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The leaf terminals of the handle are gilded, and there are two broad patches of gilding on the handle itself."}],"identifier":[{"accession_number":"C.34 & A-1961","primary":true,"type":"accession number","value":"C.34 & A-1961"},{"priref":"93570","type":"priref","value":"93570"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93570","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93570"}],"inscription":[{"location":"on base of cup and saucer","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls enclosing D"}],"type":"factory mark"},{"description":[{"value":"a fleur-de-lis"}],"location":"on base of cup and saucer, below factory mark","method":"painted in blue enamel","type":"painter's mark"},{"description":[{"value":"a square"}],"location":"on base of cup","method":"incised","type":"incised mark"},{"location":"on base of saucer to right of suspension hole","method":"incised","transcription":[{"value":"6c"}],"type":"incised mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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It was made in three sizes with a plain or cinquefoil-shaped saucer. This is the second size. The form had been introduced by October 1752, when \u20187 Gobelets h\u00e9bert\u2019 and \u20184 Soucoupes Id[em]\u2019were included in a list of biscuit objects awaiting glazing at the beginning of the biscuit firing register. (Bibl. Institute de France, MS 5673 )  The third size followed in 1754. For the association of this type of cup with the name 'gobelet H\u00e9bert' see Eriksen, 1968 (see documentation).\n\nThis form and pattern are more common with a bleu c\u00e9leste than a green ground, which was not introduced until 1756, probably not until the autumn. The sales register for 1756 (Vy1 and Vy2) mentions numerous 'gobelet H\u00e9bert' described as' bleu c\u00e9leste et guirlandes', which may have described this pattern. 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The author notes that this design looks particularly well when the cup is turned upside down on the saucer, and that cups are depicted in this manner in several paintings, including Boucher's Le d\u00e9jeuner (Louvre).","page":"82-3","type":"reference"},"admin":{"id":"publication-5924","uid":"adlib-publication-5924","uuid":"a04146c2-58f7-3893-a341-612f88ee0acc"},"summary_title":"The French Royal Porcelain S\u00e8vres, The Marton Museum Collection Samobor\/Francuski kraljevski porculan, Kolkcija Muzeja Marton Samobor"},{"@link":{"notes":"Cf. p. 32, lot 223, a comparable cup and saucer with green ground of 1756-7, with a sugar basin and cover with diagonal green ribbons alternating with floral sprays also 1757-8. From the Lafontaine Collection sold Christie's, London, 15th October 1990, lot 25. 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The cup stands on a low foot. The white ground is painted with three sprays of polychrome flowers and leaves, with above and below, a blue band crossed at intervals by two short diagonal gold lines. There is a band of gilding round the foot and a dentilated band of gilding round the rim."}],"identifier":[{"accession_number":"C.66-1961","primary":true,"type":"accession number","value":"C.66-1961"},{"priref":"75771","type":"priref","value":"75771"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75771","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75771"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"L.C.G. 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A comet was observed by Charles Messier  (1730-1818) in Paris in 1758, and he observed Halley's comet in January 1759, although his observation was not made public until April. He discovered two further comets in 1759 and 1760, the latter known as The Great Comet of 1760, and observed further comets in 1763, 1764 and 1769, and two in 1770, the second also known as The Great Comet. However, the mark could be interpreted as a shooting star rather than a comet and is known from 1753 a little before the period of intense interest in comets."}],"range":true,"to":{"earliest":1769,"era":["CE"],"latest":1769,"value":"1769"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"Egg cups were made at Vincennes from 1753. 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For eggcups bought with services, see Vol. II, p.299, no. 58.1  included 3 at 24 livres each and p. 303, Service 58.2. fincluded 2 at 18 livres each.","page":"Vol. II, p. 299 and 303","type":"reference"},"admin":{"id":"publication-5542","uid":"adlib-publication-5542","uuid":"2a50a06d-9569-3541-8bd6-d98d1f9c6081"},"summary_title":"S\u00e8vres Plates and Services of the 18th Century"},{"@link":{"type":"reference"},"admin":{"id":"publication-7686","uid":"adlib-publication-7686","uuid":"450b2e5b-5b07-3cfe-9447-d3d96255d506"},"summary_title":"Vincennes and early S\u00e8vres Porcelain from the Belvedere Collection"},{"@link":{"notes":"Cf. p. 53, no. 20 one of four sauceboats, bearing the date letter E for 1757 and a painter's mark like a comet. The sauceboats are sparcely decorated with floral sprays comparable in style to those on this eggcup. 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The vase is in the shape of a slender beehive made of wickerwork, pierced at the base. The cover is moulded to resemble thatch and has a ring handle in the shape of a doubled over sheaf of corn, tied at the junction with the cover, so that ears of corn radiate from it. Two of each group of three vertical osiers on the vase, the corn stalks and the edges of the thatch on the cover are gilded. The vase stands on a separate square base, decorated with gold scrolls round the outer edges. One of a pair with C.3.2 & A-1955"}],"identifier":[{"accession_number":"C.3.1 & A-1955","primary":true,"type":"accession number","value":"C.3.1 & A-1955"},{"priref":"93539","type":"priref","value":"93539"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93539","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93539"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1955,"latest":1955,"value":"1955-05-26"}],"method":{"value":"given"},"note":[{"value":"See object's file for letter from Miss Rosalind Savill, Wallace Collection, dated 24th June, 1991, in which she gives a possible provenance for the vases"}]}],"creation":[{"date":[{"earliest":1768,"from":{"earliest":1768,"era":["CE"],"latest":1768,"precision":"circa","value":"1768"},"latest":1769,"note":[{"value":"Possibly earlier; the bases were added at an unknown later date"}],"range":true,"to":{"earliest":1769,"era":["CE"],"latest":1769,"value":"1769"}}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-161360","uid":"adlib-agent-161360","uuid":"7b3ff8f7-d7ff-380d-8d45-22cbd06ada8e"},"summary_title":"S\u00e8vres Porcelain Manufactory"}],"note":[{"value":"This rare model was the first of two beehive-shaped ornamental  vases produced by S\u00e8vres. The plaster model (without a base) was no. 25 in the 1814 inventory of work 1740-80, and was illustrated by Albert Troude  as  \u2018vase ruche, no. 1\u2019. On accession this vase and its pair (C.3.2 & A-1955)  were attributed to Vincennes, but this is not supported by the only documentary records so far found for them by Tamara Pr\u00e9aud, the archivist at S\u00e8vres, which were in 1769 and 1775. The inventory of stock taken on 1 January 1769 listed two vases and their bases in the biscuit ready for glazing, valued at 48 livres each. Four 'vase ruche' were recorded as having fired successfully in the 'Etat de d\u00e9fournement de Couverte du 1er Avril 1769', under moulded pieces (Bibl. d\u2019Institut de France MS 5675, p. 44).This suggests that two were made between 1 January and 1 April. In December 1769 a pair were  recorded in the sale's records as bought by the duc de Praslin for 240 livres each. (Vy 4 fol. 193), which might have been the Fitzwilliam's pair.  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The vase is in the shape of a slender beehive made of wickerwork, pierced at the base The cover is moulded to resemble thatch and has a ring handle composed of a doubled over sheaf of corn, tied at the junction with the cover, so that ears of corn radiate from it. Two of each group of three vertical osiers on the vase, the corn stalks and the edges of the thatch on the cover are gilded. The vase stands on a separate square base, decorated with gold scrolls round the outer edges, to which it is attached by bolts. One of a pair with C.3.1 & A-1955"}],"identifier":[{"accession_number":"C.3.2 & A-1955","primary":true,"type":"accession number","value":"C.3.2 & A-1955"},{"priref":"93540","type":"priref","value":"93540"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93540","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/93540"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Given by the Friends of the Fitzwilliam Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149645","uid":"adlib-agent-149645","uuid":"10925b71-6838-30f7-a8dd-b68a2afaa14d"},"summary_title":"The Friends of the Fitzwilliam Museum"}],"date":[{"earliest":1955,"latest":1955,"value":"1955-05-26"}],"method":{"value":"given"},"note":[{"value":"See object's file for letter from Miss Rosalind Savill, Wallace Collection, dated 24th June, 1991, in which she gives a possible provenance for the vases."}]}],"creation":[{"date":[{"earliest":1768,"from":{"earliest":1768,"era":["CE"],"latest":1768,"precision":"circa","value":"1768"},"latest":1769,"note":[{"value":"Possibly earlier. 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On the saucer: (a) in the centre, a large fish amid reeds, (b) on the sides, a trophy comprising a basket, a girl's hat, houlette tied with ribbon, and a bag; a trophy comprising a boy's hat, lyre, trumpet, and wind instrument; and a fanciful building, each supported by an arrangemens of scolls, floral sprays and foliage. 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. A non-identical pair with C.9-1961"}],"identifier":[{"accession_number":"C.8-1961","primary":true,"type":"accession number","value":"C.8-1961"},{"priref":"82587","type":"priref","value":"82587"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82587"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"interlaced Ls with a spot in the centre"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. Clarke Bequest, 1960"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-149875","uid":"adlib-agent-149875","uuid":"89f52d0e-b912-3dc9-8b2c-61d6aa011b16"},"summary_title":"Clarke, Louis Colville Gray"}],"date":[{"earliest":1961,"latest":1961,"value":"1961-04-27"}],"method":{"value":"bequeathed"},"note":[{"value":"Entry date: 1961"}]}],"creation":[{"date":[{"earliest":1751,"from":{"earliest":1751,"era":["CE"],"latest":1751,"precision":"circa","value":"1751"},"latest":1753,"range":true,"to":{"earliest":1753,"era":["CE"],"latest":1753,"value":"1753"}}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-140732","uid":"adlib-agent-140732","uuid":"1cccf6bc-5e51-3e11-a849-d05785821974"},"summary_title":"Vincennes Porcelain Manufactory"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-161376","uid":"adlib-agent-161376","uuid":"8a52f5ad-6cc1-379e-a293-b3015f8543de"},"summary_title":"Duplessis, Jean-Claude Chambellan, p\u00e8re"}],"note":[{"value":"This flower vase,  and its companion C.9-1961,can almost certainly be identified as the form described at Vincennes as 'vase Duplessis' which was named after the designer, Jeanne-Claude Duplessis (d. 1774 ). The 'vase Duplessis' was made in four sizes, and in three main shapes, differing in details.  One, represented by the Fitzwilliam\u2019s pair, has a lobed foot and rim, and stands on either a low rocky base or a shell base. The body, rim, and handles but not the foot conform to an unsigned  drawing at the factory (R.1, liasse 3, dossier 6, fol. 2; fol. 1 shows outline minus handles).  It does not conform exactly to any of the three plaster models which survive, although its basic outline is similar to 'vase \u00e0 fleurs Duplessis uni' (see Documentation, Troude), The other versions were known as 'vase Duplessi enfants' and 'vase a fleurs Duplessis orn\u00e9' For illustrations of all three forms, see  Documentation, Roth and Corbeiller. \n\nExamples of the  'vase Duplessis' were fired in 1748  and in 1751 the posthumous inventory of the director, Jean-Henry-Louis Orry de Fulvy (1703-51) begun on 26 May 1751 mentions seven vases whose descriptions appear to corre\u00acspond to it, and which were described twice, once as part of his own estate and again on 15 September when it had been found that they belonged to the factory. Four sizes were mentioned among glazed and fire pieces in the inventory of 1 October 1752, of which the first size was the largest, and in the sale room there were nine decorated with a lapis ground and flowers but defective and only valued at 60 livres each. (MNS I 7 Inventaire g\u00e9neraux\/de la Manufacture 1752, p. 23-4 and p. 39).The first mention of the sale of a vase Duplessis in the marchand-mercier, Lazare Duvaux\u2019s 'Livre Journal' was on 16 January, 1752 to a M. Leonor La Resnaye, for 84 livres. The factory's sale ledger's record sales of vases Duplessis with a lapis (bleu lapis) ground and floral decoration on 25 January 1753  (Vy 1, p. 7 verso). three of the first size on 9 April 1753 (Vy 1, p. 11 recto), two of the first size on 19 July 1753, and three of the first size on 14 October 1754. \n\nIn addition to this one, seven vases Duplessis with bleu lapis grounds and scalloped rims are known, each decorated slightly differently with regard to the areas of ground colour and the shape of the handles and base: one in the Fitzwilliam Museum (C.9-1961) one in the Louvre (OA 7610) two in the Mineappolis Museum of Art (82.2.1 and 82.2.2), one in the Hermitage (3\u042423291), one in the Belvedere Collection (Catalogue no. 86), one with Adrian Sassoon, London, in Summer 2008 (inv. no. 979). 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The base has an eight-lobed edge decorated with eight moulded cockle shells alternately face up and face down. The foot of the vase has an eight-lobed edge and rises into an incurved stem which expands into the shallow bulb-shaped lower part of the vase. The sides of the vase are trumpet-shaped, and it has eight scallops round the rim.  On each side, is a handle rising from the foot into an elaborate scroll, joined to the widest part of the bulb and rising above to form a hollow foliated projection. The decoration is of alternating areas of bleu lapis lightly marbled with gilding and white panels painted on each side of the upper part with a spray of flowers which ignores the blue divisions. On the stem the white panels are decorated underglaze in blue with  four trefoil-shaped leaves with three dots above.The edges of the bleu lapis areas, the edges of the handles, the upper part of the base and the edges of the shells are gilded. The interior of the vase is undecorated"}],"identifier":[{"accession_number":"C.9-1961","primary":true,"type":"accession number","value":"C.9-1961"},{"priref":"82613","type":"priref","value":"82613"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82613","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/82613"}],"inscription":[{"location":"on base","method":"painted in blue enamel","transcription":[{"value":"crossed Ls with a dot between"}],"type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Louis C.G. 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