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Stanford Art Gallery, Stanford University, 4 March \u2013 4 May 1975. 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One stem forms a slightly curving diagonal; to the left are two fronds curled up like snails, to the right is a single straight frond. Each frond carries many small leaves, which are painted without outlines, the paint thickening at the tips.  One edge of the tile is chamfered, and the tile thickens towards the other side. The back and sides are not glazed. There is no mark"}],"identifier":[{"accession_number":"EC.13-1941","primary":true,"type":"accession number","value":"EC.13-1941"},{"priref":"15375","type":"priref","value":"15375"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15375","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/15375"}],"inscription":[{"location":"reverse","method":"circular paper label inscribed in black","transcription":[{"value":"1941\/13"}],"type":"label"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Mr H C Mossop"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-166328","uid":"adlib-agent-166328","uuid":"68af14cb-72da-3914-890f-0732c666a00c"},"summary_title":"Mossop, H. 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But the design may be earlier : similar scrolling foliage is found on a ceramic jar produced by Morris in the early 1860s, which is thought to be designed by De Morgan. The tile is unusually small \u2013 De Morgan usually worked on 6x6 inch blanks (or sometimes 4-12 ins. \u2013 see Gaunt) \u2013 and the pattern appears to have been cut down from a four inch version, now in the V&A collection. However, the Fitzwilliam holds another, similarly coloured, three inch tile, which is marked \u2018Merton Abbey\u2019; possibly these were  test pieces or samples.  A similar four inch tile, also in green, is illustrated in a Morris & Co broadsheet offering \u2018painted tiles for stoves, hearths, walls etc\u2019; the tile price is two shillings. The design continues to appear on later tiles, often quartered with a flower, but in more stylised form. De Morgan made many, many designs for tiles and tile panels \u2013 some 820 are in the V&A collection."},{"value":"William Frend De Morgan (1839-1917), now widely regarded as the most important ceramicist of the Arts & Crafts movement, also worked in stained glass and became a successful novelist. The son of a non-conformist mathematics professor, he became a close friend of William Morris and Edward Burne-Jones and married the Pre-Raphaelite painter Evelyn Pickering (1855-1919), in 1887. As a ceramicist, De Morgan was primarily a designer\/decorator and chemist, working on bought-in blanks or pots thrown to his design. He experimented widely with techniques and glazes, re-discovering methods for making and applying lustres and the colours of  Iznik and Persian pottery and using them for a range of complex fantasy designs featuring ships, birds, flora and animals."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-113701","uid":"adlib-term-113701","uuid":"8db296e9-79cd-3284-980f-bb4b0ed570c1"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"note":[{"value":"(probably)"}],"summary_title":"Merton 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Pair of jars, c.1861-65, one of which has a similar scrolling leaf design, thought to be designed by De Morgan, and sold by Morris & Co.","page":"33","type":"reference"},"admin":{"id":"publication-7538","uid":"adlib-publication-7538","uuid":"f410dd65-bde3-3842-8763-9af736da3b88"},"summary_title":"Morris & Company: Stained glass windows, painted tiles & ceramics, printed papers & chintzes, woven fabrics and tapestries, carpets and embroideries, from the collection of Sanford & Helen Berger, exh cat. Stanford Art Gallery, Stanford University, 4 March \u2013 4 May 1975. 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