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At top left is a flying duck; at bottom right the same design, reversed. At top right and bottom left is a heron with raised wings. In the centre is another bird (perhaps a magpie), front facing, with splayed legs and raised tail. Alternating with these are green glass quarries, each with a daisy-like plant with three flowers and four crescent-shaped buds. The panel is mounted in a wooden frame on a flat wooden stand, with a white Perspex sheet behind the glass."}],"exhibitions":[{"@link":{"catalogue":"49","type":"reference"},"admin":{"id":"exhibition-1403","uid":"adlib-exhibition-1403","uuid":"4736a286-59bd-3e89-8cbf-cf9ffddf8d93"},"summary_title":"Morris and Company"},{"@link":{"catalogue":"19","type":"reference"},"admin":{"id":"exhibition-1207","uid":"adlib-exhibition-1207","uuid":"fc88069a-7bd3-3bf5-9d37-a633e8e3ac6e"},"summary_title":"Morris & Company in Cambridge"}],"identifier":[{"accession_number":"C.3-1980","primary":true,"type":"accession number","value":"C.3-1980"},{"priref":"28089","type":"priref","value":"28089"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28089","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/28089"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum, bought from the Fine Art Society"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1980,"latest":1980,"value":"1980-02-04"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1980-02-04"}]}],"creation":[{"date":[{"earliest":1860,"from":{"earliest":1860,"era":["CE"],"latest":1860,"precision":"circa","value":"1860"},"latest":1865,"range":true,"to":{"earliest":1865,"era":["CE"],"latest":1865,"value":"1865"}}],"maker":[{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-143430","uid":"adlib-agent-143430","uuid":"067e3bc2-3bb1-383c-8d2b-3660e9baeeae"},"summary_title":"Webb, Philip"},{"@link":{"role":[{"value":"maker"}],"type":"reference"},"admin":{"id":"agent-95668","uid":"adlib-agent-95668","uuid":"e7bee1ba-e700-3ce3-8eeb-f1a12cca441e"},"summary_title":"Morris and Company"}],"note":[{"value":"The National Trust has reproduced five bird designs, including these, on individual quarries, for sale to the public at Red House."},{"value":"These quarries originally formed part of a window, and are thought to come from the nursery at William Morris\u2019s home, Red House, Bexleyheath. Glass of similar design remains there in the windows of the gallery leading to the back porch. The architect Philip Webb (1831-1915) designed Red House with Morris, as well as three other houses, including Standen, East Grinstead, for which Morris & Company supplied the interiors. Webb was a partner in Morris & Co., and also designed designed  furniture, embroideries, metalwork, jewellery and glass for the business. Webb contributed to window designs up to around 1875. His designs are notable for their crispness. His pattern wok and borders have been credited with \u2018a distinction unmatched elsewhere in 19th Century stained glass\u2019 (see Sewter)."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106853","uid":"adlib-term-106853","uuid":"25492eb4-1164-35eb-8dce-3601486f3415"},"summary_title":"19th Century"},{"@link":{"type":"reference"},"admin":{"id":"term-15214","uid":"adlib-term-15214","uuid":"744af2c4-a2f2-37ad-bbf4-2cd00e91ed9b"},"summary_title":"Victorian"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-133197","uid":"adlib-term-133197","uuid":"9c1c4791-dc90-3e69-a6f3-2c68cff2d78b"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Red Lion Square"}]}]},"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"55"},{"dimension":"Height","units":"in","value":"21.675"},{"dimension":"Width","units":"cm","value":"59"},{"dimension":"Width","units":"in","value":"23.25"}]},"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-109983","uid":"adlib-term-109983","uuid":"e1f98f1e-73a2-3c73-9a65-42ff7cbf1bb8"},"summary_title":"panel (stained glass)"}},{"value":"stained glass panel"}],"note":[{"type":"history note","value":"Bought from Morris & Company by previous owner, 1940. 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No.49: lists hand painted glass by Philip Webb: \u2018windows, made up of forty-four individual panes leaded together, alternating designs of birds and flowers [\u2026] reputed to come from \u2018Red House\u2019, Bexley, where glass of similar design still remains.\u2019 The Fitzwilliam panel may be a section of this.","page":"p. 33","type":"reference"},"admin":{"id":"publication-1514","uid":"adlib-publication-1514","uuid":"911f2bf7-f992-34e4-9f1c-71a295193c1b"},"summary_title":"Morris and Company"},{"@link":{"notes":"Cf. a very similar panel of six quarries, using the same three birds and the daisy-plant design, labeled \u2018reputed to come from Red House\u2019 [probably also in the exhibition above]; also brief information about Webb\u2019s life and career.","page":"28","type":"reference"},"admin":{"id":"publication-3487","uid":"adlib-publication-3487","uuid":"00ddb198-deb4-33d0-a55f-07a5a4d92b25"},"summary_title":"Architect-Designers, Pugin to Mackintosh"},{"@link":{"notes":"Cf. Figs 308, four six inch tin-glazed tiles, decorated in over-glaze blue, including the duck and heron designs, 1860s- early 1870s; two quarries painted in black and yellow, including the magpie,1861-65; all designs attributed to Philip Webb. Fig.46, stained glass quarries at Sandroyd, originally the home of the artist John Roddam Spencer Stanhope (1829-1908), including the flying duck and several similar floral tiles (though not with daisies). Plate 2d: colour ill. Of flying duck tile (and two others).","page":"10,26","type":"reference"},"admin":{"id":"publication-7539","uid":"adlib-publication-7539","uuid":"e10bc805-e77d-3ce5-8512-db3843148df0"},"summary_title":"William Morris Tiles : The tile designs of Morris and his fellow-workers"},{"@link":{"notes":"Cf. (not ill.) two small rectangular panels in windows on the stairs at Red House, each containing a figure set among rectangular quarries with birds and formalised flowering plants. 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Two large squares tiles surrounded by a border of 40 small square tiles, mounted on glass. The border tiles are glazed in blueish-green, of varying depth. The central tiles are painted in shades of cobalt blue on a white ground, the design covering both tiles and surrounded by a thin blue framing line and reserved white border. A young minstrel in medieval dress stands, barefoot, playing a harp. Behind are two tall, stylised, bushes bearing circular fruits. 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They were produced in both tiles and stained glass, sometimes with the addition of wings, as angels. An early example is still in situ at Findon Church, Sussex, where this design appears with five other two panel minstrels above a number of floral tiles, 1867-8, three angels to each side of the altar (see Myers). A number of similar minstrel two-tile panels, decorated in blue, formed part of Morris & Co\u2019s decoration of Novello & Co\u2019s music shop, c.1870; and a window containing the Fitzwilliam minstrel design, set among square quarries of alternating stylised flowers,1872-74, is in the V&A collection (V&A C.679-1923). As noted by Myers, the colour of the Fitzwilliam tiles is a particularly rich blue, and the painting of the face not quite the same as the earlier versions, so this panel may be later, perhaps c.1900. 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Suggests the attribution of these tiles to Kate Faulkner may have originated with Sidney Cockerell (who acted as private secretary to William Morris, before becoming Director of the Fitzwilliam Museum from 1908-1937), and a likeness to Jane Morris.","page":"pp. 76-7, 89","type":"reference"},"admin":{"id":"publication-1518","uid":"adlib-publication-1518","uuid":"315af46e-ff84-3d40-9b3d-c672c35c37ff"},"summary_title":"Morris & Company in Cambridge"},{"@link":{"notes":"Publ. 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Plates 24a and 24b, Penelope and Sancta Cecelia, alongside a roundel of Chaucer by William Morris, produced on a square tile, also 1860s, and  a square Sancta Cecelia of later date.","page":"56","type":"reference"},"admin":{"id":"publication-7539","uid":"adlib-publication-7539","uuid":"e10bc805-e77d-3ce5-8512-db3843148df0"},"summary_title":"William Morris Tiles : The tile designs of Morris and his fellow-workers"},{"@link":{"type":"reference"},"admin":{"id":"publication-1521","uid":"adlib-publication-1521","uuid":"8e99d3fd-364c-352e-af80-7fc501dbbe74"},"summary_title":"Drawings and Designs by Sir Edward Burne-Jones"},{"@link":{"type":"reference"},"admin":{"id":"publication-1522","uid":"adlib-publication-1522","uuid":"414c7807-0723-3957-813a-374a6fedd2b8"},"summary_title":"The Stained Glass of William Morris and his Circle"},{"@link":{"type":"reference"},"admin":{"id":"publication-7463","uid":"adlib-publication-7463","uuid":"c6dae21a-28d3-3eb3-9733-266a7f193f49"},"summary_title":"Arts & Crafts Movement: Artists, Craftsmen & Designers 1890-1930, exh cat."},{"@link":{"notes":"Publ. pp. 254-5, no. 61","page":"254-5","type":"reference"},"admin":{"id":"publication-8735","uid":"adlib-publication-8735","uuid":"ea144f49-c16b-37d3-9f86-6b6c22ccb911"},"summary_title":"William Morris y compa\u00f1\u00eda: el movimiento Arts & Crafts en Gran Breta\u00f1a"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-12611","uid":"adlib-term-12611","uuid":"834b65f7-cfad-3dec-bca8-253a9e8b4281"},"summary_title":"Arts and Crafts (movement)"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-23596","uid":"adlib-term-23596","uuid":"f5fe6ab7-fea6-31d5-8f77-1ad5f40613cc"},"summary_title":"music"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-30982","uid":"adlib-term-30982","uuid":"952a2227-ce0e-31a3-a0d9-40085991be5b"},"summary_title":"tile"}},"summary_title":"tile","title":[{"value":"Sancta Cecilia"}],"type":{"base":"object","type":"OBJECT"}}}],"first_page_url":"?page=1","from":1,"last_page":1,"last_page_url":"?page=1","links":[{"url":null,"label":"« Previous","active":false},{"url":"?page=1","label":"1","active":true},{"url":null,"label":"Next »","active":false}],"next_page_url":null,"path":"","per_page":24,"prev_page_url":null,"to":4,"total":4}]