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G6, a very similar Minton vase by Stevens, though with slightly different design on the foot, in the V&A collection (185-1864). Notes an identical example at the Conservatoire Nationale des Arts et M\u00e9tiers, Paris. See p.17-18 for factory and date marks.","page":"49","type":"reference"},"admin":{"id":"publication-2727","uid":"adlib-publication-2727","uuid":"02232f50-fd3b-3b8a-9687-1a8ff3f7c0d1"},"summary_title":"Minton 1798-1910"},{"@link":{"notes":"Cf. illustration of the frieze used here and other vases of this shape designed by Stevens. 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Centre decorated with a raised design incorporating eight ears of wheat radiating from a geometric leaf and flower motif , surrounded by a strip of stylised leaves. Rim decorated with the motto \u2018WASTE NOT WANT NOT\u2019, in Gothic lettering, the words separated by floral motifs. The letters are glazed deep blue,  other parts are clear glazed. The underside is recessed, forming a pronounced foot-rim, and glazed. A suspension hole has been drilled through one of the floral motifs on the rim."}],"identifier":[{"accession_number":"C.52-1972","primary":true,"type":"accession number","value":"C.52-1972"},{"priref":"75411","type":"priref","value":"75411"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75411","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/75411"}],"inscription":[{"location":"underside","method":"impressed","transcription":[{"value":"MINTONS \/ BB"}],"type":"factory mark"},{"description":[{"value":"(script-type letter)"}],"location":"underside","method":"impressed","transcription":[{"value":"E"}],"type":"mark"},{"description":[{"value":"(Roman type)"}],"location":"underside","method":"impressed","transcription":[{"value":"E"}],"type":"mark"},{"location":"underside","method":"impressed","transcription":[{"value":"430"}],"type":"mark"},{"description":[{"value":"tiny oval stamp containing cross"}],"location":"underside","method":"impressed","type":"mark"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bought using the Perceval Fund and a Grant-in-Aid from the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160895","uid":"adlib-agent-160895","uuid":"a1eb7880-da59-3f1e-96f8-35488a6c8c56"},"summary_title":"Stainton, Thomas"}],"date":[{"earliest":1972,"latest":1972,"value":"1972"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1972-10-19"}]}],"creation":[{"date":[{"earliest":1875,"era":["CE"],"latest":1875,"note":[{"value":"dated"}],"value":"1875"}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-153865","uid":"adlib-agent-153865","uuid":"853be336-7cfb-32d1-aa54-fb4dff401cf0"},"summary_title":"Minton & Co."},{"@link":{"qualifier":"(from 1873)","type":"reference"},"admin":{"id":"agent-192318","uid":"adlib-agent-192318","uuid":"44c204bb-e5d3-3e5f-a7cd-7f9bae4b2916"},"summary_title":"Mintons Ltd"},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-111263","uid":"adlib-agent-111263","uuid":"e4a27eac-d26a-3f1a-b0f7-b241d1cd4ffd"},"summary_title":"Pugin, Augustus Welby Northmore"}],"note":[{"value":"Augustus Welby Northmore Pugin (1812-1852) was a leading proponent of the Gothic style and believed it could be successfully applied to all designs, from domestic tableware to church interiors. A three-coloured, inlaid version of this plate was shown at the Birmingham Exhibition of 1849 and an engraving was printed in the Journal of Design the following year. The design, listed in the Minton ornamental shape books as \u2018430 Tray, bread, Pugin\u2019s \u2018WASTE NOT WANT NOT\u2019, encaustic (M)\u2019, was available for many years, produced with either inlaid (encaustic) design or in relief-decorated Majolica (the final \u2018M\u2019 in the shape book indicates Majolica).  On this Majolica example, the factory mark indicates a date after 1873, which is confirmed by the impressed year mark for 1875."},{"value":"Minton, founded in 1793,  originally produced blue printed earthenware and, later, creamware, bone china and other products, particularly tableware. Taking over in 1836, Herbert Minton revolutionised production methods and introduced new lines in encaustic and printed tiles, figures and ornamental wares. Minton encaustic tiles, designed by Pugin c.1850, featured extensively in Pugin\u2019s designs for the interior of the new Palace of Westminster and wares \u2018coloured in the Majolica style\u2019 were introduced, to great acclaim, at the Great Exhibition of 1851. In 1858 the business passed to Herbert\u2019s nephew, Colin Minton Campbell (1827-85), who continued the expansion. The early business traded under various names, from 1845 it was known as Minton & Co. and from 1873 as Mintons Ltd."},{"value":"The ears of wheat in the design symbolise bread, indicating the function of the plate. The motto \u2018waste not want not\u2019, first recorded in 1772, would have had special meaning when Pugin designed the plate, at the end of a decade when many people went hungry. An earlier version, \u2018willful waste makes woeful want\u2019 was in use from c.1576."}],"periods":[{"@link":{"type":"reference"},"admin":{"id":"term-108070","uid":"adlib-term-108070","uuid":"7e278258-23e3-3d5b-a4ff-ab5ecacb4bf3"},"summary_title":"19th Century, Late"}],"places":[{"@link":{"type":"reference"},"admin":{"id":"term-116524","uid":"adlib-term-116524","uuid":"2532ce61-8150-3256-b951-d5175a8faa11"},"hierarchies":[[{"@link":{"type":"literal"},"name":[{"value":"England"}],"summary_title":"England","type":"country"}]],"summary_title":"Stoke"}]}]},"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"}}],"measurements":{"dimensions":[{"dimension":"Diameter","units":"cm","value":"34.3"},{"dimension":"Height","units":"cm","value":"2.5"}]},"multimedia":[{"@link":{"type":"reference"},"admin":{"id":"media-45140","uid":"adlib-media-45140","uuid":"9c685891-c23b-37cb-a712-446d65745bb1"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_52_1972_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583342266,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_52_1972_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583342266,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_52_1972_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583342266,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_52_1972_281_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583342266,"resizable":true,"type":"image"}},"sort":"0","type":{"base":"media","type":"image"}},{"@link":{"type":"reference"},"admin":{"id":"media-45141","uid":"adlib-media-45141","uuid":"99b18b3a-ea64-39cb-b01a-3c0c6bd2f3ae"},"processed":{"large":{"format":"jpeg","location":"aa\/aa3\/C_52_1972_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583393317,"resizable":true,"type":"image"},"mid":{"format":"jpeg","location":"aa\/aa3\/mid_C_52_1972_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":649},{"dimension":"width","units":"pixels","value":500}]},"modified":1742583393317,"resizable":true,"type":"image"},"original":{"format":"jpeg","location":"aa\/aa3\/C_52_1972_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":740},{"dimension":"width","units":"pixels","value":570}]},"modified":1742583393317,"resizable":true,"type":"image"},"preview":{"format":"jpeg","location":"aa\/aa3\/preview_C_52_1972_282_29.jpg","location_is_relative":true,"measurements":{"dimensions":[{"dimension":"height","units":"pixels","value":325},{"dimension":"width","units":"pixels","value":250}]},"modified":1742583393317,"resizable":true,"type":"image"}},"sort":"1","type":{"base":"media","type":"image"}}],"name":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-117138","uid":"adlib-term-117138","uuid":"e2a9f298-5d84-3e66-84d5-5fd4649077be"},"summary_title":"bread plate"}}],"note":[{"type":"history note","value":"From the Charles & Lavinia Handley-Read Collection. Purchased from the executor, Thomas Stainton, 1972."}],"objects":[{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75074","uid":"adlib-object-75074","uuid":"0ab6e574-5d63-3b95-9483-a1466ae80dac"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"}},"summary_title":"ewer"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-75036","uid":"adlib-object-75036","uuid":"4a8ee79b-3553-37ee-b325-693f7128447a"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-89480","uid":"adlib-term-89480","uuid":"f1ea518e-351c-3f42-b2a7-db0f8559fa2c"},"summary_title":"vase"}},"summary_title":"vase"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-74966","uid":"adlib-object-74966","uuid":"5d74eb4d-6d87-33d6-a1b3-d3ed5f8bffb8"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-91154","uid":"adlib-term-91154","uuid":"e8910136-0f36-3b86-960d-f7466393839d"},"summary_title":"tazza"}},"summary_title":"tazza"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-74920","uid":"adlib-object-74920","uuid":"a1038f68-ef6b-3650-b2c3-2ae0b59a7616"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-88137","uid":"adlib-term-88137","uuid":"eeab1777-4158-31f4-8f8a-0015cb1910f7"},"summary_title":"ewer"}},"summary_title":"ewer"},{"@link":{"cascade":true,"type":"reference"},"admin":{"id":"object-15302","uid":"adlib-object-15302","uuid":"df15d696-5363-3c1f-9a01-34bbf626c29b"},"summary":{"reference":{"@link":{"impact":true,"type":"reference","workflow":true},"admin":{"id":"term-30982","uid":"adlib-term-30982","uuid":"952a2227-ce0e-31a3-a0d9-40085991be5b"},"summary_title":"tile"}},"summary_title":"tile"}],"owners":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"publications":[{"@link":{"notes":"Cf. an early example, with inlaid design in three colours, now in the V&A (C.46-1972). See pp.17-18 for factory and date marks.","page":"17-18","type":"reference"},"admin":{"id":"publication-2727","uid":"adlib-publication-2727","uuid":"02232f50-fd3b-3b8a-9687-1a8ff3f7c0d1"},"summary_title":"Minton 1798-1910"},{"@link":{"notes":"Cf. B39, an example with inlaid design.","page":"30","type":"reference"},"admin":{"id":"publication-1048","uid":"adlib-publication-1048","uuid":"3731e4a6-d392-3c17-9cbb-1cb7a099cfbb"},"summary_title":"Victorian and Edwardian Decorative Art , The Handley-Read Collection"},{"@link":{"notes":"Cf. contemporary engraving of plate, made by Minton and design attributed to Pugin. See also Vol. III, p.88.","page":"Vol.II p. 97","type":"reference"},"admin":{"id":"publication-200002963","uid":"adlib-publication-200002963","uuid":"8e90a81b-ad38-3148-b5ba-24f060b2f42a"},"summary_title":"Journal of Design and Manufactures"},{"@link":{"type":"reference"},"admin":{"id":"publication-7717","uid":"adlib-publication-7717","uuid":"cfc591c4-fcca-3992-be8b-eb0ca6658ce0"},"summary_title":"Design from 1860, Auction 18002,  21 April 2010"},{"@link":{"notes":"Ref. Pugin design for bread plate with ill. of similar designs. See p.345 for listing in Minton shape book, p.379 for factory marks.","page":"53, 345, 379","type":"reference"},"admin":{"id":"publication-3003","uid":"adlib-publication-3003","uuid":"642094f9-3e39-3eeb-90ea-42311670123e"},"summary_title":"Minton: The First Two Hundred Years of Design & Production"},{"@link":{"notes":"Cf. a different design of bread plate by Pugin, no 368, motto \u2018Waste Not \u2013 Want Not \u2013 Spare Not\u2019.","page":"71","type":"reference"},"admin":{"id":"publication-7698","uid":"adlib-publication-7698","uuid":"47b18eed-f183-34ab-a010-3ed1821bbf58"},"summary_title":"Minton \u2018Majolica\u2019: an historical survey and exhibition catalogue"},{"@link":{"type":"reference"},"admin":{"id":"publication-7718","uid":"adlib-publication-7718","uuid":"34e60420-f402-3d01-a0dd-999df7025476"},"summary_title":"Pugin: a Gothic passion"},{"@link":{"notes":"Ref. re Pugin\u2019s links with Minton and bread plate exh. 1949. Also ill. design for a block printed soup plate. p.367 for Minton bibliography, pp.378-80 for marks.","page":"292-293","type":"reference"},"admin":{"id":"publication-7697","uid":"adlib-publication-7697","uuid":"78ab2e7d-b46a-3610-9abd-ab9839494cf3"},"summary_title":"Dictionary of Minton"},{"@link":{"notes":"Cf. p. 173, no. 183, decorated in blue and red, Minton, 1851","page":"163-174","type":"reference"},"admin":{"id":"publication-200002916","uid":"adlib-publication-200002916","uuid":"b85b802d-8d56-3271-85d1-4ae390599633"},"summary_title":"The Ceramic Designs of A.W.N. Pugin"},{"@link":{"notes":"Ref. marks, incl. \u2018best body\u2019 mark.","page":"440-442","type":"reference"},"admin":{"id":"publication-2663","uid":"adlib-publication-2663","uuid":"a2faf0b6-febd-3d16-82e0-6444a2dc48e7"},"summary_title":"Encyclopaedia of British Pottery and Porcelain Marks"},{"@link":{"notes":"Ref. Minton majolica ware ewer & basin (ill.) and information about Minton majolica.","page":"110","type":"reference"},"admin":{"id":"publication-1030","uid":"adlib-publication-1030","uuid":"9cf77d50-a614-3947-8d0e-919f695fe7b0"},"summary_title":"Fitzwilliam Museum Handbooks, English Pottery"}],"school_or_style":[{"@link":{"type":"reference"},"admin":{"id":"term-10670","uid":"adlib-term-10670","uuid":"c8fcad8a-6e94-3268-a195-a27c0bf17540"},"summary_title":"Gothic Revival"}],"subjects":[{"@link":{"type":"reference"},"admin":{"id":"term-134012","uid":"adlib-term-134012","uuid":"160b5d6c-6f79-3344-ba71-1edd82c255bd"},"summary_title":"Birmingham Exhibition, 1849"}],"summary":{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-117138","uid":"adlib-term-117138","uuid":"e2a9f298-5d84-3e66-84d5-5fd4649077be"},"summary_title":"bread plate"}},"summary_title":"bread plate","techniques":[{"description":[{"value":"relief moulded earthenware with Majolica glazes"}],"reference":{"@link":{"type":"reference"},"admin":{"id":"term-111179","uid":"adlib-term-111179","uuid":"be5c887b-c0ed-3d89-82b2-c3a870e72a68"},"summary_title":"moulding"}}],"title":[{"value":"Pugin bread plate"}],"type":{"base":"object","type":"OBJECT"}}},{"_index":"ciim","_type":"data","_id":"adlib-object-74920","_score":18.292892,"_source":{"admin":{"added":1592999652000,"created":1312637261000,"flag":"Standard Record","id":"object-74920","indexed":1754330645442,"modified":1714467790000,"processed":1754330624263,"source":"adlib","stream":"fitz-online","uid":"adlib-object-74920","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74920","uuid":"a1038f68-ef6b-3650-b2c3-2ae0b59a7616","version":6},"agents":[{"@link":{"note":[{"value":"Art Director of Minton"}],"type":"reference"},"admin":{"id":"agent-192154","uid":"adlib-agent-192154","uuid":"008703e9-2a85-3b84-a33f-7620291deb49"},"summary_title":"Arnoux, Leon"},{"@link":{"note":[{"value":"1813-57; designer of forms"}],"type":"reference"},"admin":{"id":"agent-173234","uid":"adlib-agent-173234","uuid":"f45c17a6-8606-3224-b71e-f1a1926aedfd"},"summary_title":"Jeannest, Pierre Emile"},{"@link":{"relation":"person","type":"reference"},"admin":{"id":"agent-150829","uid":"adlib-agent-150829","uuid":"12e8b411-c52f-3a3a-99ed-a862ffafad8e"},"summary_title":"Triton"}],"categories":[{"@link":{"type":"reference"},"admin":{"id":"term-42861","uid":"adlib-term-42861","uuid":"5b368285-f1a8-3dcf-a5b2-637fd3c3956c"},"summary_title":"earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-108657","uid":"adlib-term-108657","uuid":"c170cd8e-fc63-3446-81a4-6682b5979808"},"summary_title":"lead-glazed earthenware"},{"@link":{"type":"reference"},"admin":{"id":"term-133689","uid":"adlib-term-133689","uuid":"4ef26466-81ce-3d12-aa11-d9f705180c56"},"summary_title":"majolica ware"}],"component":[{"materials":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-107733","uid":"adlib-term-107733","uuid":"00160189-e3ce-3796-a88b-5aa8d6c808c4"},"summary_title":"lead-glaze"}},{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-32638","uid":"adlib-term-32638","uuid":"97b8d1a5-7b8f-3a2a-a275-7d001aeaae2b"},"summary_title":"enamel"}}],"name":"Decoration","techniques":[{"reference":{"@link":{"type":"reference"},"admin":{"id":"term-106226","uid":"adlib-term-106226","uuid":"194567f2-2bcd-3446-ae31-652386611815"},"summary_title":"painting"}}]},{"measurements":{"dimensions":[{"dimension":"Depth","units":"cm","value":"56"},{"dimension":"Height","units":"cm","value":"8"},{"dimension":"Width","units":"cm","value":"62.5"}]},"name":"Stand"},{"measurements":{"dimensions":[{"dimension":"Height","units":"cm","value":"75"},{"dimension":"Width","units":"cm","value":"33"}]},"name":"Ewer"}],"content":{"motifs":[{"@link":{"type":"reference"},"admin":{"id":"term-1111","uid":"adlib-term-1111","uuid":"46c949dd-f376-3538-878f-397baee5be09"},"summary_title":"mythology"}]},"department":{"value":"Applied Arts"},"description":[{"value":"Earthenware ewer and stand, moulded in several parts and decorated with applied high relief figures, green, ochre, buff and magenta majolica glazes  and blue enamel."},{"value":"The ewer is of classical shape with a small foot, ovoid body, tall neck and scrolled rim. The highly ornate loop handle which extends above the rim is modelled as Triton, a merman bending backwards and clutching his bifurcated foliate tail. A moulded mermaid is applied below the spout, her arms spread as on the prow of a ship.  The body is decorated with applied green foliage set on a magenta ground, two moulded masks and four large oval turquoise panels.  The underside is hollow and clear-glazed, except for a broad foot-rim, with a central metal wing-nut bolting the base to the body."},{"value":"The stand is oval with a wide flared rim. Around the rim are four more moulded masks, holding oak-leaf swags over four slightly convex, plain turquoise ovals.  The circular centre is mid-blue, encircled by a thin band of ochre and a wider band of green foliage on magenta ground. The underside is clear glazed."}],"exhibitions":[{"@link":{"catalogue":"C 19","type":"reference"},"admin":{"id":"exhibition-1072","uid":"adlib-exhibition-1072","uuid":"5f0c5c3b-ca10-352c-8c84-8027304959ff"},"summary_title":"Victorian and Edwardian Decorative Art - The Handley-Read Collection"},{"@link":{"type":"reference"},"admin":{"id":"exhibition-1682","uid":"adlib-exhibition-1682","uuid":"4e7148c5-e3d5-3b39-8195-7ad42d347c5f"},"summary_title":"Variations on Ceramic Themes, Big is Beautiful?"}],"identifier":[{"accession_number":"C.40 & A-1972","primary":true,"type":"accession number","value":"C.40 & A-1972"},{"priref":"74920","type":"priref","value":"74920"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74920","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74920"}],"inscription":[{"description":[{"value":"circle with protruding line"}],"location":"underside of stand","method":"impressed","type":"mark"},{"description":[{"value":"A or triangle"}],"location":"underside of stand","method":"impressed","transcription":[{"value":"A"}],"type":"mark"},{"description":[{"value":"smudge"}],"location":"underside of ewer","method":"painted in blue","type":"mark?"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Purchased with the Perceval Fund and grant-in-aid from the Victoria and Albert Museum"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160895","uid":"adlib-agent-160895","uuid":"a1eb7880-da59-3f1e-96f8-35488a6c8c56"},"summary_title":"Stainton, Thomas"}],"date":[{"earliest":1972,"latest":1972,"value":"1972-10-19"}],"method":{"value":"bought"},"note":[{"value":"Check date of accession in register"}]}],"creation":[{"date":[{"earliest":1856,"era":["CE"],"latest":1856,"note":[{"value":"date mark for 1856"}],"value":"1856"}],"maker":[{"@link":{"role":[{"value":"factory"}],"type":"reference"},"admin":{"id":"agent-153865","uid":"adlib-agent-153865","uuid":"853be336-7cfb-32d1-aa54-fb4dff401cf0"},"summary_title":"Minton & Co."},{"@link":{"role":[{"value":"designer"}],"type":"reference"},"admin":{"id":"agent-173234","uid":"adlib-agent-173234","uuid":"f45c17a6-8606-3224-b71e-f1a1926aedfd"},"summary_title":"Jeannest, Pierre Emile"}],"note":[{"value":"At least five examples of this shape, designed by Pierre Emile Jeannest (1813-57), are known. This and another have plain turquoise panels. Others have finely painted narrative panels. One of these, now in the Victoria & Albert Museum (no.8107&A-1863), was painted by Thomas Allen with classical gods (after Polidoro da Caravaggio) while the stand shows the Labours of Hercules (after Lebrun). It was shown by Minton at the London International Exhibition of 1862. The shape, however, was in use earlier as indicated by the date-mark, 1856, on the Fitzwilliam example and an early listing in the Minton ornamental shape book 3, c.1854-62, which reads: \u2018616: \u2018Ewer and stand, Jeannest, with Triton handle, H.2\u20196\u201d \u2018. The Greek god Triton, son of Poseidon, was the messenger of the sea; he is typically represented as the merman seen here."},{"value":"Minton, founded in 1793, originally produced blue printed earthenware and, later, creamware, bone china and other products, particularly tableware. Taking over in 1836, Herbert Minton  (1793-1858) revolutionised production methods and introduced new lines in encaustic and printed tiles, figures and ornamental wares. In 1858 the business passed to Herbert\u2019s nephew, Colin Minton Campbell (1827-85), who continued the expansion. The early business traded under various names, from 1845 it was known as Minton & Co. and from 1873 as Mintons Ltd."},{"value":"Pierre-Emile Jeannest, (1813 \u2013 1857) was a French ceramic and silver designer. The son of a sculptor, he worked for Minton c.1846-1852, designing Parian figures, majolica ware and tableware. He later worked for Elkingtons, designing silver, whilst continuing to supply Minton designs as a freelance. He also taught the model class at Stoke School of Design."},{"value":"This is a particularly ambitious example of  mid-nineteenth century ceramics combining Renaissance sources with  innovation. Minton launched wares \u2018coloured in the Majolica style\u2019 at the Great Exhibition of 1851, to great acclaim. The new product took inspiration from  Italian  maiolica, tin-glazed earthenware with finely painted decoration, Della Robbia sculpture, and the brightly coloured lead-glazes favoured by Bernard Palissy. Other factories, including Wedgwood, followed suit, but Minton\u2019s Majolicaware  developed in the late 1840s was notable for an exceptionally wide  palette of glazes developed under the leadership of Art Director L\u00e9on 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Notes survival of a \u2018related drawing\u2019\n See p.17-18 for date mark.","page":"95-7","type":"reference"},"admin":{"id":"publication-2727","uid":"adlib-publication-2727","uuid":"02232f50-fd3b-3b8a-9687-1a8ff3f7c0d1"},"summary_title":"Minton 1798-1910"},{"@link":{"type":"reference"},"admin":{"id":"publication-7708","uid":"adlib-publication-7708","uuid":"30dc90f4-447b-3dfb-894c-45261c4cb67a"},"summary_title":"19th Century Furniture, Sculpture, Ceramics, Silver and Works of Art"},{"@link":{"type":"reference"},"admin":{"id":"publication-5707","uid":"adlib-publication-5707","uuid":"b6b6c845-9e48-324f-aa44-f8d7407d68a2"},"summary_title":"High Victorian Decorative Arts and Design"},{"@link":{"notes":"Cf. p. 78, lot 449, sale 5 October 1993, illustrated, a very similar ewer with similar plain turquoise panels, but without stand. 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The underside of the foot is glazed, with two suspension holes in the upper side."}],"identifier":[{"accession_number":"C.41-1972","primary":true,"type":"accession number","value":"C.41-1972"},{"priref":"74966","type":"priref","value":"74966"},{"type":"uri","uri":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74966","value":"https:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/74966"}],"inscription":[{"location":"bottom lhs of image, under Leda's left foot","method":"painted","transcription":[{"value":"Kirkby"}],"type":"inscription"},{"description":[{"value":"signature, possibly \u2018Ruisiola\u2019 [?]"}],"location":"bottom lhs of image, under Leda's right foot","type":"inscription"},{"location":"underside of base","method":"impressed","transcription":[{"value":"MINTON"}],"type":"factory mark"},{"description":[{"value":"circular crown and ermine mark"}],"location":"underside of base","method":"stamped in red","type":"factory mark"},{"location":"underside of base","method":"handpainted in purple-red","transcription":[{"value":"Apotheosis of Jupiter"}],"type":"inscription"}],"institutions":[{"@link":{"type":"reference"},"admin":{"id":"agent-149638","uid":"adlib-agent-149638","uuid":"7376d833-d0a7-3be0-916e-9c892b7a24d8"},"summary_title":"The Fitzwilliam Museum"}],"legal":{"credit_line":"Bought with the Percival Fund and the Victoria & Albert Museum  Grant in Aid fund"},"lifecycle":{"acquisition":[{"agents":[{"@link":{"type":"reference"},"admin":{"id":"agent-160895","uid":"adlib-agent-160895","uuid":"a1eb7880-da59-3f1e-96f8-35488a6c8c56"},"summary_title":"Stainton, Thomas"}],"date":[{"earliest":1972,"latest":1972,"value":"1972-10-19"}],"method":{"value":"bought"},"note":[{"value":"Entry date: 1972-10-19"}]}],"creation":[{"date":[{"earliest":1862,"era":["CE"],"latest":1862,"note":[{"value":"dated"}],"value":"1862"}],"maker":[{"@link":{"role":[{"value":"production"}],"type":"reference"},"admin":{"id":"agent-153865","uid":"adlib-agent-153865","uuid":"853be336-7cfb-32d1-aa54-fb4dff401cf0"},"summary_title":"Minton & Co."}],"note":[{"value":"Kirkby is said to have painted the first piece of \u2018Majolica ware\u2019 produced by Minton. Launched at the Great Exhibition of 1851, to great acclaim, wares \u2018coloured in the Majolica style\u2019 took inspiration from Italian maiolica, tin-glazed earthenware with finely painted decoration. Some Minton designers, such as Kirkby, favoured close imitation of Italian designs (as here),    though 19th-century \u2018Majolica ware\u2019 more often favours sculptural forms and brightly coloured lead glazes."},{"value":"Minton, founded in 1793 by Thomas Minton (1765-1836) , originally produced blue printed earthenware and, later, creamware, bone china and other products, particularly tableware. Taking over in 1836, his son Herbert Minton revolutionised production methods and introduced new lines in encaustic and printed tiles, figures and ornamental wares. In 1858 the business passed to Herbert\u2019s nephew, Colin Minton Campbell (1827-85), who continued the expansion. The early business traded under various names, from 1845 it was known as Minton & Co. and from 1873 as Mintons Ltd."},{"value":"Thomas Kirkby (1824-1901) joined Minton as an apprentice in 1837, rising to Art Curator before his retirement in 1887. He specialised in painting classical figure subjects in the style of Italian maiolica. There is another Minton tazza of this design in the V & A Museum, inscribed 'Apotheosis of the Amours of Jupiter from Julia [sic] Romano', however recent scholarship suggests the image is in fact taken from a drawing  by Pirro Ligorio (c.1513-1583) , though perhaps based on an original work by Giulio Romano (1489-1546). The V & A tazza, inscribed 'T Kirkby pinx Minton & Co\u2019, was exhibited at the 1862 London International Exhibition. The presence of a second artist\u2019s signature on this example suggests that Kirby used an assistant in painting this tazza, maybe to order after the 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