 'Le petit Canard noir et blanc'. Selma Schwarz noted that many of the names of the birds inscribed on the porcelain services do not coincide with the names given by Edwards, as these do not. The painters often added a place of origin drawn from the text, but sometimes inaccurately as a result of misunderstanding.  Etienne Evans, was one of the factory\u2019s leading bird painters, but was not so talented as Louis-Denis Armand, Aloncle, or Chappuis. 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