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The sides of the jug spread out towards a high shoulder and a cylindrical neck, which flares towards the rim and spout. The sides are decorated with six oval strapwork panels, each containing, in turn, the leaves and fruit of vines, hops and barley or corn. Below each panel is an oval shield flanked by foliate scrolls. A strapwork border runs around the neck. The handle is angular, with scrollwork decoration. The outside is smear glazed; the interior is fully glazed and shiny. The underside is recessed and smear-glazed."}],"identifier":[{"accession_number":"C.46-1981","primary":true,"type":"accession number","value":"C.46-1981"},{"priref":"75185","type":"priref","value":"75185"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75185","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75185"}],"inscription":[{"description":[{"value":"Diamond shape with 'Rd' in the centre, 'w' in the left corner, 'u' in the top corner, '7' in the right corner, and 'I' in the bottom corner. Above the diamond a small circle with 'IV'."}],"location":"underside of base","method":"moulded with the body","type":"mark"},{"location":"underside of base","method":"impressed","transcription":[{"value":"21"}],"type":"mark"},{"description":[{"value":"two small parallel lines"}],"location":"underside of base","method":"incised","transcription":[{"value":"'ll'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by Countess Shelagh S. 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However, a reviewer in the March-August 1849 Journal of Design and Manufactures was less complimentary about this jug\u2019s design, writing: 'The principal defects of form are, that the curve of the lower portion is rather high shouldered, and that the handle is surprisingly ugly. The whole surface is a little too uniformly covered with enrichment, and in some places the lines are rather too crowded and huddled together. The ornament, consisting of hop, vine, and barley, is, however, prettily modelled\u2019. He also felt the architectural regularity of the panels was at odds with  \u2018the artistic mode of production\u2019 on the potter\u2019s wheel."},{"value":"Relief moulded jugs were popular in mid 19th Century homes. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection. Here, the jug\u2019s vine and hop design indicates its function as a jug for a jug for beer or wine. The same jug was made in buff and white stoneware."},{"value":"The Ridgway family produced stoneware and porcelain in Staffordshire from the 1790s until the 20th Century. Trained by their father, Job, the brothers William and John already had a reputation for drab (coloured) stoneware  decorated with applied relief sprigs when William Ridgway established Church Works, Hanley, in 1831. He was also a noted philanthropist, building alms houses and a school for local children \u2013 many of whom he employed in his potteries. With his partner James Leonard Abington and (later) his son Edward, by 1843 he operated six pot-works in Hanley and Shelton. The business  became known for its relief-moulded jugs, for which it is likely that Abington was the modeller, and was re-named Ridgway & Abington in 1845. One of the first to offer such jugs, in the early 1830s, they produced some 26 designs over the next 30 years. Other potters followed, notably Minton and Charles Meigh, and relief moulded jugs (some with ceramic or metal lids) in a wide variety of design became a popular household mainstay for water, beer milk and other liquids which might now be kept in bottles, cans or plastic jars."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-106851","uid":"adlib-term-106851","uuid":"e155f998-1e0b-3f2a-851c-24f44d05dd59"},"summary_title":"19th Century, 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The handle is moulded in the form of a lion, his head looking down inside the jug. Below the spout is a bust of George IV in profile to left imposed on a sunburst. On each side is a flying Victory holding out a wreath towards him. On each side of the neck are a rose, a thistle and a shamrock, with a two stylised rosettes around the spout. The interior is fully glazed and glossy. The underside is recessed and smear-glazed."}],"identifier":[{"accession_number":"C.41-1981","primary":true,"type":"accession number","value":"C.41-1981"},{"priref":"74967","type":"priref","value":"74967"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74967","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74967"}],"inscription":[{"location":"on base","method":"impressed","transcription":[{"value":"'I ' and '6'"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Gift, anonymous, 1981"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149647","uid":"adlib-agent-149647","uuid":"76d7c1b2-644d-3b88-a046-07e300343046"},"summary_title":"Anonymous"}],"date":[{"earliest":1981,"latest":1981,"value":"1981"}],"method":{"value":"given"},"note":[{"value":"Entry date: 1981-06-08"}]}],"creation":[{"date":[{"earliest":1820,"from":{"earliest":1820,"era":["CE"],"latest":1820,"precision":"circa","value":"1820"},"latest":1830,"range":true,"to":{"earliest":1830,"era":["CE"],"latest":1830,"value":"1830"}}],"maker":[{"@link":{"qualifier":"possibly","role":[{"value":"pottery"}],"type":"reference"},"admin":{"id":"agent-160972","uid":"adlib-agent-160972","uuid":"67c96763-9ed4-39b2-a7f5-374096d48f48"},"summary_title":"Phillips & Bagster"},{"@link":{"qualifier":"perhaps","role":[{"value":"modeller"}],"type":"reference"},"admin":{"id":"agent-190602","uid":"adlib-agent-190602","uuid":"4f60526f-486b-3bab-89ad-b25d52d53a3f"},"summary_title":"Abington, James Leonard"}],"note":[{"value":"Relief moulded jugs (some with ceramic or metal lids), in a wide variety of design, were popular in mid-19th Century homes, where they were used for water, beer, milk and other liquids which might now be kept in bottles, cans or plastic jars. The smear-glazing makes the most of the way that colour-stained clays show off crisply-moulded ornament, whilst the stoneware would be durable in an everyday setting. There are several examples in the Fitzwilliam Collection."},{"value":"This is an early design and the animal handle is unusual. It was was produced in at least three different sizes, though few examples have survived and none of these is dated. The George IV portrait is similar to medals made to celebrate his accession in 1820, so the jug may have been made at that time or perhaps to commemorate his death in 1830. A jug with handle formed as a hound and hunting scenes, made by Phillips & Bagster of Hanley, has been dated by Henrywood to 1818-23, the earliest that such relief moulded jugs are known to have been made. Versions of that jug were subsequently made by John Denton Bagster, 1823-28, and by William Ridgway, though not until 1831 or after. 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